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Relevant bibliographies by topics / Durham Cathedral in art

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Academic literature on the topic 'Durham Cathedral in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Durham Cathedral in art"

1

Calvert, Arran J. "‘Durham Cathedral can be whatever you want it to be’: Examining the negotiation of space and time." Ethnography 20, no. 4 (2018): 523–40. http://dx.doi.org/10.1177/1466138118787211.

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Public spaces are also spaces of contestation, in which people vie for the space they need for the purposes they need them for, and Durham Cathedral is no different. Not only do cathedrals in the 21st century need to be places of worship, they must also be tourist attractions and support community events both religious and non religious. Beginning from a much used phrase that ‘Durham Cathedral can be whatever you want it to be’, and building on Bergson’s concept of duration, Munn’s use of space-time, and Eliade’s notion of sacred time, this article examines two ethnographic examples of the ten

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Bernstein, Meg. "A Bishop of Two Peoples:." Journal of the Society of Architectural Historians 77, no. 3 (2018): 267–84. http://dx.doi.org/10.1525/jsah.2018.77.3.267.

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In A Bishop of Two Peoples: William of St. Calais and the Hybridization of Architecture in Eleventh-Century Durham, Meg Bernstein considers England's Durham Cathedral alongside the nearly contemporaneous Norman Chapel, located in the bishop's palace adjacent to the cathedral. Both were commissioned by Bishop William of St. Calais, the second Norman-appointed bishop of Durham. Bernstein argues that the dramatically different formal styles of the two buildings reflect politically motivated choices the bishop made following the Norman cultural conquest of England after 1066. While the cathedral i

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Foster, Paul. "Goring Revisited: George Bell, The Artist Hans Feibusch, and Art in Church." Ecclesiastical Law Journal 6, no. 28 (2001): 36–46. http://dx.doi.org/10.1017/s0956618x00004257.

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There is adventure about—both at home and abroad. More especially, events are taking place in respect to the place of visual art in the witness of the Church that a generation ago, or even less, would have been laughed out of court: for the counsel of this committee or that, whether at parish vestry or cathedral chapter, would have looked askance at what, today, seems to be accepted almost on the nod. Examples of what is occurring, and especially in cathedrals up and down the country, are easy to cite. One need think only of recent exhibitions at Salisbury; the use of video (Bill Viola'sThe Me

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Pears, Richard. "BISHOP TUNSTALL’S ALTERATIONS TO DURHAM CASTLE, 1536–48." Antiquaries Journal 99 (July 24, 2019): 161–85. http://dx.doi.org/10.1017/s0003581519000064.

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Since its foundation in 1072 Durham Castle has served as a fortress, palace of the prince bishops of Durham and, from 1837, as a college of the University of Durham. Durham Castle was the bishops’ home and a symbol of their secular authority, whilst its proximity to the bishops’ ecclesiastical centre, Durham Cathedral, established spiritual and ceremonial roles for the castle. This paper will examine the major alterations made to Durham Castle by Bishop Cuthbert Tunstall (bishop from 1530–59), including a new first-floor gallery, stair turret and chapel. A hitherto un-noted gunloop in the stai

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McAleer, J. Philip. "The North Portal of Durham Cathedral and the Problem of ‘Sanctuary’ in Medieval Britain." Antiquaries Journal 81 (September 2001): 195–258. http://dx.doi.org/10.1017/s000358150007219x.

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A small room (which has since been destroyed) located over the north portal of Durham Cathedral has been explained as a watching-room for fugitives fleeing to seek sanctuary at the cathedral that housed the shrine of one of England's pre-eminent saints, Cuthbert. The source behind this identification is an account of the customs of Durham written only c 1593. There is no earlier documentary evidence indicating a function for this room. An examination of the customs and traditions of sanctuary, some aspects of which were unique to England in the Middle Ages, suggests that there was no need for

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Hearn, M. F. "Conferences Celebrating the Nine Hundredth Anniversary of the Beginning of Durham Cathedral: "Engineering a Cathedral," and "Anglo-Norman Durham, 1093-1993"." Journal of the Society of Architectural Historians 53, no. 4 (1994): 496–501. http://dx.doi.org/10.2307/990930.

