Relevant bibliographies by topics / Dyes and dyeing in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dyes and dyeing in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Dyes and dyeing in art"

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Li, Song Yuan, Bing Du, Shi Hui Gao, Ju Wei, Yu Ping Zhao, and Lai Jiu Zheng. "Study on the Supercritical CO2 Art of Dyeing." Advanced Materials Research 535-537 (June 2012): 1478–81. http://dx.doi.org/10.4028/www.scientific.net/amr.535-537.1478.

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A new water-free dyeing process – Supercritical CO2 art of dyeing was proposed according to the high consumption of water and energy and serious environmental pollution problems. The results indicated that the effects of temperature, pressure and reaction time on dyeing deepness (K/S value) were investigated and the key factor is temperature. The PET fabrics dyed with disperse dyes in Supercritical CO2 were determined and the results showed that the dyeing protects with high dyeing rate and good characteristics, which can meet the requirements of the people on the dyed fabrics pattern and other visual art.
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MIURA, Y., I. HIRAI, K. ISHII, S. MATSUYAMA, A. TERAKAWA, Y. KIKUCHI, M. FUJIWARA, et al. "PIXE ANALYSIS OF DYES USED IN TRADITIONAL JAPANESE CARPETS (NABESHIMA-DANTSU)." International Journal of PIXE 22, no. 01n02 (January 2012): 45–50. http://dx.doi.org/10.1142/s0129083512400281.

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NABESHIMA-DANTSU is the name of the first Japanese-made carpets which have been produced in the Nabeshima domain (Saga Prefecture) since the later Edo period. The NABESHIMA-DANTSU carpets have been woven from one kind of cotton, and have been dyed with various dyes and color fixatives. We analyzed pieces of the NABESHIMA-DANTSU carpets stored in the Saga Prefectural Museum and the Saga Prefectural Art Museum, by using PIXE method in order to detect dyeing methods used in them. We also analyzed dyes, color fixatives and cotton used in the traditional Japanese dyeing method. From the NABESHIMA-DANTSU carpets, small amounts of dyed and non-dyed samples were picked up and were analyzed by in-air PIXE system at Tohoku University. It was found that Fe and Cu are related to the parts dyed orange, and Al is related to the parts dyed green. The analysis of cotton dyed by the traditional Japanese method shows the similar results. It means that both colors in the NABESHIMA-DANTSU carpets were dyed by the traditional Japanese method which uses natural dyes. From literature documentation, it is considered that synthetic dyes were mainly used during the Taisho era. The present result shows that natural dyes might have been used in the Taisho era. In this research the PIXE method has proved to be very effective for the analysis of dyeing methods.
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Houghteling, Sylvia. "Dyeing the Springtime: The Art and Poetry of Fleeting Textile Colors in Medieval and Early Modern South Asia." Religions 11, no. 12 (November 24, 2020): 627. http://dx.doi.org/10.3390/rel11120627.

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This paper explores the metaphorical and material significance of short-lived fabric dyes in medieval and early modern South Asian art, literature, and religious practice. It explores dyers’ manuals, paintings, textiles, and popular and devotional poetry to demonstrate how the existence of ephemeral dyes opened up possibilities for mutability that cannot be found within more stable, mineral pigments, set down on paper in painting. While the relationship between the image and the word in South Asian art is most often mutually enhancing, the relationship between words and color, and particularly between poetry and dye color, operates on a much more slippery basis. In the visual and literary arts of South Asia, dye colors offered textile artists and poets alike a palette of vibrant hues and a way to capture shifts in emotions and modes of devotion that retained a sense of impermanence. More broadly, these fragile, fleeting dye materials reaffirm the importance of tracing the local and regional histories even of objects, like textiles, that circulated globally.
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Khan, Mohd Rizwan. "Dyeing Hair is Dire or Desire." International Journal of Innovative Research in Medical Science 5, no. 11 (November 1, 2020): 516–22. http://dx.doi.org/10.23958/ijirms/vol05-i11/980.

