Relevant bibliographies by topics / Dub (Music)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Dub (Music)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "Dub (Music)"

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Abughaida, Yazan. "Dub, Dub-Key and Dabkeh: Palestinian Resistance through Reggae Music in Israel." Journal of Georgetown University-Qatar Middle Eastern Studies Student Association 2015 (April 2015): 11. http://dx.doi.org/10.5339/messa.2015.11.

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Yoganathan, Nimalan, and Owen Chapman. "Sounding Riddims: King Tubby’s dub in the context of soundscape composition." Organised Sound 23, no. 1 (2017): 91–100. http://dx.doi.org/10.1017/s1355771817000310.

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A significant body of academic literature and music journalism has explored the historical trajectory of Jamaican dub music and its innovative use of audio recording technology. The present article seeks to demonstrate the similarities between the studio compositional methods of Jamaican dub innovator King Tubby and those of Canadian soundscape composers Barry Truax and Hildegard Westerkamp. Rather than attempting to identify aesthetic and stylistic similarities between Tubby’s dub music and soundscape composition, this article presents a comparative analysis of dub in relation to soundscape c
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Pyne, Natasha. "Jesus Dub: Theology, Music and Social Change." International Journal of Public Theology 1, no. 3 (2007): 493. http://dx.doi.org/10.1163/156973207x231761.

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Hi Fi, Feminine. "Dub Essay #3 - Feminine Hi Fi." Journal of World Popular Music 8, no. 1 (2021): 156–57. http://dx.doi.org/10.1558/jwpm.43094.

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System, Tikur Sound. "Dub Essay #1 - Tikur Sound System." Journal of World Popular Music 8, no. 1 (2021): 74–76. http://dx.doi.org/10.1558/jwpm.43088.

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System, U. N. I. T. Y. Sound. "Dub Essay #2 - U.N.I.T.Y. Sound System." Journal of World Popular Music 8, no. 1 (2021): 122–23. http://dx.doi.org/10.1558/jwpm.43091.

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Haddon, Mimi. "Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk." Popular Music 36, no. 2 (2017): 283–301. http://dx.doi.org/10.1017/s0261143017000095.

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AbstractThis article examines the complex racial and national politics that surrounded British post-punk musicians’ incorporation of and identification with dub-reggae in the late 1970s. I analyse this historical moment from sociological, intra-musical and discursive perspectives, reading the musical incorporation of dub-reggae by The Police, Gang of Four and Joy Division against the backdrop of the era's music press discourse. I also unpack discursive representations of Jamaican musicians and ask: what role does subaltern performativity play in contributing to ‘imaginary’ critical conceptions
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Herbst, Jan-Peter. "Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis." Journal of Music, Technology and Education 9, no. 3 (2016): 255–72. http://dx.doi.org/10.1386/jmte.9.3.255_1.

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This article examines learning opportunities of music production tasks by an exemplary unit on dub reggae following an action research approach. It addresses the educational areas of sound design, musical knowledge, analysis and listening skills, taking the sound of dub reggae as starting point for learner-centred activity. The main premise is to advocate music production technology as an effective tool for music learning allowing students to experience techniques of music production first hand, vividly illustrating creative approaches of remote musical cultures, their successive influence on
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Motion, Flow. "Astro Black Morphologies: Music and Science Lovers." Leonardo 39, no. 1 (2006): 23–28. http://dx.doi.org/10.1162/002409406775452258.

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Acompressed series of possible histories of science in modern music, the text outlines the themes of poetic and historic correspondences between music, cosmology and the body that informed the making of Astro Black Morphologies/Astro Dub Morphologies, a multimedia installation and live sound-art performance by Flow Motion in which data from possible black hole Cygnus X1 is transformed into an immersive electronic sound-and-image environment.
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Aman, Yasser K. R. "Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnson’s Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”." English Language and Literature Studies 8, no. 1 (2018): 11. http://dx.doi.org/10.5539/ells.v8n1p11.

