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Relevant bibliographies by topics / Dunhuang Caves

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Academic literature on the topic 'Dunhuang Caves'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Dunhuang Caves"

1

Hu, Xiao. "Usability Evaluation of E-Dunhuang Cultural Heritage Digital Library." Data and Information Management 2, no. 2 (August 2, 2018): 57–69. http://dx.doi.org/10.2478/dim-2018-0008.

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Abstract Digital libraries have been strategic in preserving and making non-movable cultural heritage information accessible to everyone with network connections. In light of their cultural and historical importance in the ancient “Silk Road,” murals and stone caves in Dunhuang, a remote city in northwest China,have been digitized, and the first batch of digitized visual materials has been made available to the general public through the e-Dunhuang digital library since May 2016. The aim of this study was to systematically evaluate e-Dunhuang from users’ perspectives, through usability testing with nine user tasks in different complexity levels and in-depth interviews with regard to a set of criteria in user experience. The results of quantitative analysis confirmed the overall effectiveness of e-Dunhuang in supporting user task completion and demonstrated significant improvements in several criteria over an earlier panorama collection of Dunhuang caves. The results of qualitative analysis revealed in-depth reasons for why participants felt satisfied with some criteria but had concerns with other criteria. Based on the findings, suggestions are proposed for further improvement in e-Dunhuang. As e-Dunhuang is a representative repository of digitized visual materials of cultural heritage, this study offers insights and empirical findings on user-centered evaluation of cultural heritage digital libraries.

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Kenderdine, Sarah. "“Pure Land”: Inhabiting the Mogao Caves at Dunhuang." Curator: The Museum Journal 56, no. 2 (April 2013): 199–218. http://dx.doi.org/10.1111/cura.12020.

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Guo, Qinglin, Richard A. Staff, Chun Lu, Cheng Liu, Michael Dee, Ying Chen, A. Mark Pollard, Jessica Rawson, Bomin Su, and Ruiliang Liu. "A New Approach to the Chronology of Caves 268/272/275 in the Dunhuang Mogao Grottoes: Combining Radiocarbon Dates and Archaeological Information within a Bayesian Statistical Framework." Radiocarbon 60, no. 2 (April 2018): 667–79. http://dx.doi.org/10.1017/rdc.2018.4.

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AbstractThe construction chronology of three of the earliest Dunhuang Mogao Grottoes (Caves 268, 272, and 275) has been the subject of ongoing debate for over half a century. This chronology is a crucial topic in terms of further understanding of the establishment of the Dunhuang Mogao Grottoes, early Buddhism in the Gansu corridor, and its relationship with Buddhism developed in the Central Plains. Building upon archaeological, art historical and radiocarbon (14C) dating studies, we integrate new 14C data with these previously published findings utilizing Bayesian statistical modeling to improve the chronological resolution of this issue. Thus, we determine that all three of these caves were constructed around AD 410–440, suggesting coeval rather than sequential construction.

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Russell-Smith, Lilla. "Hungarian Explorers in Dunhuang." Journal of the Royal Asiatic Society 10, no. 3 (November 2000): 341–62. http://dx.doi.org/10.1017/s1356186300012943.

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Much has been written about the extraordinary artistic, religious and historic importance of the Thousand Buddha Cave Temples at Dunhuang, in Gansu province, western China. One hundred and twenty years ago, on 2 May, 1879, a Hungarian expedition reached Dunhuang. It is a little known fact that its members were to be the first western travellers to visit the cave temples there. Still less known is the influence of this expedition on Sir Aurel Stein, the Hungarian-born British archaeologist. This article examines a hitherto unstudied aspect of why Stein was in the position to become the first to arrive in Dunhuang after the important discovery was made. It is argued that the little known Hungarian expedition was a determining factor in prompting Stein to undertake the hazardous journey to Dunhuang. Furthermore the travel notes of these earlier Hungarian travellers throw light at the very unstable situation at the Dunhuang caves thirty years before Stein's visit. This information is likely to have influenced Stein's decision to take much of the material away for safe keeping as at the time of his visit the situation continued to deteriorate.

