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Dissertations / Theses on the topic 'Dubliners (Joyce, James)'

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Published: 4 June 2021

Last updated: 24 January 2023

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1

Moira, Amara 1985. ""Dubliners" / "Dublinenses" : retraduzir James Joyce." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269967.

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Orientador: Fabio Akcelrud Durão<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-22T20:39:26Z (GMT). No. of bitstreams: 1 Moira_Amara_M.pdf: 2083817 bytes, checksum: 688ce4a9ffecb500ae13e648428af24b (MD5) Previous issue date: 2013<br>Resumo: O fato de existirem sete traduções do "Dubliners" de James Joyce poderia indicar duas situações diametralmente opostas: de um lado, que é possível já existir uma versão cujo brilho seria capaz de apagar, pelo menos temporariamente, a necessidade de se retraduzir os qu

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2

Rainville-Duech, Lorie-Anne. "James joyce : ecritures du corps dans dubliners." Paris 3, 2000. http://www.theses.fr/2000PA030152.

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Le corps en tant qu'objet litteraire offre un champ d'application riche et divers, particulierement chez joyce. Si ulysses est explicitement designe comme une epopee du corps humain, dubliners contient deja les signes d'un interet profond pour le corps, ce corps que joyce considerait comme << a new province of material >>. C'est a l'exploration de cette terra incognito, que nous convie cette etude qui fournit des clefs de lecture permettant de mettre a jour la reelle complexite de la premiere uvre en prose de joyce. L'etude du corps dans dubliners pose la question de la constitution de l'ident

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3

Cruz, Moscoso Franklin de la. "James Joyce’s Early Works: James Joyce’s “The Dead” in Dubliners." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110291.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.<br>The present report, then, will focus on the “The Dead”, mainly, to show its intrinsic worth and the possible relations existing between it and the other stories within Dubliners, and Joyce’s next work, A Portrait of the Artist as a Young Man.

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4

Fourer, Chantal. "James Joyce, de "Dubliners" à "Ulysses" : modernité du baroque." Limoges, 1993. http://www.theses.fr/1993LIMO0505.

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La these se propose de montrer que l'oeuvre de joyce emprunte, consciemment et inconsciemment, a l'esthetique et aux pratiques artistiques du baroque en les renouvelant les modernisant. Le baroque euphemise, proche des origines du mouvement, a l'expression quelque peu balbutiante des nouvelles de dubliners, puis le baroque proliferant et "distancie", post-moderniste avant l'heure de ulysses informent l'oeuvre dans son ensemble. Est toutefois exclus de notre etude finnegan's wake qui exacerbe et complexifie la vision baroque en explorant de vertigineux abimes linguistiques et mythiques. Dans ul

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5

Castro, Thalita Serra de. "James Joyce: voz narrativa e projeto estético em construção." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-03122015-125052/.

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James Joyce é conhecido por seus grandes romances, mas podem-se destacar os contos de Dubliners por integrarem parte fundamental do que se entende por um projeto estético do autor. Cada um dos textos apresenta um aspecto e uma perspectiva específicos sobre a vida em Dublin, a qual Joyce descreveu em minúcia. Esta dissertação procura analisar os diferentes usos da voz narrativa que o autor faz na coletânea e como isso deixa entrever tal projeto estético. Oscilando entre primeira e terceira pessoas, os narradores tentam assemelhar seu estilo à maneira de falar das personagens de cada estória, o

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6

Pinto, Rodrigo Moreira. "A tonalidade em suspensão: a música em Dubliners de James Joyce." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-11032016-161503/.

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Mediante levantamento da fortuna crítica e da leitura atenta da obra de Joyce, este trabalho investiga os empregos da música em Dubliners, tanto no âmbito da forma quanto no conteúdo. Quanto aos usos formais, destacam-se estratégias comuns à poesia, como assonâncias, aliterações, ritmos, métricas, onomatopeias, além de elementos estruturais mais complexos, próprios da linguagem musical, como leitmotiv, contraponto, tema e variação. A dissolução da causalidade e a maneira diversa de lidar com a tensão para a construção do enredo se assemelham a alguns recursos musicais aplicados pelos modernist

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7

Briggs, Roger T. "Dubliners and the Joycean epiphany." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t065.pdf.

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8

Mayo, Kim Martin. "Joyce's Dubliners and Hemingway's In Our Time: A Correlation." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500421/.

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One rarely sees the names James Joyce and Ernest Hemingway together in the same sentence. Their obvious differences in writing styles, nationalities, and lifestyles prevent any automatic comparison from being made. But when one compares their early short story collections, Dubliners and In Our Time, many surprisingly similarities appear. Both are collections of short stories unified in some way, written by expatriates who knew each other in Paris. A mood of despair and hopelessness pervades the stories as the characters are trapped in the human condition. By examining the commonalities found i

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9

Beckham, William C. "The pitiable fatuous fellows of dear dirty Dublin, or ; conflicted masculinity in James Joyce's Dubliners /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-3/beckhamw/williambeckham.pdf.