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This paper investigates Linton Kwesi Johnson’s political activism in “Five Nights of Bleeding” and “Di Great Insohreckshan” in order to answer the much-debated question: which is more effective in conveying Johnson’s political message: the performed song or the scribed poem? First, the paper gives a brief history of dub music which started in Jamaica, Johnson’s motherland. A discussion of dub poetry follows highlighting the pioneers such as Johnson and Mutabaruka. I argue that the performed songs and the scribed poems under study are effective in convey Johnson’s message each in its own way; h
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Dissertations / Theses on the topic "Dub (Music)"

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Lapp-Szymanski, Jean-Paul. "Technology inna rub-a-dub style : technology and dub in the Jamaican sound system and recording studio." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98547.

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This thesis attempts to chart the development of a Jamaican musical form known as dub. This development is considered primarily in terms of the island's encounter with a series of new playback, amplification, recording, and sound treatment technologies. Section I focuses on the formation of the Jamaican sound system (a network of powerful mobile discos) and its pivotal role in the birth of a fertile domestic record industry. Section II extends the investigation to the Jamaican recording studio and record industry. What distinguishes this work from others on Jamaican dub is its emphasis on tech
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Heimo, Minna. "Tyglad extas : om retorik i J.S. Bachs Toccata C-dur BWV 564:1." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2496.

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I detta examensarbete presenteras de vanligaste musikaliskt-retoriska figurerna samt retorikens historia i musikaliska sammanhang. Skribenten undersöker också vilka retoriska figurer som går att hitta i J.S. Bachs Toccata i C-dur BWV 564 och om vetskapen om retorik kunde hjälpa henne med interpretationen av detta stycke.
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Udikas, Axel. "Improvisation i duo : Om frihet och ramar i en jazzduo." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2890.

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Målet med detta arbete är att undersöka hur man kan spela jazz i duo med saxofon och piano. Undersökningen är baserad på en månad med repetitioner och en studioinspelning. Undersökningen är inspirerad av deltagande observation och introspektion. Ett av undersökningens resultat är att det i en jazzduo kan det vara fördelaktigt att i improvisationenistället för att använda ackordföljden som "karta" använda sig av kompositionens melodi. Olika sätt att bryta instrumentens enligt konventionen inom jazz givna roller i improvisationen diskuteras också.
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Björklund, Felix. "Mindre är mer : Att skapa stort ljud med få instrument." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-46349.

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I projektet utforskas möjligheter att producera musik, som vanligtvis förknippas med full sättning, genom att använda endast gitarr, trummor och sång. Jag komponerar, arrangerar, spelar in och mixar musik skriven för en duo på gitarr och trummor. Skapandeprocessen är tvådelad där den ena delen är musikalisk och den andra mer teknisk. Jag undersöker vilka typer av låtar som fungerar och vilka som inte fungerar samt hur musiken måste spelas för att hålla uppe intresse inom de begränsningar som jag har. Jag undersöker också hur jag måste arbeta med och fylla de tomrum, musikaliska som tekniska, s
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Carvajal, Herrera Dennis. "Hur påverkas studenters prestation i läsförståelse av klassisk musik i dur och moll? : Ett laboratorieexperiment." Thesis, Karlstads universitet, Institutionen för sociala och psykologiska studier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-36554.

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Syftet med denna studie var att undersöka om det fanns en skillnad på studentens prestation i ett läsförståelsetest (TISUS), beroende på vilket tonläge (dur eller moll) på klassisk musik de fick lyssna på. Undersökningen genomfördes som ett laboratorieexperiment i en studierum på Karlstads Universitet, utifrån en oberoende mellan-grupps-design. Urvalet var ett tillfällighetsurval av studenter (N= 26), i åldrarna 19 – 33, inom Karlstads Universitet. Oberoende variabeln var klassiskt musik komponerad av Wolfgang Amadeus Mozart, vilket var uppdelat i de två olika betingelserna dur och moll. Beroe
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Trum, David W. "wood, metal, and vibrating air." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337287625.