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Qinglin, Guo, Hiromi Takabayashi, Toshio Nakamura, Chen Gangquan, Ken Okada, Su Bomin, Fan Yuquan, and Hiroshi Nishimoto. "Radiocarbon Chronology for Early Caves of the Mogao Grottoes at Dunhuang, China." Radiocarbon 52, no. 2 (2010): 500–510. http://dx.doi.org/10.1017/s0033822200045537.

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The Mogao Grottoes site at Dunhuang is one of the largest stone cave temples in China. The site features 735 caves with Buddhist mural paintings. To investigate the chronology of early caves of the Mogao Grottoes, radiocarbon dates were measured by accelerator mass spectrometry (AMS) on plant remains collected from 4 caves: 268, 272, 275, and 285. Caves 268, 272, and 275 are regarded (by archaeological analysis) to be the earliest existing caves in the Mogao Grottoes. The fourth cave, 285, features inscriptions on the north wall mentioning the oldest dates of the Chinese Mogao era. Plant materials, taken from the plaster layer of mural paintings and core materials from statues, were collected as samples (n = 11) for AMS 14C dating at Nagoya University. Two samples from cave 275 gave calibrated 14C ages of cal AD 380–430 (1 σ). The other samples resulted in a time interval of cal AD 400–550. The calibrated 14C ages obtained for the samples taken from painted murals and the statues in cave 285 are consistent with the date given by the inscription remaining on the cave's north wall.

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Shenton, Helen. "Virtual Reunification, Virtual Preservation and Enhanced Conservation." Alexandria: The Journal of National and International Library and Information Issues 21, no. 2 (August 2009): 33–45. http://dx.doi.org/10.7227/alx.21.2.4.

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The digitization of dispersed collections offers the opportunity to do much more than simply image collections. The paper centres on major initiatives involving the British Library which are virtually reunifying significant collections dispersed around the world. Such virtual reconstruction of cultural heritage creates a different digital entity. The Codex Sinaiticus project has worked towards the July 2009 Web launch of the virtual reunification of all the leaves of one of the earliest extant Bibles. The approximately 400 leaves are physically located in St Catherine's Monastery, Mount Sinai, Leipzig University Library, the National Library of Russia, St Petersburg, and the British Library, London. The International Dunhuang Project is a very mature project that has been digitizing material from the Dunhuang caves and the Eastern Silk Road dispersed in London, Beijing, Dunhuang, St Petersburg, Berlin, Paris, Stockholm and Kyoto. These complex programmes have broad application to other cultural–historical projects, and some of the wider political, diplomatic and stewardship themes are developed.

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Lin, Aiming, Zhenyu Yang, Zhiming Sun, and Tianshui Yang. "The active faults in the Dunhuang Mogao Grotteos (Thousand Buddhas' Caves)." Journal of the Geological Society of Japan 106, no. 5 (2000): IXI—X. http://dx.doi.org/10.5575/geosoc.106.ixi.

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Yoo, Geun-Ja. "Iconology of Parnivāṇa of Cave 158 at Mogao Caves in Dunhuang." Art History Journal 42 (June 15, 2014): 141–76. http://dx.doi.org/10.24828/ahj.42.141.176.

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Liang, Jiani, Dexiang Deng, Xi Zhou, and Kaige Liu. "The Ecosystem Protection and Promotion of Mogao Grottoes." E3S Web of Conferences 199 (2020): 00010. http://dx.doi.org/10.1051/e3sconf/202019900010.

