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Journal articles on the topic 'Duet performance'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Palmer, Caroline, Frances Spidle, Erik Koopmans, and Peter Schubert. "Ears, heads, and eyes: When singers synchronise." Quarterly Journal of Experimental Psychology 72, no. 9 (2019): 2272–87. http://dx.doi.org/10.1177/1747021819833968.

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We examined the relationship between endogenous rhythms, auditory and visual cues, and body movement in the temporal coordination of duet singers. Sixteen pairs of experienced vocalists sang a familiar melody in Solo and two Duet conditions. Vocalists sang together in Unison (simultaneously producing identical pitches) and Round Duet conditions (one vocalist, the Follower, producing pitches at an eight-tone delay from their partner, the Leader) while facing Inward (full visual cues) and Outward (reduced visual cues). Larger tempo differences in partners’ spontaneous (temporally unconstrained)

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2

Mann, Nigel I., Lorraine Marshall-Ball, and Peter J. B. Slater. "The Complex Song Duet of the Plain Wren." Condor 105, no. 4 (2003): 672–82. http://dx.doi.org/10.1093/condor/105.4.672.

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Abstract We studied the duet of the Caribbean-slope subspecies of the Plain Wren (Thryothorus modestus zeledoni) in Costa Rica. It is one of the most complex duets to have been described. The duet proper consists of rapid, highly coordinated alternation of “A-phrases” from the female and “B-phrases” from the male. While the female initiates this section with her A-phrase, this cyclical part of the duet is almost invariably preceded by an introductory “I-phrase” from the male, so that it is the male that initiates the performance. Each male has a repertoire of I- and B-phrases, and each female

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3

Bishop, Laura, and Werner Goebl. "Negotiating a Shared Interpretation During Piano Duo Performance." Music & Science 3 (January 1, 2020): 205920431989615. http://dx.doi.org/10.1177/2059204319896152.

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Most notated forms of music require interpretation of loosely-defined score instructions. For music ensembles, coordinating a shared interpretation in which each performer plays a complementary role can be challenging, especially if performers have already established their own individual interpretations. This study aimed to identify the patterns of behavior that distinguish performance in collaborative and solo conditions. We tested the hypothesis that highly skilled pianists would be motivated to create more expressively variable and divergent interpretations in the collaborative duet settin

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4

Nerovnaia, Tatiana Evgen'evna. "Modern piano duet: a retrospective analysis of performing arts." Человек и культура, no. 4 (April 2020): 141–50. http://dx.doi.org/10.25136/2409-8744.2020.4.33379.

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The subject of this research is the evolution of the art of piano duets since the middle of the XX century to the present day. Leaning on the retrospective analysis of ensemble uniqueness, an attempt is made to determine the key trends in artistic activity of piano duets of that time. The goal of this work consists in the analysis of the types of professional duet ensembles and their peculiarities, substantiated by the mobile form of concerts; study of the relevant questions of renewal of the repertoire; classification of piano duets by &ldquo;performing specialization&rdquo;: educatio

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Bagchi, Swarnadeep, and Ruairí de Fréin. "Big-Delay Estimation for Speech Separation in Assisted Living Environments." Future Internet 17, no. 4 (2025): 184. https://doi.org/10.3390/fi17040184.

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Phase wraparound due to large inter-sensor spacings in multi-channel demixing renders the DUET and AdRess source separation algorithms—known for their low computational complexity and effective speech demixing performance—unsuitable for hearing-assisted living applications, where such configurations are needed. DUET is limited to relative delays of up to 7 samples, given a sampling rate of Fs=16 kHz in anechoic scenarios, while the AdRess algorithm is constrained to instantaneous mixing problems. The task of this paper is to improve the performance of DUET-type time–frequency (TF) masks when m

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6

Munteanu, Angelica, and Tatiana Berezovicova. "Vocal duet in pop and jazz music: some aspects of interpretative activity." Akademos, no. 3(62) (December 2022): 128–34. http://dx.doi.org/10.52673/18570461.22.3-66.15.