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Greenberg, Talia. "The Complicated Relationship Between Music and Foreign Language Learning: Nuanced Conditions Required for Cognitive Benefits Due to Music." Oberlin College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1438129548.

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Dluzewski, Gabriel. "I mandolkitteln med Chris Thile & Mike Marshall : I SISTA STUND examenskonsert." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4198.

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<p>Medverkande musiker: Säde Tatar</p><p>Tulvil komp; G. Dluzewski &amp; S. Tatar</p><p>Enkronaspolskan från västerdalarna efter KnisKalle komp; trad.</p><p>Gabbis bröllopsvals komp; G. Dluzewski</p><p>Trollkarlens dotter komp; S. Tatar</p><p>Orepolska efter Dahlfors komp; trad.</p><p>Säde går åt pipsvängen komp; S. Tatar</p><p>Orepolska efter Flyger Jonas komp; trad.</p><p>Springlek efter Troskari Erik komp; trad</p><p>De Irländska komp; G. Dluzewski &amp; S. Tatar</p><p>Springlek från Malung efter Lissmyr Erik Persson komp; trad.</p><p>Min Levnadsafton efter Hjort Anders komp; trad</p>
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Thorell, Daniel. "Bachs sjätte cellosvit : Jakten på den rätta notbilden." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3079.

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von, Malmborg Solvej, and Tony Martinsson. "Whee da-dum bee-dum : Melodisk kontur hos ljudlogotyper och dess påverkan på varumärkesuppfattning." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-18605.

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En ljudlogotyp är en ljudkomposition som används för att särskilja ett varumärke. Ljudlogotypen ingår i varumärkens strategiska arbete för att skapa sig en bild i konsumenters medvetande. Denna bild kallas varumärkesuppfattning. Syftet med denna studie var att utöka kunskapen om hur musik kan användas i kommunikativt syfte i allmänhet och om hur melodin påverkar uppfattningen av varumärken i synnerhet. En webbenkät genomfördes för att studera om olika typer av melodisk kontur hos en ljudlogotyp kan ge olika effekter på hur ett fiktivt varumärke uppfattas ifråga om varumärkespersonlighet. Delta
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Books on the topic "Dub (Music)"

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Eagle, Kin. Rub a dub dub. Gareth Stevens, 2000.

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Kim, Alderman, and Gilbert Rob 1966 ill, eds. Rub a dub dub. Charlesbridge, 2013.

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Dub: Soundscapes and shattered songs in Jamaican reggae. Wesleyan University Press, 2007.

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Dub in Babylon: Understanding the evolution and significance of dub reggae in Jamaica and Britain from King Tubby to post-punk. Equinox, 2010.

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group), Aggrovators (Musical. Aggrovating the rhythm at Channel One: Rare dubs, 1976-1979. Jamaican Recordings, 2017.

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Deadbeat. Roots and wire. Wagon Repair, 2008.

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Random obsessions: Trivia you can't live without. Cleis Press, 2009.

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Management, Eksotikata Event. Eksotikata: Musim dua. Eksotikata Event Management, 2014.

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Colm, Ó Baóill, ed. Iain Dubh: Orain a rinn Iain Dubh mac Iain mhic Ailein (c.1665-c.1725). An Clo Gaidhealach, 1994.

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Rupertinum, Salzburger Landessammlungen, ed. Maroine Dib: Opera comic. Pustet, 2002.

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Book chapters on the topic "Dub (Music)"

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Oliver, Rowan. "In dub conference." In Music and Empathy. Routledge, 2017. http://dx.doi.org/10.4324/9781315596587-10.

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Snoman, Rick. "An overview of Dub." In Dance Music Manual. Routledge, 2019. http://dx.doi.org/10.4324/9780429453830-33.