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10

Söderkvist, Pamela. "James Joyce's Dubliners as Migrant Writing: A Vision of Ireland from Exile." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-94378.

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This essay focuses on the concepts of relationship to local culture, identity and third space writing found in migrant literature and explores their relevance to James Joyce’s Dubliners in order to support a migrant reading of the collection. James Joyce has already been read as a migrant writer; however, Dubliners has not been considered as being an important contribution to this mode of writing. In this essay, the postcolonial theories of identity, third space writing and relationship to local culture are used in an in-depth reading of seven of the stories in the collection which I argue are

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11

Rivaux, Romain. "De la résistance du texte de "Dubliners" : vers la vision rhizomatique d'un écrit joycien de jeunesse." Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2001/document.

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Cette étude a pour but premier de repenser la relation entre Dubliners et les mots « paralysis », « gnomon » et « simony » figurant dans le premier paragraphe de « The Sisters ». Dans la mesure où la critique les a abordés suivant divers actes de centralisation, dé-centralisation et re-centralisation du recueil de Joyce, le concept de rhizome, tel qu'exposé par Deleuze et Guattari dans Mille Plateaux, peut être un modèle pertinent pour présenter la variation des rapports de territorialité entre l’œuvre et ces trois mots. A l'issue de cette étude, ces derniers se voient attribuer des statuts su

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12

Roberto, Isabella Alessandra Cortada. "Paisagens simbólicas em Dubliners de James Joyce : algumas intersecções com a pintura de W. J. M. turner." Master's thesis, Porto : [Edição do Autor], 2005. http://hdl.handle.net/10216/19430.

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Interessa equacionar algumas das fontes da imaginação moderna partindo do pressuposto que a arte e a literatura, enquanto campos criativos férteis se permeabilizam mutuamente, recorrendo, por vezes, à mesma matéria de inspiração. Em Joyce e com Dubliners o impacto visual assumirá sumo relevo na concepção da arte enquanto espectáculo e epifania, contribuindo para a composição de "quadros"de uma Dublin vinda como uma pintura. Nesta Odisseia da imagem Turner será o aliado esolhido de Joyce, através de uma narrativa de imagens. Sugerem-se diferentes direcções para se estudar a relação entre arte e

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Roberto, Isabella Alessandra Cortada. "Paisagens simbólicas em Dubliners de James Joyce : algumas intersecções com a pintura de W. J. M. turner." Dissertação, Porto : [Edição do Autor], 2005. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000163231.

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Interessa equacionar algumas das fontes da imaginação moderna partindo do pressuposto que a arte e a literatura, enquanto campos criativos férteis se permeabilizam mutuamente, recorrendo, por vezes, à mesma matéria de inspiração. Em Joyce e com Dubliners o impacto visual assumirá sumo relevo na concepção da arte enquanto espectáculo e epifania, contribuindo para a composição de "quadros"de uma Dublin vinda como uma pintura. Nesta Odisseia da imagem Turner será o aliado esolhido de Joyce, através de uma narrativa de imagens. Sugerem-se diferentes direcções para se estudar a relação entre arte e

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14

Wheatley, Alyssa M. "The Desire to Escape and the Inability to Follow Through in James Joyce’s Dubliners." ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2556.

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In my research, I will examine James Joyce’s Dubliners as a collection of stories that is unified by an ongoing theme; escape or the desire to escape. In the collection, the want or need to escape serves a major purpose throughout the characters and their lives. This thesis explores five stories that share this theme in particular: “The Sisters,” “Eveline,” “Araby,” “An Encounter,” and “The Dead.” Each story will be discussed in the context of how each story progresses from a want to an actual escape. In addition, the thesis also considers how these stories exhibit a progression towards isolat

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15

Gordon, Anna Margaretha. "A Reassessment of James Joyce's Female Characters." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2705.pdf.

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16

Belluc, Sylvain. "Signe, nature, signature : parcours étymologiques dans l’œuvre de James Joyce – Dubliners, A Portrait of the Artist as a Young Man et Ulysses." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030105.

