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Dissertations / Theses on the topic 'Dvořák'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Žárová, Hana. "Antonín Dvořák - Rusalka." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79116.

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This thesis describes works and life of one of the most important Czech composer of the 19th century - Antonín Dvořák. This work focuses on Dvořák ś musical legacy and especially on his opera work ´s. It also describes briefly life and works of au outstanding poet and librettist Jaroslav Kvapil and his later co-operation with Antonín Dvořák with whom Kvapil worked on the opera "Rusalka". The most extensive chapter of this thesis focuses on a detailed analysis of the content and of the musical dramatic composition of "Rusalka". The last part of this work describes the circumstances of the first

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2

Ballinger, Rebecca. "Sacred songs of Dvořák, Menotti, Ravel and Wolf." Kansas State University, 2012. http://hdl.handle.net/2097/13747.

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Master of Music<br>Department of Music<br>Amy Rosine<br>This report examines the sacred works of four composers that were intended for performance in a secular environment, rather than for any portion of a liturgical service. It will discuss the theoretical, stylistic and performance considerations of each work, as well as biographical information about each composer, their compositional style, and how the work was initially developed. These works include the Biblické písně, Op. 99 of Antonín Dvořák, selections from the Möricke Lieder and Spanisches Liederbuch of Hugo Wolf, Maurice Ravel’s Deu

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3

Döge, Klaus. ""... über den wird noch viel geredet werden"." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219111.

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Die Jubiläen zu Antonín Dvořák haben sich Anfang der 1990er Jahre gleichsam überschlagen. 1991: 150. Geburtstag des Komponisten; 1992: 100jähriges Gedenken an den Beginn von Dvořáks dreijährigem Wirken in Amerika; 1993: 100jährige Wiederkehr seines Besuches in Spillville (Iowa) und zugleich 100 Jahre Sinfonie aus der Neuen Welt. Gedenkfeiern, Symposien und Kongresse an vielen Orten der Welt (New Orleans, Saarbrücken, Hamburg, Dobříš, Spillville) und zugleich eine Vielzahl von Impulsen für das internationale wissenschaftliche Interesse an diesem tschechischen Komponisten, das in zahlreichen neu

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4

Rockwood, Mark. "Form, Style, and Influence in the Chamber Music of Antonin Dvořák." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22726.

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The last thirty years have seen a resurgence in the research of sonata form. One groundbreaking treatise in this renaissance is James Hepokoski and Warren Darcy’s 2006 monograph Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. Hepokoski and Darcy devise a set of norms in order to characterize typical happenings in a late 18th-century sonata. Subsequently, many theorists have taken these norms (and their deformations) and extrapolate them to 19th-century sonata forms. My work aims to characterize Antonin Dvořák’s chamber music in the context of So

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5

Hrbáčková, Noema. "Antonín Dvořák s jeho písňová tvorba se zaměřením na písně milostné." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78568.

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This work deals with song works of the famous czech composer Antonín Dvořák. The first chapter includes short autobiography and composition style of this music personality. The main part of this work includes his songs, first of all cycle "Love Songs op. 83". I tried describe the most important moments and technical problems of interpretation.

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6

Sup, Tomáš. "A.Dvořák"Rusalka" práce na hlavní roli." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202909.

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The tenor figure of princ, three-act opera, " Rusalka" by Antonín Dvořák, was a long time with its character, singing difficulty and technical extremity , a big challenge for me. So l decided after two years of studying this role, write a magister thesis about princ, think about his character and its overall by the creation from the very beginning to the hardest singing party at the end of the opera.

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7

Döge, Klaus. ""... über den wird noch viel geredet werden": ein Einblick in die neuere Dvořák-Literatur." Musikgeschichte in Mittel- und Osteuropa ; 1 (1997), S. 217-230, 1997. https://ul.qucosa.de/id/qucosa%3A15327.

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Die Jubiläen zu Antonín Dvořák haben sich Anfang der 1990er Jahre gleichsam überschlagen. 1991: 150. Geburtstag des Komponisten; 1992: 100jähriges Gedenken an den Beginn von Dvořáks dreijährigem Wirken in Amerika; 1993: 100jährige Wiederkehr seines Besuches in Spillville (Iowa) und zugleich 100 Jahre Sinfonie aus der Neuen Welt. Gedenkfeiern, Symposien und Kongresse an vielen Orten der Welt (New Orleans, Saarbrücken, Hamburg, Dobříš, Spillville) und zugleich eine Vielzahl von Impulsen für das internationale wissenschaftliche Interesse an diesem tschechischen Komponisten, das in zahlreichen neu

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8

Jamník, Tomáš. "Violoncellové koncerty Antonína Dvořáka." Doctoral thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-253655.