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Background: Hair coloring, or hair coloring, is the follow of fixing the hair color. The most reasons for this area unit cosmetic: to hide gray or white hair, to alter to a color thought to be additional modern or fascinating, or to revive the initial hair color once, it's been stained by hairdressing process or sun bleaching. Hair coloring is often done professionally by a stylist or severally reception. Celtic folks colored their hair blonde; they bleach it by laundry them in lime and brushing it back from their foreheads. The coloring of hair is associate ancient art that involves treatment of the hair with varied chemical compounds. In history, the dyes were obtained from plants. The event of artificial dyes for hair is derived from the legendary discovery of the reactivity of para-phenylenediamine (PPD) with air. Results: Hair dyes are cosmetic compounds that make contact with the skin throughout application. As a result of this skin contact, there exists some health risk related to use of hair dyes. People allergic to protein as an example, can have to be compelled to take care once buying hair color since bound dye includes protein. Protein doesn't have to be compelled to be eaten for it to cause associate hypersensitivity reaction. Skin contact with protein might cause a reaction; thus, resulting in associate hypersensitivity reaction. Symptoms of those reactions will embody redness, sores, itching, burning sensation, and discomfort. Symptoms can typically not be apparent instantly following the appliance and process of the tint, however may arise once hours or maybe daily later. Conclusion: Pigments of the hair got colored by the tactic of removing, replacing, or covering up. Employment of those chemicals may cause varied adverse effects, at the facet of temporary skin irritation and hypersensitivity, hair breakage, skin discoloration, and explosive hair color results. The ultimate color of every strand of hair can depend upon its original color and body. As a result of hair's color and body across the pinnacle and on the length of a hair strand, there'll be delicate variations in shade across the complete head. This provides an additional natural-looking result than the solid, everywhere color of a permanent color. Thus, hair dyes area unit regulated within the industrial marketplace and, as new toxicity knowledge is generated for a few hair dye, and health risks area unit discovered, in a controlled people, employment of hair coloring may end up in aversions and/or skin irritation.
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Mayusoh, Chanoknart. "The Art of Designing, Fabric Pattern by Tie-dyeing with Natural Dyes." Procedia - Social and Behavioral Sciences 197 (July 2015): 1472–80. http://dx.doi.org/10.1016/j.sbspro.2015.07.097.

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Kuzmina, Nadezhda M., Dmitry S. Gusarov, Thi Ngok An Vu, and Olga V. Kovalchukova. "Synthesis and study of new azo dyes based on functionally substituted derivatives of salicylic acid." Butlerov Communications 63, no. 7 (July 31, 2020): 31–38. http://dx.doi.org/10.37952/roi-jbc-01/20-63-7-31.

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Three chromatographically pure azo dyes based on salicylic acid and para-nitroaniline were isolated in 60-64% yields. The structure of the synthesized compounds was proved by IR spectroscopy. The spectra of the compounds contain characteristic absorption bands associated with the vibrations of O–H, N–H, C=O, and N=N groups. The products precipitated as orange-brown powders, which corresponds to compounds with a short system of conjugated double bonds. The predominant tautomeric form of existence of the synthesized azo compounds was determined – 5,5'-(diazen-1,2-diyl)bis(2-hydroxybenzoic acid), 2-hydroxy-5-((4-nitrophenyl)-diazenyl)benzoic acid, 5-amino-2-hydroxy-4-((4-nitrophenyl) diazenyl) benzoic acid. It was shown that they all exist as azo-tautomers. To determine the dyeing power of potential dyes, a test cold dyeing was carried out on samples of a multichannel consisting of six main types of fabrics used in the textile industry, under conditions corresponding to dyeing with acid and reactive dyes. The ability of the compounds to act as acid dyes was established, coloring woolen, polyamide and acetate fibers in yellow-orange and beige-brown colors. The introduction of an amino group into the salicylic acid fragment weakens the color properties of the azo dye molecule. The calculation of the toxicity of compounds with intravenous and oral routes of administration, carried out according to the GUSAR program, shows their low toxicity (4-5 toxicity class). The introduction of an amino group into the azo dye molecule is accompanied by an increase in its toxicity. All isolated compounds comply with Lipinski's rule, which indicates their bioavailability. Prediction of the biological activity of the compounds, carried out using the PASS program, shows that with a probability of more than 90%, the synthesized compounds exhibit antiseptic properties without irritating the skin and mucous membranes. This allows the isolated compounds to be considered promising for use as dyes in cosmetics.
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Jiménez-Pacheco, Hugo, Gregorio Urbano Palma Figueroa, Javier Alonso Villegas Aragon, María del Carmen Camiña Pacheco, Antonio Erick Linares Flores Castro, and Lilia Mary Miranda Ramos. "Diffusion characteristics of dyeing in Polyester fiber garments referred to their mixtures with cotton and composition." Veritas 20, no. 2 (October 24, 2019): 59. http://dx.doi.org/10.35286/veritas.v20i2.244.