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L’écriture joycienne se distingue par la conscience aiguë dont elle témoigne de l’histoire des mots. Cette tendance est le produit de l’émergence de la grammaire comparée et de la sémantique historique au XIXe siècle, disciplines qui avaient bouleversé le concept d’étymologie et légitimé, en apparence, la prise en compte du passé de la langue dans son emploi. Pourtant, quand Joyce écrit, cette approche est irrémédiablement dépassée, et ses nombreuses contradictions critiquées. Aussi les œuvres de l’écrivain, loin de constituer un reflet fidèle et stable du discours sur l’étymologie du siècle o

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17

Šidlauskaitė, Edita. "Šiuolaikinio patyrimo atvaizdavimas Džeimso Džoiso apsakymų rinkinyje "Dubliniečiai"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050603_134816-92435.

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The work analyses representation of modern experience in James Joyce's "The Dubliners". Due to economic, political and philosophic revolutions of the 19th century people have experienced severe changes in there lives. Alienation, loneliness, death and paralysis of social and cultural life has become their reality which is depicted in everyday lives of the Dubliners.

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18

Topia, André. "Modèles et écarts : scénarios d'écriture de Dubliners à Ulysses." Paris 8, 1995. http://www.theses.fr/1995PA080917.

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Ce travail analyse les strategies d'ecriture dans trois oeuvres de james joyce, dubliners, a portrait of the artist as a young man et ulysses, et cela a partir des trois notions de scenario, modele et ecart. Le scenario est ce qui fait de l'ecriture une programmation aleatoire jouant sur les ecarts possibles a partir d'un modele. Dubliners offre des recits programmatiques dans lesquels le deroulement semble obeir a une matrice virtuelle. Nous y examinons successivement la question des cycles perturbes ("the sisters"), de la mediation devoyee (du fantasme comme brouillage optique ("araby"), de

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19

Muhlestein, Nicholas. "Interrupting the Cycle: Idealization, Alienation and Social Performance in James Joyce's "Araby," "A Painful Case," and "The Dead."." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2538.

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The thesis considers Joyce's short stories "Araby," "A Painful Case," and the "The Dead," illustrating how these works present three intellectually and emotionally similar protagonists, but at different stages of life, with the final tale "The Dead" suggesting a sort of limited solution to the conflicts that define the earlier works. Taken together, "Araby" and "A Painful Case," represent a sort of life cycle of alienation: the boy of "Araby" is an isolated, deeply introspective youth who lives primarily within his own idealized mental world before discovering, through a failed romantic quest

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20

Silva, Lemarchand Francisco. "Synesthetic Traits in the Perception of Language in Stephen Dedalus considered as an avatar of James Joyce." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110287.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.<br>The general objective of this work is to analyze the work of James Joyce, specifically, the analysis of A Portrait of the Artist as a Young Man.

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21

Koizumi, Symphorosa Sophia Yoko. "Mimetic devices of style in the earlier fiction of James Joyce : 'Dubliners', 'Stephen Hero', 'A Portrait of the Artist as a Young Man'." Thesis, Queen Mary, University of London, 2009. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28084.

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The major characteristics of Joyce's stylistic achievement in the organic unity of contents and expressions are, firstlyp the 'style* is not intended to reveal the author but the whatness, of his characters and subjects described and secondly Joyce's 'style' contains in itself particular meanings beyond the limits of the semantic and lexical contents of words. These features are more specifically defined as his use of the language for mimetic purposes to revealp suggest and represent consciousness (sometimes even unconscious and subconscious) mood, emotion mental patterns thought processes phy

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22

Morillot, Caroline. "États cliniques, états mystiques : vers une grammaire de la réceptivité dans Dubliners, A Portrait of the Artist as a Young Man et Stephen Hero de James Joyce." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2012. http://tel.archives-ouvertes.fr/tel-00870012.

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Ce travail s'intéresse aux états dont les personnages joyciens font l'expérience. Il vise à rendre compte des fluctuations de présence au monde par le repérage et l'analyse de tout un éventail d'états cliniques, mystiques et cognitifs dans les premières œuvres de James Joyce : Dubliners, A Portrait of the Artist as a Young Man, et Stephen Hero.Si nous replaçons la notion d'état dans le contexte historique des textes de Joyce à travers l'influence combinée de Walter Pater, William James et Friedrich Nietzsche, nous l'utilisons également dans une acception très contemporaine en nous appuyant sur

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23

Sagrista, César. "James Joyce’s attitude towards religion in “A Portrait of the Artist as a Young Man”." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110205.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.<br>This essay will deal with an aspect that cannot be ignored nor go unnoticed when we read A Portrait of the Artist as a Young Man; Joyce's interest in the theme of religion, or the importance of religion in the development of the artist as a young man, according to Joyce.

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24

Corrêa, Alan Noronha. "How to build and irish artist : Joyce's first portraits of Dublin." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/61716.

