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Journal articles on the topic 'Dwight's journal of music'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Bernhard, Winfred E. A., Irving Sablosky, and John Sullivan Dwight. "What They Heard: Music in America, 1852-1881, From the Pages of "Dwight's Journal of Music"." New England Quarterly 60, no. 1 (1987): 131. http://dx.doi.org/10.2307/365667.

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2

Stopp, Jacklin Bolton, and Irving Sablosky. "What They Heard: Music in America, 1852-1881, from the Pages of Dwight's Journal of Music." American Music 5, no. 4 (1987): 462. http://dx.doi.org/10.2307/3051462.

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3

Saloman, Ora Frishberg. "Continental and English Foundations of J. S. Dwight's Early American Criticism of Beethoven's Ninth Symphony." Journal of the Royal Musical Association 119, no. 2 (1994): 251–67. http://dx.doi.org/10.1093/jrma/119.2.251.

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The reception history of Ludwig van Beethoven's symphonies in America offers striking evidence of multiple, previously unidentified, Continental and English connections to the musical thought of John Sullivan Dwight (1813–93), the first American-born critic of art music, and therefore to early American conceptions of the symphony in the 1840s. These direct links illuminate the history and criticism of the first performance in America of Beethoven's Symphony no. 9 in D minor, op. 125, which took place in New York in 1846. From the many sources associated with Dwight's musical learning and aesthetic education, I have chosen in this article to examine Dwight's literary interest in Johann Christoph Friedrich Schiller's poem ‘An die Freude’ and in Thomas Carlyle's biography of Schiller, to document his knowledge of commentary on the symphony by the German critic Adolf Bernhard Marx, and to describe Dwight's response to the initial American performance of the Ninth Symphony.

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4

Ógáin, Ríonach Uí. "Folk Music Journal." Béaloideas 54/55 (1986): 309. http://dx.doi.org/10.2307/20522304.

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5

Madagáin, Breandán Ó. "Folk Music Journal." Béaloideas 58 (1990): 236. http://dx.doi.org/10.2307/20522368.

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6

Miranda, Eduardo R. "Introduction: Leonardo Music Journal 29." Leonardo Music Journal 29 (December 2019): 1–2. http://dx.doi.org/10.1162/lmj_a_01053.

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7

Polli, Andrea. "Leonardo Music Journal 28: Introduction." Leonardo Music Journal 28 (December 2018): 1–2. http://dx.doi.org/10.1162/lmj_e_01034.

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8

Robinson, Mitchell. "write for music educators journal." Music Educators Journal 93, no. 5 (2007): 58. http://dx.doi.org/10.1177/002743210709300518.

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9

Mulder, Axel, and Curtis Roads. "The Music Machine: Selected Readings from "Computer Music Journal"." Leonardo Music Journal 4 (1994): 109. http://dx.doi.org/10.2307/1513194.

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10

Camilleri, Lelio. "The music machine: Selected readings from ?computer music journal?" Machine Translation 4, no. 4 (1989): 332–33. http://dx.doi.org/10.1007/bf00713711.

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11

Schwartz, Elliott. "European Journal, 1993." Perspectives of New Music 32, no. 2 (1994): 292. http://dx.doi.org/10.2307/833614.

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12

Plasterk, Klaus J. "The 20‐year anniversary of Journal of New Music Research‐journal of new music research." Interface 21, no. 1 (1992): 1–8. http://dx.doi.org/10.1080/09298219208570595.

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13

McGinty, Doris E., Jon Michael Spencer, George R. Keck, and Sherrill V. Martin. "The Journal of Black Sacred Music." Black Perspective in Music 17, no. 1/2 (1989): 181. http://dx.doi.org/10.2307/1214777.

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14

Battier, Marc. "Editorial: Leonardo Music Journal: Building Bridges." Leonardo Music Journal 2, no. 1 (1992): 1. http://dx.doi.org/10.2307/1513201.

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15

Hruby, Erica. "30 Years of Leonardo Music Journal." Leonardo Music Journal 30 (December 2020): ii. http://dx.doi.org/10.1162/lmj_e_01109.

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16

Killian, Janice N., Jing Liu, and John F. Reid. "The Journal of Music Teacher Education." Journal of Music Teacher Education 22, no. 2 (2012): 85–99. http://dx.doi.org/10.1177/1057083712467637.

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17

Rings, Steven. "Journal of Mathematics and Music (review)." Notes 64, no. 3 (2008): 548–50. http://dx.doi.org/10.1353/not.2008.0030.

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18

Thompson IV, William A., and Jeffrey Albert. "Baghdad Music Journal: A Soldier’s Move toward Technology in Music." Leonardo Music Journal 25 (December 2015): 68–72. http://dx.doi.org/10.1162/lmj_a_00938.

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The author was deployed to Iraq as a member of the U.S. Army National Guard in April 2004. He left his acoustic piano roots and embraced electronic music as a way to stay involved with music during his deployment. While deployed in Iraq, Thompson recorded and released a CD entitled Baghdad Music Journal (BMJ). The soldier’s recording was made and released while he was deployed to an active war zone and is a document of his experience. Describing his time in Iraq, he discusses how it has changed his musical practice.

