Relevant bibliographies by topics / Dutch Hymns

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Academic literature on the topic 'Dutch Hymns'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Dutch Hymns"

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Brits, Hans J. "’n Ondersoek na ’n gemeente se aanbiddingsvoorkeure om lidmaatdeelname ten opsigte van sang en musiek te bevorder binne die raamwerk van ses aanbiddingsmodelle." STJ | Stellenbosch Theological Journal 2, no. 2 (2016): 153–79. http://dx.doi.org/10.17570/stj.2016.v2n2.a08.

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Examining the worship preference of a congregation in order to enhance worshippers’ participation in song and music within the framework of six worship modelsThe important role of music and singing within the dialogue of the liturgy should never be underestimated. It is imperative for any congregation to understand its members’ preference to liturgical song and music. Knowledge gained from this understanding can assist congregations to make informed decisions with regard to the different forms and genres of church music and hymns which may enhance worshippers’ participation. This article refle
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Desplenter, Youri. "The Latin Liturgical Song Subtitled. Middle Dutch Translations of Hymns and Sequences." Church History and Religious Culture 88, no. 3 (2008): 395–413. http://dx.doi.org/10.1163/187124108x426556.

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AbstractThis article aims to provide insight into the nature, distribution and function of certain Middle Dutch translations of Latin hymns and sequences that originated in the circles of the Devotio Moderna. Unlike the vernacular versions in (most) Middle Dutch lay breviaries, which were used as texts for prayer in the context of private devotion, the translations in what I refer to as “vernacular mass and office books” functioned as subtitles to the Latin liturgy. This type of book was primarily intended for canonesses regular, religious women who had to attend the liturgical services of the
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Spies, L. "'n Ongebluste vlam - Die eksegese van 'n vriendskap." Verbum et Ecclesia 19, no. 3 (1998): 491–99. http://dx.doi.org/10.4102/ve.v19i3.2494.

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An eternal flame: Exegesis of a friendship: In 1983 I was nominated as poet by the Synod of the Dutch Reformed Church to the commission for reworking the Biblical psalms to singable church hymns. The exegetist with whom I was to work, was Professor Willem Prinsloo of the theologicalfaculty of the Dutch Reformed Church at the University of Pretoria. In this article I wish to commemorate our cooperation, especially on Psalm 42, and our friendship. I got to know him as a brilliant scholar of the Old Testament, who could bring to light the Hebrew poem that every psalm essentially was, revitalising
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Armstrong, Adrian. "Self-Translation in the Northern Renaissance: Jan van der Noot’s French Verse." Magnificat Cultura i Literatura Medievals 7 (December 8, 2020): 211. http://dx.doi.org/10.7203/mclm.7.17177.

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The Brabantian poet Jan van der Noot (1539-95?) wrote in both Dutch and French, and composed several works in both languages. Sometimes the two versions were published separately: the Dutch collection Het Theatre and its French counterpart, Le Theatre, were each printed in London in 1568. More often, the versions appeared alongside each other in bilingual editions: Cort begryp der XII boeken Olympiados / Abregé des douze livres Olympiades (1579), Lofsang van Braband / Hymne de Braband (1580), and various short pieces reproduced in anthologies of Van der Noot’s poetry (1580-95). The present stu
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Bosman, F. G. (Frank). "‘I Said: Hymn 38!’ The Reception of the Protestant Reformation in The Netherlands at the Turn of the Millennium—The Case of ‘The White Cowboy’." Religions 14, no. 4 (2023): 438. http://dx.doi.org/10.3390/rel14040438.

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From 1998 to 2005, the once left-wing Protestant Dutch broadcasting company VPRO aired 26 episodes of The White Cowboy, including the episode ‘De Kerkgangers’ (‘The Churchgoers’). In this article, the author argues that this episode is an excellent example of the contemporary reception of the 16th century Protestant reformation within the Netherlands at the turn of the millennium. Within the secular context of contemporary Dutch society, the stereotypical world-avoidance and lack of any joie de vivre associated with the strict observants of the Dutch reformation are used to mock Protestantism
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den Biesen OSB, Kees. "Spreken Over God Bij Efrem de Syriër." Het Christelijk Oosten 47, no. 1-2 (1995): 7–28. http://dx.doi.org/10.1163/29497663-0470102002.

