Dissertations / Theses on the topic 'Dürer'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Dürer.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Pack, Stephen F. "Revelatory geometries, the treatises of Albrecht Dürer." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0003/MQ29852.pdf.
Full textPack, Stephen F. "Revelatory geometries : the treatises of Albrecht Dürer." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27477.
Full textMeneguzzi, Thatieli. "Os Perspectógrafos de Dürer na educação matemática." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/92248.
Full textMade available in DSpace on 2012-10-24T07:08:33Z (GMT). No. of bitstreams: 1 280592.pdf: 5625525 bytes, checksum: 9c0e246fa379fd1b9c52121e6c096950 (MD5)
No presente trabalho, fazemos um estudo sobre os perspectógrafos de Albrecht Dürer, que durante o Renascimento alemão, desenvolveu máquinas para desenhar em perspectiva. Nosso intento é trazer uma discussão em torno dos perspectógrafos de Dürer como ferramenta do olhar e construir imagens em perspectiva com possibilidades de aplicação em sala de aula. Acreditamos que este fato se faz importante, pois de um lado discuti-se o aspecto da história da perspectiva associada à construção de um modo de olhar e de representar e, por outro lado, as possibilidades de ensino envolvendo a história e a geometria com ênfase na visualização matemática. Desta forma, a problemática do presente trabalho é como as máquinas de Dürer - os perspectógrafos - podem ser trazidas ao ensino atual, a fim de se trabalhar conceitos geométricos espaciais, aliando a história da perspectiva e os conhecimentos empregados em torno da técnica de desenho. Aliando os perspectógrafos, a história, a visualização e a geometria, construímos uma máquina, que denominamos perspectógrafo didático, criada a partir dos perspectógrafos. Para utilizarmos o perspectógrafo didático recriamos questões trazidas da história, resolvidas pelo próprio Dürer e resolvemos as mesmas. Através disto, busca-se aliar a história da perspectiva com o ensino da geometria desenvolvendo aspectos conceituais da matemática, entre eles a visualização matemática.
Rücklin, Françoise. "La condition humaine d'après Dürer : essai d'interprétation symbolique des Meisterstiche." Paris 4, 1986. http://www.theses.fr/1986PA040325.
Full textVanpeene, Michel, and Albrecht Dürer. "Duchamp Dürer : un coup, deux D, jamais n'aboliront le hasard." Paris 1, 1994. http://www.theses.fr/1994PA010583.
Full textThe text an visual works of the thesis are the turning points between albrecht durer's woodcut called "the drawer with a lying woman" that belongs to the theorical work "the manual of measurement by means of compass and ruler. . . " - the 1538 issue, the first french translation of which has been joined as an appendix, as well as "etant donnes 1e la chute d'eau 2e le gaz d'eclairage" - philadelphia museum of modern art, 1946-1966 - of marcel duchamp. The question is about the relation between two setting up moments which disrupted the creative process and the sight that is focused on the artistic work. The main axis which links and separates the two artists has been drawned by the geometrical concerns that underpin their respective written and visual works. With the help of thought-processes, we have extracted section, translation, inversion and matrix-fonction - we are questioning the natur and content of a "going-through" sight associated with the constant presence of the female nude. The thesis determines a whole of facts that seem to require each others through some laws which cut off the sign of similarity on one hand and a choice of possibilities that are recognised by some laws as they cause them
Rodrigues, Marcel Henrique. "Arte, símbolo e religião: as influências do esoterismo na gravura “Melencolia I” de Albrecht Dürer." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/5788.
