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Hernández Mata, Francisco José. "Dubliners or the feeling of frustration." Revista de Filología y Lingüística de la Universidad de Costa Rica 12, no. 2 (August 30, 2015): 137. http://dx.doi.org/10.15517/rfl.v12i2.17257.
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En su introducción al libro James Joyce: escritos crfticos afirman que James Joyce le dio a la frase que dice así: "debemos aceptar a los hombres y mujeres tal como los encontramos en el mundo real" una validez plena en sus novelas. Si al hacer un estudio penetramos en la intimidad psicológica de los personajes, encontramos una serie de ricos elementos que ilustran bien este ambiente de desasosiego y ansiedad.
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Cóilín Owens. "“Dubliners”: James Joyce (review)." James Joyce Quarterly 44, no. 4 (2008): 824–29. http://dx.doi.org/10.1353/jjq.0.0020.
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Yu, Chenglin. "Narrative Innovation in Dubliners and James Joyce’s Exilic Experience." Theory and Practice in Language Studies 9, no. 10 (October 1, 2019): 1287. http://dx.doi.org/10.17507/tpls.0910.04.
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James Joyce’s Dubliners betrays a narrative innovative tendency towards the restriction of point of view, which means the narration tends to unfold through the character’s point of view without omniscient interference. After examining the short stories in the context of their creation, we assert that Joyce’s exile and Dubliners’s censorship mostly account for this formal innovation. Further exploration shows that the restriction of point of view is actually a narrative strategy Joyce deploys to convey his ambiguous and ambivalent feelings towards his homeland and compatriots triggered by his exilic experience.
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Samir, FERHI. "Textual Analysis of James Joyce’s Dubliners: A Fanonian Reading." Arab World English Journal For Translation and Literary Studies 5, no. 1 (February 15, 2021): 60–71. http://dx.doi.org/10.24093/awejtls/vol5no1.4.
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This research paper explores Joyce’s textual resistance to the Celtic Revivalism and the Irish Catholic conservatism in Dubliners (1914). Using postcolonial theories like the one proposed by Frantz Fanon in his The Wretched of the Earth (1968), the research shows that in writing Dubliners, Joyce, unlike the Irish Revivalist authors and conservative Catholics, was more interested in showing the imperial force or power in all shades, and put the blame on the lethargy of people when it needs to be placed, whether on imperial Britain, the Revivalist authors or the Irish Catholic conservatism. The paper also makes the case that if the colonial pathology of paralysis is the central theme of Joyce’s Dubliners, nevertheless, the power to resist or the resistance strain against this pathology is another essential idea explored by Joyce in his collection of short stories.
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Tolentino, Magda Velloso Fernandes de. "Música, Joyce e Dublinenses – Texto e Filme." ABEI Journal 16 (November 17, 2014): 57. http://dx.doi.org/10.37389/abei.v16i0.3557.
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“Songs, Joyce and Dubliners – Text and Film” This paper tries to show how music is so ingrained in Irish culture that it is present not only in theeveryday life of the people but also in literary manifestations. In James Joyce’s Dubliners we can see in several of the short stories of the collection the use of songs and their words as complementary to the plot itself. Presenting some of the examples from the collection, this paper is a good way for beginners to get acquainted with this very important work. By dealing with the original text by Joyce and with the film version made by John Huston we put together two important semiotic representations which increase the value of both.Keywords: Dubliners; John Huston’s films; music.
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Nazarieh, Mehrdad. "James Joyce Dubliners: how religion influences conscience." Clarion- International Multidisciplinary Journal 5, no. 2 (2016): 102. http://dx.doi.org/10.5958/2277-937x.2016.00039.3.
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Weisz, Gabriel. "Somatografías en los Dubliners de James Joyce." Anuario de Letras Modernas 19 (February 28, 2017): 117–22. http://dx.doi.org/10.22201/ffyl.01860526p.2014.19.553.
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“Somatografías en los Dubliners de James Joyce” trae a la delantera un recursopara leer algunas literaturas del cuerpo, un mundo narrativo que implica unmedio para imaginar y visualizar los cuerpos de los personajes. Los Dublinersnos lleva por un recorrido que nos permite corroborar las representaciones decambios físicos en cada uno de los individuos en el texto. Esta lectura corporalactiva un vínculo íntimo entre lectores y personajes. Una cartografía de losprotagonistas no sólo ubica a los personajes en el texto sino que los aproxima anuestras percepciones.
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Daneshzadeh, Amir. "Analysis of James Joyce Short Stories." International Letters of Social and Humanistic Sciences 54 (June 2015): 115–22. http://dx.doi.org/10.18052/www.scipress.com/ilshs.54.115.
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Collection of short stories of James Joyce in a book under the title of “Dubliners” (1914) is a collection composing of 15 short stories, which topic of all of them is living in Dublin (stories about death, love, live in school, etc.). Short story of “sisters” narrates feelings of a boy about death of a priest. The first woman, who is afraid of love, a mother in law speaks about ambition and destroys her daughter. It ispainful narrative of a single man, who leaves the woman he loves and the woman finds in the time of her death that he has been in his loneliness all his life. Accordingly, it could be mentioned that the author has selected in his short stories a style that Flober has been its establisher. Hence, stories in the collection of Dubliners have been strongly image-based and have been less relied on storied actions. (Stein et al, 2008)The present study has analyzed two short stories of the mentioned collection under the titles of “The Dead Persons” and “The sisters\s”. In this analysis, the author has considered internal modes and feelings of characters of the story. Process of analyzing the two works has been firstly related to analysis of every story separately and then has been related to goals and destinies of creator of the work and totally his collection of short stories. Finally, the study has considered investigation and analysis of short stories of James Joyce, which analysts and critics of his works have presented it and it is that Dubliners should be considered as an origin and generality. Considering stories of this artist separately can’t be a competent work, since as it is obvious in this collection, the author has been tended to achieve a specific goal through considering a certain order for these stories.
