Relevant bibliographies by topics / Duke (1899-1974)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Duke (1899-1974)'

Author: Grafiati
Published: 25 January 2025
Last updated: 31 July 2025

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Journal articles on the topic "Duke (1899-1974)"

1

Booker, Vaughn. "“An Authentic Record of My Race”: Exploring the Popular Narratives of African American Religion in the Music of Duke Ellington." Religion and American Culture: A Journal of Interpretation 25, no. 1 (2015): 1–36. http://dx.doi.org/10.1525/rac.2015.25.1.1.

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AbstractEdward Kennedy “Duke” Ellington (1899–1974) emerged within the jazz profession as a prominent exponent of Harlem Renaissance racial uplift ideals about incorporating African American culture into artistic production. Formed in the early twentieth century's middle-class black Protestant culture but not a churchgoer in adulthood, Ellington conveyed a nostalgic appreciation of African American Christianity whenever hewrote music to chronicle African American history. This prominent jazz musician's religious nostalgia resulted in compositions that conveyed to a broader American audience a
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OLIVEIRA, Valdeci Batista de Melo, Greicy Erhart Pereira da COSTA, and Clariane Leila DALLAZEN. "RETRATOS DA MULHER NA CULTURA E NA LITERATURA." Trama 15, no. 36 (2019). http://dx.doi.org/10.48075/rt.v15i36.22220.

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O presente artigo discute textos que retratam a mulher dentro dos valores do mundo patriarcal brasileiro, juntamente, com textos em que as personagens ousam arrostar esse mesmo ideário. Em dois retratos feitos em forma de canções, as duas mulheres apresentadas não têm sequer nomes próprios e suas vidas existem em função do homem. Em outros dois, o conto A fuga, de Clarice Lispector, escrito em 1940 e publicado em 1979 e o cordel A mulher que vendeu o marido por 1,99, de Janduhi Dantas, duas mulheres protagonistas demandam em busca de autodeterminação. Ambas as personagens são casadas e são inf
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Dissertations / Theses on the topic "Duke (1899-1974)"

1

Olivesi, Leïla. "L'œuvre de Duke Ellington : une création en mouvement, le concert comme œuvre d'art : étude du processus de création dans l'orchestre d'Ellington du studio au concert, appliquée aux métamorphoses de « Mood Indigo » en studio et à l'introduction de « Black and Tan Fantasy » en concert." Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL115.pdf.

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L'œuvre de Edward “Duke” Ellington est à la fois exceptionnelle et emblématique, constituée de plusieurs milliers de compositions, interprétées par un orchestre à la longévité unique dans de l'histoire du jazz au XXe siècle. À la fois chef d'orchestre, pianiste et compositeur, Ellington a repris et réarrangé tout au long de sa carrière certaines de ses pièces, créant des versions parfois très différentes de leur premier enregistrement.Ces multiples créations d'une même composition remettent en cause la notion même d'œuvre musicale en jazz, différente de celle qui est admise habituellement dans
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2

Gutkin, David. "American Opera, Jazz, and Historical Consciousness, 1924-1994." Thesis, 2015. https://doi.org/10.7916/D81835SM.

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From the 1970s through the early 1990s numerous critics commented on an apparent “rebirth” of American opera. Subsequent scholarship has increasingly sanctioned a consensus view holding up Philip Glass and John Adams as the central figures in this opera resurgence. Although I do not dispute the importance of (post-)minimalism in these decades, my gambit in this dissertation is to reframe the idea of a late twentieth-century operatic renaissance by tracing a long relationship between jazz and the concept of American opera. The jazz genealogy of American opera that I develop in this study is int
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Books on the topic "Duke (1899-1974)"

1

Timner, W. E. Ellingtonia: The recorded music of Duke Ellington and his sidemen. 5th ed. Scarecrow Press, 2007.

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Timner, W. E. Ellingtonia: The recorded music of Duke Ellington and his sidemen. 5th ed. Scarecrow Press, 2007.

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3

Collier, James Lincoln. Duke Ellington. Javier Vergara, 1990.

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Collier, James Lincoln. Duke Ellington. Oxford University Press, 1987.

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5

Gutman, Bill. Duke. ereads.com, 2001.

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6

Rattenbury, Ken. Duke Ellington, jazz composer. Yale University Press, 1990.

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7

Hasse, John Edward. Beyond category: The musical genius of Duke Ellington. Smithsonian Institution Press, 1994.

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8

Tucker, Mark. Ellington: The early years. Bayou, 1991.

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9

H, Lawrence A. Duke Ellington and his world: A biography. Schirmer Books, 1999.

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10

Tucker, Mark. Ellington: The early years. University of Illinois Press, 1991.

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Book chapters on the topic "Duke (1899-1974)"

1

Tucker, Mark. "Duke Ellington." In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0012.

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Abstract The career of composer, bandleader, and pianist Edward Kennedy “Duke” Ellington spanned many eras of American musical history. Born in Washington, D.C., in 1899, Ellington began performing professionally in the period between 1915 and 1918, just as the word jazz was gaining currency and the first recordings of this boisterous, syncopated music were going out to the public. He came of age in New York City during the 1920s, joining Louis Armstrong, Fletcher Henderson, Bessie Smith, George Gershwin, and other notable figures in producing music that embodied the brash spirit and blues-tin
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