Full textApproved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-09-22T15:05:38Z (GMT) No. of bitstreams: 1 marcelhenriquerodrigues.pdf: 12697503 bytes, checksum: 04ce4723cfc9d5771ced03f1196dc481 (MD5)
Made available in DSpace on 2017-09-22T15:05:38Z (GMT). No. of bitstreams: 1 marcelhenriquerodrigues.pdf: 12697503 bytes, checksum: 04ce4723cfc9d5771ced03f1196dc481 (MD5) Previous issue date: 2017-02-23
CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
A temática dos símbolos e do esoterismo levou ao encontro com a enigmática gravura “Melencolia I”, de Albrecht Dürer. Por trás desta obra desvela-se uma surpreendente atmosfera renascentista em torno do tema da melancolia que, segundo pesquisas, fez com que médicos, filósofos e teólogos se detivessem por séculos no estudo deste humor. Historicamente estabelecida, a melancolia tornou-se um sintoma dos grandes intelectuais, aqueles eruditos que, na eterna busca pelo conhecimento e enfrentando as limitações da cognição humana em conhecer, caíram em estado de melancolia, ou na acídia, assim denominada a melancolia medieval. A grande importância dada ao melancólico levou Dürer a produzir “Melencolia I” como um tributo ao estado de ânimo que atingiu os grandes sábios. Mas, sua obra não é simples. A quantidade de símbolos expostos na gravura reflete uma outra realidade, a realidade esotérica. Partindo dessa compreensão e munido de uma compilação científico-bibliográfica, nossa pesquisa deseja abordar o caráter esotérico em “Melencolia I”. Assim, exploramos o contexto filosófico e religioso do Renascimento para compreender o ambiente intelectual que impulsionou a confecção da obra. O Neoplatonismo florentino, a grande confluência dos estudos humanísticos e o desabrochar do esoterismo, como a Alquimia e a Magia, foram elementos chave no contexto renascentista que, chegando à Alemanha, influenciaram Dürer a executar uma de suas mais famosas obras, a “Melencolia I”. Como resultado a pesquisa encontrou uma hermenêutica para a gravura a partir do contexto cultural em que a mesma foi produzida. Levamos em consideração os aspectos do esoterismo, tão enaltecidos e promulgados no período, sobretudo pelo Neoplatonismo de Florença. Também encontramos indícios de que alguns aspectos da vida e Dürer influenciaram a temática de “Melencolia I”.
The matter of symbols and esoterism led to the encounter with the enigmatic Albretch Dürer’s engraving “Melencolia I”. Behind this work, a surprising atmosphere from Renaissance is revealed surrounding melancholy which has been the subject of studies by physicians, philosophers and theologians for many years according to previous studies. Historically registered, melancholy became the symptom of the greatest erudite intellectuals who in search of science and defying the human limitations in learning often felt in the state of melancholy, or acedia, as it was denominated during the Middle Ages. On the one hand, given the importance paid to the “melancholic people” Albretch Dürer decided to work on “Melencolia I” as a tribute to the mood of the greatest savants. On the other hand, his piece of art is not unchallenging, for the amount of exposed symbols on the engraving reflects one another reality: the esotericism. Starting from this comprehension along with a scientificbibliographic compilation this research aims at approaching the esoteric side on “Melencolia I”. Thus, exploring the philosophic and religious context during the Renaissance in order to understand the intellectual environment which influenced Dürer’s engraving. In regards to that, Neoplatonic Florentine Academy was the most important confluence of humanistic studies during the rise of esotericism expressed in practices such as the Alchemy and Witchcraft that were key elements on the context of Renaissance which in Germany culminated in the influence on Dürer’s “Melencolia I”, one his most well-known and celebrated works. As a result, this research finally unveiled a hermeneutic related to the engraving from a cultural context in which it was conceived. Thus, it was taken in consideration the aspects of esotericism – highly praised and diffused during that period chiefly by the Neoplatonic Florentine Academy. There also evidence that some aspects of Dürer’s life might have been influenced by the theme of “Melencolia I”.
Haffner, Thomas. "Die Dresdner Dürerhandschrift: ein bedeutendes Dokument der Kunst-, Wissenschafts- und Sammlungsgeschichte." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2008. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1204805781083-80082.
