Relevant bibliographies by topics / Dynastie Xi-Xia

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Dynastie Xi-Xia'

Author: Grafiati
Published: 12 October 2024

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Journal articles on the topic "Dynastie Xi-Xia"

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Cho, Bok Hyeon. "The Marriage of Li Yuan-hao of Xi-xia and Khitan Princess Xing Ping the War between Khitan and Xi-xia." Institute of History and Culture Hankuk University of Foreign Studies 84 (November 30, 2022): 187–216. http://dx.doi.org/10.18347/hufshis.2022.84.187.

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Xixia and Khitan maintained friendly relations between the two countries through their marriage to Li Ji Qian and princess Yi Cheng. And secondly, Li Yuan-hao and princess Xing Ping could be married. Although Li Yuan-hao was an outstanding monarch who founded the country, he also had a side to the immoral tyrant.Li Yuan-hao married Khitan princess Xing Ping. But She died of illness seven years after her marriage, and Khitan did not visit her when she died. Later, when Khitan's envoy asked the cause of the princess's death, he gave no answer, which angered the Khitan emperor.
 Xixia had st
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2

McGrath, Michael C. "Bibliography of English Language Sources, 1996 – 2002 : Five Dynasties, Liao, Song, Xi Xia, Jin, and Yuan." Journal of Song-Yuan Studies 39, no. 1 (2009): 173–216. http://dx.doi.org/10.1353/sys.0.0007.

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3

Wang, Shiru, and Yulia Ivashko. "GENESIS OF THE VISUAL CONCEPT OF CAVES INTERIORS OF THE DUNHUANG TEMPLE COMPLEX (4TH – 14TH CENTURIES)." Spatial development, no. 5 (November 24, 2023): 3–11. http://dx.doi.org/10.32347/2786-7269.2023.5.3-11.

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The cave temple complex of Dunhuang is a unique example of a large-scale synthesis of arts in the interiors of sanctuaries of the 4th – 114th centuries. The article systematizes the scientific source base, the materials of the graduate student's own field studies, and on their basis, the periodization of wall paintings and sculptures is analyzed and the peculiarities of the genesis of the figurative concept, methods of artistic expression, common plots, etc. are determined.
 The innovation of the presented research consists in summing up the evidence base for known theses. This is traced
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4

Zhu, Tianshu. "Lute, Sword, Snake, and Parasol—The Formation of the Standard Iconography of the Four Heavenly Kings in Chinese Buddhist Art." Religions 14, no. 6 (2023): 798. http://dx.doi.org/10.3390/rel14060798.

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The Four Heavenly Kings, Sida Tianwang 四大天王, are the guardians of the four quarters of the world in Buddhism. They are among the most frequently represented protective deities in Buddhist art across different traditions. In their standard iconographies developed in China popular during the Ming and Qing dynasties (1368–1911), they wear full armor, and each holds exclusive attributes—lute (pipa 琵琶), sword, snake, and parasol—from the east, south, west, to the north respectively. There is no direct textual base in the Chinese cannon for such iconographies. Neither can we find prototypes in India
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5

Weizhang, Yin. "1. A Reexamination of the Erlitou Culture." Early China 9, S1 (1986): 1–2. http://dx.doi.org/10.1017/s0362502800002881.

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ABSTRACTScholarly opinion is divided on the question of whether the cultural remains of Erlitou Periods III and IV belong to the early Shang. This paper carries the analysis of the remains from these two periods one step further, emphasizing a group of new cultural elements, including li-cauldrons, wide-mouthed zun-beakers, curled lip round-bottom pen-basins, and narrow-mouthed long-necked weng-jars and jia-tripods. These artifacts are compared to similar remains from Zhengzhou Erligang and the obvious similarities between the two are pointed out. The Erlitou III and IV group of cultural eleme
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Smith, Paul Jakov. "The Fragility of Peace: Song China's Northwestern Frontier and Erosion of the Chanyuan Paradigm in the Mid-Eleventh Century." Journal of Chinese History, September 5, 2023, 1–29. http://dx.doi.org/10.1017/jch.2023.18.

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Abstract The Chanyuan Covenant of 1005 that ended decades of war between Song and Liao precipitated a new political model that, from the Song perspective, exchanged wealth, territory, and dynastic pride in return for peace along the northern frontier, civilian sovereignty over a long-dominant military class, and the replacement of a culture of arms with the love of books. That “Chanyuan Paradigm” survived the Qingli war of 1040–1044 with the Tangut Xi Xia, but was steadily overturned in the expansionist wars promoted by Shenzong and his sons from 1068 through the fall of the Northern Song in 1
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Cao, Yunrui, Jinlin Ma, Chaohua Hao, and Qi Yan. "Tangut character image generation based on cycle-consistent adversarial networks." Journal of Intelligent & Fuzzy Systems, January 24, 2023, 1–18. http://dx.doi.org/10.3233/jifs-221892.