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Currently, textile dyeing companies determine their market according to the raw materials processed, which are based on 100% cotton fibers, these fibers are directed to an exclusive market and therefore these companies establish criteria of high quality standards in each of its processes, dyeing being one of the most demanding due to its fastness parameters and color specifications, these characteristics establish the competitiveness of expanding a product portfolio with the incursion of 100% fiber-based clothing polyester and with cotton blends.Some studies suggest the implementation of the dyeing process of these fibers, allowing the organization to have new production alternatives, dyeing processes for polyester and cotton are carried out with heat treatment between 60 °C and 130 °C respectively, with the use of dispersed and chemical dyes; as in the dyeing of Polyester-Cotton that are made in bathrooms established in each stage. Color and solidity tests are performed according to quality parameters, with light and wash fastness controls. Within these dyeing conditions it is essential to determine the thermal gradients to be applied, whose variable must be controlled to optimize the dyeing of polyester fibers and mixtures.The present study evaluates the pre-treatments and the temperature gradient behavior stage in the dyeing process of polyester fibers, taking into account the dyeing curve, in which only the temperature gradient varies. Mathis-ALT-B equipment is used for the dyeing process, for thermal gradient conditions of 135 °C with gradients of 0.3-4.0 °C/min, rotation speed 40-70 RPM, and as colorants were used Novacron, Terail and Liandisperse for cotton and polyester fibers respectively. The results show that the use of dispersants and anti-breakage agents work to prevent failures and improve the corresponding colors, but a high gradient increases the migration of the dye and breaks in the fibers, but in low gradients (2 ° C/min ) The quality of diffusion and dyeing is better and, therefore, prevents reprocessing in the dyeing stage.
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Herber, Norbert. "Awa Surfers: Riding the syncretic dynamics of sound art and traditional Japanese indigo." Organised Sound 19, no. 2 (June 30, 2014): 154–63. http://dx.doi.org/10.1017/s1355771814000090.

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Awa-ai is the indigo plant and dye made famous hundreds of years ago in Japan by the people living and working in the region now known as Tokushima Prefecture. This article explores the core concepts that link the aged traditions of indigo production, processing and dyeing with contemporary sound practice, and outlines the facets of a collaboration in which disparate fields not only coexisted, but used their technological and cultural differences to strengthen one another. Live field recordings, audio interviews and the sounds of Awa indigo production and practice were used in a large-scale, transcontinental installation which featured over 200 pieces of indigo-dyed cloth and multichannel, interactive sound. The collaborative nature of this project allowed the artists involved to understand and conceptualise their work in new ways, and can serve as an example for the ways in which syncretic exploration energises creative thinking and output.
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Shi, Jian Ping. "Analysis on the Development and Design Characteristics of Dyed Homespun in Nantong." Advanced Materials Research 332-334 (September 2011): 1545–49. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.1545.

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Nantong is a world famous town in producing cotton, It is also the hometown of fancy homespun. This paper described the inheriting relationship between NanTong homespun and JiangNan homespun ,explored the weaving and dyeing skills of NanTong homespun. Analysis the design characteristics of NanTong fancy homespun in aspects of style, pattern expression and pattern’s variety. Fancy homespun has made a precious cultural heritage for Nan Tong and left following generations a treasure of weaving skill and art form.
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Veneno, Maria, Paula Nabais, Vanessa Otero, Adelaide Clemente, M. Conceição Oliveira, and Maria João Melo. "Yellow Lake Pigments from Weld in Art: Investigating the Winsor & Newton 19th Century Archive." Heritage 4, no. 1 (February 25, 2021): 422–36. http://dx.doi.org/10.3390/heritage4010026.