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In this article, some aspects related to the interpretive activity of vocal duets in pop and jazz music are examined. The vocal duet occupies an intermediate position between solo and ensemble performance: on the one hand, it is a collective consisting of two participants, and on the other – an association of soloists, each of whom is, as a rule, an artistic personality pursuing a career standalone stage. The authors emphasize some basic aspects of the vocal duet activity, such as the mutual coordination of the parties, the psychological compatibility of the partners, their interaction in the

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7

Berezhnoy, V. Yu. "MODERN RUSSIAN MUSIC FOR A BAYAN DUET: NEW TRENDS (last third of the XXth — beginning of the XXIst century)." Arts education and science 1, no. 2 (2021): 15–22. http://dx.doi.org/10.36871/hon.202102002.

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The article analyzes the repertoire for a duet of bayan players, which had been created by Russian arrangers and composers since the second half of the 70s of the XXth century to the beginning of the XXIst century. The article considers the reasons for the later creation of the first original compositions for the modern bayan duet in comparison with the repertoire for solo bayan, and defines the concept of "modern repertoire". Comparisons are drawn between the possibilities of presenting musical fabric in the works created for a mono-timbre bayan with ready-made chords in the left half shell,

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8

Abdulla, Shahin M., and J. Jayakumari. "High clarity speech separation using synchro extracting transform." International Journal of Electrical and Computer Engineering (IJECE) 11, no. 3 (2021): 2621. http://dx.doi.org/10.11591/ijece.v11i3.pp2621-2630.

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Degenerate unmixing estimation technique (DUET) is the most ideal blind source separation (BSS) method for underdetermined conditions with number of sources exceeds number of mixtures. Estimation of mixing parameters which is the most critical step in the DUET algorithm, is developed based on the characteristic feature of sparseness of speech signals in time frequency (TF) domain. Hence, DUET relies on the clarity of time frequency representation (TFR) and even the slightest interference in the TF plane will be detrimental to the unmixing performance. In conventional DUET algorithm, short time

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9

Shahin, M. Abdulla, and Jayakumari J. "High clarity speech separation using synchroextracting transform." International Journal of Electrical and Computer Engineering (IJECE) 11, no. 3 (2021): 2621–30. https://doi.org/10.11591/ijece.v11i3.pp2621-2630.

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Degenerate unmixing estimation technique (DUET) is the most ideal blind source separation (BSS) method for underdetermined conditions with number of sources exceeds number of mixtures. Estimation of mixing parameters which is the most critical step in the DUET algorithm is developed based on the characteristic feature of sparseness of speech signals in time frequency (TF) domain. Hence, DUET relies on the clarity of time frequency representation (TFR) and even the slightest interference in the TF plane will be detrimental to the unmixing performance. In conventional DUET algorithm, short time

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10

Haddon, Elizabeth, and Mark Hutchinson. "Empathy in Piano Duet Rehearsal and Performance." Empirical Musicology Review 10, no. 1-2 (2015): 140. http://dx.doi.org/10.18061/emr.v10i1-2.4573.

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The multiple definitions of empathy (Batson, 2011) suggest that despite attempts to rationalize terminology its nature might only be understood by those engaged in particular relational experiences. In music, these include the dimensions of co-player relationships as well as empathy concerning the actual piece of music being rehearsed or performed (Laurence, 2009). This article explores the concept of empathy within the construct of the piano duet. Analysis of data created through reflective writing following each of eight rehearsals revealed bodily, verbal, emotional and cognitive empathy con

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11

Huang, Ge. "A Pedagogical Analysis of Darius Mihaud’ s Piano Duet Suite Scaramouche." Journal of Education, Humanities and Social Sciences 26 (March 2, 2024): 50–61. http://dx.doi.org/10.54097/b40mn850.

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With the development of piano education, higher music colleges and universities are exploring scientific teaching methods, and the teaching mode of piano duet has entered the public’s view as an effective way to cultivate students’ musical perception. In today’s research, the performance analysis of piano duet has been involved, but the pedagogical analysis of the repertoire has not been explored in depth. Therefore, the study of analyzing repertoire with pedagogical analysis as the main body is very beneficial to the development of piano education. The purpose of this paper is to clarify the

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12

Khokhlova, Daria. "Three Duets of Katarina and Petruchio in John Kranko's Ballet The Taming of the Shrew: on the Question of Choreographic Interpretation of the Literary Source." Культура и искусство, no. 3 (March 2022): 1–15. http://dx.doi.org/10.7256/2454-0625.2022.3.37642.

