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Relevant bibliographies by topics / Dunhuang manuscript

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Academic literature on the topic 'Dunhuang manuscript'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Dunhuang manuscript"

1

Borgland, Jens Wilhelm. "Mahādeva in Dunhuang." Indo-Iranian Journal 59, no. 1 (2016): 1–47. http://dx.doi.org/10.1163/15728536-05901001.

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Mahādeva, the “Indian Oedipus”, is in some sources blamed for the initial schism between the two main branches of the early Buddhist sects, the Mahāsāṃghikas and the Sthaviras. In this paper I examine a version of the story of Mahādeva found in the Tibetan Dunhuang manuscript labelled IOL Tib J 26, showing that it contains evidence supporting the hypothesis that this story reached Tibet through China. I further show that this Dunhuang manuscript contains an older version of the corresponding section in an early Tibetan history of Buddhism, Mkhas pa lde’u’s Rgya bod kyi chos ’byuṅ rgyas pa (“Ex

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HUNG, Hunglung. "A Study of Dunhuang Manuscript S 4221:." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 63, no. 3 (2015): 1133–40. http://dx.doi.org/10.4259/ibk.63.3_1133.

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Picken, Laurence. "The Dunhuang lute-manuscript transcribed by Coralie Rockwell." Musicology Australia 20, no. 1 (1997): 15–60. http://dx.doi.org/10.1080/08145857.1997.10415971.

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Zhao, Qi, and Silke Assmus-Helfen. "The earliest acupuncture and moxibustion manuscript was found in Dunhuang." Chinese Journal of Integrative Medicine 17, no. 6 (2011): 471–72. http://dx.doi.org/10.1007/s11655-011-0750-y.

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Nugent, Christopher M. B. "Putting His Materials to Use: Experiencing a Li Bai Yuefu in Manuscript and Early Print Documents." East Asian Publishing and Society 5, no. 1 (2015): 32–73. http://dx.doi.org/10.1163/22106286-12341270.

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This essay discusses Li Bai’s yuefu poem “Qiangjin jiu” 將進酒 as it appears in three different manuscripts from Dunhuang and a Northern Song printed edition. By analyzing the work on the levels of document, text, and meaning, I argue that its varied instantiations result in meaningfully different experiences of the poem for readers and listeners. Not only do these documents differ physically, the texts of the work they contain vary considerably as well (including that of best known line in the poem). Finally, I argue that although the poetic corpus found at Dunhuang may not accurately represent

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Dingyuan(WANG), (Zhaoguo). "On the Dunhuang Manuscript of the Prayer Text Composed by Daoyin." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 61, no. 1 (2012): 476–72. http://dx.doi.org/10.4259/ibk.61.1_476.

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Dachille, Rae. "Inscribing the Corpus: Scribal and Ritual Practice in the Material Culture of Dunhuang." Numen 67, no. 2-3 (2020): 113–37. http://dx.doi.org/10.1163/15685276-12341570.

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Abstract Qualities of the written sign impact the process of parsing a text, of making it accessible for vision, contemplation, recitation, and memory. In this article, I approach the manuscript as a visual field ordered by the configuration, combination, and differentiation of marks. This approach considers the particular challenges and potentialities that the space of the manuscript presents to a scribe as well as to a reader and how this blurs the boundaries between text and image. Through a case study of a Tibetan ritual manual, I illuminate the act of inscription as a technology with mate

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Chen, Wuyun, and Xiaohong Liang. "Prajñāpāramitā-sūtra, Vol. II." Bulletin of Chinese Linguistics 3, no. 1 (2008): 45–78. http://dx.doi.org/10.1163/2405478x-90000047.

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The handwritten manuscript entitled “Sound Glosses on Dabanruojing 大般若經音義 (Prajñāpāramitā-sūtra, Vol. II),” one of the collections of Ishiyama Temple 石山寺 in Otsu City, Shiga Prefecture, is generally regarded as having been made sometime from the last phase of the Nara 奈良 period (710-784) to the beginning of the Heian 平安 period (794-1185). On account of its copying and dissemination contemporary to that period, the manuscript has value equal to the Dunhuang 敦煌 manuscripts. The present paper cross-references the Ishiyama Temple manuscript to the one with the same title housed in Raigōin 來迎院 in K

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Zorin, Alexander. "A Dunhuang Tibetan Manuscript of “Ārya-samādhyagrottama” Kept at the IOM, RAS." Written Monuments of the Orient 4, no. 1 (2018): 25–34. http://dx.doi.org/10.17816/wmo35146.