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Story, Joanna, and Richard N. Bailey. "THE SKULL OF BEDE." Antiquaries Journal 95 (August 7, 2015): 325–50. http://dx.doi.org/10.1017/s0003581515000244.

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In 1831 Dr James Raine excavated Bede’s tomb in Durham Cathedral, revealing a partial skeleton accompanied by a medieval ring. Three casts were made of the skull; the recent re-discovery of one of these casts provokes an examination of the authenticity of the remains and of antiquarian interests in craniology in the mid-nineteenth century.

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Jarrett, Michael G., and Howard Mason. "‘Greater and More Splendid’: Some Aspects of Romanesque Durham Cathedral." Antiquaries Journal 75 (September 1995): 189–233. http://dx.doi.org/10.1017/s0003581500073017.

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Preliminary study for a group of perspective reconstruction drawings of the exterior of Durham Cathedral has led to a reappraisal of the original design and of its progress towards completion. The west towers may be fifty or more years earlier than the generally accepted date of c. 1200, preceding the Galilee chapel. The paired eastern towers strongly suggest links with the ‘imperial’ churches of the Rhineland, and are not readily paralleled in Normandy. Some English churches with eastern towers are listed, indicating that they were not especially rare.Durham was built on the largest scale to

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Hanna, Ralph. "The Thomas Mans, their Books, and Jesus College Librarianship." Library 21, no. 1 (2020): 46–73. http://dx.doi.org/10.1093/library/21.1.46.

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Abstract On 21 January 1684/5, Thomas Man, a thirty-year-old Fellow, made a substantial donation of manuscripts to Jesus College, Cambridge. These included a substantial number of books from medieval institutional collections, including at least thirty-one from Durham cathedral priory. The essay ascertains the extent of the donation, a discussion intertwined with that of librarianship at Jesus College. It also offers information about the collection activity of Man’s father, also Thomas, who assembled the collection, and points to several Man books now preserved elsewhere.

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Binski, Paul. "A Note on the Hutton Conyers Charter and Related Fenland Manuscript." Antiquaries Journal 80, no. 1 (2000): 296–302. http://dx.doi.org/10.1017/s0003581500050277.

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The name of Conyers is most readily associated with the magnificent falchion, perhaps once belonging to Richard, Earl of Cornwall as King of the Romans, used until 1860 by the Conyers family as a sword of tenure of their lands at Sockburn from the Bishop of Durham, and now in the possession of the Cathedral. Another neglected work of some interest is linked to this Yorkshire family: a decorated charter, dated 27 October 1320, licensing by letters patent the alienation in mortmain by Robert of Conyers of lands in Hutton Conyers, near Ripon, to a chaplain for the daily celebration of divine serv

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Dissertations / Theses on the topic "Durham Cathedral in art"

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Threlfall-Holmes, Miranda. "Monks and markets : Durham Cathedral-Priory, 1460-1520." Thesis, Durham University, 2000. http://etheses.dur.ac.uk/1534/.

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Calvert, Arran James. "Living with Durham Cathedral : understanding the dynamic relationships between a community and their cathedral." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12034.

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Cathedrals today are no longer sites of just religious worship, they must be many things to many people such as tourist attractions, heritage centres, and meeting places. Today, Durham Cathedral in the north-east of England is home to almost 900 people engaged on site, of which almost 700 are volunteers. Add to that number over 700,000 visitors and about 1,700 religious services annually, and a complex image of life within Durham Cathedral begins to take shape. Drawing on 14 months of ethnographic fieldwork between August 2013 and September 2014, this thesis takes a phenomenological approach i

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Crosby, Brian. "The choral foundation of Durham Cathedral, c.1350-c.1650." Thesis, Durham University, 1993. http://etheses.dur.ac.uk/769/.

