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Relevant bibliographies by topics / Dutilleux, Henri

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Academic literature on the topic 'Dutilleux, Henri'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "Dutilleux, Henri"

1

Quinn, Peter. "Dutilleux." Tempo 60, no. 235 (2006): 42–43. http://dx.doi.org/10.1017/s0040298206290041.

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HENRI DUTILLEUX: L’Arbre des Songes; La Geôle; Deux Sonnets de Jean Cassou; Mystère de l’Instant. Olivier Charlier (vln), François Le Roux (bar), Orchestre National Bordeaux Aquitaine c. Hans Graf. Arte Nova Classics 82876 63825 2.

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Obi-Keller, Janet. "REMEMBERING A MUSICAL ERA: HENRI DUTILLEUX IN CONVERSATION." Tempo 69, no. 273 (2015): 12–19. http://dx.doi.org/10.1017/s0040298215000091.

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Henri Dutilleux was a unique musical figure of the twentieth and twenty-first centuries. His music is defined by his great sense of lyricism and meticulous control, which, over his life as a composer, had undergone much thought and a gradual sense of change. He inevitably acquired a wide mix of contemporary influences, which added to his poetic vision. Dutilleux's music appears to be a sophisticated understatement, yet at the same time there is an expressive depth and mystery that sets his music apart from any one musical movement or group of his time.

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Obi-Keller, Janet. "‘BARQUE D'OR’ — AN EARLY DUTILLEUX SONG REDISCOVERED." Tempo 59, no. 233 (2005): 38–44. http://dx.doi.org/10.1017/s0040298205000227.

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It was with surprise and delight that, whilst on a research trip to Paris about a year ago, I accidentally discovered a score dating from Henri Dutilleux's Conservatoire period in the 1930s. What I stumbled upon was a song, titled Barque d'Or, written for soprano and piano. Dutilleux's father, Paul Dutilleux, who owned his own printing firm in Douai, published Barque d'Or in 1937. Roger Nichols has quoted Dutilleux's recollection of his father's work:All that ties in too with the craftsmanship I witnessed in my father's workshop, especially at the bench of one old engraver. We had a great resp

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Lochhead, Judy, and Caroline Potter. "Henri Dutilleux: His Life and Works." Notes 55, no. 3 (1999): 678. http://dx.doi.org/10.2307/900438.

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Rae, Caroline. "Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?" Tempo, no. 212 (April 2000): 22–30. http://dx.doi.org/10.1017/s0040298200007580.

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Until recently, the music of Henri Dutilleux and Maurice Ohana was largely overlooked in Britain, despite both composers having achieved widespread recognition beyond our shores. In France they have ranked among the leading composers of their generation since at least the 1960s and have received many of the highest official accolades. In Britain, the view of French music since 1945 has often been synonymous with the music of Olivier Messiaen and Pierre Boulez, to the virtual exclusion of others whose work has long been honoured not only in France and elsewhere in Europe but in the wider intern

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Nichols, Roger, and Henri Dutilleux. "Progressive Growth. Henri Dutilleux in Conversation with Roger Nichols." Musical Times 135, no. 1812 (1994): 87. http://dx.doi.org/10.2307/1002977.

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Obi-Keller, Janet. "DUTILLEUX IN CONTEXT: A STUDY OF HIS FORMATIVE YEARS." Tempo 62, no. 244 (2008): 19–32. http://dx.doi.org/10.1017/s0040298208000107.

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It was at an interview towards the end of my research project in January 2005 that Henri Dutilleux, one of the most unique composers of the 20th and 21st centuries, granted me an exclusive opportunity to discuss aspects of his musical training. In the interview he reflects on his studies in the provinces and at the Paris Conservatoire:I did not study piano at the Conservatoire, nor did I study organ. I received my technique in the provinces. The Director of Douai tutored me well, which is why I was at a very good level when I entered the Conservatoire [Paris]. With my solid training, I was enc

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Rae, Caroline. "Henri Dutilleux: Music, Mystery and Memory. Conversations with Claude Glayman (review)." Notes 61, no. 2 (2004): 425–28. http://dx.doi.org/10.1353/not.2004.0159.