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Gaeini, Mojgan, Fatemeh Sadat Basirizadeh, and Mahnaz Soqandi MA. "The Role of social Identity in James Joyce`s Dubliners within the Light of Cultural Materialism." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 2 (May 10, 2019): 89–99. http://dx.doi.org/10.33258/birci.v2i2.240.
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Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation. Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.
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Gaeini, Mojgan, Mahnaz Soqandi, and Fatemeh Sadat Basirizadeh. "The Role of Language and its Analysis in James Joyce`s Dubliners within the Light of Cultural Materialism." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 2, no. 2 (May 16, 2019): 16–26. http://dx.doi.org/10.33258/birle.v2i2.272.
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Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation. Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.
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Maniee, Pedram, and Shahriyar Mansouri. "A Post-colonial Study of the Short Story “Araby” (1914) by James Joyce." Mediterranean Journal of Social Sciences 8, no. 2 (March 28, 2017): 201–8. http://dx.doi.org/10.5901/mjss.2017.v8n2p201.
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Abstract The short story of “Araby” by James Joyce was published in 1914 in Dubliners which is a collection of fifteen short stories set in the Dublin city of Northern Ireland. “Araby” is one of those short stories in which traces of the colonization of Ireland by the Great Britain in the nineteenth century can be found. Since the context of the short story is set in Dublin, analyzing it in light of post-colonial theory has made it a special case. Because despite the majority of literary works which are analyzed in light of post-colonial theory and in which the contrast between east and west geographically is quite visible, in “Araby” this contrast is not clear-cut and the culture of two neighbor countries are so close and as a consequent so difficult to claim cultural and religious colonization by a neighbor country. This essay investigates the way Joyce has portrayed the cultural, political, economic and social domination of Britain over Ireland, specifically Dublin. The essay also explores the context where Joyce had the motivation to write Dubliners and shows the fundamental principles of post-colonialism such as language, the notion of superior/inferior, cultural polyvalency, Self/Other and the critical tenets of Homi K. Bhabha including mimicry, liminality or hybridity and finds these tenets within this short story. The essay also investigates the way James Joyce has employed symbolism in order to portray his reaction to the domination of Britain over Ireland.
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Pearson, Nels. "Towards an Oceanic Dubliners." Irish University Review 48, no. 2 (November 2018): 361–79. http://dx.doi.org/10.3366/iur.2018.0360.
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Oceanic Studies sheds a compelling new light on James Joyce's Dubliners. Although they are citizens of a major imperial port city living amidst a global flow of goods, cultures, and ideas, Joyce's characters are n also impeded from reciprocal engagement in this circuitry. From Eveline, who stands paralyzed at the docks by the North Wall as ‘all the seas of the world tumble about her heart’, to the boys of ‘An Encounter’, who marvel at tall ships but are imprisoned by social dichotomies, to Jimmy Doyle's ill-fated efforts at cosmopolitanism on board an American yacht, to the latent Gaeltacht musings of Gabriel Conroy, a would-be European son of a Dublin Port and Docks board member, Joyce uses water to help identify a persistent desynchronization of national and global Ireland.
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Ajmal, Muhammad, and Ayaz Afsar. "A Corpus Stylistic Analysis of Speech and Thought Presentation in James Joyce’s Dubliners." International Journal of English Linguistics 10, no. 1 (December 28, 2019): 277. http://dx.doi.org/10.5539/ijel.v10n1p277.
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This article utilizes the theory of narrative style which is interesting from both the standpoint of literary stylistics as well as from that of the theory of communication. In this framework, the relation of a narrator to a reader is the basic relationship underlying all narrative structures. According to this basic relationship a number of ways of narration are differentiated or, as Mc Hale (1978) calls them represented/reported discourse. This article endeavours a systematic analysis of the stylistic devices used in fictional writing for the representation of a character’s speech and thought. So, the present study attempts to analyze the interaction between categories of speech and thought presentation in James Joyce’s Dubliners by applying Leech and Short Model (2007). Excerpts of 2000-word length have been selected and manually tagged to have the accurate annotation keeping in mind the contextual potential to recognize discourse categories in Joyce fiction and then corpus software AntConc (Laurence Anthony, 2018) was used to get quantitative results. Since fictional texts display the tendency to move between categories of speech and thought presentation as well as between the modes within one category and its demarcation is a real challenge to the researchers. The practical part of research was done on the basis of short stories from James Joyce’s Dubliners. Special emphasis is given to variations between the two modes as well as to the instances of ambiguity created by their interplay.
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Leo, Julie Prathibha. "Cross-Pollination of Freudian Psyche and Kantian Imperatives in Dubliners." English Language and Literature Studies 11, no. 4 (September 19, 2021): 17. http://dx.doi.org/10.5539/ells.v11n4p17.
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The foundation of Dubliners of James Joyce was laid on the cross-pollination of Freudian and Kantian theories. Cross-pollination of Kantian imperatives and Freudian psyche is conspicuous in ‘Eveline’ and ‘Painful case’ in Dubliners, where lies the focal point of this analysis. Cross-pollination is highly obvious in the protagonists of two short stories ‘Eveline’ and ‘Painful case’. Psychological and scientific analysis of the characters brought the embedded cross-pollination into the limelight. For Freud, humans exist as a composite of a natural, biological matrix (termed unconsciousness) and another part, the conscious ego (Tauber, 2009). Sigmund Freud’s super-ego is the womb of guilt feeling, which functioned so well in the characters of Joyce. The explicit dilemma of Eveline and the implicit dilemma of Mr. Duffy have been analyzed through the lens of Kantian imperatives.
