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Journal articles on the topic 'Duchesses'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Korzinin, Alexander L., and Anatoly L. Gryaznov. "The Courts of the Grand Duchesses of Ryazan." Vestnik of Saint Petersburg University. History 69, no. 3 (2024): 596–620. http://dx.doi.org/10.21638/spbu02.2024.304.

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The article explores the problem of the Courts of the Ryazan Grand Duchesses Anna Vasil’evna (1483–1501) and Agrafena Vasil’evna (1501–1514/1515). The main question concerns the existence of the court of the Grand Duchesses as a special independent structure. The reconstruction of the courts of Anna Vasil’evna and Agrafena Vasil’evna revealed that the persons who comprised part of their Boyar Duma, the palace administration, and the executive apparatus had previously been in the service of the Grand Dukes of Ryazan, or had close relatives (fathers, siblings) who were part of the courts of Gran

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2

Bisson, Anne-Florence. "La « Revengeance » des duchesses." Ethnologies 34, no. 1-2 (2014): 113–32. http://dx.doi.org/10.7202/1026147ar.

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Cette étude vise à analyser les défis et les enjeux entourant la création d’une activité citoyenne à l’intérieur du Carnaval de Québec, la « Revengeance » des duchesses, destinée à assurer une réappropriation par les résidents de cette fête jugée par beaucoup trop touristique. Née dans ce contexte de questionnement du sens de la fête, et s’inspirant librement de la « tradition » des Duchesses du Carnaval, abandonnée en 1996, la « Revengeance » des duchesses propose de nouvelles activités, non reconnues dans la programmation officielle du Carnaval. Nous nous interrogeons donc sur les processus

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3

Krylova, Yulia. "Women’s Everyday Life at Court: Ladies’ Conversations about Court Ceremonial by Eleanor de Poitiers’ “Les Etats de France”." ISTORIYA 16, no. 2 (148) (2025): 0. https://doi.org/10.18254/s207987840034425-6.

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Based on the memoirs written between 1483 and 1487 by Eleanor of Poitiers, a lady-in-waiting of the duchesses of Burgundy, this article examines the everyday conversations of the female part of the court. Although the text is primarily devoted to questions of hierarchy and ceremonial, we can learn what the ladies at court talked about and hear not only the author’s own speech, but also her conversations with her mother, Isabella de Souza, the dame d’honneur of the Duchess of Burgundy, the remarks of Isabelle of Portugal herself and other ladies on different occasions, as well as their intended

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4

Mitina, E. I. "Russian court dress at the Royal wedding: visualization of ethnicity in the matrimonial policy in the second half of the 18th - the first half of the 19th century." Herald of Omsk University. Series: Historical studies 9, no. 2 (34) (2022): 38–46. http://dx.doi.org/10.24147/2312-1300.2022.9(2).38-46.

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The article considers the cases of usage of the Russian court dress at the royal weddings in the second half of the 18th - the first half of the 19th century. The article analyzes perception by contemporaries of Russian court dress and based on portrait paintings and memoirs. The Russian court dress initially appears in the middle of the 18th century and was regulated during the reign of Nicholas I. Wearing of Russian court dress by European princesses on the weddings with Russian Grand Dukes shows the change of their identities; after the wedding they have to position themselves as Russian Gr

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5

Guitton, Laurent. "Duchesses. Histoire d’un pouvoir au féminin en Bretagne." Annales de Bretagne et des pays de l'Ouest, no. 129-2 (July 13, 2022): 190–94. http://dx.doi.org/10.4000/abpo.7617.

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6

Krylova, Yulia. "«Les états de France» by Eleanor de Poitiers and Their Spanish «Traces»." Средние века 86, no. 2 (2025): 112. https://doi.org/10.7868/s0131878025020060.

