Relevant bibliographies by topics / Dubliners (Joyce, James)

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Academic literature on the topic 'Dubliners (Joyce, James)'

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Published: 4 June 2021
Last updated: 24 January 2023

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Journal articles on the topic "Dubliners (Joyce, James)"

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Hernández Mata, Francisco José. "Dubliners or the feeling of frustration." Revista de Filología y Lingüística de la Universidad de Costa Rica 12, no. 2 (August 30, 2015): 137. http://dx.doi.org/10.15517/rfl.v12i2.17257.

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En su introducción al libro James Joyce: escritos crfticos afirman que James Joyce le dio a la frase que dice así: "debemos aceptar a los hombres y mujeres tal como los encontramos en el mundo real" una validez plena en sus novelas. Si al hacer un estudio penetramos en la intimidad psicológica de los personajes, encontramos una serie de ricos elementos que ilustran bien este ambiente de desasosiego y ansiedad.
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Cóilín Owens. "“Dubliners”: James Joyce (review)." James Joyce Quarterly 44, no. 4 (2008): 824–29. http://dx.doi.org/10.1353/jjq.0.0020.

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Yu, Chenglin. "Narrative Innovation in Dubliners and James Joyce’s Exilic Experience." Theory and Practice in Language Studies 9, no. 10 (October 1, 2019): 1287. http://dx.doi.org/10.17507/tpls.0910.04.

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James Joyce’s Dubliners betrays a narrative innovative tendency towards the restriction of point of view, which means the narration tends to unfold through the character’s point of view without omniscient interference. After examining the short stories in the context of their creation, we assert that Joyce’s exile and Dubliners’s censorship mostly account for this formal innovation. Further exploration shows that the restriction of point of view is actually a narrative strategy Joyce deploys to convey his ambiguous and ambivalent feelings towards his homeland and compatriots triggered by his exilic experience.
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Samir, FERHI. "Textual Analysis of James Joyce’s Dubliners: A Fanonian Reading." Arab World English Journal For Translation and Literary Studies 5, no. 1 (February 15, 2021): 60–71. http://dx.doi.org/10.24093/awejtls/vol5no1.4.

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This research paper explores Joyce’s textual resistance to the Celtic Revivalism and the Irish Catholic conservatism in Dubliners (1914). Using postcolonial theories like the one proposed by Frantz Fanon in his The Wretched of the Earth (1968), the research shows that in writing Dubliners, Joyce, unlike the Irish Revivalist authors and conservative Catholics, was more interested in showing the imperial force or power in all shades, and put the blame on the lethargy of people when it needs to be placed, whether on imperial Britain, the Revivalist authors or the Irish Catholic conservatism. The paper also makes the case that if the colonial pathology of paralysis is the central theme of Joyce’s Dubliners, nevertheless, the power to resist or the resistance strain against this pathology is another essential idea explored by Joyce in his collection of short stories.
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Tolentino, Magda Velloso Fernandes de. "Música, Joyce e Dublinenses – Texto e Filme." ABEI Journal 16 (November 17, 2014): 57. http://dx.doi.org/10.37389/abei.v16i0.3557.

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“Songs, Joyce and Dubliners – Text and Film” This paper tries to show how music is so ingrained in Irish culture that it is present not only in theeveryday life of the people but also in literary manifestations. In James Joyce’s Dubliners we can see in several of the short stories of the collection the use of songs and their words as complementary to the plot itself. Presenting some of the examples from the collection, this paper is a good way for beginners to get acquainted with this very important work. By dealing with the original text by Joyce and with the film version made by John Huston we put together two important semiotic representations which increase the value of both.Keywords: Dubliners; John Huston’s films; music.
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Nazarieh, Mehrdad. "James Joyce Dubliners: how religion influences conscience." Clarion- International Multidisciplinary Journal 5, no. 2 (2016): 102. http://dx.doi.org/10.5958/2277-937x.2016.00039.3.

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Weisz, Gabriel. "Somatografías en los Dubliners de James Joyce." Anuario de Letras Modernas 19 (February 28, 2017): 117–22. http://dx.doi.org/10.22201/ffyl.01860526p.2014.19.553.