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19

SHADLE, DOUGLAS. "Nineteenth-Century Music." Journal of the Society for American Music 9, no. 4 (2015): 477–84. http://dx.doi.org/10.1017/s1752196315000401.

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Musicological research on nineteenth-century music blossomed during the 1970s. The surge was solidified with the founding of the journal 19th-Century Music in 1977, roughly a year after the establishment of the Sonneck Society and a decade before the appearance of AmeriGrove I. During this decade, the journal published seven articles on nineteenth-century American subjects (all on the United States, not other American regions or countries). By contrast, the official journal of the Sonneck Society, American Music, published nearly twice that number between 1983 and 1986 alone. Although this simple metric has sociological explanations exceeding the scope of this review, it suggests that work on nineteenth-century music in the Americas stood at some remove from general musicological discourse in the Sonneck Society's early days.

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20

Austin, James R. "Research Journal Maturation." Journal of Music Teacher Education 30, no. 1 (2020): 7–10. http://dx.doi.org/10.1177/1057083720963261.

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21

Kawamoto, Akitsugu. "Popular Music Studies in Japan: Reviewing the Journal Popular Music Studies." IASPM Journal 9, no. 2 (2019): 86–91. http://dx.doi.org/10.5429/2079-3871(2019)v9i2.8en.

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22

Fumarola, Martin Alejandro. "Computer Music Library: Editor's Note in "Computer Music Journal" 17(3)." Computer Music Journal 19, no. 4 (1995): 8. http://dx.doi.org/10.2307/3680985.

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23

Sudrajat, Ridho. "PEDOMAN KONTRIBUTOR DI JURNAL GRENEK MUSIC JOURNAL." Grenek Music Journal 2, no. 2 (2013): 105. http://dx.doi.org/10.24114/grenek.v2i2.3847.

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Redaktur GRENEK MUSIC JOURNAL mengajak para peneliti maupun pembaca untuk menulis di jurnal ini. Tulisan ilmiah yang dimuat adalah berupa hasil penelitian atau pemikiran konseptual dalam lingkup seni musik.

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24

Crawford, Jeanette. "Recording "Computer Music Journal" for the Blind." Computer Music Journal 10, no. 2 (1986): 6. http://dx.doi.org/10.2307/3679477.

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25

Hamann, Donald L., and Keitha V. Lucas. "Establishing Journal Eminence in Music Education Research." Journal of Research in Music Education 46, no. 3 (1998): 405–13. http://dx.doi.org/10.2307/3345552.

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26

Marrin, Teresa, and Mary Simoni. "News in "Computer Music Journal" 18:4." Computer Music Journal 19, no. 2 (1995): 6. http://dx.doi.org/10.2307/3680591.

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27

Prescott, Anne, and Watanabe Yutaka. "Hogaku Journal Video Series of Japanese Music." Asian Music 25, no. 1/2 (1993): 320. http://dx.doi.org/10.2307/834226.

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28

Bakan, Michael B., Nana Vasconcelos, Badal Roy, et al. "Asian Journal." Ethnomusicology 40, no. 2 (1996): 351. http://dx.doi.org/10.2307/852075.

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29

Robb, S. L. "Journal of Music Therapy: Advancing the Science and Practice of Music Therapy." Journal of Music Therapy 51, no. 1 (2014): 1–3. http://dx.doi.org/10.1093/jmt/thu005.

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30

Diaz, Frank M., and Jason M. Silveira. "Music and Affective Phenomena." Journal of Research in Music Education 62, no. 1 (2014): 66–77. http://dx.doi.org/10.1177/0022429413519269.

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The purpose of this study was to establish trends in the study of music and affective phenomena through a content and bibliometric analysis of three eminent music research journals, the Journal of Research in Music Education, Psychology of Music, and Music Perception, for the years 1990 through 2009. Excluding editorials, paper responses, and book reviews, 1,293 articles were examined, resulting in 286 (22%) publications that met criteria for further analysis. Data indicated several trends with respect to the sample analyzed, including a notable but not significant decrease of affective studies in the Journal of Research in Music Education, with significant increases in the journal Music Perception. Other trends indicated the emergence of topics and methods that were less prevalent when compared to the overall sample but that evidenced significant increases throughout the period analyzed. These increases occurred for topics relating to expression, physiological and neurological issues and for the use of descriptive methodologies. Other notable trends included increases in examinations of folk, jazz, and world musics.

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31

Graziano, John. "Music in William Randolph Hearst's New York Journal." Notes 48, no. 2 (1991): 383. http://dx.doi.org/10.2307/942026.

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32

Gold, Christian. "Impact Factor Stories: Nordic Journal of Music Therapy." Editors' Bulletin 9, no. 3 (2013): 56–59. http://dx.doi.org/10.1080/17521742.2013.870717.