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The cultural heritage of the Dunhuang Mogao Caves is a valuable as set for China, but the site is located in Gansu Province in northern China, where the ecological environment is fragile, the environmental space is relatively small and the environmental carrying capacity is limited. In the process of accelerating the tourism development and construction of Mogao Caves cultural heritage, the ecological balance of the environment has been upset and problems have emerged. This paper investigates the ecological and environmental management and enhancement of the site, as well as the conservation and protection of the non-renewable resources of the Mogao Caves cultural heritage.

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Karetzky, Patricia Eichenbaum. "Iconographical Patterns of a Spiritual Environment in the Early Caves at Dunhuang." Journal of Chinese Religions 20, no. 1 (January 1992): 103–16. http://dx.doi.org/10.1179/073776992805307674.

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Dissertations / Theses on the topic "Dunhuang Caves"

1

Yen, Chih-hung. "Bhaiṣajyaguru at Dunhuang." London : University of London, 1997. http://catalog.hathitrust.org/api/volumes/oclc/68914537.html.

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Chan, Fung-lin, and 陳鳳蓮. "Digital Dunhuang: the use of new technology for off-site interpretation of a fragile heritage site." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48344461.

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The group cave-temples in Dunguang, Gansu Province of north-western China offer an unparalleled display of grotto art of over a thousand years from the fourth century to the fourteenth century. They represent a microcosm of ancient and medieval civilizations, providing us with enormous opportunities of heritage experience and understanding. However, these grotto treasures are extremely fragile. Over the centuries they have been suffering from serious deterioration and damage due to human and natural causes, and in recent decades the ever-increasing visitor load has posed even greater threat to the murals. The emerging trend of using advanced technology in the preservation and the interpretation of the grotto art offers new possibilities of remote access and interpretation which shall enhance understanding and enjoyment of the cultural treasures. This dissertation sets out to examine such trend of digital interpretation of heritage in off-site scenarios. The research includes a background of the study, the significance of the Dunhuang Caves, the application of new technology, followed by a case study of re-presenting and interpreting one of the Dunhuang caves in Hong Kong.
published_or_final_version
Conservation
Master
Master of Science in Conservation

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3

Lin, Fan 1972. "Visual images of Vimalakīrti in the Mogao caves (581-1036)." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98553.

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This thesis examines the visual images of Vimalakirti, an ancient Indian lay Buddhist, painted on the walls of the Buddhist cave complex at Dunhuang, Gansu province, between 581 and 1036. The sixty-nine Vimalakirti, paintings preserved at Dunhuang are a valuable source for the exploration of historical, religious, and artistic dimensions of wall paintings and sutras. These visual images, together with other textual sources such as sutras, commentaries, and inscriptions, suggest a variety of interesting questions: Why was this theme repeatedly represented? Do the images all have the same prototype? Is there a spiritual function contained in the layout of the caves and composition of the wall paintings? Did the meaning of these images change according to historical context? Did the patrons have a political scheme in mind when commissioning these devotional artworks? While it is difficult to provide definitive answers to all these questions, this thesis will attempt to clarify them and offer preliminary answers on the basis of available visual and textual sources.
The introduction of this thesis includes an overview of basic concepts related to wall paintings, a short history of the transmission of the Vimalakirti,-nirdesa Sutra, and a review of past scholarship on Vimalakirti, paintings and related subjects. The body of the thesis is divided into three main chapters. The first chapter describes the important visual representations of Vimalakirti, before the Sui dynasty. The second chapter of the thesis will provide an introduction to representations of Vimalakirti, at Dunhuang from the late sixth to the early eleventh centuries. The third chapter examines the social functions and symbolic meanings of the Vimalakirti, paintings at Dunhuang.

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Schmid, David Neil. "Yuanqi medieval Buddhist narratives from Dunhuang /." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3043951.

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Lok, Wai-ying, and 駱慧瑛. "The significance of Dunhuang iconography from the perspective of Buddhist philosophy: a study mainly based onCave 45." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48199321.