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Gaeini, Mojgan, Fatemeh Sadat Basirizadeh, and Mahnaz Soqandi. "The Role of Social Identity in James Joyce’s Dubliners Within the Light of Cultural Materialism." English Learning and Teaching Studies 1, no. 1 (April 7, 2019): p1. http://dx.doi.org/10.33587/elts.v1i1.10.
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Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author,s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation. Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural materialists believe that “literature can serve as an agent of change”, since a culture’s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce’s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce’s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.
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Winston, Greg. "Dubliners by James Joyce, and: A Portrait of the Artist as a Young Man by James Joyce." James Joyce Quarterly 54, no. 1-2 (2016): 161–67. http://dx.doi.org/10.1353/jjq.2016.0036.
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Sargsyan, Lusine. "Musical Allusions in James Joyce's Dubliners and the Problem of Their Translation." Translation Studies: Theory and Practice 1, no. 2 (December 23, 2021): 45–54. http://dx.doi.org/10.46991/tstp/2021.1.2.045.
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Abstract: The importance of music in the works of James Joyce has long been acknowledged by Joycean scholars, though few systematic attempts have been made to deal with musical allusions. A tenor singer in his youth, Joyce fills his writings with musical references and allusions used for certain purposes in his own style. No matter how music is applied, one thing is certain - musical allusions always add a further dimension to his stories, provide a deeper understanding to a piece of literature making it unique and revealing the unknown. Translation of allusive texts has always been of great interest to linguists, professional translators and literary critics. It requires some strategic and problem-solving competence, as well as cross-cultural awareness, as allusions are closely interconnected with the cultural SL content.
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Eskandari, Safoura. "Language Discourse in James Joyce’s Short Stories The Grace and The Araby: A Cultural Studies." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 3, no. 1 (February 21, 2020): 411–20. http://dx.doi.org/10.33258/birle.v3i1.837.
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This study aims to investigate how the notion of language as cultural practices which construct social and cultural products function in James Joyce selected short stories, The Grace and The Araby within the framework of cultural materialism. Language is major concern of cultural studies and language is as the symbol of power. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. James Joyce could be placed among the most dominant cultural authors whose concern is the material life, social class, social identity and cultural crisis. As an outstanding author, Joyce is well known for his typical depiction, musical decoration as well as his sticking to proper cultural and social materials and issues such as religious matters. His selected short stories of Dubliners, revolve around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. James Joyce is not so much a writer as he is a painter of words. His works appear simplistic at first glance, but under analysis they reveal the inner world of a character and the reality of the common man through symbols, metaphors, and sensory analysis. Dublin is the city of silence which threads its way through the lives of the Dubliners, for this reason Joyce‘s characters are presented in a silent state. Such silence denotes the sterility of communication and the absence of the art of conversation. Most of Dubliners characters are portrayed as having the ability of verbal activity and they can speak, yet in most cases this ability fails them and they become tongue-tied .The only way which is left for them is speak in a whispering voice. In the modern age, life has completely changed and the city has become a modernized one. This latter is the epitome of such change that has a great effect upon the modern life, bringing with it the trauma and frustration of modern failure. Joyce’s attempts to harness the effects of language and, increasingly with time, languages, may arguably be selected as the feature of his writing which mostly conditioned its technical transformations. Language is only one of those practices implicated in the symptoms of the crisis of late capitalist society. Faced with the ideological mystification of personal lives, Raymond Williams stressed the imperative of establishing connections by emphasizing the role of means of communication, he speaks of "productive communication in shaping community.
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Nisbet, Rachel. "James Joyce's Urban EcoAnarchism // El ecoanarquismo urbano de James Joyce." Ecozon@: European Journal of Literature, Culture and Environment 7, no. 2 (October 25, 2016): 10–28. http://dx.doi.org/10.37536/ecozona.2016.7.2.860.
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In this paper I contend James Joyce invests Finnegans Wake’s river-woman Anna Livia Plurabelle with the agency to reconnect Dublin’s inhabitants to the environs that resource their urban ecology. In early twentieth-century Dublin, Nature retained the fearsome power of Giambattista Vico’s thunderclap. Regular typhoid outbreaks contributed to increased infant mortality rates in the inner city; and, as Anne Marie D’Arcy observes, the River Liffey delta could not absorb the raw sewerage discharged from the city’s wealthy coastal townships, so this washed upriver, offering the ideal conditions for typhoid’s parasitic bacterium to multiply. There is no place for the Romantic sublime in such a setting. Yet Finnegans Wake nurtures the hope that Dubliners might remediate their city’s urban ecology. Anna Livia “gifts” the city three key means to this end: birth control to limit population growth, an uprising of the poor to redistribute wealth, and gout to curb greed and thus reduce natural resources consumption. While these steps might initiate the beginning of an egalitariansociety in Dublin, they require the city’s inhabitants to gain a heightened consciousness of their actions. With such a revolution, recalling Peter Kropotkin’s EcoAnarchism, played out on an intergenerational timescale, urban Dublin could regain equilibrium with the environs that sustain it, countering the global phenomenon of the ‘Great Acceleration’. Reading the Wake as ecoanarchism is one approach to discover that, like his fictional alter-ego Stephen, Joyce seeks to change the urban ecology of Dublin by pricking the conscience of generations of readers who enjoy the privileges of education, and contemplation. Resumen Este trabajo argumenta que James Joyce otorga a Anna Livia Plurabelle, la “mujer del río” de Finnegans Wake’s el poder para reconectar a los habitantes de Dublín con los alrededores que forman su ecología urbana. En el Dublín de principios del siglo veinte, la naturaleza retenía el poder aterrador del trueno de Giambattista Vico. Brotes frecuentes de fiebre tifoidea contribuían al aumento de la tasa de mortalidad infantil en el centro de la ciudad, y, como destaca Anne Marie D’Arcy, el delta del río Liffey no podía absorber las aguas residuales que venían de los ricos municipios costeros, así que ésta subía a contracorriente, creando las condiciones óptimas para el desarrollo de la bacteria que produce la fiebre tifoidea. No hay lugar para el concepto de lo “sublime” del Romanticismo en este escenario. Sin embargo, Finnegans Wake de Joyce alimenta la esperanza de que los dublineses quizá puedan remediar la ecología urbana de su ciudad. Anna Livia ofrece a la ciudad tres claves al respecto: métodos anticonceptivos para disminuir el crecimiento poblacional, el levantamiento de las clases pobres a fin de exigir la redistribución de la riqueza, y la gota para contener la codicia y de ese modo reducir el consumo de recursos naturales. Aunque estos pasos tal vez iniciarían el principio de un Dublín más justo y equitativo, requerirían que los habitantes de la ciudad fueran más conscientes de sus acciones. Con esta revolución, evocando el ecoanarchismo de Peter Kropotkin y aplicándolo a una escala de tiempo intergeneracional, el Dublín urbano podría recuperar el equilibrio con los alrededores que lo mantienen, contrarrestando el fenómeno global de la “Gran Aceleración”. Leer Finnegans Wake desde el punto de vista del ecoanarquismo es una forma de descubrir que, como su álter ego Stephen, Joyce busca cambiar la ecología urbana de Dublín, apelando la conciencia de generaciones de lectores que disfrutan los privilegios de la educación y de la contemplación.