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Weld (Reseda luteola) was one of the main sources of yellow dyes used for dyeing textiles and to prepare artists’ pigments in Europe until the 19th century. For the first time, this work explores the technology of preparing weld lake pigments in the 19th century by Winsor & Newton (W&N), a renowned supplier of artists’ materials. Five recipes were discovered in the W&N 19th century Archive Database and reconstructed in the laboratory. W&N was extracting weld in neutral and basic media, and preparing the insoluble lake by complexation with Al3+ in the form of alum (KAl(SO4)2•12H2O) or hydrated alumina (Al(OH)3). Five yellow lake pigments were successfully obtained and characterized by High-Performance Liquid Chromatography-Diode Array Detector (HPLC-DAD) and Fourier Transform Infrared Spectroscopy (FTIR). Their chromatographic profiles display as main yellows, luteolin 7-O-glucoside (Lut-7-O-glu) or both Lut-7-O-glu plus luteolin 3′,7-O-glucoside (Lut-3’,7-O-glu). In two of the processes, the presence of gypsum (CaSO4•2H2O) was unequivocally detected by FTIR, being formed as a by-product. This work offers the first identification of weld lake pigments’ characteristic infrared bands. The W&N Database proved again to be a unique source of information on 19th-century artists’ materials and their commercial preparation. The knowledge gain is essential to ensure effective conservation and authentication procedures.
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Dissertations / Theses on the topic "Dyes and dyeing in art"

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Walsh, Kerry. "Potions and painting." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040701.155706/index.html.

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Thesis (M.A. (Hons.)) -- University of Western Sydney, 2003.
"A thesis presented to the University of Western Sydney in partial fulfillment of the requirements for the degree of Master of Arts (Honours) Creative Arts, December 2003" Includes bibliography.
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Gilmore, Laurie Ann. "Chlorination of synthetic dyes and synthetic brighteners." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/20794.

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Matthews, Rosalyn D. "Transformation and decolorization of reactive phthalocyanine." Diss., Available online, Georgia Institute of Technology, 2004:, 2003. http://etd.gatech.edu/theses/available/etd-04062004-164728/unrestricted/matthews%5Frosalyn%5Fd%5F200312%5Fphd.pdf.

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Thesis (Ph. D.)--School of Civil and Environmental Engineering, Georgia Institute of Technology, 2004. Directed by Spyros G. Pavlostathis.
Vita. Includes bibliographical references (leaves 381-393).
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Morris, Kathryn Fiona. "The dyeing of cotton with multi-functional reactive dyes." Thesis, University of Leeds, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418783.

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Li, Shiqi. "On-line dye analysis for carpet dyeing processes." Thesis, Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/8596.

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Gore, Darren W. "Electrochemical reduction of vat and sulfur dyes : introducing a recyclable system." Thesis, Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/8530.

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Boonroeng, Supannee. "An analysis system for dye delivery on continuous dyeing ranges." Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/10175.

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Leung, Yue Hin. "An experimental study of dyeing : polyester and cotton /." View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?CBME%202009%20LEUNG.

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Beydilli, Mumtaz Inan. "Reductive biotransformation and decolorization of reactive azo dyes." Diss., Georgia Institute of Technology, 2001. http://hdl.handle.net/1853/21451.

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Lee, Young H. "Reductive biotransformation and decolorization of reactive anthraquinone dyes." Diss., Available online, Georgia Institute of Technology, 2004:, 2003. http://etd.gatech.edu/theses/available/etd-04062004-164708/unrestricted/lee%5Fyoung%5Fh%5F200312%5Fphd.pdf.

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Thesis (Ph. D.)--School of Electrical and Computer Engineering, Georgia Institute of Technology, 2004. Directed by Spyros G. Pavlostathis.
Vita. Includes bibliographical references (leaves 332-345).
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Books on the topic "Dyes and dyeing in art"

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Visual texture on fabric: Create stunning art cloth with water-based resists. Lafayette, CA: C&T Pub., 2012.