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The first part of the dissertation examines all of the orchestrated versions of Dvořák's Cello Concerto in A major.The analysis is based on graphs, which show the cuts in every version. The work of Günter Raphael and Jarmil Burghauser's version are looked at in close detail. The second part of the dissertation analyses tempo changes in all of the Czech recordings of the concerto. Original graphs show the differences between tempo marks in the autograph version and in recordings.

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9

Grešlová, Alena. "Klavírní koncert Antonína Dvořáka." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-363547.

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The main goal of this thesis the introductiom to the czech romantic piano literature. The first part contains a brief introduction to the origins and analysis from the musical perspective. In chapter two I concentrate on the technical and phonic parameters of the work. Apart from Dvorak's solo piano excerpts, one can take notice of excerpts from the revided version done by Vilem Kurz - and confrontation of both. There are 4 groups in which the main differences between the two versions are divided. The last chapter contains a summary of performance experience by interviews with famous pianists

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10

Bogner, Ryan. "A study of the factors that influence compositions of common texts with an emphasis regarding the text of Te Deum settings by Antonín Leopold Dvořák and Franz Joseph Haydn." Thesis, Kansas State University, 2011. http://hdl.handle.net/2097/9096.

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Master of Music<br>Department of Music<br>Joshua Oppenheim<br>Julie Yu Oppenheim<br>The Te Deum chant began in the Roman Catholic Church in prayer, and like many other psalms used in the Mass, it has evolved into a concert piece with settings composed for coronations, military victories, and other festive occasions. This author has identified two significant settings of this text by Joseph Franz Haydn and Antonín Leopold Dvořák for this discussion to study how common factors (primarily a common text) influence their compositions. Chapter I provides the purpose of the study, a brief descripti

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11

Tang, Wen-Chien. "Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30516/.

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Since its premiere in 1878, Antonín Dvořák’s Piano Concerto in G Minor has been underrated and held in low regard by musicologists, critics, performers and audiences alike. Vilém Kurz (1872-1945), a Czech pianist and pedagogue, revised and reworked the piano solo part to incorporate what he considered to be added brilliance and pianistic effectiveness. However, the revised version has not increased the popularity of the work. In recent decades, this concerto has begun to appear more often in the programs and recordings are currently available, utilizing either the original piano part or Kurz's

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12

Cazzanelli, Sara. "Pictures for an audition : Reflections on the role of roots and background in the composing and performing processes." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2185.

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"Pictures for an audition" are a visual tool I created to help in performing orchestral excerpts. I always had the aim to get deeper in the knowledge of the Zeitgeist of the composers I was facing, and as a consequence the aim to communicate this knowledge, this richness of roots, to the audience in a way as widely understandable as possible. I have been reflecting on the role of roots and background keeping as a reference point the figure of Dvořák, due to his strong connections with the Czech land and tradition. The inspiration I get from the composers’ background influences choices I do in

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13

Gabrielová, Jarmila. "Die Neue Gesamtausgabe der Werke Antonín Dvořáks. Stand und Perspektiven." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71956.

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14

Dvořák, Jana [Verfasser]. "Auswirkungen des Klimawandels und ausgewählter Anpassungsstrategien auf die Humus- und Nährstoffbilanz sowie den Ausstoß an Treibhausgasen in der Landwirtschaft im Norddeutschen Tiefland / Jana Dvořák." Halle, 2017. http://d-nb.info/1155760883/34.

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Dvořák, Jana [Verfasser]. "Auswirkungen des Klimawandels und ausgewählter Anpassungsstrategien auf die Humus- und Nährstoffbilanz sowie den Ausstoß an Treibhausgasen in der Landwirtschaft im Norddeutschen Tiefland / Jana Dvořák." Aachen : Shaker, 2018. http://d-nb.info/1159835853/34.

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16

Rasmusson, Klingberg Hillevi. "Att bli vän med sin nervositet : En studie i mental träning illustrerad via Antonín Dvořáks cellokonsert i b-moll, Op. 104." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3062.