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Speaking about God in Ephrem the Syrian An analysis of the theological language in the works of St Ephrem the Syrian is offered in this article. The author pays attention particularly to his ninth 'Hymn on the Church', of which he also presents a translation in Dutch. This hymn is a very good example of Ephrem’s perception of the relationship between theology and language. The paradox of transcendence and immanence of God make thinking and speaking about Him – this means theology – both possible and impossible. How can one speak about God when his essence is mysterious and hidden from human un
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Spieckermann, Hermann. "Zion, Jakob und Abraham." Zeitschrift für die alttestamentliche Wissenschaft 132, no. 4 (2020): 542–57. http://dx.doi.org/10.1515/zaw-2020-4002.

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ZusammenfassungPs 46–48, eine bewusst gestaltete Komposition, spiegeln den Weg der Zionstheologie in den Psalmen mindestens durch drei Jahrhunderte hindurch wider. Ps 48 wird als Hymnus auf Zion aus vorexilischer Zeit vor dem Einfluss der neuassyrischen Großmacht beurteilt, der in frühnachexilischer Zeit durch Ps 46 ein erläuterndes Vorwort erhalten hat. Dies ist nach der Katastrophe von 587/6 v. Chr. und dem anschließenden Exil als notwendig erachtet worden. Ps 46 wirbt im erschütterten Gottesvolk um neues Vertrauen, indem mit Jhwh Zebaoth der Titel »Gott Jakobs« verbunden wird, eine Erinneru
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Nielsen, Flemming A. J., and Thorkild Kjærgaard. "Den første grønlandske bog." Fund og Forskning i Det Kongelige Biblioteks Samlinger 60 (January 25, 2022): 73–107. http://dx.doi.org/10.7146/fof.v60i.130495.

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Flemming A. J. Nielsen And Thorkild Kjærgaard:The First Greenlandic Book
 Ever since the arrival of Norse peasants in south-west Greenland in the second halfof the tenth century there have been links between the immense island (2.2 millionkm2) in the north-eastern corner of the American hemisphere and the Scandinavianworld. At the end of the twelfth century, the ancestors of today’s Inuit, a whale- andseal-hunting people speaking a language of the Eskimo-Aleut group, migrated fromEllesmere Island across the narrow Smith Sound to northern Greenland. Within twoand a half centuries, the Nors
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van Stipriaan, René. "Words at War: The Early Years of William of Orange's Propaganda." Journal of Early Modern History 11, no. 4-5 (2007): 331–49. http://dx.doi.org/10.1163/157006507782263362.

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AbstractThe propaganda efforts in the early years of the Dutch Revolt left us countless pamphlets and dozens of songs and prints. Yet our understanding of the development, the operation, and the reach of particularly William of Orange's propaganda efforts remains limited. This article explores to what extent Orange consciously launched a public relations campaign through literary propaganda. Orange had good success in attracting literary talents to defend the cause of the Revolt and his own leadership. The authors who labored on Orange's behalf varied in social background and experience. Some
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Barreiro, Julia. "Performance als Mittel zum feministischen Aktivismus." StiMMe - Studentisches Musikwissenschaftsmagazin 1, no. 1 (2023): 9–35. http://dx.doi.org/10.59714/stimme.v202320.

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Die Performance Un violador en tu camino des chilenischen feministischen Kollektivs LASTESIS hat sich seit ihrer Entstehung Ende 2019 viral verbreitet und ist weltweit in unterschiedlichen Übersetzungen und in verschiedenen Kontexten aufgeführt worden. Wie kommt es, dass innerhalb kürzester Zeit eine Performance, die Tanz, Musik und Sprache vereint, zu einer transnationalen feministischen Hymne wird? Welche Medien spielen dabei eine Rolle, welche Elemente werden wie übernommen oder verändert? Wie entfaltet sich das „Transformationspotential“ (LASTESIS, Verbrennt eure Angst!, S. 125) der Perfor
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Dissertations / Theses on the topic "Dutch Hymns"

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Nuholtz-Huisamen, Evard 1953. "Teologie en kerklied : aspekte van die teologiese inhoud van die Evangeliese Gesange in gebruik by die Nederduits Gereformeerde Kerk en die Nederduitsch Hervormde Kerk van Afrika." Thesis, 1994. http://hdl.handle.net/10500/16975.

