Academic literature on the topic 'Dystopia'

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Journal articles on the topic "Dystopia"

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Hochberg, Gil. "Dystopias in the Kingdom of Israel: Prophetic Narratives of Destruction in Recent Hebrew Literature." Comparative Literature 72, no. 1 (2020): 19–31. http://dx.doi.org/10.1215/00104124-7909950.

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Abstract This article is about a recent wave of literary dystopias published in Israel, most of which center on the soon-to-come destruction of the Jewish state. Notable among these are The Third (Ha-shlishi) by Yishai Sarid (2015), Mud (Tit) by Dror Burstein (2016), and Nuntia (Kfor) by Shimon Adaf (2010). These texts draw on biblical or Rabbinic Hebrew, Jewish sources, and Jewish historical events (specifically the destruction of the First and Second Temples), making them just as much about a dystopian past as they are about a dystopian future. They are, in other words, dystopias of a circul
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Shor, Francis. "Guns and Gender Roles in Dystopian Settings." Utopian Studies 33, no. 1 (2022): 76–89. http://dx.doi.org/10.5325/utopianstudies.33.1.0076.

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ABSTRACT Dystopian settings are often dominated by fear and despair. As instruments and symbols of fear, guns, especially deployed in gendered ways, reinforce the dystopian setting. This article explores how guns and gender roles are represented in three dystopian novels (The Turner Diaries, The Road, and Parable of the Sower) and three dystopian films (Zardoz, The Terminator, and The Road). Examining how phallocentric aggression and toxic masculinity shape how guns are wielded by a number of characters in several of these films and novels, the article also suggests how critical dystopias offe
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Bakker, Barbara. "Egyptian Dystopias of the 21st Century." Journal of Arabic and Islamic Studies 21 (October 23, 2021): 79–94. http://dx.doi.org/10.5617/jais.9151.

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During the first two decades of the 21st century an increasing amount of narratives termed as Arabic dystopian fiction appeared on the Arabic literary scene, with a greater part authored by Egyptian writers. However, what characterises/marks a work as a dystopia? This paper investigates the dystopian nature of a selection of Egyptian literary works within the frame of the dystopian narrative tradition. The article begins by introducing the features of the traditional literary dystopias as they will be used in the analysis. It then gives a brief overview of the development of the genre in the A
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Amelina, Anna V. "Theoretical Aspect of Studying the Literary Utopias and Dystopias of the First Decades of the 20th Century (on the Genre Identification Problem)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 25, no. 4 (2023): 77–91. http://dx.doi.org/10.15826/izv2.2023.25.4.061.

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This article examines the theoretical problems of studying literary utopias and dystopias. Since utopia and dystopia exist far beyond fiction, it is proposed to approach the analysis of a literary work as a particular case of the manifestation of a universal model of utopian/dystopian consciousness. First, in the texts under consideration, their elements should be identified with the support of research in social philosophy — the structure of utopian consciousness is outlined in the article, and the structure of dystopian consciousness is derived by the author of the article by analogy. If a w
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Marco, Malvestio. "Theorizing Eco-Dystopia: Science Fiction, the Anthropocene, and the Limits of Catastrophic Imagery." European Journal of Creative Practices in Cities and Landscapes 5, no. 1 (2022): 24–38. https://doi.org/10.6092/issn.2612-0496/14532.

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This essay considers a peculiar kind of science-fictional writing with environmental concerns that pivots on the imagery of catastrophe and blends the dystopian and the post-apocalyptic traditions. This sub-genre is known as eco-dystopia, which, I argue, merges the catastrophic imagery of the post-apocalyptic tradition with the consequential mode of dystopia. Eco-dystopias rely on the imagery of catastrophe to warn the public about the dangers and the consequences of the Anthropocene. However, such imagery presents strong limitations when used to dramatize and conceptualize the Anthropocene, a
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Baccolini, Raffaella. "Recovering Hope in Darkness: The Role of Gender in Dystopian Narratives." Revista X 17, no. 4 (2022): 1224. http://dx.doi.org/10.5380/rvx.v17i4.87033.