Full textOne of the greatest treasures kept in the manuscript collection of the SLUB since 1768 is a volume containing Albrecht Durer's fair copy of the first of his "Four Books on Human Proportion", as well as the socalled “Dresden Sketchbook” with many drawings related to the theory of human proportion. This paper explains the manuscript as a document of the development of Durer's theory of proportion, exemplifies its features by selected pages and informs about a number of hypotheses on the transmission of the manuscript
Rodrigues, Andréia de Freitas. "De Marsilio Ficino a Albrecht Dürer considerações sobre a inspiração filosófica de “Melencolia I”." Universidade Federal de Juiz de Fora (UFJF), 2009. https://repositorio.ufjf.br/jspui/handle/ufjf/2768.
Full textApproved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-07T12:18:00Z (GMT) No. of bitstreams: 1 andreiadefreitasrodrigues.pdf: 4480860 bytes, checksum: 789f93014343f61108e9441c4c003602 (MD5)
Made available in DSpace on 2016-10-07T12:18:00Z (GMT). No. of bitstreams: 1 andreiadefreitasrodrigues.pdf: 4480860 bytes, checksum: 789f93014343f61108e9441c4c003602 (MD5) Previous issue date: 2009-10-14
O tema da melancolia tem sido fonte de atenção de filósofos, médicos, artistas, historiadores, pensadores de várias áreas do conhecimento, desde tempos imemoriais. Parte desse interesse se compreende pelo mistério que guarda sua própria definição, ambivalente e fascinante, que se refere à melancolia ora como um estado de desequilíbrio doentio, ora como pecado a ser punido, ora como estado da alma que exalta a genialidade. Na história das artes, a melancolia sempre determinou uma iconografia à parte, desde a antiguidade clássica. Este trabalho trata então, da melancolia abordada por um artista em particular, em uma época específica. Tendo como ponto essencial o estudo e a interpretação da gravura “Melencolia I”, de Albrecht Dürer, este trabalho privilegiará não apenas as características formais desta obra, mas as várias possibilidades e conexões que a mesma possui com o tempo e lugar onde foi produzida, principalmente a filosofia neoplatônica de Marsilio Ficino. Percorrendo além dos limites estreitos de uma leitura puramente formalista, a pesquisa considera a obra de arte como uma relação complexa e ativa aos acontecimentos da história circundante, pensando em sua análise iconográfica como um instrumento de reconstrução do indivíduo, do ambiente, da história geral.
The topic of melancholy has been a source of attention from philosophers, doctors, artists, historians, thinkers in various fields of knowledge, since time immemorial. Part of this interest to understand the mystery that keeps its own definition, ambivalent and fascinating, which is sometimes referred to melancholy as a state of imbalance sick, sometimes as sin to be punished either as a state that exalts the soul of genius. In the history of the arts, the melancholy always the part of an iconography from ancient classic. This work is then addressed by melancholy of an artist in particular, in a specific time. With the key point the study and interpretation of the engraving "Melencolia I", by Albrecht Dürer, this work focus not only the formal characteristics of this work, but the various possibilities and connections that it has the time and place where it was produced, mainly Neo-Platonist the philosophy of Marsilio Ficin. Traveling beyond the narrow confines of a purely formalist reading, the study considers the work of art as an active and complex relationship to the events surrounding the story, thinking about his iconographic analysis as a tool for reconstruction of the individual, the environment, the general history.
Karlsson, Johanna. "Makten att bestämma människans öde : Fru Fortuna i bild och text från renässansen." Thesis, Högskolan på Gotland, Institutionen för humaniora och samhällsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-1546.
Full textCampion, Raffaele <1994>. "L’influenza di Albrecht Dürer e degli incisori tedeschi negli artisti ferraresi tra Ercole I e Alfonso I d’Este." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13901.
Full textLupi, Danilo <1996>. "Giorgio Vasari a Bologna: Il ciclo dell’Apocalisse in San Michele in Bosco tra Dürer e le incisioni nelle Bibbie riformate." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19234.
Full textRodrigues, Kethlen Santini. "O surgimento da imagem da bruxa nas artes visuais : bruxaria e sexualidade nas obras de Albrecht Dürer e Hans Baldung Grien." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/185237.