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The muniments of Durham cathedral, city, and diocese have been explored in order to present and assess the contribution made by lay musicians to worship in the cathedral. By 1335-60 the boys and men had become sufficiently established to merit specific payments. Whether or not the lay Cantor dates back that far is uncertain, but in 1390 it was agreed that what was required was a Cantor-Instructor. No proof for the implementation of this earlier than 1415 has come to light, nor has any contract earlier than that made by the monastery with John steel in 1430. From it and those of his successors,

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Dobie, Alisdair John. "Accounting, management and control at Durham Cathedral Priory c. 1250-c. 1420." Thesis, Durham University, 2011. http://etheses.dur.ac.uk/609/.

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This is the first study to be undertaken with the objective of documenting and analysing the accounting records and systems of Durham Cathedral Priory, from which survives one of the largest collections of medieval accounting material in the United Kingdom. It moves beyond the traditional focus of accounting historians on manorial compoti to examine a network of non-manorial accounts and a range of accounting forms beyond the charge and discharge statement. A substantial body of non-accounting primary material is also used in the investigation including charters, registers, and general chapter

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Cambridge, Eric. "The masons and building works of Durham priory, 1339-1539." Thesis, Durham University, 1992. http://etheses.dur.ac.uk/6033/.

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The building activities of the Durham monks in the two centuries before the Dissolution are analysed using the evidence of the surviving remains, early depictions of works since destroyed, and the extensive contemporary archives. Besides the cathedral-priory itself, the buildings of the monastery's six northern cells (Coldingham, Holy Island, Fame Island, Finchale, Jarrow, and Monkwearmouth), and those of the thirty appropriated churches north of Humber still surviving, are also considered. The analysis examines the date, cost, and stylistic context of the building works, providing a comprehen

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Anderson, Simon John. "Music by members of the Choral Foundation of Durham Cathedral in the 17th century." Thesis, Durham University, 2000. http://etheses.dur.ac.uk/1166/.

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Durham Cathedral is known to possess one of the largest and most intact collections of 17th-century liturgical music manuscripts in the world. That so much material survived the trauma of the Commonwealth is fortuitous indeed. The history of the pre-Civil War manuscripts has already been researched, and those after the Restoration have been investigated to a degree. The present research is concerned with a detailed study of the music composed by the many Durham musicians of the 17th century contained in the manuscripts, and their related sources. In total over 80 works by 20 composers are repr

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Luff, Alexandra Naomi Mary. "The place of Durham Cathedral Priory in the post-Conquest spiritual life of the North-East." Thesis, Durham University, 2001. http://etheses.dur.ac.uk/1718/.

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Alexander, Dominic David. "Hermits, hagiography, and popular culture : a comparative study of Durham Cathedral Priory's hermits in the twelfth century." Thesis, Queen Mary, University of London, 2000. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1402.

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This thesis investigates the social and religious roles of two twelfth-century hermits connected to Durham Cathedral Priory, Godric of Finchale and Bartholomew of Farne, within the general context of twelfth-century western European eremiticism. Chapter One is a general discussion of the historiography of eleventh and twelfth-century hermits, and introduces the main hagiographic materials to be discussed. Chapter Two discusses the context of monasticism and eremiticism in northern England, and analyses the Vitae of Gothic and Bartholomew, particularly in terms of the problem of authority and a

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Turner, Philippa. "Image and devotion in Durham Cathedral Priory and York Minster c.1300-c.1540 : new contexts, new perspectives." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/8966/.