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My aim is to comment on dystopia based on an approach that has foregrounded, from its very beginning, issues of writing in their intersection with gender and the deconstruction of high and low culture. In the first part of the article, I carry out a reflection on the genre of dystopia, how it has changed, its constituent elements and their transformations, with a look in particular to its gender dimension, its formal and thematic features, as well as to its modes of articulating horizons of hope. In the second part, I discuss dystopian conventions and developments, drawing from Lyman Sargent’s
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K, Pappitha. "Dystopian Visions: A Critical Examination of Margaret Atwood’s the Handmaid’s Tale and Cormac Mccarthy’s The Road." Shanlax International Journal of Arts, Science and Humanities 12, S3-Jan (2025): 45–51. https://doi.org/10.34293/sijash.v12is3-jan.8837.

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Literature is the total of preserved writings belonging to a given language or people. It is a product of life and about life. It uses language as a medium. A dystopia is an imaginary society or community characterized by undesirable, frightening, and often oppressive conditions in a totalitarian society. Dystopian literature is a genre of fiction that enables authors to examine the consequences of human decisions, social and politicalpatterns, and technological processes. It characterizes a society plagued with suffering, poverty, or oppression. Dystopias are extremely flawed societies. In th
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Vrbančić, Mario. "The Future of Dystopia." Politička misao 59, no. 4 (2022): 31–48. http://dx.doi.org/10.20901/pm.59.4.02.

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Dystopia, just as utopia, has always been immersed in political visions: utopia ‎as an ideal society and dystopia as its opposite: ‘bad place’ – a futuristic, usually ‎very near future, an imagined universe in which oppressive social control ‎rules. However, utopia and dystopia cannot be absolutely separated, there is‎ a constant threat of replacing good place by bad place, very often leading to‎ the conclusion that every utopia either leads to dystopia or already is dystopia.‎ Today, it often seems that the dystopian future has already arrived, the reality ‎itself evokes dystopian imagination
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Malyshev, V. B. "Semantics of absurdity on the metaphysical clock of dystopia: Russian intentions." Aspirantskiy Vestnik Povolzhiya 22, no. 3 (2022): 64–67. http://dx.doi.org/10.55531/2072-2354.2022.22.3.64-67.

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The problem of absurdity is a multidimensional problem of philosophical anthropology, it raises the question of the postmodern man, about the existence of man in the world of dystopia. Through the semantics of absurdity, it becomes possible to consider the problems of aesthetic, epistemological, cultural properties in the context of posing a fundamental question about a person, about a person in principle.
 Aim to correlate the semantics of absurdity and the concept of a metaphysical clock. Absurdity is regarded as the destruction of the ideal architectonics of the metaphysical clock of d
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Stillman, Peter G. "Dystopian Visions and Utopian Anticipations: Terry Bisson’s Pirates of the Universe as Critical Dystopia." Science Fiction Studies 28, Part 3 (2001): 365–82. https://doi.org/10.1525/sfs.28.3.0365.

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This article examines the interplay of dystopian and utopian themes in Terry Bisson’s Pirates of the Universe, utilizing Tom Moylan’s concept of “critical dystopia.” In the novel, Bisson maps out a number of discontinuous dystopias in a near-future US marked by rampant capitalist enterprise, out-of-control bio-technology, ecological decay, and a weak central state. These dystopias generally produce citizens with fragmented personal experiences, disinterest in social issues, and limited aspirations. Towards the end of the novel, when free and clean energy becomes available to all, Bisson explor
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Dissertations / Theses on the topic "Dystopia"

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Sullivan, Emily. "Dystopia." [Kent, Ohio] : Kent State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1272398862.

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Thesis (M.F.A.)--Kent State University, 2010.<br>Title from PDF t.p. (viewed May 26, 2010). Advisor: Loderstedt Michael. Keywords: printmaking; screen printing; photography; installation Includes bibliographical references (p. 21).
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Cojocaru, Daniel. "Violence and dystopia : mimesis and sacrifice in contemporary Western dystopian narratives." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:f3f2848d-d349-4dcd-8bff-810010a2e8e3.