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Summaries in Afrikaans, English and German<br>Text in Afrikaans<br>'n Ondersoek na die teologiese inhoud van die Evangeliese ; Gesange is geYnisieer nadat vasgestel is dat sodanige studie nog nie voorheen in Suid-Af rika in Geref ormeerde kringe onderneem is nie. Aangesien die geskiedenis en die f undering van die kerklied deur ander navorsers reeds volledig uitgewerk is, is hoofstuk 1 bloot 'n inleidende oorsig wat die agtergrond van die studie verskaf. In hoofstuk 2 is 'n kategorisering van die Gesange in extenso gedoen en in hoofstuk 3 is die inhoud van die kategoriee kortliks bes
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Huisamen, Evard 1953. "Teologie en kerklied : aspekte van die teologiese inhoud van die Evangeliese Gesange in gebruik by die Nederduits Gereformeerde Kerk en die Nederduitsch Hervormde Kerk van Afrika." Thesis, 1994. http://hdl.handle.net/10500/16975.

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Summaries in Afrikaans, English and German<br>Text in Afrikaans<br>'n Ondersoek na die teologiese inhoud van die Evangeliese ; Gesange is geYnisieer nadat vasgestel is dat sodanige studie nog nie voorheen in Suid-Af rika in Geref ormeerde kringe onderneem is nie. Aangesien die geskiedenis en die f undering van die kerklied deur ander navorsers reeds volledig uitgewerk is, is hoofstuk 1 bloot 'n inleidende oorsig wat die agtergrond van die studie verskaf. In hoofstuk 2 is 'n kategorisering van die Gesange in extenso gedoen en in hoofstuk 3 is die inhoud van die kategoriee kortliks bes
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Fourie, Francois Paul. "'n Geskiedenis van die kerklied in die Nederduitse Gereformeerde Kerk." Thesis, 2000. http://hdl.handle.net/10500/18047.

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Text in Afrikaans<br>Die lied en musiekinstrumente speel 'n baie belangrike rol in die Bybel. Die Moseslied (Eks 15) word in die Psalms aangehaal en kulmineer in die 11 nuwe 11 lied van Openbaring - die lied van die "nuwe" hemel en die 11 nuwe 11 aarde wat verlostes saam sal sing. Die brandende vraag wat "reg" of hoegenaamd standpunt ingeneem moet perspektief (die Woord van God) "verkeerd" is en of daar word, word uit 'n Bybelse beantwoord, gegrond op die beginsel van die Reformasie: ecclessia reformata semper reformandum. Die geskiedenis van die lied van die vroee kerk tot by die
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Papenfus, Anna Francina. "'n Waardebepaling van die nie-amptelike, informele kerklied soos gesing in die erediens in gemeentes van die Nederduitse Gereformeerde Kerk in die PWV." Diss., 1994. http://hdl.handle.net/10500/15739.

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This dissertation falls in line with work produced during the past fifteen years or so, aimed at improving our appreciation of late medieval/early Tudor English Drama. The approach is based especially on looking at the rapport likely to be achieved between audience and players (and via the players, with the playwrights), in actual performance. Attention is given to the permanent modes of human thought, that are unaffected by the ephemeralities of a particular period; attention is therefore drawn to the traps that may mislead the unwary twentieth-century critic, and some new insights a
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Calitz, Coenie (Coenraad Josepheus). "The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa." Thesis, 2011. http://hdl.handle.net/2263/28490.