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The article analyses the data of two manuscripts of a rare late medieval source dedicated to the French court ceremonial concerning court ladies (Bibliothèque Nationale de France. Ms. fr. 14353 and Bibliothèque municipale de Besançon. Collection Chiflet. Ms. 65). The treatise was written in the 1480s by Eleanor de Poitiers, the lady-in-waiting of the Burgundian duchesses. It remains currently the earliest known French text of this type. Researchers neither know the circumstances of its creation, nor its customer, nor the ways of its distribution. The article attempts for the first time in worl

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7

Pollock, M. "Duchesses and devils: the Breton succession crisis (1148-1189)." French History 23, no. 2 (2009): 149–70. http://dx.doi.org/10.1093/fh/crp003.

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8

Henderson, Carol E. "Introduction: On First Ladies, Duchesses, and Bawses—Black Womanhood Rebooted." Journal of American Culture 42, no. 1 (2019): 3–9. http://dx.doi.org/10.1111/jacc.12969.

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9

Cherkasskaya, Nadezhda A. "Charitable Activities of Representatives of the Romanov Dynasty in Office Correspondence and Sources of Personal Origin (1914-1917)." Herald of Omsk university. Series: Historical studies 11, no. 1 (2024): 48–54. http://dx.doi.org/10.24147/2312-1300.2024.11(1).48-54.

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This article discusses a brief history of the evolution of the charitable activities of members of the Romanov dynasty from the end of the 18th to the beginning of the 20th centuries, anticipating the main topic of the study. Further, on the basis of sources of personal origin (memoirs and personal correspondence) and clerical archival correspondence (reports from senior and middle officers, letters of petition from representatives of the masses), the question of the evolution of the charitable and medical activities of women of the Romanov dynasty during the First World War is studied. The bi

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10

Comerford, Kathleen. "Corresponding Consorts: Letters between Medici (Grand) Duchesses and Jesuits, 1540s–1620s." Early Modern Women 14, no. 2 (2020): 33–54. http://dx.doi.org/10.1353/emw.2020.0032.

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11

Chaudet, Élodie. "Laurence Moal, Duchesses. Histoire d’un pouvoir au féminin en Bretagne. Les duchesses de Bretagne de Roscille d’Anjou à Anne de Bretagne ( x e - xvi e siècle)." Cahiers de civilisation médiévale 265, no. 4 (2024): 275. http://dx.doi.org/10.3917/ccm.265.0275.

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12

Szybkowski, Sobiesław. "Wojciech z Bnina w krzyżackiej niewoli Dokumentacja epistolograficzna." Studia z Dziejów Średniowiecza, no. 20 (December 15, 2020): 393–412. http://dx.doi.org/10.26881/sds.2020.24.15.

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This text publishes five letters relating to the period as a prisoner of war of the Castellan of Ląd, Wociech of Bnin, who was captured by the Teutonic Order in the Battle of Chojnice on 18 September 1454. The first letter, written in Poznań on 27 December 1454, relates to Wojciech’s own request to postpone the date of his return to captivity, which he had been released from on his word of honour as a knight, in connection with the need heal a wound or a blow that he had received in the abovementioned battle. Three subsequent letters are addressed to the Grand Master of the Order, Ludwik von E

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13

Fried, Torsten. "A history of Slav princes and Russian grand duchesses — the Schwerin Coin Cabinet." Issues of Museology 9, no. 1 (2018): 93–110. http://dx.doi.org/10.21638/11701/spbu27.2018.109.

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14

Teterycz-Puzio, Agnieszka. "Women from the Knight, Bourgeois and Peasant Classes in Public Space – in the Piast Principalities During the Period of District Division." Res Historica 57 (October 22, 2024): 209–47. https://doi.org/10.17951/rh.2024.57.209-247.

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The aim of this article is to present various manifestations of the presence of women in the public sphere in the principalities ruled by the Piasts in the period of the so-called „disintegration of the districts” in the light of extant sources. In particular, documents were analysed. Also analysed were the lives of saints, friars’ books and monastery obituaries. In the light of the sources analysed, women funded, sold or exchanged their estates, or managed their domains, and therefore appeared in the public sphere, if only to conclude various transactions, or to confirm or initiate legal acti

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15

Гадалова, Галина Сергеевна. "TO THE QUESTION ABOUT THE TIME OF THE OLD RUSSIAN PRINCESS-WIDOW RAISING A SON." Вестник Тверского государственного университета. Серия: История, no. 4(64) (December 28, 2022): 150–60. http://dx.doi.org/10.26456/vthistory/2022.4.150-160.