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“Somatografías en los Dubliners de James Joyce” trae a la delantera un recursopara leer algunas literaturas del cuerpo, un mundo narrativo que implica unmedio para imaginar y visualizar los cuerpos de los personajes. Los Dublinersnos lleva por un recorrido que nos permite corroborar las representaciones decambios físicos en cada uno de los individuos en el texto. Esta lectura corporalactiva un vínculo íntimo entre lectores y personajes. Una cartografía de losprotagonistas no sólo ubica a los personajes en el texto sino que los aproxima anuestras percepciones.
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Daneshzadeh, Amir. "Analysis of James Joyce Short Stories." International Letters of Social and Humanistic Sciences 54 (June 2015): 115–22. http://dx.doi.org/10.18052/www.scipress.com/ilshs.54.115.

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Collection of short stories of James Joyce in a book under the title of “Dubliners” (1914) is a collection composing of 15 short stories, which topic of all of them is living in Dublin (stories about death, love, live in school, etc.). Short story of “sisters” narrates feelings of a boy about death of a priest. The first woman, who is afraid of love, a mother in law speaks about ambition and destroys her daughter. It ispainful narrative of a single man, who leaves the woman he loves and the woman finds in the time of her death that he has been in his loneliness all his life. Accordingly, it could be mentioned that the author has selected in his short stories a style that Flober has been its establisher. Hence, stories in the collection of Dubliners have been strongly image-based and have been less relied on storied actions. (Stein et al, 2008)The present study has analyzed two short stories of the mentioned collection under the titles of “The Dead Persons” and “The sisters\s”. In this analysis, the author has considered internal modes and feelings of characters of the story. Process of analyzing the two works has been firstly related to analysis of every story separately and then has been related to goals and destinies of creator of the work and totally his collection of short stories. Finally, the study has considered investigation and analysis of short stories of James Joyce, which analysts and critics of his works have presented it and it is that Dubliners should be considered as an origin and generality. Considering stories of this artist separately can’t be a competent work, since as it is obvious in this collection, the author has been tended to achieve a specific goal through considering a certain order for these stories.
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Gaeini, Mojgan, Fatemeh Sadat Basirizadeh, and Mahnaz Soqandi MA. "The Role of social Identity in James Joyce`s Dubliners within the Light of Cultural Materialism." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 2 (May 10, 2019): 89–99. http://dx.doi.org/10.33258/birci.v2i2.240.

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Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation. Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.
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Gaeini, Mojgan, Mahnaz Soqandi, and Fatemeh Sadat Basirizadeh. "The Role of Language and its Analysis in James Joyce`s Dubliners within the Light of Cultural Materialism." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 2, no. 2 (May 16, 2019): 16–26. http://dx.doi.org/10.33258/birle.v2i2.272.

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Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation. Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.
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Dissertations / Theses on the topic "Dubliners (Joyce, James)"

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Moira, Amara 1985. ""Dubliners" / "Dublinenses" : retraduzir James Joyce." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269967.