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The art and craft of natural dyeing: Traditional recipes for modern use. Knoxville: University of Tennessee Press, 1990.

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Marian, Simion Florea. Cromatica poporului român. București: Editura Saeculum, 2002.

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1935-, Guineau Bernard, ed. Colour: Making and using dyes and pigments. London: Thames & Hudson, 2000.

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Hecht, Ann. The art of the loom: Weaving, spinning and dyeing across the world. London: British Museum Publications, 1989.

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The art of the loom: Weaving, spinning, and dyeing across the world. New York: Rizzoli, 1990.

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Yang, Sunny. Textile art of Japan. Tokyo, Japan: Shufunotomo/Japan Publications, 1989.

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Riba, Abby. Fabric color magic: Stamp, stencil & brush your art out with decolourant. Safety Harbor, FL: Harbor Sales Inc, 2011.

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1935-, Guineau Bernard, ed. Colors: The story of dyes and pigments. New York: H.N. Abrams, 2000.

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Chŏnt'ong hoehwa ŭi saek. 2nd ed. Sŏul-si: Kail At'ŭ, 2012.

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Book chapters on the topic "Dyes and dyeing in art"

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Bide, Martin. "Sustainable Dyeing with Synthetic Dyes." In Textile Science and Clothing Technology, 81–107. Singapore: Springer Singapore, 2014. http://dx.doi.org/10.1007/978-981-287-065-0_3.

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Lewis, David M. "Dyeing Wool with Reactive Dyes." In The Coloration of Wool and other Keratin Fibres, 251–90. Oxford, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118625118.ch9.

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Burkinshaw, Stephen M. "Dyeing Wool with Metal-complex Dyes." In The Coloration of Wool and other Keratin Fibres, 229–50. Oxford, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118625118.ch8.

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Duffield, Peter A. "Dyeing Wool with Acid and Mordant Dyes." In The Coloration of Wool and other Keratin Fibres, 205–28. Oxford, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118625118.ch7.

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Rehman, Fazal-ur, Shahid Adeel, Sana Rafi, Noman Habib, Khalid Mahmood Zia, Mohammad Zuber, and Nasim Akhtar. "Contemporary Revolutions in Natural Dyes: Extraction and Dyeing Methodology." In Handbook of Renewable Materials for Coloration and Finishing, 125–68. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119407850.ch8.

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Ab Kadir, M. I., W. Y. Wan Ahmad, M. R. Ahmad, H. Abdul Jabbar, K. Ngalib, and A. Ismail. "Dyeing Properties and Absorption Study of Natural Dyes from Seaweeds, Kappaphycus alvarezii." In Proceedings of the International Colloquium in Textile Engineering, Fashion, Apparel and Design 2014 (ICTEFAD 2014), 99–105. Singapore: Springer Singapore, 2014. http://dx.doi.org/10.1007/978-981-287-011-7_18.

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Rani, Neetu, and Lalit Jajpura. "Sustainable Dyeing of Wool by Natural Dyes in Conjunction with Natural Mordants." In Recent Trends in Traditional and Technical Textiles, 127–44. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_12.

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Biswal, Trinath, and Munmun Priyadarsini. "Dyeing Processing Technology." In Impact of Textile Dyes on Public Health and the Environment, 115–45. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-0311-9.ch006.

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Among the different substances containing organic compounds, dyes are considered the most important class, and they are now an essential requirement in the modern world, mostly in the textile industries. In addition to the textile colouring, they are used in automobile, leather, paints, paper industries, etc., but their importance in the textile industries is maximum. Because of huge demand of dye, the production of a variety of dyes with advanced properties has drastically increased. Since dyes are complex aromatic organic compounds containing conjugated double bonds, they are highly toxic to the biological community of the world. In this chapter, more emphasis is given for synthesis technologies of various kinds of dyes, different kinds of hazardous pollutants generated from the dyeing industries, and their environmental impact along with the implementation of the technology developed to reduce the pollutant and its effect to our sustainable environment. Hence, more focus has to be given for manufacturing and application of dyes from renewable natural resources.
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Ali, Nagia Farag. "Green Strategy for Production of Antimicrobial Textiles." In Handbook of Research on Uncovering New Methods for Ecosystem Management through Bioremediation, 346–66. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8682-3.ch014.