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The subject of this article is the interpretation of J. Kranko images of Katarina and Petruchio in three duets of the ballet "The Taming of the Shrew", studied in contextual comparison with the original text вЂ“ the comedy of W. Shakespeare. The purpose of the study is to determine the place of the three duets of the main characters in Kranko's performance, drawing ideological and figurative parallels with the text of the original source, and to identify expressive means and choreographic elements used by the choreographer in their production. The methods of ballet studies analysis approved by

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13

Tsai, Wei-Ho, and Cin-Hao Ma. "Automatic Identification of Simultaneous and Non-Simultaneous Singers for Music Data Indexing." International Journal of Web Services Research 14, no. 1 (2017): 29–43. http://dx.doi.org/10.4018/ijwsr.2017010103.

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This study proposes a system to automatically identify multiple singers in a long audio stream that may have singing voices overlapping in time. The system is of great help in handling the rapid proliferation of music data. To achieve this, an audio stream is segmented into a sequence of consecutive, non-overlapping, fixed-length clips using a sliding window, and then undergoes solo/duet recognition, single singer identification, and duet singer identification. Furthermore, the authors propose a triangulation-based decision approach to improve the performance of singer identification. The resu

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14

Gallagher, Sean, Mark Schall, Rich Sesek, and Rong Huangfu. "Use of Varied Definitions of Repetition with the Distal Upper Extremity Tool (DUET)." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 62, no. 1 (2018): 818–22. http://dx.doi.org/10.1177/1541931218621187.

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Defining what constitutes a repetition in performance of a task involving exertions of the upper extremity can be difficult due to highly varied activities. In this paper, we examine three different definitions of repetition with the use of the Distal Upper Extremity Tool (DUET). These definitions include Grips Alone (manipulation of an object by the hands), Reps Alone (wrist deviations), and Grips + Reps (manipulations plus deviations). Validation of the DUET tool was performed against an existing cross-sectional epidemiology study for all three definitions. The log of the DUET Cumulative Dam

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15

Khokhlova, Daria. "The "White" duet in J. Neumeier's ballet “Lady of the Camellias": features of the author's interpretation of the roles of Marguerite and Armand." Культура и искусство, no. 5 (May 2022): 1–9. http://dx.doi.org/10.7256/2454-0625.2022.5.37921.

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In this article, the author continues to study the choreographic interpretations of the works of J. Neumeier, in particular, the ballet "Lady of the Camellias". The identification of expressive staging means and choreographic elements used by Neumeier in the production of the "white" duet of Marguerite and Armand is carried out in this work in order to determine the place of this choreographic fragment in the performance and its significance both for the plastic embodiment of the images of the main characters and in the context of the evolution of the author's style. The author applied compara

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16

Fauzi, Adin. "From scrolling to speaking: Students’ experiences in using TikTok duet for English practice." Celtic : A Journal of Culture, English Language Teaching, Literature and Linguistics 12, no. 1 (2025): 480–98. https://doi.org/10.22219/celtic.v12i1.40680.

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This study explores the use of TikTok Duet as a digital platform to support speaking practice in English language learning. It focuses on the experiences of five non-English major university students enrolled in a general English class with a specific emphasis on speaking skills. They were chosen for their excellent performance in a series of speaking tasks delivered through TikTok Duet and were considered reliable examples of best practice. The objective of the study was to examine how the students perceived and engaged with TikTok Duet as a tool for improving speaking skills. A qualitative c

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17

Kaye, D. Bondy Valdovinos. "JazzTok: Creativity, Community, and Improvisation on TikTok." Jazz and Culture 6, no. 2 (2023): 92–116. http://dx.doi.org/10.5406/25784773.6.2.05.

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Abstract Digital platforms provide many avenues for musicians to organize, share information, and collaborate on projects remotely, though some crucial aspects, like jazz improvisation, are harder to substitute online. Amid various other methods to facilitate digital performances, some musicians are experimenting with improvisation on short video platforms, such as TikTok. This article presents a case study of JazzTok, a digital collective of musicians who create and share jazz arrangements, recorded and edited by members of the community remotely on TikTok. Building on previous research, this

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18

Petrov, Vladislav Olegovich. "Microtonality in the Conditions of the Piano Duet Genre." PHILHARMONICA. International Music Journal, no. 5 (May 2022): 27–34. http://dx.doi.org/10.7256/2453-613x.2022.5.38993.