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AOKI, Takashi. "On ∅ 180 -A Dunhuang Manuscript of the Dilun School in Russian Collections-." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 45, no. 1 (1996): 43–47. http://dx.doi.org/10.4259/ibk.45.43.

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Dissertations / Theses on the topic "Dunhuang manuscript"

1

Tiethof-Aronson, Adrian K. "The wheel of great compassion| A study of Dunhuang manuscript p.3538." Thesis, Temple University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1597130.

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<p> Of the thousands of Buddhist manuscripts discovered at Dunhuang, there are many examples of non-official <i>s&umacr;tras</i> and <i> dh&amacr;ran&dotbelow;&imacr;</i> collections more difficult to identify than those with titles identical to canonical <i>s&umacr;tras</i>. Manuscript collection catalogs are the first sources consulted when one undertakes research involving manuscripts and in order to be a truely valuable resource, they need to reflect current scholarship. This thesis studies the Dunhuang manuscript, Pelliot <i>chinois</i> 3538, from different perspectives, examining its rit

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2

Fang, Yufan. "A Preliminary Study of a Tang Dynasty Diamond Sutra Manuscript in the Bliss M. and Mildred A. Wiant Collection." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1471861112.

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Park, Se-Wok. "Les FU dans les manuscrits de Dunhuang." Paris, EPHE, 2001. http://www.theses.fr/2001EPHE4030.

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Dans les manuscrits découverts à Dunhuang, il est vrai que les genres du bianwen et de la littérature vulgaire se révèlent être d'une importance capitale pour l'histoire de la littérature chinoise. Il est donc logique que leur étude ait été développée très largement, toutefois, y ont été inclus tous les genres littéraires présentés par les manuscrits de Dunhuang. C'est sur ce point que nous fondons l'originalité de notre travail. Hormis les quatre textes intitulés fu dans le Recueil de bianwen, nous avons également recueilli une vingtaine de textes qui comportent le caractère fu dans leur titr

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4

Horng, Moh-Chour. "L'iconographie bouddhique et le portrait chinois d'après les manuscrits enluminés du Sûtra des dix rois de Dunhuang." Paris 4, 1997. http://www.theses.fr/1997PA040078.

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Le Sûtra des dix rois est diffèrent des sutras authentiques en provenance de l'Inde en ce qu'il est une œuvre apocryphe. Au début du texte se trouve une inscription mentionnant que le récit a été raconté par le moine Zangchuan approximativement vers la deuxième moitié du VIIIe siècle. Le Sûtra des dix rois comprend deux versions : la version I est plus longue, et, elle est souvent accompagnée d'illustrations. Nous ne connaissons pas le sutra des dix rois avant que le moine Wang Yuanlu ne le découvre par hasard dans la grotte no 17 de Mogao dans le district de Dunhuang (province du Gansu), en C

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強韻嘉. "敦煌 "詩經" 卷子異文與詩義研究 =A study of the variant Chinese characters in Dunhuang Manuscripts of Shijing and the implication of it". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954246.

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Tsui, Chung-hui, and 崔中慧. "A study of early Buddhist scriptural calligraphy: based on Buddhist manuscripts found in Dunhuang andTurfan (3-5 century)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B4545694X.

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KAMITSUKA, Yoshiko, та 淑子神塚. "仏典『温室経』と道典『洗浴経』". 名古屋大学文学部, 2014. http://hdl.handle.net/2237/19779.

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Wang, Estelle Weiping. "Les partitions pour pipa de Dunhuang : édition et interprétation." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040169.