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Wells, Tim. "‘What a Devilment a Englan!’ Dub Poets and Ranters." In Palgrave Studies in the History of Subcultures and Popular Music. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55161-2_5.

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Glynn, Martin. "A Who Seh? Reflections of a Lost and Found Dub Poet." In Palgrave Studies in the History of Subcultures and Popular Music. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55161-2_4.

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Petsche, H., R. Rappelsberger, and K. Lindner. "Probability Mapping of EEG Changes due to the Perception of Music." In From Neuron to Action. Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-662-02601-4_33.

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Wörner, Felix. "Dur/Moll-Klänge in »posttonaler« Musik. Erinnerungsfragmente einer verlorenen Idylle?" In Dur versus Moll. Böhlau Verlag, 2020. http://dx.doi.org/10.7788/9783412518110.503.

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Loya, Shay. "Neither Major, nor Minor. The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940." In Dur versus Moll. Böhlau Verlag, 2020. http://dx.doi.org/10.7788/9783412518110.357.

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Pfleiderer, Martin. "Jenseits von Dur und Moll? Zur Tonalität in der populären Musik nach 1960." In Dur versus Moll. Böhlau Verlag, 2020. http://dx.doi.org/10.7788/9783412518110.539.

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Dediu, Dan. "Delinquenz in der Neuen Musik nach 1970. Ein immunologischer Blick auf das Dur-Moll-Dispositiv." In Dur versus Moll. Böhlau Verlag, 2020. http://dx.doi.org/10.7788/9783412518110.521.

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Fuhrmann, Wolfgang. "»Dur« und »Moll« in der Musik des Spätmittelalters und der Frühen Neuzeit. Die Verfestigung einer Semantik." In Dur versus Moll. Böhlau Verlag, 2020. http://dx.doi.org/10.7788/9783412518110.63.

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Conference papers on the topic "Dub (Music)"

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Oliveira, Gabriel P., Gabriel R. G. Barbosa, Bruna C. Melo, Mariana O. Silva, Danilo B. Seufitelli, and Mirella M. Moro. "MUHSIC: An Open Dataset with Temporal Musical Success Information." In Dataset Showcase Workshop. Sociedade Brasileira de Computação, 2021. http://dx.doi.org/10.5753/dsw.2021.17415.

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Music is an alive industry with an increasing volume of complex data that creates new challenges and opportunities for extracting knowledge, benefiting not only the different music segments but also the Music Information Retrieval (MIR) community. In this paper, we present MUHSIC, a novel dataset with enhanced information on musical success. We focus on artists and genres by combining chart-related data with acoustic metadata to describe the temporal evolution of musical careers. The enriched and curated data allow building success-based time series to investigate high-impact periods (hot stre
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Rietveld, Hillegonda C. "Dubstep: Dub plate culture in the age of digital DJ-ing." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.30.

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Shimizu, Dai, and Nobumasa Sugimoto. "Numerical simulation of a heat flow due to thermoacoustic oscillations in a looped tube." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001653.

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YANG, LING, and SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.

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Successful opera art cannot be separated from literary elements, but also from the support of music. Opera scripts make up plots with words. Compared with emotional resonance directly from the senses, music can plasticize the abstract literary image from the perspective of sensibility. An excellent opera work can effectively promote the development of the drama plot through music design, and deepen the conflict of drama with the "ingenious leverage" of music. This article intends to analyze the music design of the famous opera, Mefistofele, and try to explore the fusion effect of music and dra
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Silva, Diego Furtado, Micael Valterlânio da Silva, Ricardo Szram Filho, and Angelo Cesar Mendes da Silva. "On the Fusion of Multiple Audio Representations for Music Genre Classification." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19423.