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In the twentieth century, playing two pianos has become one of the leading forms of joint ensemble performance – many duet compositions have appeared all over the world, and the creation of works for such a composition is a separate branch of compositional creativity. The authors, representatives of different artistic trends, preaching various techniques and manners of writing, paid close attention to the piano duet. A special branch of the development of the genre at this time is represented by compositions in which quaternary is used as a unique, original method of creating compositions, sug

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19

Petrov, Vladislav Olegovich. "Piano duet. The existence of the genre in the nineteenth century." PHILHARMONICA. International Music Journal, no. 4 (April 2023): 11–23. http://dx.doi.org/10.7256/2453-613x.2023.4.44077.

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The study of the history of any musical genre implies its detailed characterization in certain historical epochs associated with changes in artistic and social orientations. Such a separate epoch is the XIX century – the age of Romanticism, the time of modification of a number of well-known musical genres. The genre of the piano duet is undergoing a similar transformation at the specified time. The subject of research in this article is the specifics of the existence of a piano duet in the context of a significant rethinking of the semantic and stylistic thesaurus of musical art in general, wh

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20

Loehr, Janeen D., and Caroline Palmer. "Temporal Coordination between Performing Musicians." Quarterly Journal of Experimental Psychology 64, no. 11 (2011): 2153–67. http://dx.doi.org/10.1080/17470218.2011.603427.

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Many common behaviours require people to coordinate the timing of their actions with the timing of others' actions. We examined whether representations of musicians' actions are activated in coperformers with whom they must coordinate their actions in time and whether coperformers simulate each other's actions using their own motor systems during temporal coordination. Pianists performed right-hand melodies along with simple or complex left-hand accompaniments produced by themselves or by another pianist. Individual performers' preferred performance rates were measured in solo performance of t

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21

Loehr, Janeen D., Dimitrios Kourtis, Cordula Vesper, Natalie Sebanz, and Günther Knoblich. "Monitoring Individual and Joint Action Outcomes in Duet Music Performance." Journal of Cognitive Neuroscience 25, no. 7 (2013): 1049–61. http://dx.doi.org/10.1162/jocn_a_00388.

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We investigated whether people monitor the outcomes of their own and their partners' individual actions as well as the outcome of their combined actions when performing joint actions together. Pairs of pianists memorized both parts of a piano duet. Each pianist then performed one part while their partner performed the other; EEG was recorded from both. Auditory outcomes (pitches) associated with keystrokes produced by the pianists were occasionally altered in a way that either did or did not affect the joint auditory outcome (i.e., the harmony of a chord produced by the two pianists' combined

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22

Campani, Claudia, Elisa Pellegrini, and Fabio Marra. "Tislelizumab in hepatocellular carcinoma: a duet or a solo performance?" AME Clinical Trials Review 2 (December 2024): 107. https://doi.org/10.21037/actr-24-111.

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23

Khokhlova, Daria. "Duets by Anna Karenina and Alexey Vronsky in the ballet by J. Neumeier's "Anna Karenina": features of the author's interpretation of the images of the main characters." Философия и культура, no. 3 (March 2022): 9–22. http://dx.doi.org/10.7256/2454-0757.2022.3.37741.

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This article continues the author's research devoted to the study of the problem of choreographic interpretations of literary works, in particular, John Neumeier's ballet "Anna Karenina". In this work, the identification of expressive staging means and choreographic elements used by Neumeier in the production of duets by Anna Karenina and Alexei Vronsky is carried out in order to determine the place of these choreographic fragments in the performance, as well as their significance for the author's interpretation of the images of the main characters of the novel by Leo Tolstoy. In the course of

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24

Cheston, Huw, Ian Cross, and Peter M. C. Harrison. "Trade-offs in Coordination Strategies for Duet Jazz Performances Subject to Network Delay and Jitter." Music Perception: An Interdisciplinary Journal 42, no. 1 (2024): 48–72. http://dx.doi.org/10.1525/mp.2024.42.1.48.

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Coordination between participants is a necessary foundation for successful human interaction. This is especially true in group musical performances, where action must often be temporally coordinated between the members of an ensemble for their performance to be effective. Networked mediation can disrupt this coordination process by introducing a delay between when a musical sound is produced and when it is received. This can result in significant deteriorations in synchrony and stability between performers. Here we show that five duos of professional jazz musicians adopt diverse strategies whe

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25

Johnston, Christopher. "A Kinase Duet Performance in the Asymmetric Division of Drosophila Neuroblasts." Journal of Developmental Biology 5, no. 3 (2017): 7. http://dx.doi.org/10.3390/jdb5030007.