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Detta är en skriftlig reflektion inom konstnärligt självständigt arbete på kandidatnivå som behandlar ämnet nervositet. Studien påvisar att nervositet är kroppens naturliga reaktion på en hotfull situation och hur man som musiker och cellist mentalt kan arbeta med att förbereda sig inför nervösa situationer. Genom Antonín Dvořáks cellokonsert i b-moll Op. 104, sats 1 utforskas tekniska svårigheter med stycket med anknytning till nervositet och provspelningssituationer. Genom att prova ett antal metoder och tankesätt för att motverka prestationsångest samt intervjua en sakku

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Thomson, John A. (John Alistair). "The gypsy in violin music: a lecture recital featuring the music of Kreisler, Ravel, and Sarasate : together with three recitals of music by Bartók, Beethoven, Chausson, Dvořák, Schoenberg, Schubert, Shostakovich, and Tchaikovsky." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc332656/.

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The lecture recital is an examination of Roma music with particular emphasis on violin repertoire. The lecture was followed by a performance of Kriesler's La Gitana, Sarasate's Zigeunerweisen, and Ravel's Tzigane.

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Velehradská, Barbora. "Písňová tvorba Antonína Dvořáka." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78565.

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Antonín Dvořák belongs among zhe most extraordinary personalities of both Czech and world music kulture and his great international renown has significantly forested the Czech cultural end national prestige growth abroad.His works is honoured, loved, and is influenced mainly by the native Czech environment. Dvořák was composing as a Czech artist and his art is not only great, but also Czech, indeed.Antonín Dvořák was a great personality which influenced not solely the next generation of composers but also many theoreticians and music connoisseurs.He was one of the congenial composers, proof of

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19

Fišer, Jakub. "Houslařství - rod houslařů Dvořáků." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177720.

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This master´s thesis deals with violin making in general. First part ius focused on a rise of violin and its predecessors. The second part about violin making. In this part of thesis you can find general methods how violin makers usually work. The third part introduces a history of violin making, violin makers in Czech Republik and in Europe since his rise till present.European history of violin making is divided into single ( e.g.Italian violin makers, French violin makers etc.).The next chapter relates about social and politician situation in Czech during 19th century, which influenced the c

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20

Dvořák, Johannes [Verfasser], Ulf [Gutachter] Teichgräber, Ansgar [Gutachter] Malich, and Ingo B. [Gutachter] Runnebaum. "Vergleichende Analyse der morphologischen und dynamischen Charakteristika von Brustläsionen, die mittels 1,5 vs. 3 T MRT bioptiert wurden : Unterschiede und Gemeinsamkeiten im diagnostischen Outcome und in der Machbarkeit der Intervention / Johannes Dvořák ; Gutachter: Ulf Teichgräber, Ansgar Malich, Ingo B. Runnebaum." Jena : Friedrich-Schiller-Universität Jena, 2017. http://d-nb.info/1177594315/34.

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Kohoutová, Jana. "Propagace české kultury jako součást veřejné diplomacie v USA." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-194071.

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Public diplomacy has become an integral part of international relations in the recent years. Effective communication is the key in solving international conflicts and in strengthening the partnership between nations. Building an excellent reputation of the individual country among the foreign community has no less importance. This master thesis deals with the promotion of Czech culture as an important part of public diplomacy in the US, particularly in New York, partly in Washington, DC. First and second chapter provide a theoretical framework for the following issues. Basic concept of public

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Slimáková, Zuzana. "Ansámbly neobvyklého zloženia v komornej tvorbe Antonína Dvořáka." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78164.

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Anotation The second most personal specialization of Antonín Dvořák is chambre music filled with lots of thoughtful values and precise composing. I have chosen several pieces to write about I consider highly valuable from an enormous amout of his great work. I am not using the elaborate reviews of his work, the aim of this work is more focused on overal overview of Dvořák?s life when he was working on these pieces of chambre music, on the conditions he lived in, during which the world had changed and also certainly affected his work. We can find slovanian features within the whole Dvořák?s w

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Gabrielová, Jarmila. "Antonín Dvorák und seine Beziehung zum Verlag Julius Hainauer in Breslau." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2016. https://ul.qucosa.de/id/qucosa%3A16195.