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Glinka, Nataliia, and Oksana Lisitsa. "THE PECULIARITY OF LINGUOSTYLISTIC MEANS IN THE STORIES “DUBLINERS” BY JAMES JOYCE." Advanced Linguistics, no. 3 (August 28, 2019): 38–43. http://dx.doi.org/10.20535/2617-5339.2019.3.169996.
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O'Dea, Dathalinn. "James Joyce the Regionalist: The Irish Homestead, Dubliners, and Modernism's Regional Affect." MFS Modern Fiction Studies 63, no. 3 (2017): 475–501. http://dx.doi.org/10.1353/mfs.2017.0033.
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Golban, Petru, and Goksel Ozturk. "An Attempt to Survive from Paralysis: Epiphanies in Dubliners." BORDER CROSSING 6, no. 1 (June 13, 2017): 169–87. http://dx.doi.org/10.33182/bc.v7i1.484.
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Amid the complexity of concern of the modernist literary discourse in Britain, the thematic nucleus of James Joyce’s writings is formed by certain basic aspects of life, such as individuality, art, religion, nation, language, and his work shows the two hypostases of the author himself as accomplished artist and Irish citizen. In a troubled period in the history of Europe and of his own country, Joyce grasped the sense and the atmosphere of frustration, alienation, futility, chaos, and confusion. The concerns of Dubliners, his first important book, published in 1914, consist in rendering the political and social life of Dublin, the misery of human condition, the theme of exile, the problems of the individual’s existence in an urban background which Joyce saw as paralyzed and, like Eliot, as an expression of a period of crisis in the history of humanity. Joyce intended “to write a chapter of the moral history” of his country, and he chose Dublin as it seemed to him “the centre of paralysis” on different levels which he presented under four aspects: childhood, adolescence, maturity, and public life. All the fifteen stories of the book express life experiences of the characters that are of unpretentious standing, incapable to fulfil inner potentialities and to establish communication with others. At moments they experience relevant epiphanic realisations, seemingly due to some trivial incidents – by which they receive an apparent perspective of accomplishment – and though they attempt to escape the bonds of everyday life and of their trapping circle of existence, all they get is an acute sense of frustration, alienation, and entrapment. To reveal and compare the thematic status of the epiphany in the short stories with regard to various issues of individual existence and to the use of motifs and symbols that create an increasing complexity of ideas and subjective human reactions represents the main purpose and the essence of the content of the present study.
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Alevato do Amaral, Vitor, Elis Maria Cogo, and Eloísa Dall’Bello. "As nove vidas de um conto: as traduções de “Os mortos”, de James Joyce, em português brasileiro (1942-2018)." Gragoatá 24, no. 49 (August 27, 2019): 493–512. http://dx.doi.org/10.22409/gragoata.v24i49.34088.
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O presente artigo consiste em um estudo das nove traduções brasileiras de “Os mortos” (“The Dead”), do livro de contos Dublinenses (Dubliners, 1914), do escritor irlandês James Joyce (1882-1941). A primeira tradução desse conto foi publicada em 1942, e a última, em 2018. Esse artigo é, salvo engano, o primeiro estudo que abarca todas as traduções de “Os mortos” no Brasil, entre as que figuram em uma das cinco traduções integrais de Dublinenses (1964, 1992, 2012, 2012, 2018), as publicadas como livro (2014, 2016), a que está inserida em uma seleção (2013) e a publicada em revista (1942). Para este estudo de cunho comparativo, o autor e as autoras selecionaram passagens do texto em inglês para cotejá-las com suas traduções em português do Brasil, de modo a permitir uma leitura que ressalte o trabalho envolvido nas traduções, ilumine possibilidades de interpretação e sirva de fonte de consulta a futuros tradutores de Joyce.
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Frawley, Oona. "Bloom's Major Literary Characters: Leopold Bloom, and: A James Joyce Chronology, and: James Joyce in 90 Minutes, and: New Casebooks: "Dubliners" (review)." James Joyce Quarterly 44, no. 2 (2007): 383–88. http://dx.doi.org/10.1353/jjq.2007.0034.
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Wegner, Phillip E. "The Event of 1907; or, James Joyce, Artist." Modernist Cultures 13, no. 2 (May 2018): 141–64. http://dx.doi.org/10.3366/mod.2018.0203.