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Orientador: Fabio Akcelrud Durão
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T20:39:26Z (GMT). No. of bitstreams: 1 Moira_Amara_M.pdf: 2083817 bytes, checksum: 688ce4a9ffecb500ae13e648428af24b (MD5) Previous issue date: 2013
Resumo: O fato de existirem sete traduções do "Dubliners" de James Joyce poderia indicar duas situações diametralmente opostas: de um lado, que é possível já existir uma versão cujo brilho seria capaz de apagar, pelo menos temporariamente, a necessidade de se retraduzir os quinze contos; de outro, que há algo neste livro que resistiu e segue resistindo às mais obstinadas tentativas de tradução. O estudo destas traduções, entretanto, demonstrará que poucas são as divergências nas propostas que as animam, diferindo entre si tão-somente no grau de ousadia com que buscaram recriar o "Dubliners" em português: no geral, todas as sete (quatro brasileiras e três lusitanas) seriam filhas dum mesmo desejo de preservar a camada superficial de sentido a qualquer custo, mesmo que isto implique em apagar algumas das características mais intrigantes da prosa joyceana (a saber, a possibilidade de usos verbais dos personagens inadvertidamente despontarem na voz do narrador, as experiências coloquiais que abundam em qualquer dos contos [desvios da norma culta, expressões que não conhecem registro nos principais dicionários da língua, giros lexicais de sentido obscuro, peculiaridades do inglês falado na Irlanda, falas vazias de significação ou demasiado vagas, etc.] e as repetições que criam uma teia de sentidos dentro da obra). Pensando nisto e munido de um conhecimento minucioso tanto do texto inglês quanto do das versões em nosso idioma, empreendi uma nova tentativa de tradução do "Dubliners", tradução de viés acadêmico por vir acompanhada de notas e de um arcabouço teórico sólido, mas que não coloca em segundo plano a necessidade de se recriar a instigância do original irlandês. No que toca à obra joyceana, o crítico Hugh Kenner será uma das pedras de toque do projeto, enquanto que, no tocante à teoria da tradução, Walter Benjamin servirá como iluminador de caminhos. A versão castelhana de Guillermo Cabrera Infante, o genial escritor cubano e um admirador de Joyce, será um modelo de possibilidades criativas: não temos uma versão que se lhe equipare, uma versão que se proponha a criar uma obra rigorosa e de fato literária. Eis o desafio a que me proponho nesta dissertação
Abstract: The fact that there are seven translations of James Joyce's "Dubliners" could indicate two diametrically opposite situations: on the one hand, that it is possible that the splendour of one of these versions would be able to suppress, temporarily at least, the need for another translation; on the other, that there is something in this book that resisted and keeps resisting to the most obstinate attempts of translation. However, the analysis of these translations will show that there are few differences between their proposals: in general terms, all them ( four Brazilians and three Lusitanians) descended from the same desire of preserving at any cost the superficial layer of sense, even when it deletes some of his most intriguing characteristics (as some idioms of the characters appearing in the narrator's voice, or the numerous coloquial experiences, or the repetitions that create a web of signifiers inside the work). With that in mind and provided with a thorough knowledge of the English text as well as of the Portuguese translations, I undertake another attempt to translate it, an academic attempt with plenty of notes and a solid framework but bringing also to foreground the necessity of recreating a literary work, a work that deserves to be called literature. Hugh Kenner will be the touchstone regarding the Joycean criticism, while Walter Benjamin will illuminate new paths in translation studies. Guillermo Cabrera Infante, the bright Cuban writer and an admirer of Joyce, was my model of creative possibilities: we do not have a version as good as this one. This is my challenge with this dissertation
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
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Rainville-Duech, Lorie-Anne. "James joyce : ecritures du corps dans dubliners." Paris 3, 2000. http://www.theses.fr/2000PA030152.

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Le corps en tant qu'objet litteraire offre un champ d'application riche et divers, particulierement chez joyce. Si ulysses est explicitement designe comme une epopee du corps humain, dubliners contient deja les signes d'un interet profond pour le corps, ce corps que joyce considerait comme << a new province of material >>. C'est a l'exploration de cette terra incognito, que nous convie cette etude qui fournit des clefs de lecture permettant de mettre a jour la reelle complexite de la premiere uvre en prose de joyce. L'etude du corps dans dubliners pose la question de la constitution de l'identite a partir du visage, du fonctionnement du corps lorsque l'organique se confond avec la mecanique ainsi que la question des dereglements du corps qui sont les symptomes de conflits psychiques. Ainsi, comme l'ecriture, le corps est a la fois surface et profondeur, sorte de point de rencontre ou s'exerce le jeu du langage. Ecriture avant tout insidieuse ou l'uvre dissimule une complexite derriere une facade de simplicite. Ecriture parodique ou l'uvre renvoie a sa propre ecriture : certains moments paraissent etre des reecritures d'autres moments du recueil. Ecriture minutieuse ou fourmillentles details, l'uvre cree tout un systeme de reflets et d'echos. A l'image du corps, dubliners pose donc la question des rapports entre le tout et ses parties - question fondamentale dans cette ~uvre dont l'elucidation passe par la reconnaissance de son systeme de symetrie et d'entrecroisements, meticuleusement voulu par joyce.
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Cruz, Moscoso Franklin de la. "James Joyce’s Early Works: James Joyce’s “The Dead” in Dubliners." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110291.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.
The present report, then, will focus on the “The Dead”, mainly, to show its intrinsic worth and the possible relations existing between it and the other stories within Dubliners, and Joyce’s next work, A Portrait of the Artist as a Young Man.
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Fourer, Chantal. "James Joyce, de "Dubliners" à "Ulysses" : modernité du baroque." Limoges, 1993. http://www.theses.fr/1993LIMO0505.