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Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-
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Christogiannopoulou, Klappenbach Anastasia. "Utopia - dystopia : documentation of the thesis Utopia/dystopia." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2738.

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I will start my thesis project with an analyse of current innovations in technology and new materials to find out what possible potential they may offer for new design solutions. The focus will be on inventions of disruptive technologies of the past and the present and how they change our way of life. An interesting point is to draw conclusions from how the consequences of these technological milestones impact our everyday life. An example is the influence of the internet (in the bigger and the smaller scale): it changed our way to purchase goods, to find a partner and to get e-services. In an
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Carnes, Erin Kay. "Digesting dystopia." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1127.

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Digesting Dystopia There is a discrepancy between where our food comes from and where we believe it comes from. Our understanding of the origins of our consumable food is often distorted. The relationship between consumers and the ingredients keeping us alive is characterized by an overwhelming amount of contradictory information. The decisions that we make regarding these products have a profound effect on every facet of our existence. I use the contentious climate of the food industry as the background for making surreal images that open up conversations about the politics of eating. These c
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Dror, Stephanie. "The ecology of dystopia : an ecocritical analysis of young adult dystopian texts." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46535.

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Using the lens of ecocriticism combined with theories of the utopia and dystopia, this thesis focuses on the literary portrayal of nature and technology in three contemporary young adult dystopian texts: Life as We Knew It by Susan Beth Pfeffer, The Hunger Games by Susanne Collins, and The Knife of Never Letting Go by Patrick Ness. This research takes a cultural studies approach and draws upon sources of environmentalist criticism and literary studies to investigate the ways in which the three primary texts represent the natural world and technology and then endeavours to uncover the relations
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Koval, Ju. "Dystopia as a cinematography direction." Thesis, Сумський державний університет, 2013. http://essuir.sumdu.edu.ua/handle/123456789/31122.

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Dystopia is a direction of the artistic literature and the cinematography direction, in narrow sense, it is a description of the totalitarian state, in wide sense, it is a description of any society, in which there are prevailed negative progress trends. Dystopia is a complete opposition of utopia. Utopia is a genre of the artistic literature, which is close to science fiction and describing a model of an ideal society from the author’s point. Unlike dystopia, it is characterize by the author’s faith in the blamelessness of a model. When you are citing the document, use the following link http
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Dreher, Matthew David. "A Crypt within a Dystopia." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/32607.

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This project is about our social denial of death, the questioning of rationality and utopian ideals, and our fears of modernity. The intimate connection once associated with death has been hidden. In this project the remains of the dead are sacred. Death is brought to the forefront. By acknowledging a finite existence and exposing our fear of death, life can be given meaning. The activities of daily life are integrally linked to the crypt.<br>Master of Architecture
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Welstead, Adam. "Dystopia and the divided kingdom : twenty-first century British dystopian fiction and the politics of dissensus." Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/17104.

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This doctoral thesis examines the ways in which contemporary writers have adopted the critical dystopian mode in order to radically deconstruct the socio-political conditions that preclude equality, inclusion and collective political appearance in twenty-first century Britain. The thesis performs theoretically-informed close readings of contemporary novels from authors J.G. Ballard, Maggie Gee, Sarah Hall and Rupert Thomson in its analysis, and argues that the speculative visions of Kingdom Come (2006), The Flood (2004), The Carhullan Army (2007) and Divided Kingdom (2005) are engaged with a w
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Holt, Macon Ashford Bannon. "A sonic fiction of boring dystopia." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/22026/.

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This thesis attempts to re-engage the practice of Sonic Fiction devised by Kodwo Eshun, within the historical context that Mark Fisher termed, boring dystopia, and produce A Sonic Fiction of Boring Dystopia. This also shows how the practice of sonic fiction might intercede to overcome an impasse between a traditional critical theory (Adorno) and Deleuzian approaches to the analysis of popular music. The thesis is in two parts; the first provides an overview of the concept of boring dystopia and the practice of sonic fiction. The second is A Sonic Fiction of Boring Dystopia, that performs an ex
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Hasan, Arwa. "Readers and text worlds of dystopia." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/45084/.