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The article deals with the measurement of the antimicrobial activity for some natural dyes against various types of microbes as (Escherichia coli, Staphylococcus aureus and Pseudomons aeruginosa), Using nano materials for some metals or its oxides as titanium oxide for treatment of fabrics before dyeing, these materials were fixed on the fiber by chemical bonds to acquire new properties as antimicrobial activities against bacteria and fungi and also to protect from ultra violet rays. Using a traditional and microwave heating for extraction of dyes and dyeing methods because microwave heating is a more effective method than traditional heating. Other additional features are that, they are cheaper, more economical, eco-friendly, and produce a higher dye uptake as compared to conventional techniques, environmentally friendly pre-treatment by chitosan before dyeing in order to obtain dyed fabric with high quality and more protected against microbes. Application of antimicrobial agents in the development in the textiles as chitosan, qutenary ammonium salt and neem.
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Singh, Aarti, Anupama Mittal, and Nirmala Kumari Jangid. "Toxicology of Dyes." In Impact of Textile Dyes on Public Health and the Environment, 50–69. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-0311-9.ch003.

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Colours play a prominent and dominant role in human life. The dominating feature of any product has been found with its colours elevating the market of colouration in different sectors. Studies have shown that around 10,000 dyes are being circulated in market. Chemistry has been found to lead this industry of colours. Vast production of fabric colours include azo dyes, whereas anthroquinone is also one of the prevailing complexes for cotton and fabric dyeing. The toxic level of the dyes and pigments are not confined till manufacturing but also have after usage effect of the products. It has been found that the chemicals have a carcinogenic effect on human health. During the manufacturing procedure, around 50% of dye stuff gets along with the effluents of the industry leading to release of colourful water. Modification in choice of chemicals is being considered to lessen the toxic effects of existing complexes. This chapter is mainly focused on the toxicology of dyes.
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Conference papers on the topic "Dyes and dyeing in art"

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Ichimura, Yohei, and Hideki Aoyama. "Digital Design Method of Dyeing Patterns Based on Kansei." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-67244.

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Dyeing involves fixing a dye on a cloth, or creating a dyeing pattern. Because dyeing patterns depend on the physical properties of fibers, dyes, and dyeing technique that are employed, predicting a finished dyeing pattern is difficult even for artisans. Because dyeing is an irreversible phenomenon that requires a lot of time, to accurately predict a completed pattern would improve the efficiency of dyeing and reduce its costs. In this paper, we propose a digital method for designing dyeing patterns based on a simulation of the dyeing process. Dyeing experiments was conducted to model dyeing process accurately. From experiments, we defined the dyeing process is combination of two phenomena: capillary phenomenon and diffusion phenomenon. In the proposed method, integrated these two phenomena by using the cellular automaton method and generate dyeing patterns that produce different results depending on the pattern-generating parameters. The thickness of yarn and spaces between yarns in fabric is not uniform because of the influence of spinning and weaving. Therefore, in the proposed method, we use the fluctuation property, which is inherent in nature, to generate a dyeing pattern that preserves a natural impression. Based on the simulation of the proposed dyeing process, we developed a system that generates patterns based on KANSEI. Associating KANSEI with pattern generation parameters produces dyeing patterns that exhibit the required impressions (KANSEI) for the generated dyeing patterns. Based on this development method, we constructed a basic system for pattern generation and verified the effectiveness of the method.
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Kerkez, Đurđa, Milena Bečelić-Tomin, Gordana Pucar Milidrag, Vesna Gvoić, Aleksandra Kulić Mandić, Anita Leovac Maćerak, and Dragana Tomašević Pilipović. "Treatment of wastewater containing printing dyes: summary and perspectives." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p31.

