Relevant bibliographies by topics / Duncan Campbell

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Duncan Campbell'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Duncan Campbell"

1

Caudwell, J. "Duncan Campbell." Notes and Queries 51, no. 4 (December 1, 2004): 380–81. http://dx.doi.org/10.1093/nq/51.4.380.

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Caudwell, James. "Duncan Campbell." Notes and Queries 51, no. 4 (December 1, 2004): 380–81. http://dx.doi.org/10.1093/nq/510380.

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Krentz, Christopher. "Duncan Campbell and the Discourses of Deafness." Prose Studies 27, no. 1-2 (April 2005): 39–52. http://dx.doi.org/10.1080/01440350500068775.

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Cassam, Q. "Reply to Duncan Pritchard and John Campbell." Analysis 69, no. 2 (April 1, 2009): 325–33. http://dx.doi.org/10.1093/analys/anp044.

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Ware, Tracy. "The Beginnings of Duncan Campbell Scott’s Poetic Career." ESC: English Studies in Canada 16, no. 2 (1990): 215–31. http://dx.doi.org/10.1353/esc.1990.0029.

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Ware, Tracy. "Duncan Campbell Scott's The Fragment of A Letter." Explicator 67, no. 3 (April 2009): 162–65. http://dx.doi.org/10.3200/expl.67.3.162-165.

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Manore, Jean L. "De-colonizing the Treaty #9 Photographs of Duncan Campbell Scott." International Journal of the Image 11, no. 1 (2020): 21–38. http://dx.doi.org/10.18848/2154-8560/cgp/v11i01/21-38.

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Sherbert, Garry. "The Beautiful Oblique: Conceptions of Temporality in “Tristram Shandy” by Duncan Campbell." Scriblerian and the Kit-Cats 37, no. 1 (2004): 59–61. http://dx.doi.org/10.1353/scb.2004.0073.

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Bentley, D. "Shadows in the Soul: Racial Haunting in the Poetry of Duncan Campbell Scott." University of Toronto Quarterly 75, no. 2 (April 2006): 752–70. http://dx.doi.org/10.3138/utq.75.2.752.

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Seedat, Y. K. "GEORGE DUNCAN CAMPBELL FRSSAf Mb. CH.B (Edinburgh), DSC (Pretoria), M.D. Edinburgh, FRCP (Edinburgh)." Transactions of the Royal Society of South Africa 53, no. 1 (January 1998): 69–70. http://dx.doi.org/10.1080/00359199809520374.

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Dissertations / Theses on the topic "Duncan Campbell"

1

Chater, Nancy. "Technologies of remembrance, literary criticism and Duncan Campbell Scott's Indian poems." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0003/MQ45483.pdf.

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Salem, Lisa (Lisa Beth) Carleton University Dissertation Canadian Studies. ""A weird and waning race": representations of native people in the works of Duncan Campbell Scott." Ottawa, 1993.

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Kealey, Josephene. "The Mythology of the Small Community in Eight American and Canadian Short Story Cycles." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19938.

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Scholarship has firmly established that the short story cycle is well-suited to representations of community. This study considers eight North American examples of the genre: four by Canadian authors Stephen Leacock, Duncan Campbell Scott, George Elliott, and Alice Munro; and four by American authors Sarah Orne Jewett, Sherwood Anderson, John Cheever, and Joyce Carol Oates. My original idea was to discover whether there were significant differences between the Canadian and American cycles, but ultimately I became far more interested in the way that all of the cycles address community formation and disintegration. The focus of each cycle is a small community, whether a small town, a village, or a suburb. In all of the examples, the authors address the small community as the focus of anxiety, concern, criticism, and praise, with special attention to the way in which, despite its manifold failings, the small community continues to inspire longings for the ideal home and source of identity. The narrative feature that ultimately provided the critical framework for the study is the recurring presence of the metropolis in all of the eight cycles. The city, set on the horizons of these small communities, consistently provides a backdrop against which author and characters seem to measure and understand their lives. Always an influence (whether for good or bad), the city’s presence is constructed as the other against which the small community’s identity is formulated and understood. The relationship between small community and city led me to an investigation into the mythology of the small community, a mythology that sets the small community in opposition to the city, portraying the former as the keeper of virtue and the latter as the disseminator of vice. The cycles themselves, as I increasingly discovered, challenge the mythology by identifying how the small community depends, in large part, on the city for self-understanding. The small community, however, as an idea, and a mythic ideal, is never dismissed as obsolete or irrelevant.
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Books on the topic "Duncan Campbell"

1

Film and Video Umbrella (Firm), Tramway (Arts center : Glasgow, Scotland), and Model (Arts center : Sligo, Ireland), eds. Duncan Campbell. London: Film and Video Umbrella, 2010.