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Religious images in various media, especially three-dimensional sculpture, were usually an important component of the physical topographies and devotional practices within ecclesiastical institutions during the period c.1300-c.1540. So far, discussion of these images has largely focused on continental contexts and on the English parochial context. This thesis addresses the English cathedral context in detail, providing a close reading of the images at two contrasting institutions in the north of England: Durham cathedral priory and York Minster. Unlike the continent, where there are rich survi

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Neuenschwander, J. Brody. "The art history of Speyer." Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325778.

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Books on the topic "Durham Cathedral in art"

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Coldstream, Nicola, and Peter Draper. Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931.

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Durham (England : County). Arts, Libraries and Museums Department. and Durham Art Gallery, eds. Durham Cathedral: Artists & images : Durham Cathedral as a visual image : anexhibition to celebrate the 900th anniversary of Durham Cathedral : 31st July - 3rd October 1993, Durham Art Gallery, Aykley Heads, Durham. Arts, Libraries and Museums Department, Durham County Council, 1993.

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Angelo, Hornak, ed. Durham Cathedral. Tauris Parke Books in association with KEA Pub. Services, 1990.

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Hird, Richard. Durham Cathedral organs. The Dean and Chapter of Durham, 1991.

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Priory, Durham Cathedral. Durham Cathedral Priory rentals. Printed for the [Surtees] Society by Athenaeum Press, 1989.

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Pocock, Douglas Charles David, 1935-, Billingham Rosalind, and City of Durham Trust, eds. Durham Cathedral: A celebration. City Of Durham Trust, 1993.

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A, Lomas R., and Piper A. J, eds. Durham Cathedral Priory rentals. Printed for the (Surtees) Society by Athenaeum Press, 1989.

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Dobie, Alisdair. Accounting at Durham Cathedral Priory. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137479785.

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Musée d'art moderne de la ville de Paris., ed. Jimmie Durham: Rejected stones-- = Jimmie Durham : pierres rejetées--. Paris-musées, 2009.

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Gall, Neil. Durham paintings: Artist in residence Durham Cathedral 1996-1997. University of Sunderland, 1997.

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Book chapters on the topic "Durham Cathedral in art"

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Fernie, Eric. "The Spiral Piers of Durham Cathedral." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-5.

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Carver, M. O. H. "Early Medieval Durham : the Archaeological Evidence." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-2.

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Geddes, Jane. "The Twelfth-Century Metalwork at Durham Cathedral." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-12.

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Haselock, J., and D. E. O'Connor. "The Medieval Stained Glass of Durham Cathedral." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-10.

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Draper, Peter. "The Nine Altars at Durham and Fountains." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-7.

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Cramp, Rosemary. "The Pre-Conquest Sculptural Tradition in Durham." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-1.

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Wilson, Christopher. "The Neville Screen." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-9.

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Halsey, Richard. "The Galilee Chapel." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-6.

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Markuson, K. W. "Recent Investigations in the East Range of the Cathedral Monastery, Durham." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-4.

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Cunningham, Jane A. "Hugh of Le Puiset and the Church of St Cuthbert, Darlington." In Medieval Art and Architecture at Durham Cathedral. Routledge, 2024. http://dx.doi.org/10.4324/9781003575931-15.

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Conference papers on the topic "Durham Cathedral in art"

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Fabricant, Robert. "Cathedral." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281526.

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Weibring, Petter K. A., David Lognoli, Roberto Chiari, et al. "Lidar remote sensing of the Parma Cathedral and Baptistery." In Lasers in Metrology and Art Conservation, edited by Renzo Salimbeni. SPIE, 2001. http://dx.doi.org/10.1117/12.445652.

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Fenster, Diane. "Canto six/in the shadow of the cathedral." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. ACM Press, 1997. http://dx.doi.org/10.1145/259081.259115.

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Absalom, Arthur, Geoffrey Absalom, and Dap Hartmann. "A Collaborative Classification-Based Search Engine for Prior Art and Solution Search: Durham Zoo." In 2012 IEEE Sixth International Conference on Semantic Computing (ICSC). IEEE, 2012. http://dx.doi.org/10.1109/icsc.2012.30.