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Tangut characters were created by the Tangut of the Western Xia (Xi Xia) Dynasty in ancient China and are over 1000 years old. In deep-learning-based recognition studies on Tangut characters, the lack of category-complete datasets has been problematic. Data augmentation cannot augment the character categories of unknown styles, whereas the use of image generation can effectively solve the problem. In this study, we consider the generation of antique book calligraphy styles of Tangut characters as a problem of learning to map from existing printed styles to personalized antique book calligraphy
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Dissertations / Theses on the topic "Dynastie Xi-Xia"

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Lefebvre, Romain. "L'imaginaire de l'autre : étude et analyse de la réception du chapitre 41 de l'Avataṃsakasūtra en langue de Tangoute, conservé à l'Université de Pékin et à l'Institut des Hautes Etudes chinoises du Collège de France". Thesis, Artois, 2013. http://www.theses.fr/2013ARTO0007.

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D'origine nomade, ils avaient conquis les territoires du nord-ouest de la Chine, allant d'une partie au sud de la Mongolie Intérieure au nord du Qinghai, à l'ouest du Gansu, la région du Ningxia et une partie ouest du Shaanxi. Une fois installés dans cette vaste région, ils se développèrent rapidement, tant sur le plan culturel que sur le plan économique, et fondèrent en 1038 leur royaume. À partir de cette date, ils créèrent leur propre langue et écriture, en partie à base du chinois classique, et renforcèrent leurs relations avec leurs puissants voisins frontaliers, à savoir : au sud-est de
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2

Sun, Way. "Recherche des sons perdus de la musique xixia." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL065.

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De tout ce qui a rapport aux musiques tangoutes et xixia, on met ici un accent particulier sur les instruments, les notations, les poèmes, les images, le lexique et les types de spectacles. Tous ont subi l'influence des musiques traditionnelles tangoutes, d'autres groupes ethniques, et surtout celle des Plaines centrales. Le travail du terrain au nord-ouest de la Chine a permis de collecter des sources, effectuer des recherches dans des instituts, échanger avec des chercheurs, et voir in situ les peintures murales. Surtout, parcourant l'environnement des Xixia je me suis m'imprégnée par l'écou
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Zhang-Goldberg, Diane. "Les vestiges funéraires Xixia et leur interprétation : art, rites et croyances dans l’au-delà au royaume des Tangoutes." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP033.

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Sédentarisés dans le nord-ouest de la Chine actuelle pendant la dynastie Tang, les Tangoutes créèrent sous les Song l’empire Xixia (en 1038), que les armées de Genghis Khan détruisirent en 1227. La présente thèse porte sur la culture funéraire des Xixia. Elle se fonde sur une étude exhaustive des tombes fouillées à partir des années 1970. Leur nombre est limité, mais leur variété permet de dresser un tableau relativement complet dans la mesure où ces sépultures appartiennent à des classes sociales différentes, de la population ordinaire jusqu’aux souverains, en passant par des aristocrates et
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Books on the topic "Dynastie Xi-Xia"

1

Ningxia she hui ke xue yuan. Xi Xia yan jiu yuan. Xi Xia yan jiu lun wen ji: Zeng ding ban. Feng huang chu ban she, 2017.

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2

Ningxia she hui ke xue yuan. Li shi yan jiu suo. Xi Xia yan jiu lun wen ji. Feng huang chu ban she, 2015.

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author, Yang Xiushan, ed. Xi Xia wen ming. Ningxia ren min chu ban she, 2016.

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Chen, Guang'en. Xi xia Yuan shi yan jiu lun gao. Zhongguo she hui ke xue chu ban she, 2017.

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5

Yajian, Liu, and Li Zhaolun, eds. Xi Xia yi zhen. Wen wu chu ban she, 2013.

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6

Hu, Yubing, writer of added commentary, ed. Xi Xia shu shi jiao zhu. Shanghai gu ji chu ban she, 2021.

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7

author, Wen Zhiyong 1966, ed. Wen hua ren tong shi yu xia de Xi Xia Zang chuan fo jiao yan jiu: A research of Tibetan buddhism in tangut under the perspective of cultural identity. Zhongguo she hui ke xue chu ban she, 2021.

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8

Zeng, Ruilong. Tuo bian xi bei: Bei Song zhong hou qi dui Xia zhan zheng yan jiu. Zhejiang da xue chu ban she, 2019.

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9

Ren, Changxing. Xi Xia yan ye shi lun. Zhongguo jing ji chu ban she, 2016.

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10

author, Chen Aifeng 1980, ed. Xi Xia yu zhou bian guan xi yan jiu: Xixia relationship with the surrounding. Gansu min zu chu ban she, 2012.

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Book chapters on the topic "Dynastie Xi-Xia"

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Thierry, François. "Deuxième partie. Dynastie tangoute des Xi Xia 西夏 (1032-1227)." In Monnaies chinoises. Tome IV. Éditions de la Bibliothèque nationale de France, 2014. http://dx.doi.org/10.4000/books.editionsbnf.1386.

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