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33

Berry, D. C. "Journal of Music Theory under Allen Forte's Editorship." Journal of Music Theory 50, no. 1 (2006): 7–23. http://dx.doi.org/10.1215/00222909-2008-004.

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34

Gold, Christian. "What is “Nordicness” in a music therapy journal?" Nordic Journal of Music Therapy 18, no. 2 (2009): 101–2. http://dx.doi.org/10.1080/08098130903122456.

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35

Snell, John. "How Did Computer Music Journal Come to Exist?" Computer Music Journal 30, no. 1 (2006): 10–20. http://dx.doi.org/10.1162/comj.2006.30.1.10.

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36

Gilbertson, S. K., and D. Aldridge. "Searching PubMed/MEDLINE, Ingenta, and the Music Therapy World Journal Index for Articles Published in the Journal of Music Therapy." Journal of Music Therapy 40, no. 4 (2003): 324–44. http://dx.doi.org/10.1093/jmt/40.4.324.

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37

Voyne-Thrall, Michael. "Network Resources for Computer Music (Editor's Note in "Computer Music Journal" 18:1)." Computer Music Journal 18, no. 3 (1994): 8. http://dx.doi.org/10.2307/3681174.

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38

Masko, Meganne, Carolyn Moore, Virginia Driscoll, and Natasha Thomas. "Do we need another journal?" Dialogues in Music Therapy Education 1, no. 1 (2020): i—iii. http://dx.doi.org/10.18060/24825.

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39

Ashbee, A. "Electronic journal for the Viola da Gamba Society." Early Music 36, no. 2 (2008): 349. http://dx.doi.org/10.1093/em/can041.

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40

FAUTLEY, MARTIN. "Music education: Why bother? - ERRATUM." British Journal of Music Education 34, no. 2 (2017): 237–39. http://dx.doi.org/10.1017/s0265051717000043.

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41

Denise Grocke. "The Korean Journal of Music Therapy: Commemorating 20 years." Korean Journal of Music Therapy 21, no. 1 (2019): 13–20. http://dx.doi.org/10.21330/kjmt.2019.21.1.13.

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42

Wedekind, Frank. "Middlesex Music Hall: Fragment from a London Journal, 1894." New Theatre Quarterly 4, no. 16 (1988): 328–29. http://dx.doi.org/10.1017/s0266464x00002918.

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AT DINNER I mention that a few days before I had been to the Middlesex Music Hall in Drury Lane. My neighbour to the left tells me that it is the commonest theatre in all London, and my neighbour to the right says that of its kind it ranks as the poshest. My neighbour across the way, Herr Mess of Frankfurt, asks me to take him along, please, if I ever go somewhere like that again. Did I have anything on for tonight? I say I meant to go to a music hall in Whitechapel. He is wildly enthusiastic, but takes so long to put on his overcoat that we shall be too late. Meanwhile we are joined by a young French Swiss and we go to the Middlesex Music Hall. Neither gentleman seems to have the foggiest notion of what sort of place it is. The dances bore them, the music isn't pretty enough for them. The girls on stage are too young for them, the audience too loud, they don't hear the tunes, they don't see the costumes and they don't feel the century-old atmosphere surrounding them. One of them takes his hometown paper out of his pocket, the other regrets he is unable to strike up an ‘acquaintance’ in his vicinity.

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43

Van Belle, Guy. "Small Manual of the Leonardo Music Media Journal Machine." Leonardo Music Journal 9 (December 1999): 135–37. http://dx.doi.org/10.1162/096112199750316947.

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44

Sajewski, Mallory. "Journal of World Popular Music ed. by Simone Krüger." Notes 72, no. 1 (2015): 195–96. http://dx.doi.org/10.1353/not.2015.0097.

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45

Dansereau, Diana R. "Introducing the International Journal of Music in Early Childhood." Perspectives: Journal of the Early Childhood Music & Movement Association 13, no. 1 (2018): 4–7. http://dx.doi.org/10.1386/ijmec_0367_1.

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46

Reimer, Bennett. "Reflections on Music Educators Journal in Its Centennial Year." Music Educators Journal 100, no. 3 (2014): 27–32. http://dx.doi.org/10.1177/0027432113517905.

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47

Barone, Tom, and Liora Bresler. "International Journal of Education and the Arts." Research Studies in Music Education 15, no. 1 (2000): 71. http://dx.doi.org/10.1177/1321103x0001500110.

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48

Frith, Simon. "Young. Nordic Journal of Youth research." Popular Music 13, no. 1 (1994): 105. http://dx.doi.org/10.1017/s0261143000006875.

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49

Mellers, Wilfrid, Francis Poulenc, and Renaud Machart. "Journal de mes melodies." Notes 50, no. 4 (1994): 1371. http://dx.doi.org/10.2307/898303.

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50

Studwell, William. "FROM THE JOURNAL EDITOR." Music Reference Services Quarterly 2, no. 1 (1993): 11. http://dx.doi.org/10.1300/j116v02n01_a.

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