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Soweit es mir bekannt ist, gibt es eher sporadische Belege über die gegenseitigen Beziehungen zwischen Musik und Musikern in Böhmen und Schlesien bzw. zwischen den Hauptstädten Prag und Breslau im 19. Jahrhundert. Zu diesen seltenen Kontakten gehört u. a. auch die ‚Geschäftsbeziehung‘ zwischen dem tschechischen Komponisten Antonín Dvorák (* 8. September 1841 in Nelahozeves, d 1. Mai 1904 in Prag) und seinem Breslauer Verleger Julius Ignatz Hainauer (* 24. November 1827 in Glogau [Głogów], d 26. Dezember 1897 in Breslau).

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Hniličková, Kristýna. "Strategický rozvoj společnosti VKS Pohledští Dvořáci a.s." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-162241.

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Presented diploma thesis deals with the strategic development of the company VKS Pohledští Dvořáci a.s. The thesis contains a list of current activities of the company and suggests opportunities for further development. To reach this objective various internal and external analysis are used, namely PEST analysis, Porter's five forces model, the Value chain and SWOT analysis. To explore the possibilities for future development of the company, two growth strategies are applied -- Porter's Generic Strategies and Ansoff Growth Matrix. There was a survey done which purpose was to monitor customer s

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Cossuth, Joshua Howard. "Climatology of Dvorak classifications for operational probabilistic genesis forecasts." Tallahassee, Fla. : Florida State University, 2010. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/2181932.

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Dohnal, Jakub. "Roubený penzion na Stříbrném dvoře v Jihlavě." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-227177.

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The aim of this master´s thesis is to design a log house on a particular parcel near the city of Jihlava in locality called Silver Courtyard. There will also be designed a shooting range for shotguns and rifles with facilities for shooters on this plot. There are also designed cottages for four and eight people, which will be placed between the log house and the shooting range on the edge of the pond. The log house will include a swimming pool, a whirpool bath, restaurant and two lecture halls. Wall structure is designed from wood sandwich system from OK Pyrus. The log house has a partial base

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Corley, Scott Randolph. "Thomas Lee Dvorak: a career as music educator and conductor." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2198.

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Thomas Lee Dvorak (b. 1941) uniquely blended his experience as a music educator with his long career as a collegiate conductor. In his ten-year career as a public school instrumental music educator, Dvorak taught bands at the elementary, middle school or junior high, and high school levels. During this time, he encountered beginning instrumental music instructional methods that allowed his beginning band students to advance at a rapid pace. Dvorak parlayed his school band teaching experience with his growing reputation in band music education into an appointment to the music education faculty

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Smaczny, Jan. "A study of the first six operas of Antonin Dvorak : the foundations of an operatic style." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253290.

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Dvorak, Fabian [Verfasser]. "Heterogeneity in Conformity and Cooperation : Two Experiments and Statistical Software / Fabian Dvorak." Konstanz : KOPS Universität Konstanz, 2018. http://d-nb.info/1224808940/34.

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Možíš, Jan. "Příprava realizace bytového domu ve Dvoře Královém nad Labem." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-240302.

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The subject of my diploma thesis is the construction-technological project of apartment house in Dvůr Králové nad Labem. Thesis is focused on the most optimal technological procedures of foundation construction on deep foundations and total external insulation by external thermal insulation composite system. Regulations are supplemented by inspectional and trial plans, appropriate machinery and equipment of assembly site. Included is also work safety, time schedule and budget of substruture. The most interesting thing of my thesis will be model of the noise load on the surrounding objects resu

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Jeremica, Elisabeth. "How to Learn the Dvorak Cello Concerto in B Minor: Building Personalized Practice Techniques for Virtuosic Performance." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1449188899.

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Nunes, Jorge Armando 1953. "Concerto em Lá Maior para violoncelo : uma visão crítica da recriação da obra de Dvorak por Günther Raphael." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285213.

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Orientador: Emerson Luiz de Biaggi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T04:39:34Z (GMT). No. of bitstreams: 1 Nunes_JorgeArmando_D.pdf: 40510055 bytes, checksum: 15340895ad61419f735225c78e66fc9a (MD5) Previous issue date: 2014<br>Resumo: Em 1865, quando estava com 24 anos de idade, Dvorák escreveu um Concerto para Violoncelo com acompanhamento de piano que, apesar de ter recebido duas versões orquestrais posteriores à sua morte, permanece até hoje em situação de obscuridade. Escrito em uma época na qual o compos

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Hardy, Meghan C. "A graduate recital in wind band conducting : Serenade in D Minor Op. 44, Antonin Dvor̆ák and Symphony no. 6 (Symphony for band), Vincent Persichetti." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1411.