Full textThis research analyzes a number of engraving and drawing works by Albrecht Dürer (1471 - 1528) and Hans Baldung Grien (1484 - 1545) residing in the Germanic territories of Europe during the Renaissance period, produced between 1497 and 1545. The body of the witch conceived in Early modern Europe will be a body laden with excessively masculine and oppressive precepts. It is also recognized that, regardless of the artists' pretensions, whether to develop their imaginative faculties or to improve their social and economic status, the artist's creative capacity has resulted in an adulterated female image. In order to understand the cultural, political and social resources of the artists in question, the historiographical perspectives of a theorizing of witchcraft were analyzed in the first chapter, divided into two main concepts: the crisis in the Christian faith and the question of gender. After the publication of the first incunabula, at the end of the 15th century, in particular the first illustrated inquisitorial treatise De Laniis et phitonicis mulieribus (1489) by Ulrich Molitor, the second chapter notes the beginning of a specific iconographic tradition in Europe and the establishment of representation of witchcraft in the field of Visual Arts by Albrecht Dürer, who established two models of representation, the grotesque body and the aphrodisiac body of the witch. In the third and last chapter, the work of Dürer's disciple, Hans Baldung Grien, who in the course of his artistic career, made the witch's body the protagonist of his works analyzed. Elements such as the fork, loose hair, naked body and flights on animals are sanctioned by him and, consequently, by his contemporaries. Thus, the last task in this part is to present an iconographic heritage derived from the tradition established by Dürer and Hans Baldung, as in the works of Lucas Cranach, Peter Bruegel, Frans Francken, among others.
Heathcote, Christine. "Betende Hande: Albrecht Durer's Self-Portrait as a Gothic Church." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5694.
Full textPellé, Anne-Sophie. "Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance." Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2006.
Full textDuring the early 16th century the German territory was not only the most important but also the most fruitful center for the circulation of Italian painter Andrea Mantegna's (1431 - 1506) prints. From Dürer to Peter Vischer in Nuremberg, from Ulrich Apt's workshop to Jörg Breu the Elder in Augsbourg, from Hans Baldung Grien to Matthias Grünewald in Alsace, from Urs Graf to Jörg Schweiger in Switzerland, Altdorfer's workshop, located in Regensburg to Wolf Huber's in Passau. Basically all artistic and humanist centers in the German-speaking world were concerned. This thesis takes as its primary object the problematic of cultural transfers and aims at showing, through a multidisciplinary approach, that the German reception of Italian engravings is not only limited to formal and stylistics aspects but it is integrated in a reflection regarding the emulation, which will take into account both historical and cultural particularities of the German Sacred Roman Empire
Ceccato, Barbara. "L'apporto della pittura tedesca alla Rinascenza veneta 1490-1510. Il ruolo delle stampe." Doctoral thesis, Università degli studi di Padova, 2015. http://hdl.handle.net/11577/3424279.
Full textIl lavoro consiste in un'analisi interdisciplinare e in un originale riepilogo critico sul fenomeno dell'apporto dell'arte tedesca alla Rinascenza veneta nel delicato momento di trapasso di secolo tra Quattro e Cinquecento. Particolare attenzione é stata data ad alcune istanze che si ritiene possano aver svolto un ruolo significativo in relazione al serrato dialogo artistico tra Nord e Sud: i plurisecolari rapporti tra Venezia e la Germania, il ruolo della "Nazione Alemannaâ" raccolta attorno al Fondaco e alla chiesa di san Bartolomeo, il precoce collezionismo di stampe e i due soggiorni di Albrecht Dürer in laguna. La tesi intende dunque restituire i diversi modi attraverso i quali i conseguimenti più originali e innovativi del dipingere moderno hanno dialogato con l'arte tedesca e con l'opera di Dürer in particolare, ponendo l'accento in prevalenza sulle stampe e individuando in paesaggio, ritratto e colore le tre aree capaci di offrire in maniera più significante la risposta del coté veneziano alle sollecitazioni nordiche.
Cremonte, Pastorello Elisabetta <1998>. "La ricezione dell'opera grafica di Albrecht Dürer in Andrea del Sarto e nel Pontormo. Un'indagine sul dibattito critico da Giovanni Gaetano Bottari alla Seconda Guerra Mondiale (1759-1943)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21942.