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Synthetic dyes are widely used in textile, printing, leather tanning, cosmetic, drug and food processing industries. The printing and dyeing industry is considered as one of the most polluting industrial sectors. The printing process is very versatile and includes printing on paper as well as printing on textile, plastic and other materials. After the printing process is completed, various chemicals such as ethers, alcohols, phenols, aldehydes, ketones, benzene, and esters are used in the cleaning procedure. Resulting wastewater often contains a variety of solvents, surfactants, dyes, and other chemicals, thus greatly increasing the difficulty of wastewater treatment. Improper discharge of printing and dyeing wastewater into water bodies will have several effect, beginning with aesthetical issues followed by destruction of the aqueous ecosystem due to light attenuation, oxygen consumption and toxicity effects. Therefore, it is very important to find out and optimize printing and dying wastewater treatment techniques. Processes for dye removal from wastewater can be physical, chemical, biological and more recently hybrid treatments. Physical processes such as adsorption, based on mass transfer mechanism, are commonly used method mainly due to ease of operation and high efficiency. Chemical processes including coagulation and flocculation, advanced oxidation processes and electrochemical treatment are usually more expensive due t chemicals use, equipment requirements and electrical energy consumption. However, these techniques are destructive and may lead to total mineralization of dye molecules and accompanying pollutants. Biological treatment is a low-cost and environmentally friendly process that produces less sludge. This method has significant advantages but dye molecules are less prone to this kind of treatment as they are made to be stable and reluctant. So, the adjustment and optimization of biological treatment, for dye removal, is an ongoing field of research. In recent studies hybrid processes are gaining more attention, combining different techniques. Integrating treatments, as a cost-saving and time-saving process, can represent optimal solution for printing wastewater treatment.
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Li, Shan, and Yanlong Liu. "Reactive dyes on the wood veneer dyeing research." In 2nd International Conference on Electronic and Mechanical Engineering and Information Technology. Paris, France: Atlantis Press, 2012. http://dx.doi.org/10.2991/emeit.2012.315.

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Yu, Shengfei, Dan Xu, Xiao Zhang, Tianhui Yu, Yuan Liu, Xu Wang, and Na Li. "Development of Dyeing Mechanism of Wood with Reactive Dyes." In 2015 International Symposium on Energy Science and Chemical Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/isesce-15.2015.28.

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M., Yeghyan, Chekmareva M., Ugrekhelidze N., and Kulikova N. "DYEING GRAIN SUBSTANCES AS THE BASIS OF PHYSIOLOGICALLY ACTIVE DYES." In Innovative technologies In science and education. DSTU-Print, 2019. http://dx.doi.org/10.23947/itno.2019.324-326.

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Hu, Yanli. "Computer Digital Art Innovation of Traditional Dyeing Technology." In 2016 7th International Conference on Education, Management, Computer and Medicine (EMCM 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/emcm-16.2017.154.

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Deng, Hong. "Application and Outlook of Environment-Friendly Reactive Dyes in Wood Dyeing Industry." In 2010 International Conference on Management and Service Science (MASS 2010). IEEE, 2010. http://dx.doi.org/10.1109/icmss.2010.5576452.

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Kusumawati, Nita, Samik Samik, Agus Budi Santoso, and Asri Wijiastuti. "Development of Textile Natural Dyeing using Hybrid Dyes from Mango Leaves Turmeric." In Seminar Nasional Kimia - National Seminar on Chemistry (SNK 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/snk-18.2018.11.

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KIM, GWAN SOO, HAN SEOK KIM, SUN YOUNG KIM, KI-PUNG YOO, KWANG JUNG YONG, and YOUNG HWAN PARK. "NONAQUEOUS DRY DYEING OF ARAMID SPUN YARN WITH DISPERSE DYES UNDER SUPERCRITICAL SOLVENT MEDIUM." In Proceedings of the 4th International Conference. WORLD SCIENTIFIC, 2004. http://dx.doi.org/10.1142/9789812702623_0026.

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Li, Ping, Yiping Tang, and Fujiang Jin. "Soft-sensing method of color measurement in batch dyeing process of knitted cotton with reactive dyes." In 2011 23rd Chinese Control and Decision Conference (CCDC). IEEE, 2011. http://dx.doi.org/10.1109/ccdc.2011.5968489.

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