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26

Zhang, Wei, and Dewei Yu. "A duet and/or a concerto?" Babel. Revue internationale de la traduction / International Journal of Translation 65, no. 4 (2019): 519–37. http://dx.doi.org/10.1075/babel.00107.yu.

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Abstract Working memory and interpreting expertise are generally acknowledged as two essential factors that affect the interpreting process. With reference to the compensation model, the independent influences model, and the rich-get-richer model proposed in cognitive psychology concerning the interplay between working memory and domain expertise, this experimental study, by varying the delivery speed of the source speech, examines the interplay between working memory and interpreting expertise in the setting of simultaneous interpreting. This study finds that (1) working memory and interpreti

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27

Khokhlova, Daria. "Choreographic interpretation of the images of Hippolyta and Theseus in the ballet by J. Neumeier's "A Midsummer Night's Dream"." Культура и искусство, no. 6 (June 2022): 1–10. http://dx.doi.org/10.7256/2454-0625.2022.6.38010.

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In this paper, the author continues to study and comprehend the author's interpretation of J. Neumeier images of the main characters of the ballet "A Midsummer Night's Dream". A meaningful interpretation of the choreographic embodiment of Hippolyta and Theseus, one of the two hypostases of the main characters of the ballet, is carried out in order to identify their features in the context of the performance and the choreographer's creativity. Based on the methods of ballet studies analysis approved by historians and ballet theorists Dobrovolskaya, Krasovskaya, Surits, the author used comparati

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28

Hutchinson, Harry. "Silent Running." Mechanical Engineering 126, no. 02 (2004): 42–43. http://dx.doi.org/10.1115/1.2004-feb-5.

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Several companies are offering home appliances and commanding soaring prices for them, largely because they promise to be quiet. Bosch Home Appliances makes a series of dishwashers designated SH, which it markets as the quietest in North America. Motors and pumps are designed to keep noise down, and there is triple sound insulation on the higher-priced models of the line. Electrolux North America has introduced a vacuum cleaner called Harmony, which it promises will run far quieter than the common variety. One of the key sound damping features is a layer of foam that surrounds the motor. Elect

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29

Sholah, Hanif Maulaniam. "The Effect of Using Duet Conversation Challenge Tiktok in Improving Students’ Speaking Skill." Alsuna: Journal of Arabic and English Language 8, no. 1 (2025): 171–86. https://doi.org/10.31538/alsuna.v8i1.6235.

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Purpose - The objective of this research is to find out the extent of duet conversation challenges TikTok in improving speaking skills at senior high students. This research reveal how duet conversation challenges TikTok affect students performance and students speaking competence. Design/methodology/approach - Research design utilizes by the Researcher is pre-experimental research design. This research consists of pre-test, treatment and post test. The post-test is administered to see the achievement compared to the pre-test to identify whether treatment is successful. Senior high students we

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30

Herawati, Sri Helda. "MADIHIN: ANALISIS STRUKTUR TEKS, TEMA, DAN CARA PENYAJIANNYA (MADIHIN: TEXT STRUCTURE, THEME, AND WAY OF PRESENTING ANALYSIS)." JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA 3, no. 2 (2018): 251. http://dx.doi.org/10.20527/jbsp.v3i2.4558.

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AbstractMadihin: Text Structure, Theme, and Way of Presenting Analysis. This research reviewsthree aspects in oral madihin literature. There are text structure, theme, and way ofpresenting. Text structure in Madihin performance consists of four sections; overture,batabi, content, and closing. This structure is generally used by pemadihinan. However,it is not a standard. Every madihin has differentiation in determining which part shouldbe the first or which section should be omitted. The theme depends on the agenda thatwill be held. Way of presenting can be varied. There is madihin that perform

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31

King, Moynan. "Canada's Dandy Duet: The Performance Collaboration of Ivan Coyote and Rae Spoon." Canadian Theatre Review 149 (January 2012): 46–51. http://dx.doi.org/10.3138/ctr.149.46.