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In the history of modernism, the year 1907, like 1922, represents an underappreciated annus mirabilis, a year of miracles. Among the many artistic events to occur that year, perhaps none is more significant than James Joyce's completion of what would become the final story in Dubliners (1914) and a work Richard Ellmann describes as ‘his first song of exile’, ‘The Dead’. ‘The Dead’ achieves the indispensable breakthrough of bringing to a close Joyce's initial project and inaugurates an unparalleled process of experimentation and invention that will extend through the rest of his career. At the heart of Joyce's experiment stands the figure of Gabriel Conroy, the story's prosperous and self-satisfied protagonist. Joyce diagnoses Gabriel's condition, and by extension that of all of Ireland's middle class at this crucial historical juncture, by staging a series of encounters that bear out Gabriel's failure to become a subject in all four of what Alain Badiou terms the conditions of truth—love, politics, science, and art. In this way, Joyce breaks through to a new mode of literary presentation, and hence an alternate pedagogy of desire—a form of the quintessential modernist operation the Russian Formalists name estrangement. A version of this practice is already at work in Gabriel's climactic realization of the full extent of his failure, and this paradoxically ends ‘The Dead’ on a cautious note of hope. Whether Gabriel achieves a remaking of his life beyond the story's conclusion, we have no way of knowing; however, we do know that in Joyce's case at least, it is precisely such a passage that enables him to become a subject, an artist, who continues to transform in unexpected ways our very sense of the possibilities of language. The approach I outline in this paper not only promises to transform how we understand Joyce's individual artistic development, but also, more generally, the trajectory of modernism, or, indeed, of any period of dramatic cultural change.
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Ionescu, Arleen. "Oameni din Dublin (Dubliners) by James Joyce, and: Portret al Artistului la Tinerete (A Portrait of the Artist as a Young Man) by James Joyce." James Joyce Quarterly 50, no. 3 (2013): 860–64. http://dx.doi.org/10.1353/jjq.2013.0039.
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Shcherbak, N. F., and A. Vorobyeva E. "Features of Actualization of Beginning and End in the "Eveline" Story Plot by James Joyce ("Dubliners")." Университетский научный журнал, no. 43 (2018): 114–19. http://dx.doi.org/10.25807/pbh.22225064.2018.43.114.119.
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Alevato do Amaral, Vitor. "Broadening the notion of retranslation." Cadernos de Tradução 39, no. 1 (January 10, 2019): 239–59. http://dx.doi.org/10.5007/2175-7968.2019v39n1p239.
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O propósito do presente artigo é problematizar as definições correntes de retradução, através da discussão de um de seus aspectos constituintes: a limitação à mesma língua-meta para a qual determinado texto-fonte já foi traduzido. O que justifica o presente artigo é a falta de discussão teórica acerca das definições de retradução em trabalhos acadêmicos. A maioria dos estudos as toma como certas e evita a necessidade de se escapar à fascinante estabilidade que as marca. Nossa visão é a de que a retraducão também ocorre fora dos limites estabelecidos por uma única língua-meta, e, devido a isso, deve ser tratada como um conceito multilíngue. Ilustraremos nossa visão com posições teóricas, especialmente as de Antoine Berman, e com exemplos de retraduções de duas obras literárias de James Joyce (1882-1941): Dubliners [Dublinenses] (1914) e Ulysses (1922) para o francês, o alemão, o italiano, o português e o espanhol.
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Czernecka, Gabriela. "“Exile from Ireland Left Him a Stranger Everywhere“: Representation of Dublin in Selected Louis Macneice’s Poetry and Some of the Stories from James Joyce’s Dubliners”." Studia Celtica Posnaniensia 5, no. 1 (December 1, 2020): 21–33. http://dx.doi.org/10.2478/scp-2020-0002.
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Abstract This paper discusses the representation of Dublin in the selected poetry of Louis MacNeice and some of the stories from James Joyce’s collection Dubliners. A close investigation of the city as a representative of urban space is interlinked with an examination of its role from the perspective of psychogeography. Both techniques are applied to show why and how two Irish authors portray the multi-dimensional decay of life in the city. In order to paint a whole picture of the relation between ‘space’ and ‘human’, I will also review the biographies of MacNeice and Joyce. For MacNeice, who was tormented by the experiences of domestic Belfast, going to the South was a promising escape. Yet, the change of urban setting did not bring him the expected result. MacNeice quickly became aware of the dirty, paralysed face of Dublin. Similarly, the childhood and day-to-day reality of the lower-middle-class profoundly shaped Joyce’s perspective of Dublin and, eventually, prompted him to go into deliberate exile in Europe. In his writings, however, Dublin constitutes the focal point of the structure, becoming an active participant in the events. Therefore, Dublin for MacNeice and Joyce is a place characterized by blandness, powerlessness in the face of foreign influences, and suffering caused by inertia.
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Dr. Nargis Khan. "Finding Narrated, Unnarrated and Disnarrated in James Joyce’s “The Sisters”." Creative Launcher 5, no. 2 (June 30, 2020): 65–74. http://dx.doi.org/10.53032/tcl.2020.5.2.08.
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“The Sisters” is the first story in the Dubliners, a collection of fifteen short stories by James Joyce, first published in 1914. Most of the stories in the collection are in descriptive style either by the characters in first person narration or by omniscient in third person speech. The descriptive narrative is incorporated with fewer dialogues selectively at some crucial event. Story, “The Sisters” is one of the most perfectly crafted narratives from the point of view of a young boy who is also the character. The narrative of the story deals with multiple issues of religion, relationships, belief, paralysis (an abnormal physical state denoting mental illness as well) death and freedom and choose to disnarrated many events to create a sense of suspense and illusion in the story. Unnarrated and disnarrated is one of the emerging new techniques in the field of narrative theory. These narrative tool are discussed in great detail by Gerald Prince an American academic and literary theoretician, in an brief essay published in first issue of Style in 1988 This paper will analyse these narrative techniques and their application in the text and their after effects to the new kind of meaning they provide to it.