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This study explores the significance of Dunhuang 敦煌 iconography from the perspective of Buddhist philosophy. The time span of the Dunhuang iconography of the Grottoes runs from the 4th to the 14th centuries. This wide coverage makes it extremely valuable for revealing the developments in art, history, culture, and religious activities in China, and neighbouring regions along the Silk Road. Most scholars have approached the Dunhuang Grottoes from the perspectives of art, history, or archaeology. However, studying the Dunhuang Grottoes from the perspective of Buddhist philosophy has remained under-researched, and therefore, less exhaustively dealt with. It is in Dunhuang Mogao 莫高 Cave 45 that one can see the most well preserved Buddha statue group, and the only Guanyin S?tra 觀音經, i. e. the Chapter of the Universal Gateway of Avalokite?vara Bodhisattva 普門品 from the Saddharmapu??ar?ka S?tra 妙法蓮華經, painted on one entire wall. This dual association has rendered Cave 45 the most ideal source for this research. In this research, Buddhist iconography will be studied in the light of Buddhist philosophy. The study also takes into account triangulation of data collected through various sources, namely: (1) Field trips in Dunhuang and related areas for primary data collection; (2) Image analyses of data collected from primary and secondary sources; (3) Verification of data in the light of both ancient and modern Buddhist literature. The research will be focused on identifying Buddhist philosophy from the mural paintings of the Guanyin S?tra and on the conceptualized understanding of the material as presented in the paintings. The causes of suffering will be identified after examining the thirty-three manifestations / appearances of Avalokite?vara as depicted here. The scenes of various desires as identified and conceptualized in the mural painting of the Cave 45 will also be studied. The Buddha statue in the centre of the statue group portrays cessation of suffering. The statues of bodhisattvas and disciples along both sides, with different facial expressions and body gestures, portray the different levels of cessation of suffering, all leading to ultimate awakening and full emancipation. In this connection, the missing pair of statues in the statue group will also be explored and identified. It is true that Dunhuang iconography, as exemplified through Cave 45, can be approached from many perspectives. However, the primary objective of this study is to show that the Dunhuang iconography is designed as an artistic portrayal of the fundamental teachings of Buddhism.
published_or_final_version
Buddhist Studies
Doctoral
Doctor of Philosophy

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6

Wu, Ming-Kuo. "The Jataka tales of the Mogao Caves, China in anthropological perspective." Online access for everyone, 2008. http://www.dissertations.wsu.edu/Dissertations/Spring2008/m_wu_041808.pdf.

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7

Ning, Qiang. "Art, religion and politics Dunhuang Cave 220 /." 1997. http://catalog.hathitrust.org/api/volumes/oclc/38535268.html.

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8

Abe, Stanley Kenji. "Mogao Cave 254 a case study in early Chinese Buddhist art /." 1989. http://catalog.hathitrust.org/api/volumes/oclc/23748969.html.

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CHEN, RUI-FANG, and 陳瑞芳. "Chinese and Western Culture Comparative Perspective Further Study The Dynasties of Tang Dynasty Murals in Dunhuang Caves." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/6qat4z.