Full textMinty, Mary. "Albrecht Dürer's "St. Jerome in his study" of 1514 : a reassessment." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63349.
Full textRakovsky, Daniel. "Les deux côtés du visage : dissymétrie et construction du portrait à la Renaissance." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040197.
Full textEvery face is structured in a symmetrical order. This research paper explores the consequences of this formal specificity on the construction of the portrait in the particular context of the European Renaissance. It starts with a critique of the neuropsychological approach that makes the asymmetry and the distinction between the two sides of the face in the portrait the mere expression of a particular physiognomy. Through a reflection on the aesthetic categories of symmetry and asymmetry in the order of representation, the research demonstrates the interest of these concepts for the understanding of the formal and philosophical issues specific to the construction of portraits. It also reveals the richness and complexity of meanings assigned to symmetry and asymmetry in the cultural cosmos of the Renaissance, these ones sometimes going against the grain of contemporary representations. The final section is devoted to the secular theological symbolism distinguishing between the right side and the left side of the face, one side turned to the heavenly, the other to the earthly, and the resulting influence on the art of portraiture. The demonstration is punctuated by various case studies, including an in-depth analysis of portraits painted by Jan Van Eyck, Giovanni Bellini, Raphael and Albrecht Dürer
Dürner, Julia Renate [Verfasser]. "Synthese und Anwendung chiraler Aminokatalysatoren / Julia Renate Dürner." München : Verlag Dr. Hut, 2019. http://d-nb.info/1198542489/34.
Full textDüger, Sirri [Verfasser]. "Non-Patent Protection of Pharmaceuticals in Turkey / Sirri Düger." Aachen : Shaker, 2012. http://d-nb.info/1069047066/34.
Full textMathis-Haeringer, Odile. "Düren 1794-1848 : histoire interculturelle d'une ville de la rive gauche du Rhin sous les gouvernements consécutifs français et prussien." Strasbourg, 2010. http://www.theses.fr/2010STRA1069.
Full textDuring the first half of the 19th century, the city of Düren, situated between Aix-la-Chapelle and Cologne experienced a major disruption of its social and economic structures. Conquered by the French army in 1794, it was annexed to France in 1801. After the fall of the Napoleonic Empire, the southern part of the French territories on the left bank of the Rhine was allotted to Prussia. Compared to the Prussian conservatism, the political benefits of the French period, although they were a legacy of foreign occupation, became particular Rhenish features worth fighting for. The Rhine Province then became a cradle of Prussian liberalism and took a special position within the until 1848. The consecutive governments generated many transfers which led to alterations in existing structures or initiated a process of transformation. This study concentrates on the organization of the administration and the economy. Due to historic and economic traditions and specific denominational characteristics, the city was a particular context of reception for the transfers in these two areas. Thus, the proclamation of the French laws terminated the medieval guild system. The old structures were entirely replaced by new ones, to the advantage of a protestant community. This community had already been economically active and could now continue its advancement under the Prussian government in a transnational context of modernisation and industrialisation
Dürr, Michael [Verfasser]. "Sicherheit und Privatsphäre in Online Sozialen Netzwerken / Michael Dürr." München : Verlag Dr. Hut, 2014. http://d-nb.info/1047035901/34.
Full textDürr, Heiner. "Kaldor, Mary, Neue und alte Kriege / [rezensiert von] Heiner Dürr." Universität Potsdam, 2001. http://opus.kobv.de/ubp/volltexte/2008/2440/.
Full textGrummt, Robert [Verfasser], and Detlef [Akademischer Betreuer] Dürr. "On quantum mechanical decay processes / Robert Grummt. Betreuer: Detlef Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/1048014517/34.
Full textVona, Nicola [Verfasser], and Detlef [Akademischer Betreuer] Dürr. "On time in quantum mechanics / Nicola Vona. Betreuer: Detlef Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/1048014509/34.