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This thesis is an exploration of reading styles and stylistic patterning in relation to dystopian fiction. Situated within an empirical cognitive poetics, the study draws upon naturalistic reader-response data, with specific reference to Atwood’s The Handmaid’s Tale and Vonnegut’s ‘Harrison Bergeron’, as case studies of dystopian texts that produce a spectrum of readings. The notions of preferred and dispreferred responses are defined in cognitive linguistic and pragmatic terms, and non-normative readings of these dystopian texts are investigated. The thesis adopts a text-world theoretical des
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Books on the topic "Dystopia"

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1936-, Griffin Ed, ed. Dystopia. Trafford, 2007.

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Matheson, Richard Christian. Dystopia. J'ai lu, 2005.

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Ayres, Ed. Defying Dystopia. Routledge, 2018. http://dx.doi.org/10.4324/9780203793626.

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Radulović, Dragan. Auschwitz Cafe: Dystopia. Drakar, 2003.

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Schermuly, Carsten C. New Work Dystopia. Haufe, 2023. http://dx.doi.org/10.34157/978-3-648-16965-0.

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Donetti, Dario. Architecture and dystopia. Actar Publishers, 2019.

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Norledge, Jessica. The Language of Dystopia. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93103-2.

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Cyber Punk, Dystopian, Dystopia, Cyberpunk, Sci-Fi. Blurb, 2021.

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Siddall, James. Dystopia. Jacana Education, 2013.

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Hacksaw, Spider. Dystopia. AuthorHouse, 2011.

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Book chapters on the topic "Dystopia"

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Laakso, Maria. "Dystopia." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90913-0_267.

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Laakso, Maria. "Dystopia." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-98390-5_267-1.

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Claeys, Gregory. "Dystopia." In The Palgrave Handbook of Utopian and Dystopian Literatures. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88654-7_4.

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Haworth, Alan. "Dystopia." In Totalitarianism and Philosophy. Routledge, 2019. http://dx.doi.org/10.4324/9780367438265-5.

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Kyrou, Ariel. "Dystopia." In Handbook of the Anthropocene. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-25910-4_78.

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Secklehner, Julia. "Socialist Dystopia?" In Rethinking Modern Austrian Art Beyond the Metropolis. Routledge, 2024. http://dx.doi.org/10.4324/9781032658865-6.

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Klumbyt, Neringa. "Soviet dystopia." In Soviet and Post-Soviet Lithuania – Generational Experiences. Routledge, 2021. http://dx.doi.org/10.4324/9781003023050-2.

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Mayer, Wendy. "Remembering dystopia." In Making and Unmaking Ancient Memory. Routledge, 2022. http://dx.doi.org/10.4324/9780429352843-11.

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Cavalcanti, Ildney. "Critical Dystopia." In The Palgrave Handbook of Utopian and Dystopian Literatures. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88654-7_5.

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Ng, Mee Kam. "Dystopian utopia? Utopian dystopia?" In The Routledge Handbook of Henri Lefebvre, The City and Urban Society. Routledge, 2019. http://dx.doi.org/10.4324/9781315266589-52.

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Conference papers on the topic "Dystopia"

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Ganias, Giorgos, Christos Lougiakis, Anastasios Niarchos, et al. "From Dystopia to Eutopia: Transforming Urban Environments Through Collaborative Decision-Making in ARSINOE VR." In 2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2025. https://doi.org/10.1109/vrw66409.2025.00412.

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Kovalenko, A., and Jiarui Hu. "DYSTOPIANISM IN THE PROSE OF POSTMODERN WRITERS (V. PELEVIN)." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3686.rus_lit_20-21/23-26.