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Music classification is one of the most studied tasks in music information retrieval. Notably, one of the targets with high interest in this task is the music genre. In this scenario, the use of deep neural networks has led to the current state-of-the-art results. Research endeavors in this knowledge domain focus on a single feature to represent the audio in the input for the classification model. Due to this task’s nature, researchers usually rely on time-frequency-based features, especially those designed to make timbre more explicit. However, the audio processing literature presents many st
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Yu, Ruize, and Yu Sun. "An Automatic Sheet Music Generating Algorithm based on Machine Learning and Artificial Intelligence." In 8th International Conference on Artificial Intelligence and Applications (AI 2022). Academy and Industry Research Collaboration Center (AIRCC), 2022. http://dx.doi.org/10.5121/csit.2022.121822.

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Due to the ever growing popularity of music as a part of everyday life, and with the continuous advances in AI technology, it is now possible for computers to listen to and recognize music [1]. However, there still exist limitations on machines’ ability to recognize audio. This paper proposes an application to simplify the process of music transcription and reduce its runtime [2]. This application was tested in a different range of settings and evaluated. The results show what can be further improved on this application.
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Liu, Tse. "Principles of organization and methods of patriotic education of students by means of vocal art in the People's Republic of China." In Наука России: Цели и задачи. НЦ "LJournal", 2021. http://dx.doi.org/10.18411/sr-10-04-2021-68.

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The relevance of the topic of the article is due to the importance of patriotic education of students in modern Chinese schools. The purpose of this article is to identify and characterize the leading principles of the organization of the educational process by means of vocal art, as well as the methods used by Chinese music teachers in the process of music classes.
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Gomes, Monique, Amanda Rodrigues, Indianara Rosa, and Daniel Perez Sampaio. "MUSIC THERAPY IN DEMENTIA PATIENTS: WHAT ARE THE BENEFITS?" In XIII Meeting of Researchers on Alzheimer's Disease and Related Disorders. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1980-5764.rpda078.

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Background: Dementia is an acquired status, characterized by a decline in at least two cognitive domains, severe enough to affect social or occupational functioning. The standard pharmacological treatment for dementia has limited efficacy, especially in non-cognitive outcomes. Music therapy (MT) is being studied as anon-pharmacological therapy for Dementia, due to its stimulating effects. Objective: Understand the main benefits of MT in dementia patients, through a systematic review. Methods: A literature research was carried out using the databases: PubMed and Scielo. The period of publicatio
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Vyshpinska, Yaryna. "Formation of Creative Personality of Students Majoring in «Preschool Education» in the Process of Studying the Methods of Musical Education." In ATEE 2020 - Winter Conference. Teacher Education for Promoting Well-Being in School. LUMEN Publishing, 2021. http://dx.doi.org/10.18662/lumproc/atee2020/38.

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The body of the article goes on to discuss the creative models of a student’s personality’s development in the process of mastering the course «Theory and methods of musical education of the preschool children». In general, the teacher's profession accumulates a big number of opportunities for the creative improvement of a would-be teacher's personality. All types of activities used while working with children in the process of mastering the artistic competencies (like fine arts, modeling, designing, appliqué work or musical activities) require not only technical skills, but also sufficient cr
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Hoffman, Guy. "Dumb robots, smart phones: A case study of music listening companionship." In 2012 RO-MAN: The 21st IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2012. http://dx.doi.org/10.1109/roman.2012.6343779.

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Reports on the topic "Dub (Music)"

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Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

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Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change t
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Kvalbein, Astrid. Wood or blood? Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481278.

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Wood or Blood? New scores and new sounds for voice and clarinet Astrid Kvalbein and Gjertrud Pedersen, Norwegian Academy of Music What is this thing called a score, and how do we relate to it as performers, in order to realize a musical work? This is the fundamental question of this exposition. As a duo we have related to scores in a variety of ways over the years: from the traditional reading and interpreting of sheet music of works by distant (some dead) composers, to learning new works in dialogue with living composers and to taking part in the creative processes from the commissioning of a
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