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碩士
樹德科技大學
應用設計研究所
106
The splendid legendary Dunhuang frescoes are to be found in the deserts of China! Dunhuang is located west of Hexi Corridor, an important junction of the “Silk Road.” It is also known as “the city where the Chinese and foreigners met” in history, for it is where the Buddhist culture was first introduced into China, and where Chinese, Indian, Greek and Islamic cultures converged together. The unique historical and spatial background of Dunhuang created not just a multicultural society, but exotic and beautiful art! As Northern Liang and Northern Wei reigned over the whole country with “Buddhist Ideology,” they eagerly dug out caves and made Buddhist statues. For a thousand years, Dunhuang frescoes, the great aesthetic achievements of multiculturalism, shone with their absolute mineral colors. During the peak of Sui and Tang dynasties, strong, bright and solemn colors were applied to the frescoes, which were an unusual spectacle of its time. Images of Flying Apsaras were first found in the caves dug during the Sixteen Kingdoms, and the last images of them were painted during the Yuan Dynasty. The length between these two periods is over one thousand years. More than 6,000 images of Flying Apsaras are preserved. In these attractive images, Apsaras worship Buddha with singing and dancing. iii Their slim and graceful figures suggest the sincerity of praising the Three Precious and the joy of learning about Buddhist dharma. The beauty of Flying Apsaras brought strong energy to the Dunhuang arts. Although they are not the major characters in the Buddhist frescoes or sculptures, their significance in the Brahmaa chants shall not be neglected, as The Lotus Sutra states, “joyfully, do sing of Buddha’s qualities with odes and praises, even if they only use the weakest voice; such people have already gained the utmost Way to Buddhahood.” Ranging from the dynasties of North Liang, North Wei, West Wei and North Zhou to Sui and Tang, this study focuses on the presentations of “Flying Apsaras” of different periods at Dunhuang and explores the revolution of these visual presentations. It also includes the following aspects: the origin and significance of Flying Apsaras, music and dancing, stylistic influence and Sinification, and the characteristics of Flying Apsaras in different periods of time. By collecting and analyzing varied studies, the accumulated experience and resources of those nameless painters from various dynasties will be demonstrated. By exchanging or mixing media like gouache, color ink, and porcelain painting, these painters gave life to the frescoes of Flying Apsaras! An exploration of the contemporary background of arts will open up a new page for postmodern arts through a new interpretation of Flying Apsaras!

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"敦煌寫經書法研究." Thesis, 2007. http://library.cuhk.edu.hk/record=b6074130.

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There are five chapters. Chapter 1 reviews the publishing of catalogs, the methods used to identify fake copies, and previous scholarly studies. I will also define the research scope, objective and methodology of the study. Chapters 2 to 4 explain the relationships between official sutra copies and Buddhist ones, religion and scripture calligraphy, and the copyists and their calligraphy. Through analysing the colophons at the end of the manuscripts and the style of the calligraphy, I intend to show the impact of politics, religion and the status of the copyists on the calligraphy. Chapter 5 focuses on the artistic style of the calligraphy of Dunhuang scriptures, explores the concepts of Xiejing Style and Beiliang Style , and highlights the stylistic differences and similarities in different geographical areas.
This study demonstrates that Dunhuang scriptures are an important part in the history of Chinese calligraphy. The quality of the calligraphy varies: some may be masterpieces while others common everyday writings.
This thesis investigates the calligraphy of Buddhist and Daoist scriptures found in Dunhuang and Xinjiang, spanning from the Jin dynasty to the Song dynasty. The calligraphy of the copied scriptures is analyzed in its specific social and historical context. Based on historical records, contemporary references and the actual objects themselves, this study uses a textual, comparative research method to give an overview of the calligraphy and to describe its course of development in an approach that is as faithful to history as possible.
毛秋瑾.
呈交日期: 2005年12月.
論文(哲學博士)--香港中文大學, 2006.
參考文獻(p. 143-149).
Cheng jiao ri qi: 2005 nian 12 yue.
Advisers: Jao Tsung-i; Harold Mok Kar-leung.
Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4016.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in Chinese and English.
School code: 1307.
Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2006.
Can kao wen xian (p. 143-149).
Mao Qiujin.

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Books on the topic "Dunhuang Caves"

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Dunhuang hua yu: DUNHUANG HUAYU. Lanzhou Shi: Gansu ren min mei shu chu ban she, 2012.

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Dunhuang yin xiang: Dunhuang impression. Lanzhou Shi: Gansu mei shu chu ban she, 2009.

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Er shi shi ji de Dunhuang xue: Dunhuang studies in the 20th century. Shanghai: Shanghai gu ji chu ban she, 2006.