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La these se propose de montrer que l'oeuvre de joyce emprunte, consciemment et inconsciemment, a l'esthetique et aux pratiques artistiques du baroque en les renouvelant les modernisant. Le baroque euphemise, proche des origines du mouvement, a l'expression quelque peu balbutiante des nouvelles de dubliners, puis le baroque proliferant et "distancie", post-moderniste avant l'heure de ulysses informent l'oeuvre dans son ensemble. Est toutefois exclus de notre etude finnegan's wake qui exacerbe et complexifie la vision baroque en explorant de vertigineux abimes linguistiques et mythiques. Dans ulysses, mais aussi dans giacomo joyce ou les poemes de chamber music, joyce propose impose le depassement, la subversion du langage et de la vision classique, en une demarche qui calque et prend ses distances avec celle des poetes francais du 17e siecle, des musiciens baroques, ou des architectes espagnols, en integrant les techniques et les images de la modernite. Son choix de certaines figures mythiques, son usage des effets de miroirs et de trompe-l'oeil, son retour a la metaphore-anamorphose puisent aux sources du baroque et le renouvellement, sur le mode ludique et parodique. Un vaste panorama mythographique, entrelacant figures ornementales et masques emblematiques de vie et de mort, laisse emerger la figure d'un eros baroque du 20e siecle. Unifiant ainsi la tradition et la novation, annoncant a bien des egards les visions et le techniques de la litterature post-moderne de france ou des ameriques
Through baroque art appeared in specific historical conditions, modern critics consider that the baroque vision and baroque forms of expression have outlived the conditions of their birth. Joyce's work may be interpreted in the light of that enduring tradition. It seems to derive from the baroque aesthetics, to renew, to modernize it. The shor-stories of dubliners evolve from a euphemized baroque to more ornemental forms, which are turned in ulysses into a monstrous proliferation of figures and situations. The world of ulysses, as well as that of chamber music, and even giacomo joyce is a world of games of displacement, mirror effects, labyrinthine quests, illusory devices, make-believe, etc. . . Joyce's work transcends its origins. Subverts both classical language and classical vision. A whole network of mythic figures, embedding ornemental and emblematic masks of life and death (including the dominant one of eros), structures and unifies joyces's work. As a tentative of synthetic unification, ulysses establishes a link between tradition and renewed visions, foretelling the linguistic and stylistic experimentations of finnegan's wake and post-modernist literature
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Castro, Thalita Serra de. "James Joyce: voz narrativa e projeto estético em construção." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-03122015-125052/.

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James Joyce é conhecido por seus grandes romances, mas podem-se destacar os contos de Dubliners por integrarem parte fundamental do que se entende por um projeto estético do autor. Cada um dos textos apresenta um aspecto e uma perspectiva específicos sobre a vida em Dublin, a qual Joyce descreveu em minúcia. Esta dissertação procura analisar os diferentes usos da voz narrativa que o autor faz na coletânea e como isso deixa entrever tal projeto estético. Oscilando entre primeira e terceira pessoas, os narradores tentam assemelhar seu estilo à maneira de falar das personagens de cada estória, o que se nota principalmente pelo vocabulário e, no segundo caso, pelas associações mentais que tentam reproduzir em discurso indireto livre. Assim, é como se a voz narrativa dissonante e perfeitamente identificável buscasse progressivamente se harmonizar ao contexto em que se insere.
James Joyce is well-known for his novels, but the short stories in Dubliners are a fundamental part of what can be considered his aesthetic project. Each story reveals a specific aspect and perspective of Dublins life, which Joyce described in detail. This dissertation aims at analysing the different uses the author makes of the narrative voice in his stories, and how this unveils such aesthetic project. From first person to third person narrative, his narrators try to bring their styles close to the way characters speak, which can be identified mainly because of the vocabulary and the mental associations reproduced through free indirect speech. Therefore, it is as if the dissonant and distinguishable voice of the narrator slowly came to be in harmony with the context.
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Pinto, Rodrigo Moreira. "A tonalidade em suspensão: a música em Dubliners de James Joyce." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-11032016-161503/.