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2

Scott, Duncan Campbell. Duncan Campbell Scott: Uncollected short stories. London, Canada: Canadian Poetry Press, 2001.

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3

Scott, Duncan Campbell. Powassan's drum: Poems of Duncan Campbell Scott. Ottawa, Canada: Tecumseh Press, 1985.

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4

Campbell, Joan Bourque. Donald Campbell, Duncan Campbell, and "Coach" Sutherlands: Sutherlandshire to Pictou County. [Yarmouth, N.S.]: J.B. Campbell, 1987.

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5

Floating voice: Duncan Campbell Scott and the literature of Treaty 9. Concord, Ont: Anansi, 1994.

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6

Dragland, Stan. Floating voice: Duncan Campbell Scott and the literature of Treaty 9. Concord, Ont: Anansi, 1994.

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7

Byrnes, Dan. "Emptying the hulks": Duncan Campbell and the first three fleets to Australia. (Canberra, etc: 1838 Volume Collective of the Australian Bicentenial History, etc, 1987.

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8

Titley, E. Brian. A narrow vision: Duncan Campbell Scottand the administration of Indian affairs in Canada. Vancouver: University of British Columbia Press, 1986.

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A narrow vision: Duncan Campbell Scott and the administration of Indian affairs in Canada. Vancouver: University of British Columbia Press, 1986.

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10

Lettman, Gary. Timber harvesting practices on private forest land in western Oregon / Gary J. Lettman, Duncan Campbell. [Salem, Or.?]: Oregon Dept. of Forestry, Forest Resources Planning Program, 1997.

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Book chapters on the topic "Duncan Campbell"

1

Hogg, James. "Duncan Campbell." In The Stirling/South Carolina Research Edition of The Collected Works of James Hogg: Winter Evening Tales: Collected Among the Cottagers in the South of Scotland, edited by Ian Duncan, 80–97. Edinburgh University Press, 2002. http://dx.doi.org/10.1093/oseo/instance.00178431.

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"25. Duncan Campbell Scott." In Northrop Frye on Canada, edited by David Staines. Toronto: University of Toronto Press, 2003. http://dx.doi.org/10.3138/9781442677807-029.

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"5. Duncan Campbell Scott: Determined Assimilationist." In Seen but Not Seen, 117–46. University of Toronto Press, 2021. http://dx.doi.org/10.3138/9781442622111-010.

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"DEAF EDUCATION AND QUEERNESS IN THE DUNCAN CAMPBELL COMPENDIUM (1720–1732)." In Novel Bodies, 36–70. Bucknell University Press, 2019. http://dx.doi.org/10.2307/j.ctv1nj34cc.4.

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"1: 'In the Meantime': Duncan Campbell Scott's In the Village of Viger." In The One and the Many. Toronto: University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442681941-004.

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"1. Deaf Education and Queerness in the Duncan Campbell Compendium (1720–1732)." In Novel Bodies, 36–70. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9781684481118-002.

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Long, Declan. "That which was: histories, documents, archives." In Ghost-Haunted Land. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784991449.003.0005.

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Chapter four begins by further discussing the haunted spaces of Doherty’s practice as the starting point for a reflection on artists’ approaches to time and history. This part of the book highlights artists who have adapted conventional forms of documenting and archiving in order to speculate on alternative temporalities and histories of Troubles and post-Troubles life. In addition to analyses of artworks by artists such as Duncan Campbell (winner of the 2014 Turner Prize) and Miriam de Búrca, who both adapt documentary processes in an art context, attention is paid to art that studies the history of Belfast through psychogeographic urban wandering and to some curatorial attempts to historicise Northern Ireland’s art.
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