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James Joyce é um dos escritores mais famosos do século 20, sendo sua obra muito comentada por leitores e acadêmicos, especialmente devido ao alto nível de complexidade de Ulisses e Finnegans Wake, os romances da fase madura. O foco da presente dissertação, todavia, são os primeiros livros de Joyce que, apesar de serem mais acessíveis ao público em geral, também contêm toda a elaboração linguística e simbólica que caracteriza o autor. Trato especificamente do volume de contos Dublinenses e do romance Um Retrato do Artista Quando Jovem, utilizando para análise deste o suporte oferecido pelo outr

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25

Chou, Yimei, and 周宜美. "James Joyce and the Irish Conscience in Dubliners." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/9hbpsk.

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碩士<br>國立清華大學<br>外國語文學系<br>92<br>Abstract My thesis focuses on Joyce’s conception of conscience in terms of the Irish political, religious and cultural context. The word “conscience” comes from Portrait to reveal two aspects of Joyce’s intention of writing Dubliners: first, to demonstrate his literary conscience against the image of Ireland in the colonial discourse and to challenge definition of Irishness in the revival movement. And second, Joyce also starts a self-critical view of his own cultural mission and his own artistic role of being an Irish artist in the nationalist movement. This

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26

Chang, Miao-jung, and 張妙蓉. "Representing Subjectivity and Irish Identity in James Joyce''s Dubliners." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/20128659955248020494.

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碩士<br>國立高雄師範大學<br>英語學系<br>89<br>This thesis attempts to discuss the representation of subjectivity and Irish identity in James Joyce''s Dubliners in terms of the theories of Jacques Lacan and Homi K. Bhabha. In this work, James Joyce seems to hold up a mirror to the Irish to see their own image of “paralysis”─ their fragmented subjectivity and mimic and ambivalent Irish identity. In the introductory chapter, I offer the background of James Joyce''s life so as to survey his portrayal of his motherland and his countrymen. I also explore the forces that have had a profound influence

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27

Loiseau, Lawrence. "Pathological Joyce: a psychoanalytic exploration of neurosis and perversion in James Joyce's Dubliners." Thesis, 2006. http://hdl.handle.net/1828/2254.

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This thesis uses a combination of psychoanalysis and Marxism to demonstrate how James Joyce's writing enabled him to break away from his unconscious attachments to capitalism. Offering a detailed reading of Joyce's Dubliners. it makes three central claims. First. that Joyce's writing is neurotic in structure, not perverse. as is commonly thought. Second, that Joyce's writing depicts neurotic characters struggling in a social. cultural and political context that privileges the perverse. And lastly, that Joyce locates the source of this ongoing privilege in capitalist ideology. The conclusion is

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28

McGrory, Suzette L. "'That life of commonplace sacrifices' : representations of womanhood in Irish Catholic culture in James Joyce's Dubliners." Thesis, 1998. http://hdl.handle.net/1957/33650.

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Traditional interpretations of James Joyce's Dubliners have often focused on the pervasive "paralysis" of the city, covered in the stories' range of "childhood, adolescence, maturity, and public life." However, these approaches have limited their focus on the women in the stories, often spotlighting the male characters--and the author--through a Freudian lens; consequently, the interpretations have overlooked important considerations in light of developing feminist criticism. Through a selection of the stories, this thesis attempts to show how the text of Dubliners offers a cultural critique o

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Carvalho, Diana Cristina Guimarães de. "New Dubliners: proposta de tradução." Master's thesis, 2017. http://hdl.handle.net/1822/56151.

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Relatório de projeto de mestrado em Tradução e Comunicação Multilingue<br>O presente projeto foi realizado no âmbito do Mestrado em Tradução e Comunicação Multilingue, tendo como objetivo a tradução e análise de uma obra literária, assim como um estudo sobre a intertextualidade. A obra traduzida é uma colectânea de contos intitulada New Dubliners (2006), publicada em celebração dos 100 anos de Dubliners (em Portugal, Gente de Dublin) de James Joyce (1914). Para além da análise da proposta de tradução da primeira obra, será estudada a intertextualidade entre ambas as obras referidas. Numa prime

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Mulliken, Jasmine Tiffany. "From "disentangling the subtle soul" to "ineluctable modality" : James Joyce's transmodal techniques." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3060.

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This study of James Joyce's transmodal techniques explores, first, Joyce's implementation of non-language based media into his works and, second, how digital technologies might assist in identifying and studying these implementations. The first chapter introduces the technique of re-rendering, the artistic practice of drawing out certain characteristics of one medium and, by then depicting those characteristics in a new medium, calling attention to both media and their limitations and potentials. Re-rendering can be content-based or form-based. Joyce employs content-based re-rendering when he

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31

Minamitani, Yoshimi, and 奉良南谷. "James Joyce and Modern Animals： Reconstruction of Dublin's Denizens." Thesis, 2019. https://doi.org/10.15057/30517.

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