Full textDürner, Julia [Verfasser], Hans [Akademischer Betreuer] Reinecker, and Herbert [Akademischer Betreuer] Csef. "Individuelle Lebensqualitätseinschätzungen von Patienten mit Multiplem Myelom / Julia Dürner ; Hans Reinecker, Herbert Csef." Bamberg : Otto-Friedrich-Universität Bamberg, 2018. http://d-nb.info/1173163921/34.
Full textDürre, Jan [Verfasser]. "Ein skalierbares und flexibles FPGA-Framework für Lehre und Rapid-Prototyping / Jan Dürre." Düren : Shaker, 2019. http://d-nb.info/1190526123/34.
Full textLazarovici, Dustin [Verfasser], and Detlef [Akademischer Betreuer] Dürr. "Mean field limits for charged particles / Dustin Lazarovici. Betreuer: Detlef Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1082504882/34.
Full textDürr, Julian [Verfasser]. "Mittelfristige Ergebnisse der inversen Schulterprothese bei ''Cuff-Tear'' Arthropathie / Julian Dürr." Ulm : Universität Ulm, 2019. http://d-nb.info/1194465919/34.
Full textBeck, Christian [Verfasser], and Detlef [Akademischer Betreuer] Dürr. "Localization : local quantum measurement and relativity / Christian Beck ; Betreuer: Detlef Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1227839863/34.
Full textSchneider, Thomas [Verfasser], Holger [Akademischer Betreuer] Dürr, Holger [Gutachter] Dürr, and Frank [Gutachter] Klawonn. "Automatisierte Akquisition von erfahrungsbasiertem Fertigungswissen im Werkzeug- und Formenbau : Automatisierte Akquisition von erfahrungsbasiertem Fertigungswissenim Werkzeug- und Formenbau / Thomas Schneider ; Gutachter: Holger Dürr, Frank Klawonn ; Betreuer: Holger Dürr." Chemnitz : Universitätsbibliothek Chemnitz, 2012. http://d-nb.info/1213904846/34.
Full textLouzon, Danielle. "L' oeuvre comme expression sensible de soi." Paris 7, 2012. http://www.theses.fr/2012PA070116.
Full textThe creative act consists of building a somatopsychique representation which, through resonance, borrows, in the changing, to the mental representation built on the somatic model. Trauma and satisfaction are the key. This new representation is SCAR and injury in an inside/outside for a gain of narcissistic erogenous pleasure. Through this resonance, the creative act is potentially inducing passages to the Act by implementing the specular resonance. The representation-work, somatopsychique, is an extension of remodeling or a vicariance of mental representation and separation. It requires, on the part of I creator, a consciousness of intermediate stage
Düker, Matthias H. [Verfasser]. "Synthese und Untersuchung dynamischer Molekülrezeptoren auf Calixaren-Basis mit Tetrathiafulvalen-Bausteinen / Matthias H. Düker." München : Verlag Dr. Hut, 2012. http://d-nb.info/1028786093/34.
Full textDürr, Hans-Peter [Verfasser]. "Mathematische Modelle zum Parasitenerwerb bei der Onchozerkose des Menschen / Hans-Peter Dürr." Tübingen : Universitätsbibliothek Tübingen, 2007. http://d-nb.info/1161465642/34.
Full textDürr, Oliver [Verfasser]. "Beitrag zur Qualitätsverbesserung beim Freiformschmieden von Langprodukten und gekrümmten Formteilen / Oliver Dürr." Aachen : Shaker, 2007. http://d-nb.info/1164339087/34.
Full textFendt, Michael [Verfasser], and Eveline [Akademischer Betreuer] Dürr. "Afroguayaquileños/-as : schwarze Subjektivitäten im urbanen Ecuador / Michael Fendt. Betreuer: Eveline Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2013. http://d-nb.info/1051777240/34.
Full textFendt, Michael Verfasser], and Eveline [Akademischer Betreuer] [Dürr. "Afroguayaquileños/-as : schwarze Subjektivitäten im urbanen Ecuador / Michael Fendt. Betreuer: Eveline Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2013. http://nbn-resolving.de/urn:nbn:de:bvb:19-170066.
