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1

Netherlands), Fries Museum (Leeuwarden, ed. Wigerus Vitringa (1657-1725): De zeeschilder van Friesland. Leeuwarden: Fries Museum, 2008.

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2

Kunsthalle, Hamburger, Villa Vauban (Luxembourg Luxembourg), and Musée d'histoire et d'art (Luxembourg), eds. Segeln, was das Zeug hält: Niederländische Gemälde des Goldenen Zeitalters. München: Hirmer, 2010.

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3

Dijk, Maite van, 1982- editor, Jonkman Mayken editor, and Suijver Renske editor, eds. Hendrik Willem Mesdag: Kunstenaar, verzamelaar, entrepreneur. Bussum: Uitgeverij Thoth, 2015.

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4

Beck, Hans-Ulrich. Künstler um Jan van Goyen: Maler und Zeichner. Doornspijk: Davaco, 1991.

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5

Beyerman, H. C. Walvisvaart, wijnhandel & schilderkunst: De Rotterdamse reders Beyerman = Whale hunting, wine trading & painting : the Rotterdam ship-owners Beyerman = La chasse à la baleine, le négoce en vins & la peinture : les armateurs Beyerman de Rotterdam. Amsterdam: De Bataafsche Leeuw, 1995.

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6

-J, Raupp H., and SØR Rusche-Sammlung, eds. Landschaften und Seestücke. Münster: Lit, 2001.

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7

Daalder, Remmelt. Tekenen op zee: Reizende kunstenaars en creatieve zeelieden (1750-2000). Zutphen: Walburg Pers, 1999.

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8

Daalder, Remmelt. Tekenen op zee: Reizende kunstenaars en creatieve zeelieden (1750-2000). Zutphen: Walburg Pers, 1999.

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9

de, Beer Gerlinde, Goossens Eymert-Jan, Roemer Bert van de, and Koninklijk Paleis (Amsterdam Netherlands), eds. Backhuysen aan het roer!: Zeeschilder 1630-1708 = Backhuysen at the helm! : marine painter 1630-1708. Amsterdam: Stichting Koninklijk Paleis, 2004.

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10

Kennedy, James C., 1963- writer of supplementary textual content, Westfries Museum, Stedelijk Museum (Zutphen Netherlands), Gemeentemuseum Hannemahuis (Harlingen Netherlands), Gemeentemuseum het Markiezenhof, and Museum Gouda, eds. Koele wateren. Amersfoort, Netherlands]: Stichting de Vijf Samenwerkende Musea in Nederland, 2019.

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11

Giltaij, Jeroen. Praise of ships and the sea: The Dutch marine painters of the 17th century. Rotterdam: Museum Boijmans Van Beuningen, 1996.

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12

John, Sillevis, and Noordbrabants Museum, eds. Licht, lucht en water: De verloren idylle van het riviergezicht. Zwolle: Waanders, 1993.

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13

1831-1915, Mesdag Hendrik Willem, ed. H.W. Mesdag, de copieboeken of De Wording van de Haagse School. Wassenaar: Mesdag Documentatie Stichting, 1996.

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14

Speelman, Else, Jan van Beelen, G. J. Brouwer, and Piet Dijkdrent. Bomschuit in beeld. Katwijk: Katwijks Museum, 2013.

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15

Giltaij, Jeroen. Herren der Meere--Meister der Kunst: Das holländische Seebild im 17. Jahrhundert. Rotterdam: Museum Boijmans Van Beuningen, 1996.

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16

Duijnen, Michel van. Flying heads and snapping limbs: Imaging violence at sea in early seventeenth-century Dutch maritime art. Amsterdam: Rijksmuseum Publications Department, 2021.

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17

1939-, Ormond Richard, and National Maritime Museum, eds. The great age of sail: Maritime art and photography. Oxford: Phaidon, 1986.

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18

Cremer, Jan. Cremer: I paint I write I paint. Amsterdam: De Bezige Bij, 2000.

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19

Cremer, Jan. Cremer: Grafiek, 1956-1998 = prints, 1956-1998. Bussum: Thoth, 1998.

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20

Mariska, Vonk, and Museum de Fundatie, eds. Cremer: Unseen eye : ik observeer en ben onzichtbaar. Amersfoort: Waanders & de Kunst, 2015.

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21

Robinson, M. S. Van de Velde: A catalogue of the paintings of the elder and the younger Willem van de Velde. Greenwich [England]: National Maritime Museum, 1990.

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22

Tempest and shipwreck in Dutch and Flemish art: Convention, rhetoric, and interpretation. University Park: Pennsylvania State University Press, 1989.

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23

The Golden Age of Dutch Marine Painting: The Inder Rieden Collection. Primavera Pers, 2019.

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24

Museum Boymans-Van Beuningen (Corporate Author), ed. Praise of Ships and the Sea: The Dutch Marine Painters of the 17th Century. Univ of Washington Pr, 1997.

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25

Crmond, Richard, Richard Ormond, and Peter Kemp. The Great Age of Sail. Phaidon Press, 1997.

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26

Cremer: Noordwaarts 2010-2020. Uitgeverij Waanders & De Kunst, 2020.

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27

Restany, Pierre, Freddy De Vree, and Jan Cremer. Cremer: Grafiek, 1956-1998 = Prints, 1956-1998. THOTH, 1999.

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