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King, Moynan, Ivan Coyote, and Rae Spoon. "Canada's Dandy Duet: The Performance Collaboration of Ivan Coyote and Rae Spoon." Canadian Theatre Review 149, no. 1 (2012): 46–51. http://dx.doi.org/10.1353/ctr.2012.0009.

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ALDAPE MUÑOZ, JUAN MANUEL. "Forensic Performances: Searching for Justice in NAKA Dance Theater's BUSCARTE: Duet." Theatre Research International 47, no. 1 (2022): 46–62. http://dx.doi.org/10.1017/s0307883321000493.

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This article uncovers the connections between the legal and scientific art of searching for human remains and theatrical performances. NAKA Dance Theater, a performance group based in Mexico City and Oakland, California, is at the centre of this intersection of art and forensics. Founded by José Navarrete and Debby Kajiyama, NAKA creates theatrical events to configure a claim for social justice where the official legal–scientific terrain has failed to protect victims of state repression. These artists advance a commitment to what I call forensic performances, and their investigative practices

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Seddon, Fred. "Empathy in Piano Duet Rehearsal and Performance: A Response to Haddon and Hutchinson." Empirical Musicology Review 10, no. 1-2 (2015): 157. http://dx.doi.org/10.18061/emr.v10i1-2.4574.

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<p>This review comments upon the article entitled above. The article is well written and describes an interesting and original study. This review critiques the Method and Discussion sections of the article and offers suggestions for future research. Three specific points from the method are considered relating to: dual roles as researcher-musicians, the use of reflective diaries in research, and the impact on the research of the prior relationship between the authors. The unique role of &ldquo;written empathy&rdquo; is discussed within the context of empathic relationships. Also,

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PARKER, ROGER. "Philippe and Posa Act II: The shock of the new." Cambridge Opera Journal 14, no. 1-2 (2002): 133–47. http://dx.doi.org/10.1017/s0954586702000095.

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One of the contemporary production books for Don Carlos thus austerely sums up the Philippe–Posa duet in Act II (of the five-act version); its none-too-subtle indication of grand themes handled seriously is one that has consistently driven the piece's reception. As so often, Verdi himself encouraged the trend – most significantly by treating the duet to more substantial revision than any other major piece in his entire output. Some drastic cutting occurred even during rehearsals, so that the supposed Urfassung predates the first performance. What is commonly referred to as the ‘original’ versi

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पुन Pun, डम्बरबहादुर Dambar Bahadur, та सीता Sita खड्का Khadka. "रसाभिव्यक्तिका कसीमा प्रत्यक्ष दोहोरी गीतको अध्ययन {Analysis of Direct Duet Songs Based on the Criterion of Aesthetic Expression}". Academia Research Journal 3, № 2 (2024): 168–80. http://dx.doi.org/10.3126/academia.v3i2.67388.

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प्रतिष्पर्धात्मक एवम् प्रश्नोत्तरात्मक शैलीमा गाइने लोकगीतलाई प्रत्यक्ष दोहोरी लोकगीत भनिन्छ । यसप्रकारको प्रत्यक्ष दोहोरी गीत मेलापर्व, चाडवाड, पूजाआजा, जात्रा, महोत्सवका साथै हाल आएर विभिन्न टेलिभिजन तथा युट्युब च्यानलहरूबाट प्रशारण भएको पाइन्छ । कुनै पूर्व तयारी उपस्थित स्थलमा नै उठाइएको प्रश्नको जवाफ दिनुपर्ने भएकाले यसप्रकारका लोकगीतलाई प्रत्यक्ष दोहोरी लोकगीत भनिन्छ । प्रत्यक्ष दाहोरी गीतमा रसको खोजी गर्ने काम यस अध्ययनमा गरिएको छ । यसका लागि नमुना छनोट विधिका माध्यमबाट इनेपाल खबर, इन्द्रेणी डट कम, इन्द्र जि.सी., बालचन्द्र बराल र टीका सानु अफिसियल युट्युब च्यानलबाट प्रशारित प्रत्यक्ष दोह

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Weber, U., G. Kröber, R. Carmona, et al. "FRI0298 ASAS MODIFICATION OF THE BERLIN ALGORITHM AND THE DUET ALGORITHM FOR DIAGNOSING AXIAL SPONDYLOARTHRITIS: RESULTS FROM THE SCREENING IN AXIAL SPONDYLOARTHRITIS FOR PSORIASIS, IRITIS, AND COLITIS COHORT." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 738.1–738. http://dx.doi.org/10.1136/annrheumdis-2020-eular.5828.