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Анализ летописных источников о жизни княгинь-вдов Тверского княжеского дома свидетельствует об их активной деятельности как в период несовершеннолетия наследников, так и в последующее время. Привлечение к исследованию дополнительных источников позволяет уточнить время монашеского пострига великих княгинь: вдовы уходили в монастырь после женитьбы сына, свидетельствующей о его самостоятельности. Однако если в княгине нуждалась семья, вдова оставалась жить на княжем дворе. An analysis of chronicle sources about the life of the princesses-widows of the Tver princely house testifies to their vigoro

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16

Grati, Aliona. "Royal ceremonies at the Cathedral." Dialogica 1 (January 15, 2020): 105–21. https://doi.org/10.5281/zenodo.4247646.

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The article reconstructs the history of the official visits of the members of the monarchic families to the Metropolitan Cathedral of Kishinev, starting with the visit, from 1818, of the Tsar Alexander I and until 1942, the last presence of the King Mihai I. In Kishinev arrived the three tsars and the one tsarina from Russia, the kings and the queens from Romania, the great dukes and duchesses, princes and princesses, all of them respected the same cultural, political and religious protocol planned to take place in the perimeter of the elegant cult building. With these exceptional occasions an

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17

Januszek-Sieradzka, Agnieszka, and Janusz Smołucha. "Introduction." Rocznik Filozoficzny Ignatianum 27, no. 2 (2021): 13–18. http://dx.doi.org/10.35765/rfi.2021.2702.2.

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Like the earlier issue of the Yearbook, this one also consists of two major parts. The first is devoted to the cultural and intellectual climate of the courts of queens in medieval and modern Europe. At the beginning of the 2000s, comments made in Polish historiography that we know little about the queens and their role in the state, or about their environment, and that the structures of the courts of Polish duchesses and queens remain outside the mainstream of research, were by all means correct. Over the past twenty years, however, the subject of the courts of Polish queens in the Middle Age

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18

Llewellyn, Sacha. "‘A List of ye Wardrobe’ 1749: The Dress Inventory of John Montagu, 2nd Duke of Montagu." Costume 29, no. 1 (1995): 40–54. http://dx.doi.org/10.1179/cos.1995.29.1.40.

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The following article is based on research undertaken for my MA thesis, ‘The Dress Inventories of the 2nd Duke and Duchess of Montagu, 1749 and 1747’. The Duke's inventory, which is the subject of the article below, will be followed by an article, to be published in a future issue of Costume, on the Duchess's Inventory.

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19

Lavryonova, Anna M., Marina V. Sofjina, and Dmitriy M. Sofjin. "Overview of the Personal Provenance Fond of the Grand Duke Michael Alexandrovich from the State Archive of the Russian Federation: 1878-1918." Herald of an archivist, no. 3 (2023): 906–21. http://dx.doi.org/10.28995/2073-0101-2023-3-906-921.

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This article presents an overview of the personal provenance fond of the Grand Duke Michael Alexandrovich—member of the Russian Imperial House, younger brother of Emperor Nicholas II, a major military, state, and public figure, who held the posts of the Commander of the Savage Division, member of the State Council and the Committee of Ministers, Chairman of the Imperial Russian Historical Museum, who for a time was heir to the throne—which is stored in the State Archive of the Russian Federation. The archival fond, formed and described in the Soviet period, contains 137 storage units, includin

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20

Orfinskaya, Olga V., and Bella L. Shapiro. "Study of a costume complex from the burial of the princess Natalia Alexeevna Romanova. Preserved and lost." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 62 (2021): 23–35. http://dx.doi.org/10.37816/2073-9567-2021-62-23-35.