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The article explores the role and the place of Utopia and Dystopia in Victor Pelevin's novels. Traditions of “classical dystopia” in his novels disclosed, at the same time the presence of a Meta-genre modification observed. The novels may hardly attributed either to Utopia or to Dystopia in “pure form”. Actually, they are balancing in a space where a parody of Soviet Utopia coexists with a satirical depiction of bourgeois consumer Utopianism. The creative method of the writer reveals a special ideological complex of Distopianism in the absence of “canonical” samples of the Meta-genre. Principl
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Kalikar, S. A. "Howling Cry of Dystopia." In The First Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0012492700003792.

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da, Hilarino. "Utopia and dystopia in Jorge Barbosa." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-58.

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Suhr, Cecilia. "Me, Myself and I in Dystopia." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. ACM, 2021. http://dx.doi.org/10.1145/3483529.3483779.

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Grzeszczuk-Brende, Hanna. "Expressionist utopia and dystopia (architecture, literature, film)." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-38.

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Marques, Marta. "Nothing but something else. Displaying social dystopia." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-39.

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Palinhos, Jorge. "Architectures of madness: Lovecraft’s R’lyeh as modernist dystopia." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-60.

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Dessouky, Ghada, Patrick Jauernig, Nele Mentens, Ahmad-Reza Sadeghi, and Emmanuel Stapf. "INVITED: AI Utopia or Dystopia - On Securing AI Platforms." In 2020 57th ACM/IEEE Design Automation Conference (DAC). IEEE, 2020. http://dx.doi.org/10.1109/dac18072.2020.9218490.

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Barik, Titus, Rahul Pandita, Justin Middleton, and Emerson Murphy-Hill. "Designing for dystopia: software engineering research for the post-apocalypse." In FSE'16: 24nd ACM SIGSOFT International Symposium on the Foundations of Software Engineering. ACM, 2016. http://dx.doi.org/10.1145/2950290.2983986.

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Reports on the topic "Dystopia"

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Myers, Evan R., Gillian D. Sanders, Remy R. Coeytaux, et al. Labor Dystocia. Agency for Healthcare Research and Quality (AHRQ), 2020. http://dx.doi.org/10.23970/ahrqepccer226.

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Sweadner, Kathleen J. Creation of a Mouse with Stress-Induced Dystonia: Control of an ATPase Chaperone. Defense Technical Information Center, 2012. http://dx.doi.org/10.21236/ada573942.

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Sweadner, Kathleen J. Creation of a Mouse with Stress-Induced Dystonia: Control of an ATPase Chaperone. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada583979.

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Scott, Ann, Joanna Duncan, David Tivey, and Wendy Babidge. Paediatric deep brain stimulation. The Sax Institute, 2019. http://dx.doi.org/10.57022/iksx3206.

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This review aimed to assess the evidence around the use of deep brain stimulation (DBS) for paediatric patients with severe dystonia. It aimed to answer the following questions: 1) Is paediatric DBS safe, efficacious and cost effective when compared with best supportive care?, 2) Is DBS more safe or more effective for some types of paediatric dystonia than others? Are there agreed patient selection criteria?, 3) What models of care and service delivery or access and funding mechanisms are established to deliver paediatric DBS internationally?. The available evidence is limited but the growing
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Juarez, Jessica. Development of a curriculum for use with a bovine dystocia simulator to educate and engage learners about animal agriculture and rural veterinary medicine. Iowa State University, 2020. http://dx.doi.org/10.31274/cc-20240624-539.

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Albert, Michael. Postcapitalist Work: Balanced Jobs and Equitable Remuneration. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp6en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Michael Albert addresses
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Albert, Michael. Postcapitalist Allocation: Participatory Planning. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp9en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Michael Albert addresses
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Albert, Michael. Postcapitalist Decision Making. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp4en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Michael Albert addresses
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Shalom, Stephen R. Decision-Making in a Good Society: The Case for Nested Councils. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp8en.

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Abstract:
mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Stephen R. Shalom addres
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Chowdhury, Savvina. The Organisation of Social Reproduction in a Postcapitalist Participatory Economy. Mέta | Centre for Postcapitalist Civilisation, 2022. http://dx.doi.org/10.55405/mwp12en.

Full text
Abstract:
mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Savvina Chowdhury addres
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