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Babcock, David. "Dušan Martinček: An Introduction to His Music." Tempo, no. 179 (December 1991): 23–27. http://dx.doi.org/10.1017/s0040298200061362.

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There is a certain type of composer, a type characteristic of the culture of our century, with its unprecedented complexities and contradictions. This is the slow and painstaking composer, who eschews all self–repetition, producing a limited number of works. Each one of these works, however, will be a work of real weight and significance. Henri Dutilleux comes to mind as an example of this type; György Kurtág is another. It can be said that these composers, like Varèse, Webern, Spinner, and Ruggles before them, have given us, in terms of substance, a great deal of music. And so has the Slovak

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Wang, Ying. ""beaucoup plus modal que tonal"." Die Musikforschung 72, no. 1 (2021): 21–37. http://dx.doi.org/10.52412/mf.2019.h1.58.

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Focusing on three of Dutilleux's mid to late orchestral works - "Timbres, espace, movement ou La Nuit etoile" (1978), "The Shadows of Time" (1997) and "Sur le meme accord" (2002) - this article gives insight into Henri Dutilleux's scale-defined pitch organization techniques and the role of colour in the works of the French composer. The paper questions the ambiguous relationship between tonality and modality, and asserts the previously only peripherally attested importance of modes for Dutilleux's works. An analysis of pitch organization demonstrates how Dutilleux's aesthetic and literature-in

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Dissertations / Theses on the topic "Dutilleux, Henri"

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Thurlow, Jeremy Robert Yarker. "Music of Henri Dutilleux : a critical survey of the major works." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/music-of-henri-dutilleux--a-critical-survey-of-the-major-works(24a5d75e-1947-47be-9fbd-e8deea4788d2).html.

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Obi-Keller, Janet. "Henri Dutilleux : the evolution of his style with particular reference to piano and vocal music." Thesis, University of Roehampton, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548989.

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Haukebo, Lindsay A. "Virtuosic commissioning the creation of a canonized oboe repertoire /." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/823.

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Swart, Bernarda. "Proust se geheuekonsep in Dutilleux se sonate vir hobo en klavier (1947) / Bernarda Swart." Thesis, North-West University, 2006. http://hdl.handle.net/10394/920.

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The French composer Henri Dutilleux (born 1916) was largely influenced by the French writer Marcel Proust's (1871-1922) novel A la recherche du temps perdu. This monumental work is regarded by many critics as one of the most important novels of all times. The narrator, a parallel figure of Proust himself, experiences an involuntary memory of his childhood. An involuntary memory which is aroused in the narrator runs like a thread through the novel. This study traces how Dutilleux's style of writing was influenced by the concept of memory. Proust's concept of involuntary memory is realised in th

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Joos, Maxime. "Les fondements esthétiques des principes de composition chez Henri Dutilleux : contribution, à une analyse de la structuration du matériau et de l'espace sonore." Nice, 2006. http://www.theses.fr/2006NICE2001.

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Cette thèse aborde les fondements esthétiques de la composition chez Henri Dutilleux. La première partie de ce travail traite de la structuration hiérarchique du matériau musical et tente d'expliciter certaines notions comme la mémoire tonale, la polarisation ou encore les métaboles d'échelles. Ces notions permettent de cerner la manière dont les modes de structuration du langage musical de Dutilleux s'imbriquent. La deuxième partie porte sur les rapports de cette structuration hiérarchique du matériau avec des critères de symbolisation inhérents à des analogies acoustiques et poétiques. La de

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Suh, Hae Ri. "Henri Dutilleux’s Piano Sonata Op. 1:An Examination of Compositional Style and Performance Guide." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1446546821.

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Castagna, Aude. "An analysis of Henri Dutilleux's Tout un monde lointain." Diss., 1997. http://catalog.hathitrust.org/api/volumes/oclc/37811884.html.