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This paper discusses a costume complex from the burial of the Princess Natalya Alexeevna Romanova, the sister of Emperor Peter II. The burial of the young Princess took place in a dynastic necropolis of the Ascension Monastery of the Moscow Kremlin in January 1729, among dozens of tombs of Great Duchesses, Queens And Princesses. Two hundred years later, with the destruction of the monastery, by the efforts of museum and scientific staff, all the sarcophagi of the necropolis moved to the Moscow Kremlin Museums. Here is where their research began as part of a large project “Historical Necropolis

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21

Surtz, Ronald. "Tecla Servent and the Borgias." Medieval Encounters 12, no. 1 (2006): 74–86. http://dx.doi.org/10.1163/157006706777502497.

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AbstractSeveral prophecies of the late fifteenth-century visionary Tecla Servent involved her in the politics of her day. When the Duke of Gandía took a wife, his mother-in-law and later the Duchess herself sent for Tecla and asked her to pray that God bless the marriage with children. In one of her ensuing visions, Tecla saw the Lord place a child among the Duchess's skirts. Inasmuch as the Duchess of Gandía was a cousin of Ferdinand the Catholic and the Duke was the Pope's son, the conception of an heir was of utmost importance to papal-Aragonese relations. Through Tecla's prophecies, the pr

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22

Chaigne, Marion. "Comptes féminins, contes du quotidien ? Les activités des duchesses de la seconde Maison d’Anjou à la lumière de leurs finances." Questes, no. 15 (September 15, 2008): 64–81. http://dx.doi.org/10.4000/questes.4114.

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23

Lewenstam, Anna. ""My nie jesteśmy: ty i ja. My jesteśmy czegoś katastrofalną tylko konsekwencją". Maria Jehanne Wielopolska pisze historię kobiet ("My nie jesteśmy: ty i ja. My jesteśmy czegoś katastrofalną tylko konsekwencją" ['We do not exist: you or me. We are only a consequence of something catastrophic']. Maria Jehanne Wielopolska writes a history of women)." Napis XVIII (2012) (December 31, 2012): 175–90. https://doi.org/10.18318/napis.2012.1.11.

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Virginia Woolf said in 1927 that women should finally write the history from the beginning, because this one already written is seen from the male perspective and, in fact, is the history of men. In such history there is no space for women. In the later feminist research even a deconstruction of the very word <em>history</em> — understood as <em>his</em> — <em>story</em> (his history/story) — was proposed, and a replacement by a word <em>herstory</em> (her history/story). The article deals with the history written, as if, from scratch, which gives voice to the mute participan

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24

Lemaire, Claudine. "Remarques relatives aux inventaires de la Librairie de Bourgogne réalisés en 1467-69, 1477, 1485, 1487 et aux manuscrits des duchesses." Scriptorium 48, no. 2 (1994): 294–98. http://dx.doi.org/10.3406/scrip.1994.1701.

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Cheyns-Condé, M. "Expression de la piété des duchesses de Bourgogne au XVe siècle dans la vie quotidienne et dans l’art. Essai de synthèse." Publications du Centre Européen d'Etudes Bourguignonnes 29 (January 1989): 47–68. http://dx.doi.org/10.1484/j.pceeb.3.211.

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26

Sokolov, Alexander S. "Pavel Petrovich Shibanov as a Supplier of Books for the Libraries of the Imperial Family (Late 19th — Early 20th Century)." Bibliotekovedenie [Russian Journal of Library Science] 73, no. 4 (2024): 321–34. http://dx.doi.org/10.25281/0869-608x-2024-73-4-321-334.

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On the basis of letters from the collection No. 342 of the Manuscripts Department of the Russian State Library (RSL) the co-operation of the famous Russian antiquarian book dealer of the late 19th — early 20th century P.P. Shibanov with the members of the House of Romanov in the field of formation of their personal libraries is studied. The study was carried out with the aim of obtaining reliable information about the editions offered to complete the personal libraries of the Imperial House. On the basis of previously unexplored sources the assortment of P.P. Shibanov’s booksellers, presented

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27

Skodlarski, Janusz. "Działalność gospodarcza księżnej Anny Jabłonowskiej (1728–1800)." Zeszyty Wiejskie 17 (June 30, 2012): 53–66. https://doi.org/10.18778/1506-6541.17.04.