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Les partitions pour pipa de Dunhuang (fin dynastie Tang, début époque Song), copiées sur les manuscrits P. 3539, P. 3808 et P. 3719 conservés à la BnF ont été découvertes par Paul Pelliot en 1908 dans la grotte numéro 17 du site de Mogao en Chine. Cette thèse décrit les influences musicales et culturelles apportées en Chine par la route la soie, notamment la musique koutchéenne, puis réalise le bilan des études de ces partitions, menées depuis plus de soixante-quinze ans par les plus grands spécialistes dont Hayashi Kenzō, Ren Erbei, Rao Zongyi, Ye Dong, He Changlin, Chen Yingshi, Xi Zhenguan,

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高軍青. "敦煌變文被動句研究 = Research of passive voice in Dunhuang Bianwen". Thesis, University of Macau, 2004. http://umaclib3.umac.mo/record=b1636617.

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Espesset, Grégoire. "Cosmologie et trifonctionnalité dans l'idéologie du Livre de la Grande paix (Taiping jing 太平經)". Phd thesis, Université Paris-Diderot - Paris VII, 2002. http://tel.archives-ouvertes.fr/tel-00670888.

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Malgré une histoire textuelle problématique, le " Livre de la Grande paix " (Taiping jing) transmis par le Canon taoïste des Ming reflète incontestablement des idées enracinées dans la vision du monde de l'époque des Han (206 av. J.-C.-220 ap. J.-C.). La cohérence de son contenu en apparence hétérogène réside dans l'idéologie tripartite qui sous-tend son substrat cosmologique et dépeint l'univers tout entier en une structure arborescente dérivant du modèle de base Ciel-Terre-Homme. Deux logiques triadiques s'opposent dans cette idéologie : un processus ternaire de déclin dans lequel l'Homme es

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Books on the topic "Dunhuang manuscript"

1

A history of the Tibetan empire: Drawn from the Dunhuang manuscripts. Songtsen Library, Center for Tibetan and Himalayan Studies, 2015.

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2

Dpe-mdzod-khaṅ, Sroṅ-btsan, ред. Bod btsan poʼi rgyal rabs: Tuṅ-hoṅ Bod kyi yig rñiṅ las byuṅ ba. Songtsen Library, 2010.

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3

Dunhuang xue yu Dunhuang wen hua: Dunhuang studies and Dunhuang culture. Shanghai gu ji chu ban she, 2007.

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Dunhuang xian hua: Dunhuang xianhua. Gansu ren min chu ban she, 2009.

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5

Dunhuang fa lun: Dunhuang falun. Fa lü chu ban she, 2008.

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6

Death and beyond in ancient Tibet: Archaic concepts and practices in a thousand-year-old illuminated funerary manuscript and old Tibetan funerary documents of Gathang Bumpa and Dunhuang. Verlag der Österreichischen Akademie der Wissenschaften, 2013.

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7

Dunhuang Tulufan wen xian. Wen wu chu ban she, 2002.

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8

Dunhuang shi ji: Dunhuang shiji. Gansu ren min mei shu chu ban she, 2012.

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9

Dunhuang wen shu xue. Xin wen feng chu ban gong si, 1991.

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10

Dunhuang dulufan lun ji. Xin wen feng chu ban gong si, 1996.

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Book chapters on the topic "Dunhuang manuscript"

1

Liu, Zuozhen. "Restitution Through Civil Litigation: A Case Study of the Dunhuang Manuscripts." In The Case for Repatriating China’s Cultural Objects. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0597-8_4.

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"1 Multiple-text Manuscripts." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-001.

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"2 Manuscripts Written by Students." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-002.

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"3 Writing from Left to Right." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-003.

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"4 Circulars and Names." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-004.

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"Concluding Remarks." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-005.

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"References." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-006.

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"Index." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-007.

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"About the Author." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-008.

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"Acknowledgements." In Dunhuang Manuscript Culture. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110726572-202.

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Conference papers on the topic "Dunhuang manuscript"

1

Sakamoto, Shouji, and Yoshihiro Okada. "Paper Analysis and Database of Papers of the Pelliot Collection, Dunhuang Manuscripts." In 2015 International Conference on Culture and Computing (Culture Computing). IEEE, 2015. http://dx.doi.org/10.1109/culture.and.computing.2015.24.

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