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Jafari, Maryam. "The Role of Religion in James Joyce`s <i>Dubliners</i>: Cultural Materialism Reading." Advances in Sciences and Humanities 5, no. 2 (2019): 55. http://dx.doi.org/10.11648/j.ash.20190502.13.
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Baradaran Jamili, Leila, and Razie Arshadi. "Semiology of Culture in James Joyce’s A Portrait of the Artist as a Young Man." Advances in Language and Literary Studies 9, no. 4 (August 31, 2018): 51. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.51.
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This study sheds new light on the role of city whether real or fictional in modern novel as one of the signs of man’s cultural fate. For the same reason, city is not a mere physical place, but a spatial concept. Not only has city become inseparable from man’s personal and national destiny but also one’s life continues to unfold on city’s streets. James Joyce’s (1882-1941) A Portrait of the Artist as a Young Man (A Portrait, 2000) deals with Joyce’s home, Dublin. Joyce aims to universalize and simultaneously eternalize his home through his art. Accordingly, the reader of his text is to decipher the cultural signs of Dublin to get into it. As Michael Ryan (1946-) refers to culture as the total way of life that it has multiple meanings; to understand the culture of a city, to read its meaning, one has to decipher it. Semiology, based on Roland Barthes (1915-1980), is the science of signs whose emphasis is on the interpretation of codes, signs and symbols in a particular culture. Thus, the culture of Dubliners portrayed in A Portrait can be decoded through semiology by the readers. Stephen Dedalus is one who deciphers the cultural signs such as paralysis, religion, prostitution and confession through his walking in Dublin. He considers them as nets of Dublin that he tries to escape from them.
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Ursa, Andra Iulia. "Collocation and connotation in chapter “Scylla and Charybdis” of James Joyce’s Ulysses. An analytical study of the Romanian translation." Swedish Journal of Romanian Studies 3, no. 1 (April 17, 2020): 152–67. http://dx.doi.org/10.35824/sjrs.v3i1.20460.
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The present article was written as part of the PhD dissertation entitled “An analysis regarding the evolution of James Joyce’s writing style in ‘Dubliners’, ‘A Portrait of the Artist as a Young Man’ and ‘Ulysses’ and the strategies of translating it into Romanian”. The research starts from the hypothesis that a perfect rendition in a different language of a literary text of this type is nothing more than a utopia. However, a translator should always intend to achieve an equilibrium between the author’s intentions, the form, the content and the target culture. In “Ulysses”, James Joyce experiments with language, abandoning the definition of sense and revolutionises the art of expressing thoughts through words. The current work will concentrate on the thorough analysis of adjectival and adverbial collocations conceptualized in the ninth chapter of “Ulysses”. Our purpose is to investigate how Mircea Ivănescu’s Romanian translation deals with collocations and especially with those that typically represent Joyce’s authorial style. Mircea Ivănescu (1931-2011) is a Romanian poet and the sole translator who accomplished the difficult task of translating the entire novel, although there had been various attempts at translating only chapters of it. It is an approved work of translation, having received both praise and critical appreciation. After more than three decades from this chapter’s translation, our research aims for a further exposition of the similarities and distinctions between the source language text and the target language translation.
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TEKALP, Selen. "JAMES JOYCE UN DUBLINERS ESERİNDEKİ "THE SISTERS", "AN ENCOUNTER" VE "ARABY" ADLI KISA ÖYKÜLERİN TÜRKÇE ÇEVİRİLERİ ÜZERİNE KARŞILAŞTIRMALI BİR İNCELEME." Journal of International Social Research 11, no. 59 (October 25, 2018): 187–94. http://dx.doi.org/10.17719/jisr.2018.2628.
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Gonçalves, Lourdes Bernardes. "Linguística de Corpus como Instrumento de Avaliação de Tradução Literária." Tradterm 15 (December 18, 2009): 79. http://dx.doi.org/10.11606/issn.2317-9511.tradterm.2009.46337.
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<p>Pretendemos mostrar, aqui, como a Linguística de Corpus pode contribuir para a avaliação da Tradução Literária. Trata-se de uma metodologia que pode explorar, inclusive pela via estatística, uma grande quantidade de textos, percebendo-lhes padrões de ocorrência (de palavras ou expressões), que poderiam passar despercebidas devido ao próprio tamanho dos textos analisados. Também temos a possibilidade de determinar rapidamente concordâncias, definir palavras-chave, baseando-se em frequências de ocorrência, além de outros procedimentos relevantes para a tarefa de tradução. Para tanto, utilizaremos o programa <em>WordSmith Tools</em>, de Mike Scott (1998, versão 3), aplicando a abordagem da Linguística de Corpus na avaliação do conto “A Mother”, um dos quinze contos de <em>Dubliners</em>, de James Joyce (1914), e de duas traduções, uma de Hamilton Trevisan (1964) e outra de José Roberto O’Shea (1992). Entendemos que a avaliação de um texto literário supõe dois momentos; no primeiro, acontece a análise do texto original, na busca de suas características especiais, tanto de forma como de conteúdo. No segundo, dá-se o estudo comparado do texto original e suas traduções. Procederemos dessa forma em nossa avaliação, observando escolhas e soluções dos tradutores, numa perspectiva mais descritiva do que prescritiva, mas também apontando inadequações, na tentativa de perceber suas causas e, se possível, sugerindo novas possibilidades.</p>
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Lovejoy, Laura. "The Centenary of Dubliners—Historical, Digital, and Archival Approaches: The Seventh Annual University College Dublin James Joyce Research Colloquium, Dublin, Ireland, 10–12 April 2014." James Joyce Quarterly 50, no. 3 (2013): 582–86. http://dx.doi.org/10.1353/jjq.2013.0029.
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Cruz Yáñez, Eva. "Reseña de James Joyce. Dublineses." Anuario de Letras Modernas 19 (February 28, 2017): 217–20. http://dx.doi.org/10.22201/ffyl.01860526p.2014.19.568.