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Duchess Anna Jabłonowska is one of the most prominent, albeit less known reformers of the Polish economy in the second half of the 18th century. She won recognition for selfless and practical regional activity in the field of modification of feudal service system. Implementation of her reforms facilitated upgrading of the Polish agriculture. Duchess’s activity was not a lordly whim but it was upright and arduous work aiming at enhancing social-economic life in the vast regions of the declining First Republic.

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Hamamra, Bilal Tawfiq. "“I pray sir, hear me: I am married”: Language and Sexual Politics in Webster’s The Duchess of Malfi." Anglia 138, no. 1 (2020): 1–19. http://dx.doi.org/10.1515/ang-2019-0056.

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AbstractThis article follows the critical lines of new historicism, feminism, psychoanalysis and performance studies so as to reveal Webster’s challenge of the conventional gender roles via the binary opposites of speech and silence. Within the context of new historicism, I contend that Webster’s The Duchess of Malfi (1613–1614) comments on the corruption and abuse of absolute political power within the reign of King James I and the Catholic Church through the figures of Ferdinand (the head of the state) and the Cardinal (the head of the Church). Contrary to the new historicism’s conception of

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Jardot, Lucie. "Les duchesses de Bourgogne : des épouses modèles et vectrices de loyauté au sein des couples princiers et de l’État bourguignon (xiv^e-xv^e siècles)." Publications du Centre Européen d'Etudes Bourguignonnes 62 (January 2022): 21–38. http://dx.doi.org/10.1484/j.pceeb.5.132609.

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Navik, Susi, Rudi Hartono, and Djoko Sutopo. "The Semantic Equivalence of Culture Specific Terms in The English-Indonesian Translation of Novel The Duchess War By Courtney Milan." English Education Journal 9, no. 2 (2019): 226–33. http://dx.doi.org/10.15294/eej.v9i2.29694.

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This study aims to classifyand identify how the semantic equivalence of culture-specific terms achieved in English-Indonesian translation of novel The Duchess War. The aims then break down into five, following Newmarkâ€™s categorization of culture-specific terms; ecology, material, social, organizations, customs, and ideasand thelast is gestures and habits. The original novel investigated entitled The Duchess War by Courtney Milan and its translation entitled â€œSkandal Sang Duchessâ€translatedy Eka Budiarti as the subject of this study. The limitation of this study covers up the semantic equ

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Громова, А. В. "Grand Duchess Elizaveta Feodorovna as a patron of music education." Диалог со временем, no. 76(76) (August 17, 2021): 409–20. http://dx.doi.org/10.21267/aquilo.2021.76.76.019.

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Статья посвящена покровительству Великой княгини Елизаветы Федоровны музыкальному образованию на примере двух основных московских училищ музыкального направления. Рассматриваются различные аспекты попечительства в целях качественного обеспечения учебного процесса, помощи «недостаточным учащимся», поощрения наиболее талантливых учеников, создания условий для широкого практического применения учащимися полученных знаний в лучших творческих коллективах России. Также уделено внимание содействию Великой княгини возникновению в России новых музыкальных и театральных направлений при участии преподава

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Terenteva, Ekaterina. "André Duchesne’s Genealogical Histories as an Element of French Protonational." ISTORIYA 16, no. 3 (149) (2025): 0. https://doi.org/10.18254/s207987840034886-3.

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Genealogical histories of French noble families constitute a large part of the works by “the father of the French history” André Duchesne, an outstanding erudite who held the positions of royal geographer and royal historiographer at the court of Louis XIII. Some of these works remain manuscript; but even the published body of these texts permit to draw certain conclusions. The analysis shows that they were conceived as a series united not only with a common subject and common methods, but with a common conception; they followed the same logic and had the same goals. Duchesne’s position determ

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Корзинин, А. Л., and А. И. Бородовский. "The Itineraries of the Grand Duchess of Moscow Maria Yaroslavna (1433–1485)." Палеоросия. Древняя Русь: во времени, в личностях, в идеях, no. 1(25) (April 15, 2024): 66–83. http://dx.doi.org/10.47132/2618-9674_2024_1_66.