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Tjandradipura, Carina, Imam Santosa, and Gregorius Adhitama. "Lighting Aspect in Supporting Religiosity at The Holy Spirit Cathedral Denpasar Bali." In International Conference on Aesthetics and the Sciences of Art. Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338632.

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Hasalova, Eva, Alena Piatrova, and Andrej Krivda. "Byzantine Embroidery Secondarily Applied on a Chasuble from the Cathedral of St. Elisabeth in Kosice (Slovakia) � Its Dating and Origin." In 7th SWS International Scientific Conferences on ART and HUMANITIES ISCAH 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.f2020.7.2/s02.03.

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Толмачева, Н. Ю. "ON THE ISSUE OF DECORATION WITH SCULPTURE AND PAINTING OF ST. ISAAC’S CATHEDRAL (ON THE EXAMPLE OF THE DOME PYLON OF THE GREAT DOME)." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.03.

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Исследование посвящено уникальной работе, которая велась в 1844 г. при проектировании декоративного оформления интерьера Исаакиевского собора по настоянию О. Р. Монферрана. Были выполнены модели пилона и прилегающего к нему свода бокового нефа в натуральную величину. На этапе их создания все работы переделывались для достижения лучшей формы и соразмерности частей, пока не были одобрены Николаем I. Они находились в соборе, являясь образцами при создании уникального ансамбля мраморной и каменной облицовки, скульптурной пластики, живописи и архитектуры. В статье проанализирован процесс декорирова

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Маринкович (Шпаковская), С. Е. "The Experience of Reconstruction of Lost Icons of the 18th Century from the Apostolic Iconostasis of the Smolensk Cathedral of the Novodevichy Convent in Moscow." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/3873.2024.71.29.007.

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В статье автор описывает ход работы над научной реконструкцией утраченных икон цокольного ряда Апостольского иконостаса Смоленского собора Новодевичьего монастыря. Автор использует искусствоведческий, иконографический и стилистический методы реконструкции. Акцентируется внимание на малоизученности стиля и техники иконописи XVIII в., приводятся аргументы, объясняющие художественное решение выполненных реконструкций икон. Данная статья будет полезна искусствоведам, иконописцам и реставраторам. In the article, the author describes the progress of work on the scientific reconstruction of the lost

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Ozola, Silvija. "SPATIAL AND ARTISTIC DEVELOPMENT OF THE HANSEATIC CITIES ON THE BALTIC SEACOAST IN THE 13TH AND 14TH CENTURIES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs09.14.

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The Roman Catholic Church had a special influence. During the economic and cultural upswing, an abbey built in Cluny became a sample in the church building during the 9th�11th century. Various trends in the cathedral building existed in different regions of Western Europe. On the Baltic Sea coast, the Pope of Rome and the Holy Roman Emperor started to spread the Catholic faith by the mid-12th century. In cities, cathedrals took the leading position and replaced monastery churches in the 13th century. The commercial importance of the trading centre of Lubeck increased when it joined with Hambur

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Шемякова, Я. В. "The Plot of the Apocalypse in the Wall Painting of the Porch of the Assumption Cathedral of the Kirillo-Belozersky Monastery. On the Issue of Iconographic Sources." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/9928.2024.97.32.030.

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Стенопись паперти Успенского собора Кирилло-Белозерского монастыря — наиболее ранний живописный цикл русского искусства, который следует гравюрам западноевропейских лицевых Библий. Новая «западная» иконография соединяется в ней с восточнохристианской изобразительной традицией и практикой использования иллюстраций русских Толковых Апокалипсисов, при этом конкретные иконографические источники кирилловской стенописи остаются не вполне ясными. В статье проводится анализ ключевых сцен, по которым эти источники могут быть определены. В частности, выясняется, какой тип издания Апокалипсиса (Пискатора

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