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1955-, Hu Liangxue, and Tong Dengjin 1941-, eds. Dazu shi ku yu Dunhuang shi ku de bi jiao. Chengdu Shi: Ba Shu shu she, 2008.

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1955-, Hu Liangxue, and Tong Dengjin 1941-, eds. Dazu shi ku yu Dunhuang shi ku de bi jiao. Chengdu Shi: Ba Shu shu she, 2008.

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Xianshi, Meng, ed. Dunhuang bai nian. Taibei shi: Yuan liu chu ban shi ye gu fen you xian gong si, 2001.

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Dunhuang xue bai nian shi shu yao. Taibei Shi: Taiwan shang wu yin shu guan gu fen you xian gong si, 2003.

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Dunhuang xue shu shi: Shi jian, ren wu yu zhu shu. Beijing Shi: Zhonghua shu ju, 2011.

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Baker, Janet. The art of the Sui dynasty caves at Dunhuang. Ann Arbor: U.M.I., 1991.

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Ren lei de Dunhuang. Beijing: Wen hua yi shu chu ban she, 1997.

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Book chapters on the topic "Dunhuang Caves"

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Oda, Juten. "Another story on the Chinese Bayangjing from the Dunhuang Cave Library." In Unter dem Bodhi-Baum, 235–46. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737009324.235.

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Sun, Xiaofei, Ting Zhang, Lei Chen, Xiaoyang Wang, and Jiakeng Tang. "Construction of Dunhuang Cultural Heritage Knowledge Base: Take Cave 220 as an Example." In Digital Libraries at Times of Massive Societal Transition, 99–104. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-64452-9_9.

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Ogura, D., T. Hase, Y. Nakata, A. Mikayama, S. Hokoi, H. Takabayashi, K. Okada, B. Su, and P. Xue. "Influence of Environmental Factors on Deterioration of Mural Paintings in Mogao Cave 285, Dunhuang." In Case Studies in Building Rehabilitation, 105–59. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49202-1_6.

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Moretti, Costantino. "Dunhuang Caves (The)." In Encyclopédie des historiographies : Afriques, Amériques, Asies, 502–9. Presses de l’Inalco, 2020. http://dx.doi.org/10.4000/books.pressesinalco.23968.

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"Dunhuang (Gansu, China): Mogao Caves." In Asia and Oceania, 262–66. Routledge, 2012. http://dx.doi.org/10.4324/9780203059173-61.

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"Flying Mañjuśrī and Moving Mount Wutai Towards the Xi Xia Period: As Seen from Dunhuang Caves." In The Transnational Cult of Mount Wutai, 420–64. BRILL, 2020. http://dx.doi.org/10.1163/9789004419872_019.

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"Lecture 3 The Discovery of the Dunhuang Cave Library and Its Early Dispersal." In Eighteen Lectures on Dunhuang, 79–108. BRILL, 2013. http://dx.doi.org/10.1163/9789004252332_005.

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"Lecture 4 The Nature of the Dunhuang Library Cave and the Reasons for Its Sealing." In Eighteen Lectures on Dunhuang, 109–36. BRILL, 2013. http://dx.doi.org/10.1163/9789004252332_006.

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"Images of Healing, Hygiene and the Cultivation of the Body in the Dunhuang Cave Murals." In Imagining Chinese Medicine, 249–70. BRILL, 2018. http://dx.doi.org/10.1163/9789004366183_020.

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Conference papers on the topic "Dunhuang Caves"

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Ogura, Daisuke, Yuki Nakata, Shuichi Hokoi, Hiromi Takabayashi, Ken Okada, Bomin Su, and P. Xue. "Influence of light environment on deterioration of mural paintings in Mogao Cave 285, Dunhuang." In THERMOPHYSICS 2019: 24th International Meeting of Thermophysics and 20th Conference REFRA. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5132732.

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Yan, Zhangmin. "The Color and Artistic Features of Murals in Dunhuang Cave 465 in Mogao Grottoes." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.012.

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