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Noel, Richard Johnston Jr. "The "Figures de Resonances" and 3 Preludes of Henri Dutilleux: Analysis and context." Thesis, 2003. http://hdl.handle.net/1911/18555.

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The main body of this document is comprised of an analysis of the Figures de resonances (1970/76) and 3 preludes (1994) of Henri Dutilleux. The analyses are the result of the writer's own experience in studying and performing these works. Among the techniques discussed are the exploration of sonority and resonance, recurring pitches or sonorities (which the writer refers to as focus tones or focus chords), mirror writing (or inversion), and the continuous variation of given sonorities or motivic cells. The document begins with a biography of the composer that highlights his most significant w

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Hsu, Chiu-Ping, and 許湫萍. "An Analysis and Interpretation of Sonata for Oboe and Piano by Henri Dutilleux." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/82152222595470535312.

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碩士<br>國立嘉義大學<br>音樂與表演藝術研究所<br>98<br>Henri Dutilleux is one of the most important French composers of the late twentieth century. His style and compositional techniques had followed Ravel, Debussy, and Roussel. However, he still built up his own distinctly musical style. Even though his outputs were relatively small, the high quality and originality had won numbers of international praise. The title of this thesis is An Analysis and Interpretation of Henry Dutilleux’s Oboe Sonata. The thesis is divided into five chapters. The first chapter is the introduction, which includes the motivation,

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Lin, Chia-Hsing, and 林佳欣. "Chia-Hsing Lin Flute Recital （With a Supporting Paper：Flute Sonatine by Henri Dutilleux－A Combination of Musical Expression and Color Theory）." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/45589980261292797645.

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碩士<br>國立交通大學<br>音樂研究所<br>91<br>Chia-Hsing Lin Flute Recital Student： Chia-Hsing Lin Advisor： Yi-Hui Lin Supporting Paper Advisor： Dr. Jen-yi Wang Institute of Music National Chiao Tung University Abstract Recital Program 1. Twelve Fantasias TWV 40：3 G.P. Telemann（1681－1767） TWV 40：7 2. Three Romances, Op.94 R. Schumann（1810－1856） 3. L’oiseau Des Bois Op.21 F. Doppler（1821－1883） 4. Jou

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Books on the topic "Dutilleux, Henri"

1

Grouvel, Pierre. Henri Dutilleux, Tout un monde lointain--. A. Leduc, 1987.

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2

Henri Dutilleux: His life and works. Ashgate, 1997.

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3

Ainsi la nuit de Henri Dutilleux. M. de Maule, 2001.

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Delcambe-Monpoël, Marie. "Ainsi la nuit" de Henri Dutilleux. Michel de Maule, 2001.

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5

Henri Dutilleux: L'œuvre et le style musical. Champion, 1985.

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6

Joos, Maxime. La perception du temps musical chez Henri Dutilleux. L'Harmattan, 1999.

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Centre de documentation de la musique contemporaine, ed. Henri Dutilleux: Entre le cristal et la nuée. Centre de documentation de la musique contemporaine, 2010.

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8

Henri Dutilleux: Music--mystery and memory : conversations with Claude Glayman. Ashgate, 2003.

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9

Haws, John Riley. Henri Dutilleux's early chamber works with piano: An analysis of a formative style. Johns Hopkins University, 1990.

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Henri Dutilleux. Routledge, 2017. http://dx.doi.org/10.4324/9781315093031.

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Book chapters on the topic "Dutilleux, Henri"

1

Struck-Schloen, Michael. "Henri Dutilleux." In Kammermusikführer. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_31.

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"I." In Henri Dutilleux: Music – Mystery and Memory. Routledge, 2017. http://dx.doi.org/10.4324/9781315093024-1.

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"II." In Henri Dutilleux: Music – Mystery and Memory. Routledge, 2017. http://dx.doi.org/10.4324/9781315093024-2.

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