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Bourque, Wendy L. "A comparison to assess the extent to which the Mach-Dvorak and the Pulfrich effects reflect the same physiological processes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0008/MQ38362.pdf.

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Sallade, Alexander C. "The Dramatic and Narrative Function of Varied Sonata-Form Structures in Antonin Dvorak’s “Nature, Life, and Love” Overture Trilogy, Op. 91-93." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1619093446330827.

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Loos, Helmut. "Religiosität bei Smetana und Dvořák." 2006. https://ul.qucosa.de/id/qucosa%3A16035.

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Warum hat Zdenek Fibich seine gesamten frühen Kirchenkompositionen vernichtet? Eine Besprechung seines (scheinbar paradoxerweise) überlieferten Weihnachtsmelodrams Stedry Den, die ich im Jahre 2000 auf der Konferenz in Prag vorgetragen habe, suchte eine Erklärung in der grundlegenden gesellschaftlichen Kontroverse der Zeit: in der Auseinandersetzung zwischen national-liberalen und christlich-konservativen Gesellschaftsgruppen.

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Portlová, Ivana. "Antonín Dvořák: Cypřiše (písňový cyklus)." Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-289379.

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Dvorakuv prvni pisiiovy cyklus Cypfise je dokurnentern skladatelova prvniho setkini s lyrickYmi basnerni. Dvorak se v pisnich nechava inspirovat jarnbickYm charakterern basni, stavbou techto basni i jejich celkovou atrnosferou. V textu dochazi pn zhudebneni ke zrnenarn (opakovani Ci vynechani slov a versu, vypusteni slabiky Ci zopakovani celeho verse). V nekterych pisnich Dvorak kopiruje strukturu dane basne, nekdy vsak strofy puvodni basne chape jinak. Pisne rnuzerne rozdelit do nekolika kategorif. Prvni kategorii tvon pisne, kde Dvorak ve svern zhudebneni postupuje presne podle struktury bas

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Huang, Chien-Chung, and 黃建中. "A Study of “Zigeunermelodien” by Antonín Dvořák." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/e9r2dt.

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Kachlík, Jan. "Antonín Dvořák: Moravské dvojzpěvy z hlediska hudebně filologického." Doctoral thesis, 2007. http://www.nusl.cz/ntk/nusl-282274.

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The dissertation is closely related to the project of The New Complete Edition of the Works of Antonín Dvořák. It focuses on research which inevitably has to precede the editorial work on the new critical edition of all 23 Moravian duets: a thorough record of their editorial history, heuristic activity and an assessment of all relevant surviving sources. It is not intended as an introductory text to the new edition of this vocal work, as it does not deal with all issues related to a critical edition. On the contrary, it strives to elaborate a number of topics in greater detail and put them in

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Tseng, Li-Han, and 曾莉涵. "The Analysis and Interpretation of Dvořák Zigeunermelodien op.55." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/3nu8um.

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Chen, Ying-Ju, and 陳盈如. "The Analysis and Interpretation of Zigeunermelodien by Antonín Dvořák." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/384he6.

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碩士<br>國立臺南藝術大學<br>鋼琴合作藝術研究所<br>106<br>Antonín Leopold Dvořák (1841-1904), the Czech musician of the second half of the 19th Century, wrote a group of songs Zigeunermelodien for the baritone singer Gustav Walter (1834-1910) in 1880. There are two versions of Czech poet Adolf Heyday’s poetry collection Básně (1859) in Czech and German. Dvořák selected seven poems from the German version, and modified the lines to write the music. Dvořák created the work with elements of gypsy folk music and dance, making the harmony and rhythms more interesting. There are five chapters in this thesis. The fi

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Huang, Ying-Tzu, and 黃盈慈. "The Analysis and Interpretation of Dvořák Zigeunermelodien op.55." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/3td8qw.