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Анализ итинерария, поездок в различные города, богомольных странствий, местонахождения Марии Ярославны, жены великого князя Московского Василия II Васильевича, дочери Серпуховско-Боровского князя Ярослава Владимировича, до настоящего времени не стал объектом специального научного изучения. Однако реконструкция путешествий и мест пребывания Марии Ярославны позволяет исследовать роль великой княгини в государственных и церковных делах, ее участие в политических событиях в правление Василия Темного и Ивана III. На основании летописных источников, актового материала, изделий золотошвейной мастерск

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Killick, Rachel. "Becoming Québécois: Édouard and the Duchesse de Langeais between Old Worlds and New in the work of Michel Tremblay." British Journal of Canadian Studies: Volume 33, Issue 2 33, no. 2 (2021): 189–208. http://dx.doi.org/10.3828/bjcs.2021.13.

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Our identity is formed in large part by the way we see others and the way others, in their turn, see us. This is true both of Québec and of Édouard, one of the principal characters of the fictionalised Montréal universe of Michel Tremblay. A representative of the pre-1970s socio-economic inequality of French-Canadians, Édouard is further marginalised by his homosexuality. In his transvestite persona as the Duchesse de Langeais, a revised version of a Balzacian heroine, he undertakes a mocking critique of the injustices of his society from the ‘external’ point of view of this supposed French ar

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Mhainnín, Máire Áine Ní. "'Il aurait peut-être préféré avoir une autre fille': Paternal Mourning in the Work of Annie Ernaux." Irish Journal of French Studies 19, no. 1 (2019): 107–22. http://dx.doi.org/10.7173/164913319827945765.

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Annie Ernaux discovered, at the age of ten, that her sister, Ginette Marie Thérèse Duchesne, had died of diphtheria in 1938, two years prior to Ernaux's birth. Ernaux relates the circumstances of her sister's death and parents' grief in Une femme and in several subsequent texts, culminating in L'Autre fille, a letter addressed to her deceased sister. In the latter text, Ernaux poignantly describes her parents' grief and this article examines Ernaux's perception of her father's mourning processes as depicted across a range of texts. The analysis of Ernaux's writing is informed by Freudian conce

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Gonzi, Carlotta. "The Duchess’s Jewels." Incontri. Rivista europea di studi italiani 38, no. 1 (2024): 1–19. http://dx.doi.org/10.18352/inc19269.

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Le gioie della duchessa: due inventari inediti di Lucrezia Borgia Questo articolo presenta la trascrizione completa integrata di commento di due inventari di gioie di Lucrezia Borgia d’Este (1480-1519), datati 20 aprile 1515 e finora passati inosservati. Questi documenti, conservati all’archivio di Stato di Modena, sono copie di due inventari del 27 giugno 1506 e del 20 ottobre 1513 andati perduti. La presente pubblicazione si pone come utile strumento di analisi di tutti quei beni di Lucrezia rientranti nella categoria di “gioie”: infatti, dal già noto inventario del guardaroba del 1502-1504

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Schneider, Gretchen. "The duchess's ball." Dance Chronicle 10, no. 2 (1986): 236–41. http://dx.doi.org/10.1080/01472528608568947.

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Jackson, Ian, Günter Staudt, and Claude Dabbak. "Les dessins d'A.N. Duchesne pour son Histoire naturelle des fraisiers [Cover, Spine Title: Les dessins d'Antoine Nicolas Duchesne...] = A.N. Duchesne's Drawings for His Histoire naturelle des fraisiers." Taxon 54, no. 1 (2005): 260. http://dx.doi.org/10.2307/25065341.

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Eörsi, Anna. "Mary of Burgundy Alive or Dead." Acta Historiae Artium 62, no. 1 (2022): 39–61. http://dx.doi.org/10.1556/170.2021.00004.