Full textGrahneis, Ferdinand [Verfasser], and Hans-Roland [Akademischer Betreuer] Dürr. "Aneurysmale Knochenzysten : Klinik, Therapie und Ergebnisse / Ferdinand Grahneis ; Betreuer: Hans-Roland Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1236543890/34.
Full textGasparyan, Franziska [Verfasser], and Paul-Gerhardt [Gutachter] Schlegel. "Virale Reaktivierungen nach allogener Stammzelltransplantation bei Kindern / Franziska Gasparyan [geb. Düver] ; Gutachter: Paul-Gerhardt Schlegel." Würzburg : Universität Würzburg, 2021. http://d-nb.info/124014802X/34.
Full textDürr, Ralph [Verfasser]. "Screening and description of novel hydantoinases from distinct environmental sources / von Ralph Dürr." Karlsruhe : Univ.-Verl. Karlsruhe, 2007. http://d-nb.info/98704270X/34.
Full textDürr, Corinna [Verfasser], and Wolfgang [Akademischer Betreuer] Frieß. "Studies on the physicochemical stability of antibody conjugates / Corinna Dürr ; Betreuer: Wolfgang Frieß." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1162443480/34.
Full textAdam, Simon [Verfasser], and Hans-Roland [Akademischer Betreuer] Dürr. "Ergebnisse der Therapie von Patienten mit Osteosarkomen / Simon Adam ; Betreuer: Hans-Roland Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1169572081/34.
Full textDürr, Michael [Verfasser], and Claudia [Akademischer Betreuer] Linnhoff-Popien. "Sicherheit und Privatsphäre in Online Sozialen Netzwerken / Michael Dürr. Betreuer: Claudia Linnhoff-Popien." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2013. http://d-nb.info/1047062348/34.
Full textLienert, Matthias [Verfasser], and Detlef [Akademischer Betreuer] Dürr. "Lorentz invariant quantum dynamics in the multi-time formalism / Matthias Lienert. Betreuer: Detlef Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1077986939/34.
Full textHenkel, Christof [Verfasser], and Detlef [Akademischer Betreuer] Dürr. "An agent behavior based model for diffusion price processes / Christof Henkel ; Betreuer: Detlef Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1132510813/34.
Full textDürr, Daniel [Verfasser]. "Predictors and Consequences of Faking in Personnel Selection : A Dual-Process Perspective / Daniel Dürr." Gießen : Universitätsbibliothek, 2019. http://d-nb.info/1199811726/34.
Full textDürre, Alexander [Verfasser], Roland [Akademischer Betreuer] Fried, Daniel [Akademischer Betreuer] Vogel, and Christine H. [Gutachter] Müller. "Robust change-point detection and dependence modeling / Alexander Dürre ; Gutachter: Christine H. Müller ; Roland Fried, Daniel Vogel." Dortmund : Universitätsbibliothek Dortmund, 2017. http://d-nb.info/1142519910/34.
Full textDüser, Maximilian Alexander [Verfasser], Norbert [Akademischer Betreuer] Krause, and Klaus [Gutachter] Jurkschat. "Metal-catalysed cyclisation reactions in sustainable reaction media / Maximilian Alexander Düser ; Gutachter: Klaus Jurkschat ; Betreuer: Norbert Krause." Dortmund : Universitätsbibliothek Dortmund, 2019. http://d-nb.info/1192974794/34.
Full textVodopivec, Barbara [Verfasser], and Eveline [Akademischer Betreuer] Dürr. "Made in Tepito : urban tourism and inequality in Mexico City / Barbara Vodopivec ; Betreuer: Eveline Dürr." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1172634157/34.
Full textDürr, Michael [Verfasser], and Manfred [Akademischer Betreuer] Lindner. "Phenomenological Aspects of Theories for Baryon and Lepton Number Violation / Michael Dürr ; Betreuer: Manfred Lindner." Heidelberg : Universitätsbibliothek Heidelberg, 2013. http://d-nb.info/1177810506/34.
Full text