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碩士<br>國立臺北藝術大學<br>音樂學系碩(博)士班<br>106<br>Abstract Nationalism is an important branch of Romanticism in music, and the rise of romanticism in the nineteenth century gave rise to nationalism; therefore, many composers at that time were dedicated themselves to the development of the music which can be used to represent their nations, and it usually contains national or folk music as elements; eventually, it became Nationalism a kind of music having strong national and patriotic feelings. Dvořák is one of the representatives of Nationalism, and the work "Zigeunerlieder Op.55" is his masterpiece

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Hsieh, Yi-Chien, and 謝宜倩. "The Analysis and Interpretation of Dvořák Biblické písně Op.99." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/80367342384250775281.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>100<br>This study is mainly intended to analyze and discuss the interpretations of the piano version of the《Biblické písně》op.99, a vocal piece composed by Antonín Leopold Dvořák (1841~1904) as a Romantic composer. The vocal piece contains a series of ten songs in total, with the lyrics adopted from the Psalms of King David in the Old Testament. Having himself suffered a series of frustrations in life, Dvořák felt strongly about those lyrics as they had inspired immense power in him, for which he desired to evince the power through music. The《Biblické písně》is one

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Kibicová, Tereza. "Antonín Dvořák: Slovanské Rapsodie op.45 B 86 (návrh nové kritické edice)." Doctoral thesis, 2010. http://www.nusl.cz/ntk/nusl-279179.

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Dvořák, Jan [Verfasser]. "Decay properties of nuclei close to Z=108 and N=162 / Jan Dvořák." 2007. http://d-nb.info/985213566/34.

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Ji, Yan-Hung, and 紀彥宏. "The Analysis and Interpretation of Biblical Songs op.99 by Antonín Leopold Dvořák." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/k84b5a.

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碩士<br>國立臺中教育大學<br>音樂學系碩士班<br>103<br>In this study, the author performed a musical analysis and interpretation on the voice-and-piano version of the musical nationalist composer Antonin Leopold Dvořák’s (1841-1904) vocal work Biblical Songs, Op. 99. This song cycle comprises 10 songs. The lyrics for these songs come from the psalms of David from the Old Testament of the Bible. While Dvořák was working in the United States far from his homeland and family, his close friends and loved ones passed away and faced serious illnesses. During this series of setbacks in his life, Dvořák was deeply moved

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Hroncová, Alexandra. "Vladimír Dvořák a Hlavní redakce zábavních pořadů Československé televize v letech 1968 - 1976." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-340355.

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(in English): Vladimír Dvořák (14 May, 1925 - 28 December, 1999) is mainly known to the public as the presenter of Televarieté, a TV entertainment programme, and older generations may also remember him as a music programme presenter and an author of lyrics to pop-music songs of the 1960s. However, this limited perception calls for a correction, as Vladimír Dvořáka was, without exaggeration, a universally talented man. As this text aims to show, Dvořák was strong in fine art and literary disciplines (wrote a number of librettos), as well as on the script-editing, programme presenting and acting

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Branda, Eva. "Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism." Thesis, 2014. http://hdl.handle.net/1807/65646.

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Commenting on Antonín Dvořák (1841–1904), music critic Václav Juda Novotný declared in 1881 that “a Czech composer has to write, first and foremost, for a Czech audience.” Scholars have given considerable attention to Dvořák’s reception abroad and have shown that his path to success on foreign stages, particularly in Vienna, was not always direct. The composer’s reception in the Czech lands during the late nineteenth century was no less complicated – shaped by various cultural and political factors, as the Czechs sought to assert themselves in the fight for the nationalist cause, while remaini

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Chiu, Ying-Chin, and 邱應欽. "The Interpretation and Analysis of Cello Concerto in B minor, Opus 104 by Dvořák." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/45rye5.

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Lo, Pei-chen, and 羅珮禎. "An Analytical Study of《Piano Quintet in A Major, Op. 81》by Antonín Dvořák." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/wz6f77.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>100<br>Czech composer Antonín Dvořák (1841-1904) was one of the most representative composers of Nationalism of the 19th century. He wrote compositions of different genres, and his chamber music is among the most significant ones. During his life, he composed two piano quintets, and the second 《Piano Quintet in A Major, Op. 81》 was completed in later years with maturity in styles. This thesis focuses on the analysis of this piece in various aspects. This thesis contains six chapters, the first one defines the scope of the thesis, including the purpose, process, and m

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