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Гончаренко, Елла, and Людмила Байсара. "“СТІВЕН ДЖОЙС СЛУХАЄ”: ЦІ СЛОВА ЖАХАЛИ НЕ ОДИН ДЕСЯТОК ЖУРНАЛІСТІВ." Inozenma Philologia, no. 134 (December 15, 2021): 165–71. http://dx.doi.org/10.30970/fpl.2021.134.3520.
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The Ukrainian translation of Terence Killeen’s article “The Words Many a Journalist Dreaded Hearing: «This is Stephen Joyce»” is provided. Terence Killeen is the James Joyce Centre’s research scholar (Dublin). He is the author of numerous publications devoted to James Joyce’s oeuvre. Among them, there are “«Ulysses»’ Unbound: A Reader’s Companion to James Joyce’s «Ulysses»” (2004), an essay on the earliest version of “A Portrait of the Artist as a Young Man” (2020) and others. He is a former journalist although still continues to publish his works on the pages of “The Irish Times”, a leading Irish newspaper (Dublin). The above-mentioned translation made by Ukrainian scholars E. Honcharenko and L. Baisara is accompanied by the detailed and meticulously collected explanatory notes to the article. This piece of work deals with Stephen James Joyce (1932-2020), a grandson of the outstanding Irishman, James Joyce. An eminent Irish writer wrote the poem “Ecce Puer” to commemorate the birth of his grandson and the death of his own father John Joyce, the translation of which is also presented in this article. Stephen Joyce was the only son of George [Giorgio] Joyce, James Joyce’s son. Stephen was a grandson and the last surviving direct descendant of James Joyce. The article highlights Stephen’s real attitude to the literary inheritance of his late grandfather. The translation of the article is published with the Terence Killeen’s kind permission. The original version of the article was published in the Dublin’s newspaper “The Irish Times” on February 23, 2020. Key words: Irish scholar, Joycean, translation, translator, notes, language of original, author, Dublin newspaper, journalist
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Bădulescu, Dana. "Autobiography as Fiction in “A Portrait of the Artist as a Young Man”." Linguaculture 2, no. 1 (June 30, 2011): 29–36. http://dx.doi.org/10.47743/lincu-2011-2-1-253.
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This paper looks into the artful way in which James Joyce fictionalizes his autobiography in his Künstlerroman A Portrait of the Artist as a Young Man. Joyce projects his essentially artistic self onto the fictional character Stephen Dedalus, the namesake of the classical ‘cunning’ ‘artificer.’ In his turn, Stephen dreams of becoming Joyce and writing Ulysses. Thus, Joyce’s personal history and Dublin’s geography lose their recognizable ‘reality’ in a blueprint of the artist’s mind that charts a Dublin and a self-reshaped by his imagination.
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Sujeetha, Ms P. "Themes and Techniques in James Joyce’s Clay." SMART MOVES JOURNAL IJELLH 8, no. 1 (January 10, 2020): 7. http://dx.doi.org/10.24113/ijellh.v8i1.10329.
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James Joyce, a prolific Irish writer of his age. ‘Clay’ from Dubliner is known for its varied themes and techniques. It renders captivating opportunities for the readers to present his/her own perception of symbolism to ‘Clay’. Joyce has displayed a double level of symbolism structure which he explicitly managed to handle paradoxical symbolic element simultaneously. The title ‘Clay’ itself has a symbolic meaning – in the human world it has less worth but this unworthy element has the capacity to mould to any given shape. Maria, the protagonist is a symbolic representation of Clay at one level and Mother Ireland at another level. Themes of poverty, triggered social relationships are shown through the technique of symbolism.
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Prescott, Tara. "James Joyce: Portrait of a Dubliner by Alfonso Zapico." James Joyce Quarterly 51, no. 1 (2013): 201–4. http://dx.doi.org/10.1353/jjq.2013.0086.
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Booryazadeh, Seyed Ali, Sohila Faghfori, and Esmaeil Zohdi. "Symbolic Code of S/Z: A Semiological Reading of James Joyces Two Gallants." JOURNAL OF ADVANCES IN LINGUISTICS 5, no. 1 (October 5, 2014): 489–92. http://dx.doi.org/10.24297/jal.v5i1.5192.
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Like a number of other stories of Dubliners,Two Gallants because of it coded polyphony is debatable on the level of significance. It seems that the story strategically convey some crucial information to the reader by deciphering its symbolic codes. Accordingly, this study in accord with Roland Barthes semiology and specified codes in S/Z makes an attempt to explicate the symbolic codes and structural components that carry an invisible message of James Joycs Two Gallants.
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Pimentel, Luz Aurora. "La "escrupulosa mezquindad" de la escritura en Dublineses de James Joyce." Anuario de Letras Modernas 19 (February 28, 2017): 133–55. http://dx.doi.org/10.22201/ffyl.01860526p.2014.19.555.
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De acuerdo con la intención manifiesta de Joyce de escribir los cuentos de Dublineses“en un estilo de escrupulosa mezquindad”, este artículo aborda la coleccióntomando en cuenta el contexto histórico que explica el deterioro de Dublín—patente en las descripciones de la ciudad— a partir del Acta de la Unión de1801 y el desastre humano que significó la gran hambruna de mediados del sigloXIX. En este contexto de depresión urbana y económica —agravada por la obsesiónque tiene el irlandés de emigrar, “de huir de la ‘isla condenada que se moríade hambre’ y encontrar un refugio en otra parte”— se analiza, en un primermomento, la temática general de los cuentos, para luego particularizar el análisisen algunos de ellos —“Las hermanas”, “Una nubecilla” y “Los muertos”. Destaca enel análisis no sólo la “escrupulosa mezquindad” del estilo, el cual podría considerarsecomo la marca del sobrio realismo de los cuentos, sino la vertiente simbólicaque reside en lo no dicho, en la historia virtual, aquella que por la técnicanarrativa de la indirección no ha sido contada, la historia ausente (gnomon) queproyecta su sombra o irradia su luz en la epifanía típicamente joyceana; todoaquello, en fin, que constituye la dimensión poética y simbólica de los relatos deDublineses.