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Background:Patients presenting with back pain and psoriasis, iritis, or colitis, represent a high-risk population for the presence of axial spondyloarthritis (axSpA). The Dublin Evaluation Tool (DUET)1, the Berlin algorithm2, and the ASAS modification of this algorithm3are recommended referral strategies aimed at early diagnosis of axSpA. DUET was developed for patients presenting with AAU. Validation of these algorithms in inception cohorts is limited.Objectives:1. To assess the performance of referral algorithms for diagnosis of axSpA when tested against the final local rheumatologist diagno

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Chen, Zhuo, Yufeng Huang, Jiaoyan Chen, et al. "DUET: Cross-Modal Semantic Grounding for Contrastive Zero-Shot Learning." Proceedings of the AAAI Conference on Artificial Intelligence 37, no. 1 (2023): 405–13. http://dx.doi.org/10.1609/aaai.v37i1.25114.

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Zero-shot learning (ZSL) aims to predict unseen classes whose samples have never appeared during training. One of the most effective and widely used semantic information for zero-shot image classification are attributes which are annotations for class-level visual characteristics. However, the current methods often fail to discriminate those subtle visual distinctions between images due to not only the shortage of fine-grained annotations, but also the attribute imbalance and co-occurrence. In this paper, we present a transformer-based end-to-end ZSL method named DUET, which integrates latent

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Пан, Ци, та М. В. Переверзева. "Критерии готовности к ансамблевому исполнительству в составе фортепианного дуэта у студентов из КНР". Modern Humanities Success, № 11 (22 листопада 2024): 256–60. https://doi.org/10.58224/2618-7175-2024-11-256-260.

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камерно-инструментальное музицирование всесторонне изучено в научной литературе, однако методике обучения китайских студентов игре в составе фортепианного дуэта уделяется внимания недостаточно. Обзор научной литературы позволяет говорить об актуальности проблемы в связи с отсутствием четких критериев готовности к ансамблевому музицированию в составе фортепианного дуэта студентов из КНР. В ходе данного исследования был изучен исполнительский процесс в ансамбле двух фортепиано, определены критерии готовности музыкантов к ансамблевому исполнительству, выявлены проблемы формирования готовности к и

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Soma, Masayo, Midori Iwama, Ryoko Nakajima, and Rika Endo. "Early-life lessons of the courtship dance in a dance-duetting songbird, the Java sparrow." Royal Society Open Science 6, no. 6 (2019): 190563. http://dx.doi.org/10.1098/rsos.190563.

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Vocal learners, such as songbirds, must practise singing in a developmentally sensitive period to master songs. Yet, knowledge remains limited about the development of visual displays in birds, even when courtship includes well-coordinated vocalizations (songs) and body motions. The Java sparrow ( Lonchura oryzivora ) is a species of songbird that exhibits a courtship duet dancing exchange between the sexes, with this behaviour driving mating success. In this study, juvenile male Java sparrows were observed in captivity, showing that they repeatedly practise the courtship dance in their early

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Balint, Sue. "Bride Revisited." Canadian Theatre Review 126 (March 2006): 78–82. http://dx.doi.org/10.3138/ctr.126.016.

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DNA Theatre’s long history of producing challenging environmental work is widely acknowledged across Canada and abroad. Under the artistic direction of Hillar Liitoja, twenty-five years of unique installations, interventions and inventions have found and redefined a stage. In June 2005, DNA produced The Large Glass, a study in urban nomadic theatre. Following in the footsteps of Deborah Warner and Janet Cardiff, seven collaborators1 conspired to create seven rooms, a performance installation accepting its pilgrims one by one. From dusk until dark, a duet of the natural and urban worlds played,

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Tarasov, I. A. "The synthetic nature of N. Lvov’s lyrical works in the focus of the “holiday” concept." Philology and Culture, no. 1 (April 6, 2024): 94–98. http://dx.doi.org/10.26907/2782-4756-2024-75-1-94-98.