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Mediante levantamento da fortuna crítica e da leitura atenta da obra de Joyce, este trabalho investiga os empregos da música em Dubliners, tanto no âmbito da forma quanto no conteúdo. Quanto aos usos formais, destacam-se estratégias comuns à poesia, como assonâncias, aliterações, ritmos, métricas, onomatopeias, além de elementos estruturais mais complexos, próprios da linguagem musical, como leitmotiv, contraponto, tema e variação. A dissolução da causalidade e a maneira diversa de lidar com a tensão para a construção do enredo se assemelham a alguns recursos musicais aplicados pelos modernistas que produziram o gradativo desmantelamento do sistema tonal. Quanto aos usos musicais que atuam diretamente no conteúdo, destacam-se as alusões a obras musicais e tem papel decisivo para a construção da atmosfera, caracterização de personagens, e desenvolvimento do enredo. A hipótese do trabalho é que a utilização de elementos musicais na literatura está atrelada diretamente às recorrências temáticas da morte, da paralisia, do contexto histórico irlandês, do amor, da sexualidade e da cultura celta. A aproximação entre música e literatura é em Dubliners seminal e Joyce a desenvolverá amplamente de forma experimental nas obras posteriores, principalmente em Ulysses e em Finnegans Wake, nas quais as transformações de elementos musicais intersectam com a palavra.
Through a survey of the critical fortune and the close reading of James Joyces work, this research investigates the employment of music in Dubliners, both in form and in content. Concerning the formal uses, some strategies common to poetry stand out, such as assonances, alliteration, rhythm, metric, onomatopoeia, apart from more complex structural elements, inherent of musical language, such as leitmotiv, counterpoint, as well as theme and variation. The dissolution of causality and the distinct manner to deal with tension, aiming the building of the plot, resembles some musical resources used by the modernists that produced the gradual dismantling of the tonal system. Concerning the musical uses that act directly on the content, the allusions to musical pieces stand out and play a decisive role in building the atmosphere, constructing characters, and developing the plot. The hypothesis of this study is that the use of musical elements in Joyces text is directly connected with the thematic recurrences of death, paralysis, Irish historical context, love, sexuality, and Celtic culture. The rapprochement between music and literature is seminal in Dubliners and Joyce is going to largely develop it in later works, in which the transformation of musical elements intersect with the words.
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Briggs, Roger T. "Dubliners and the Joycean epiphany." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t065.pdf.

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Mayo, Kim Martin. "Joyce's Dubliners and Hemingway's In Our Time: A Correlation." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500421/.

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One rarely sees the names James Joyce and Ernest Hemingway together in the same sentence. Their obvious differences in writing styles, nationalities, and lifestyles prevent any automatic comparison from being made. But when one compares their early short story collections, Dubliners and In Our Time, many surprisingly similarities appear. Both are collections of short stories unified in some way, written by expatriates who knew each other in Paris. A mood of despair and hopelessness pervades the stories as the characters are trapped in the human condition. By examining the commonalities found in their methods of organization, handling of point of view, attitudes toward their subjects, stylistic techniques, and modes of writing, one is continually brought back to the differences between Joyce and Hemingway in each of these areas. For it is their differences that make these artists important; how each author chose to develop his craft gives him a significant place in literature.
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Beckham, William C. "The pitiable fatuous fellows of dear dirty Dublin, or ; conflicted masculinity in James Joyce's Dubliners /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-3/beckhamw/williambeckham.pdf.

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Söderkvist, Pamela. "James Joyce's Dubliners as Migrant Writing: A Vision of Ireland from Exile." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-94378.