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Three depictions of Mary of Burgundy seated on horseback were made soon after the duchess’s death.The drawn copy of a lost work by Hugo van der goes commemorates the negotiations held in Trier in 1473 between frederick iii and Charles the Bold, when they made their first agreement on joining their children in marriage. The composition is strikingly reminiscent of the theme of The Meeting of the Three Living and the Three Dead; the high-born female rider arriving behind Maximilian is Mary of Burgundy, depicted after her death. The man confronting the riders with their mortality probably refers

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Le Fur, Didier. "Anne, duchesse en sabots." L'Histoire - Les Collections N° 76, no. 3 (2017): 42–43. http://dx.doi.org/10.3917/lhc.076.0042.

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Cornilliat, François. "Pas de miracle : la Vierge et Marguerite dans l’Heptaméron." Études littéraires 27, no. 2 (2005): 77–96. http://dx.doi.org/10.7202/501083ar.

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François Cornilliat se penche sur les enjeux idéologiques et rhétoriques de la « laïcisation » du récit de miracle. Son analyse porte principalement sur la 72e - et dernière - nouvelle de l' Heptaméron de Marguerite de Navarre. Une naïve religieuse, engrossée par son confesseur, relate sa mésaventure à la duchesse d'Alençon qui, imbue d'évangélisme, convainc la nonne, qu'au lieu de s'en remettre au pouvoir illusoire du Pape, elle ferait mieux de dialoguer directement avec Dieu sans intercession « humaine ». L'intervention de la duchesse d'Alençon, qui est aussi l'auteure du livre, est ainsi li

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Spriggs, Matthew. "Who was the Duchess of Cornwall in Nicholas Boson's (c.1660-70) 'The Duchesse of Cornwall's Progresse to see the Land's End…'?" Cornish Studies 14, no. 1 (2006): 56–69. http://dx.doi.org/10.1386/corn.14.1.56_1.

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Pouliquen, Pierre. "L’art de vérifier les dates : quand mourut la duchesse de Bretagne Marguerite de Foix ?" Annales de Bretagne et des pays de l'Ouest 131-3 (2024): 103–17. http://dx.doi.org/10.4000/12lko.

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Quand mourut la duchesse de Bretagne Marguerite de Foix, mère d’Anne de Bretagne ? Aujourd’hui encore, on trouve deux dates, le 15 mai 1486 et le 15 mai 1487, toutes deux retenues par des ouvrages de référence – sans que cette divergence ait suscité de débat. La première provient du chroniqueur Alain Bouchart ; la seconde, de l’épitaphe de la duchesse, transcrite lors des ouvertures du « tombeau des Carmes » en 1514 et en 1727. Cette épitaphe, trop peu citée, peut être complétée par la critique de la date avancée par Bouchart, ainsi que par le recours à un autre chroniqueur, Pierre Le Baud, do

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Ball, David. "John Webster, La Duchesse de Malfi [The Tragedy of the Duchesse of Malf." Coulisses, no. 43 (December 31, 2011): 193–97. http://dx.doi.org/10.4000/coulisses.428.

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Spracklan-Holl, Hannah. "Noblewomen’s Devotional Song Practice in ‘Patiençe veinque tout’ (1647–1655), a German Manuscript from the Mid-seventeenth Century." Context, no. 48 (January 31, 2023): 35–51. http://dx.doi.org/10.46580/cx78832.

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"Devotional song in the German vernacular was a large repertory in the seventeenth century; as Robert Kendrick points out, the more than two thousand printed collections of these songs produced at this time attest to a relatively musically literate public that engaged with the repertoire. Most published devotional songs appeared in collections, usually consisting of a foreword or dedications, other poetry, and songs. The songs themselves often appeared without printed musical notation, indicating the use of contrafactum. Both men and women contributed to the German devotional song repertoire;

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Ramón Solans, Francisco Javier. "Le mesmérisme à la rencontre de la prophétie. Le cercle de la duchesse de Bourbon." Annales historiques de la Révolution française 391, no. 1 (2018): 153–76. https://doi.org/10.3917/ahrf.391.0153.