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This article examines the embodiment features of the dialogue of arts in N. Lvov’s creative heritage (1753-1803) based on the lyrical works of the writer intended for vocal performance (“Winter” (1796), “Duets. To the Music of Zhirdini Printed in London” (1791), “Words to the Finished Music of Seidelman. Duet” (1793), “A Song for Gypsy Dancing” (1789). The research uses the biographical, historical-functional and historical-typological methods. In the course of the study, we found that the synthesis of arts is a semantic and formative element. The writer managed to combine the literary code wi

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Huberth, Madeline, Tysen Dauer, Chryssie Nanou, et al. "Performance monitoring of self and other in a turn-taking piano duet: A dual-EEG study." Social Neuroscience 14, no. 4 (2018): 449–61. http://dx.doi.org/10.1080/17470919.2018.1492968.

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Smirnova, Yana. "The specificity of forming strategies of the dyad adult-child with hearing impairment in the process of learning: eye tracking of double eye tracking technologies (duet)." Психология. Журнал Высшей школы экономики 19, no. 4 (2022): 703–24. http://dx.doi.org/10.17323/1813-8918-2022-4-703-724.

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The article is devoted to the application of dual eye tracking (DUET) eye tracking technology in the analysis of multimodal cooperation in the process of learning the child-adult dyad. The methodology is described and the double eye tracking (DUET) procedure was tested during the performance of a learning task in the adultchild dyad. Synchronous registration of the dyad's eye movements was carried out by two portable trackers in the form of Pupil Headset goggles. A comparative study of the synchrony of perceptual processes was carried out in a sample of preschoolers 4-6 years old: typically de

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Ballagh, Susan A., Vivian Brache, Christine Mauck, et al. "A Phase I study of the functional performance, safety and acceptability of the BufferGel® Duet™." Contraception 77, no. 2 (2008): 130–37. http://dx.doi.org/10.1016/j.contraception.2007.10.003.

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Sossi, V., O. Morin, A. Celler, T. D. Rempel, A. Belzberg, and C. Carhart. "PET and SPECT Performance of the Siemens HD3 E.Cam /sup duet/: A 1" Na(I) hybrid camera." IEEE Transactions on Nuclear Science 50, no. 5 (2003): 1504–9. http://dx.doi.org/10.1109/tns.2003.817323.

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He, Xian, and Phiphat Sornyai. "Cultural Studies and Heritage Education of Nanyin Performance Art in Quanzhou City, Fujian Province, China." International Journal of Education and Literacy Studies 11, no. 4 (2023): 141–50. http://dx.doi.org/10.7575/aiac.ijels.v.11n.4p.141.

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Nanyin, a traditional Chinese music genre originating from Fujian Province, China, encompasses a wide range of singing and instrumental playing techniques. This study aims to analyze the historical development and performance form of Nanyin in Quanzhou, Fujian, China, employing an interdisciplinary approach that incorporates musicology, ethnomusicology, historical musicology, and organology, the study aims to gain a comprehensive understanding of Nanyin and its relevance to cultural studies and heritage education. Key informants, interviews, and observations were utilized as primary research t

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Hu, Jingjing, Sen Wang, Jiaqi Yu, Wenkai Nie, Jie Sun, and Shaobin Wang. "Duet Fe3C and FeNx Sites for H2O2 Generation and Activation toward Enhanced Electro-Fenton Performance in Wastewater Treatment." Environmental Science & Technology 55, no. 2 (2021): 1260–69. http://dx.doi.org/10.1021/acs.est.0c06825.

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Bishop, Laura, and Werner Goebl. "When they listen and when they watch: Pianists’ use of nonverbal audio and visual cues during duet performance." Musicae Scientiae 19, no. 1 (2015): 84–110. http://dx.doi.org/10.1177/1029864915570355.

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Шинкарук, Оксана, та Ганна Андрієнко. "Сучасні погляди та практичний досвід побудови етапу безпосередньої підготовки до змагань спортсменок в складнокоординаційних видах спорту (на матеріалі черліденгу)". Актуальні проблеми фізичного виховання та методики спортивного тренування, № 3 (20 грудня 2024): 98–111. https://doi.org/10.31652/3041-2463/2024-3-8.

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The preparation of athletes in complex coordination sports, such as cheerleading, requires the development and implementation of specialized training methods focused on enhancing physical, technical, tactical, and psychological skills. Modern approaches emphasize the need for a comprehensive and individualized approach that aligns with the specific demands of this sport, where team interaction and high coordination play a critical role. Purpose of the study: to analyze modern approaches and develop the final preparation stage for competitions in complex coordination sports, using cheerleading

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