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O'NEILL, Stephen. "Liam Lanigan,James Joyce, Urban Planning, and Irish Modernism: Dublins of the Future." Notes and Queries 63, no. 3 (July 29, 2016): 495–97. http://dx.doi.org/10.1093/notesj/gjw159.
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Rubenstein, Michael. "James Joyce, Urban Planning, and Irish Modernism: Dublins of the Future by Liam Lanigan." James Joyce Quarterly 53, no. 1-2 (2015): 157–59. http://dx.doi.org/10.1353/jjq.2015.0068.
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Valenzuela Garcés, Jorge. "Genealogías literarias: el realismo de Dublineses de James Joyce y su influencia en la generación de narradores peruanos de los 50." Desde el Sur 11, no. 2 (2019): 217–26. http://dx.doi.org/10.21142/des-1102-2019-217-226.
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Álvarez Pérez, Iciar. "The Linden Tree in ‘The Dead’ by James Joyce." ODISEA. Revista de estudios ingleses, no. 12 (March 15, 2017). http://dx.doi.org/10.25115/odisea.v0i12.217.
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Abstract:James Joyce uses in his short story ‘The Dead’, included in the collection Dubliners (1914), different literary motives that contribute to construct the subject of the story, which is not other than the fragility that exists between death and life. Among these motives there is the Linden tree that probably Joyce adapted from the song ‘Lindenbaum’ written by Franz Schubert and included in the song cycle Winter Journey (1828). This article attempts to investigate the parallelisms that exist between both works of art and to explain how Joyce succeeds in creating the necessary atmosphere that masterly illustrates the subject of the story.Keywords: Literary motif, Linden tree, death, Winter Journey, ‘The Dead’, James Joyce.Título en español: The Linden Tree en “The Dead”, por James JoyceResumen:James Joyce utiliza en su relato ‘Los muertos’, incluido en la colección Dublineses (1914), una serie de motivos literarios que contribuyen a construir el tema del relato, que no es otro que la frágil línea divisoria que existe entre la vida y la muerte. Entre estos motivos se encuentra el árbol de tilo, que muy probablemente Joyce tomó de la canción ‘Lindenbaum’ incluida en el ciclo de canciones Viaje de Invierno (1828) de Franz Schubert. Este artículo pretende indagar en los paralelismos que existen entre ambas obras y demostrar como Joyce consigue crear la atmósfera necesaria para ilustrar con brillantez el tema del relato.Palabras clave: motivo literario, árbol de tilo, muerte, Viaje de Invierno, ‘Los muertos’, James Joyce.
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Rodovalho, Omar, and Fabio Akcelrud Durão. "DAS ASPAS INVISÍVEIS EM “THE DEAD’. [LILY, GABRIEL E O VENTRILOQUISMO DO NARRADOR JOYCEANO]." Cadernos de Letras da UFF 24, no. 48 (July 30, 2014). http://dx.doi.org/10.22409/cadletrasuff.2014n48a130.
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Existindo já, em português, sete traduções integrais do Dubliners de James Joyce e pelo menos outras duas a ponto de serem publicadas, interessará ao presente artigo discutir alguns dos aspectos desses 15 contos que seguem chamando a atenção dos críticos e permitem estabelecer um link direto com a prosa mais madura do autor, link esse que mal se permite ver nas traduções de que atualmente dispomos.
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De Figueiredo, Mariana Luísa. "GABRIEL CONROY E O ÚLTIMO MOCINHO DO MUNDO OCIDENTAL." Revista Intertexto 8, no. 1 (April 3, 2016). http://dx.doi.org/10.18554/ri.v8i1.1067.
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Yeats, Lady Gregory e Synge escrevem sobre o passado mitológico da Irlanda e enaltecem a vida rústica enquanto James Joyce (1882-1941) disseca o cotidiano das pessoas que vivem na tumultuada Dublin da virada do século. Os camponeses são o tema de The Playboy of the Western World (1907) por Synge, mas é um engano pensar que a peça do dramaturgo nacionalista e o episódio de sua estreia no Abbey Theater estejam completamente distanciados do retrato da burguesia irlandesa e do altivo e cosmopolita no Gabriel Conroy de “The Dead”, o último e mais extenso conto da coletânea de histórias sobre os dublinenses, Dubliners (1904), incluído por Joyce na publicação quatro anos depois. O objetivo deste artigo é aproximar o conto “The Dead” e seu protagonista Gabriel Conroy da peça The Playboy of the Western World, e sua polêmica estreia, demonstrando como a peça reverbera de diferentes formas na escrita do conto de Joyce. Palavras chaves: Synge, Joyce, nacionalismo, hibridismo.
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Vukićević - Garić, Vanja. "THE SENSE OF THE UNENDING IN JOYCE’S DUBLINERS." Folia linguistica et litteraria, December 25, 2018, 87–104. http://dx.doi.org/10.31902/fll.25.2018.5.
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Based on the main structural and narrative elements and drawing on the predominant views in the short story theory, this paper deals with the analysis of endings in Joyce’s Dubliners, as well as with various modes of their constitution regarding the effect they produce. Since the ending is regarded as the crucial component of short fiction, and bearing in mind the exuberant formal, thematic, symbolic and poetic potential that Joyce’s concept of epiphany has in the structuring of ends, it can be said that Dubliners is a collection that set the standard in the genre. This article aims at delineating the differences between the closed and open ends, pointing to the complex ontological implications of the latter ones, particularly in the light of the final story’s ending, “The Dead”, which also marked a multiple crossing of borders in terms of the form, genre and general poetics of James Joyce