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L’objectif de cet article est de réfléchir à la relation entre illuminisme, mesmérisme et mysticisme à travers le cercle de la duchesse de Bourbon dans le dernier tiers du XVIII e siècle. L’analyse du cercle de Petit Bourg nous montre les rapports fluides entre ces mouvements. La Révolution française stimula l’hybridation entre ces groupes. La duchesse de Bourbon accueillit chez elle une partie non négligeable de l’église constitutionnelle ainsi que la prophétesse Suzette Labrousse. À son tour, ce mysticisme révolutionnaire s’ouvrit au magnétisme animal et contribua même à le répandre. L’artic

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Lodine-Chaffey, Jennifer. "“Beyond Death”: John Webster's The Duchess of Malfi and Posthumous Influence." Ben Jonson Journal 26, no. 1 (2019): 113–32. http://dx.doi.org/10.3366/bjj.2019.0242.

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This essay argues that John Webster's 1611 drama, The Duchess of Malfi, attests to the power of death to shape selfhood and demonstrates the influence of textual monuments on the living. As Webster notes, posthumous fame is not based solely on its ability to console, but rather on “the dignity of a great example,” which is shown at the end of the play through the Duchess’ continuing influence on other characters. Reactions to both her dead body and the edifice constructed in her honor highlight the transformative power of the Duchess’ death and monumentalization. Specifically, The Duchess of M

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Blokhina, N. N. "Grand duches Olga Alexandrovna and Mariya Pavlovna as sisters of mercy during World War I." Kazan medical journal 96, no. 6 (2015): 1079–84. http://dx.doi.org/10.17750/kmj2015-1079.

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The article describes Romanov dynasty representatives work as the Sisters of Mercy: the sister of Emperor Nicholas II Grand Duchess Olga Alexandrovna, and cousin of the Emperor Grand Duchess Maria Pavlovna, in the Russian military hospitals from the very first days of the First World War. Realizing that sick and wounded need care, they gave all their energy to service to them. Complying with hospitals everyday life order where they held the service, not distinguishing themselves, they lived everyday hospital life. August sisters seemed humane and kindred because they aspired to alleviate the s

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Webb, Casey, Michael Jensen, Bart Kowallis, Eric Christiansen, Douglas Sprinkel, and Sam Hudson. "Stratigraphic relationships of the Eocene Duchesne River Formation and Oligocene Bishop Conglomerate, northeastern Utah—pulsed sedimentary response to rollback of the subducted Farallon slab." Geology of the Intermountain West 9 (September 14, 2022): 153–79. http://dx.doi.org/10.31711/giw.v9.pp153-179.

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The Uinta Mountains are an east-west-trending, reverse fault-bounded, basement-cored Laramide uplift. The Eocene Duchesne River Formation and Oligocene Bishop Conglomerate represent late stage, intermontane basin fill of the Uinta Basin in northeastern Utah. Detailed mapping (1:24,000 scale), clast counts in conglomerate beds, description of lithology and stratigraphic contacts, and radiometric dating of pyroclastic fall beds of the Duchesne River Formation and Bishop Conglomerate in the Vernal NW quadrangle in northeastern Utah reveal stratal geometries of middle Cenozoic depositional units,

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Gromova, Anna. "Patronage over Russian army units in the life of Grand Duchess Elizaveta Fyodorovna. 1884—1912." OOO "Zhurnal "Voprosy Istorii" 2020, no. 12-3 (2020): 120–33. http://dx.doi.org/10.31166/voprosyistorii202012statyi58.

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The article is devoted to Grand Duchess Elizabeth Feodorovna, her active work in the field of the August patronage of the 51st Dragoon Chernihiv regiment (since 1907 - the 17th hussars of Grand Duchess Elizabeth Feodorovna regiment) from 1898 to 1911. Attention is also paid to her patronage of the 5 th Grenadier Kiev regiment named after Her Imperial Highness Grand Duchess Elisaveta Feodorovna, which passed to her from the previous chief-her husband, Grand Duke Sergei Alexandrovich, after his tragic death. The article considers some aspects of the development of the tradition of patronage of r

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