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This essay focuses on the concepts of relationship to local culture, identity and third space writing found in migrant literature and explores their relevance to James Joyce’s Dubliners in order to support a migrant reading of the collection. James Joyce has already been read as a migrant writer; however, Dubliners has not been considered as being an important contribution to this mode of writing. In this essay, the postcolonial theories of identity, third space writing and relationship to local culture are used in an in-depth reading of seven of the stories in the collection which I argue are written in the migrant mode of writing. With an introduction given on migrant writing and the concepts used, the platform is thus laid out for a thorough reading of the stories. What these stories depict is that of Ireland’s perpetual state of underdevelopment, due to its colonial past under British rule. In reading the stories in theoretical terms of migrant writing, one uncovers the way they construct Ireland as a colonized space, reiterating Joyce’s version of home and its decaying, cultural potential. What one finds is not only the ironic voice of Joyce’s narrative describing the repetitive outplaying of British stereotypes of Irishness but also of a quieter tone tinged with hope and longing for a true, cultural change. This essay shifts the interpretative focus to specific issues that would otherwise not be visible if one were to read it as merely being modernist. It establishes the migrant quality of the collection and solidifies the standing of Joyce as a migrant writer.
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Books on the topic "Dubliners (Joyce, James)"

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Brannigan, John. Dubliners, James Joyce: Notes. Harlow: Longman, 1998.

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Harold, Bloom, ed. James Joyce's Dubliners. New York: Chelsea House, 1988.

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James, Joyce. Dubolin ren: Dubliners / James Joyce. Taibei Shi: Lian jing chu ban shi ye gu fen you xian gong si, 2009.

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1962-, Thacker Andrew, ed. Dubliners: James Joyce / edited by Andrew Thacker. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

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Ulrich, Schneider. James Joyce: Studien zu Dubliners und Ulysses. Erlangen: Universitätsbund, 1997.

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Collaborative Dubliners: Joyce in dialogue. Syracuse, N.Y: Syracuse University Press, 2012.

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Suspicious readings of Joyce's Dubliners. Philadelphia: University of Pennsylvania, 2003.

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Werner, Craig Hansen. Dubliners: A pluralistic world. Boston: Twayne Publishers, 1988.

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Sexton, Adam. CliffsNotes Dubliners. New York: Wiley Pub., 2003.

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Wyse, Jackson John, and McGinley Bernard, eds. James Joyce's Dubliners. London: Sinclair-Stevenson, 1993.

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Book chapters on the topic "Dubliners (Joyce, James)"

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Brown, Richard. "Dubliners." In James Joyce, 1–28. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21919-3_1.

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Drews, Jörg. "Joyce, James: Dubliners." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8857-1.

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Mahaffey, Vicki. "Dubliners: Surprised by Chance." In A Companion to James Joyce, 17–33. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405177535.ch2.

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Gibbons, Luke. "‘Have you no homes to go to?’: James Joyce and the Politics of Paralysis." In Dubliners, 196–217. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1057/978-1-137-23624-1_11.

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Blades, John. "Dubliners: ‘a nicely polished looking-glass’." In How to Study James Joyce, 9–56. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-13183-9_2.

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Norburn, Roger. "The Structure of Dubliners and Order of the Stories." In A James Joyce Chronology, 200. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230595446_3.

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Wales, Katie. "Joyce and Rhetoric: Dubliners and A Portrait of the Artist as a Young Man." In The Language of James Joyce, 34–67. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21873-8_2.

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Lanigan, Liam. "‘A More Spacious Age’: Reimagining the City in Dubliners." In James Joyce, Urban Planning, and Irish Modernism, 102–27. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137378200_4.

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MacCabe, Colin. "2. Dubliners." In James Joyce: A Very Short Introduction, 13–24. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780192894472.003.0002.

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Abstract:
‘Dubliners’ discusses James Joyce’s Dubliners (1914). The majority of these stories are not susceptible to a straightforward narrative summary and the most learned of critics understand the stories in the most contradictory fashion. Indeed, multiple narratives which defy any resolution are one of the key strategies of Dubliners. In addition, place in Dubliners is tightly tied to time. Joyce characterized his stories as a ‘chapter in the moral history of my country’. The themes of the stories include hospitality, the figure of the mother, and Dublin’s inability to live.
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Leonard, Garry. "Dubliners." In The Cambridge Companion to James Joyce, 87–102. Cambridge University Press, 2004. http://dx.doi.org/10.1017/ccol0521837103.005.

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Conference papers on the topic "Dubliners (Joyce, James)"

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Zhao, Na. "Feminine Narration: a Feminist Study of Dubliners by James Joyce." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.36.

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