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The presence of at least two prominent streams of church music within the DRC is evident – this is also true of most other Protestant and Reformed churches. There is tension between the ‘old music’ and the ‘new music’; traditional church music and contemporary church music; the official repertoire of church music and the utilized repertoire of songs. Liturgical singing often includes various free songs (songs outside the official hymnal). Songs from various traditions are cut and pasted or copied and merged into liturgy through a process of bricolage. Within bricolage liturgy there is a growin
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Books on the topic "Dutch Hymns"

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Balkt, H. H. ter. Laaglandse Hymnen I-III. De Bezige Bij, 2003.

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Schaap, J. Cor. Concordantie van kinderliedjes: 1500 kinderliedjes op een rij gezet. Narratio, 1993.

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Coq, A. le. Wat vlied' of bezwijk': Het vrijzinnig kerklied in Nederland, 1870-1973. Kok, 2005.

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4

Prassl, Franz Karl. Unisono: Ökumenische mehrsprachige Lieder der Christenheit = A multilingual book of ecumenical hymns = Chants chretiens écuméniques plusieurs langues. Edited by International Fellowship for Research in Hymnology. Zeitpunkt Schnider, 1997.

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5

Oosterhuis, Huub, Colet van der Ven, Alex van Heusden, and Kees Kok. Liedje dat ik niet kan laten: Verzamelde opstellen over de liederen van Huub Oosterhuis, doctor theologiae. Gooi & Sticht, 2002.

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1931-, Hofman Bert, ed. Crisis in de kerk: De Nederlandse Reformatie in de spiegel van tachtig schriftuurlijke liederen. Groen, 2006.

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7

Pfirrmann, Maria. Freie Poesie und gottesdienstliche Lieder: Zum Verhältnis von Bibel, Liturgie und Dichtung im frühen Werk von Willem Barnard (Guillaume van der Graft). Vandenhoeck & Ruprecht, 2001.

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8

H, Matter F., ed. Fontes hymnodiae Neerlandicae impressi 1539-1700 =: De melodieën van het Nederlandstalig geestelijk lied 1539-1700 : een bibliografie van de gedrukte bronnen. B. de Graaf, 1985.

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9

Waal, C. van der. And they sing a new song: About psalms and hymns. Inheritance Publications, 2008.

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Smelik, J. Het nieuwe liedboek in woord en beeld. Boekencentrum, 2013.

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Book chapters on the topic "Dutch Hymns"

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Desplenter, Youri. "Songs of Praise for the ‘Illiterate’: Latin Hymns in Middle Dutch Prose Translation." In Medieval Church Studies. Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.mcs-eb.3.3597.

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Johnson-Williams, Erin. "Singing, Suffering, and Liberation in the Concentration Camps of the South African War." In The Oxford Handbook of Community Singing. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197612460.013.34.

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Abstract This chapter considers the political implications of communal singing in the concentration camps of the South African War, 1899–1902. In these spaces, spontaneous, communal hymn singing emerged as a form of ethnic and religious expression. Eye-witness accounts (diaries, medical and newspaper reports) of prison life in Afrikaner concentration camps reveal that the singing of Dutch psalm tunes and hymns occurred spontaneously at moments of personal and communal grief, as well as more formally in concentration camp funerals and prayer meetings. The texts were Calvinist, often providing p
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Gray, Patrick, and Adam Booth. "The Reception History of 1–2 Peter and Jude." In The Oxford Handbook of Hebrews and the Catholic Epistles. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190904333.013.26.

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Abstract This essay surveys a selection of themes in the reception history of 1–2 Peter and Jude. Topics examined include the doctrine of theōsis, developing notions of the parousia, the “priesthood of all believers,” understandings of persecution and martyrdom, slavery, the perspicuity of Scripture, the Descent into Hades, Christian attitudes toward civil authorities, slavery, the hermeneutical concerns reflected in 2 Pet 1:20–21, and assessments of the relationship between canonical and noncanonical writings. Later texts and traditions examined include medieval hymns, Thomas Aquinas, William
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Kraß, Andreas. "Mittit ad virginem Die Bearbeitungen der Mariensequenz durch den Mönch von Salzburg, Oswald von Wolkenstein und Heinrich Laufenberg." In Maria in Hymnus und Sequenz, edited by Eva Rothenberger and Lydia Wegener. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110475371-014.

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