Academic literature on the topic 'Dystopian literature'

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Journal articles on the topic "Dystopian literature"

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Hochberg, Gil. "Dystopias in the Kingdom of Israel: Prophetic Narratives of Destruction in Recent Hebrew Literature." Comparative Literature 72, no. 1 (2020): 19–31. http://dx.doi.org/10.1215/00104124-7909950.

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Abstract This article is about a recent wave of literary dystopias published in Israel, most of which center on the soon-to-come destruction of the Jewish state. Notable among these are The Third (Ha-shlishi) by Yishai Sarid (2015), Mud (Tit) by Dror Burstein (2016), and Nuntia (Kfor) by Shimon Adaf (2010). These texts draw on biblical or Rabbinic Hebrew, Jewish sources, and Jewish historical events (specifically the destruction of the First and Second Temples), making them just as much about a dystopian past as they are about a dystopian future. They are, in other words, dystopias of a circul
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Bakker, Barbara. "Egyptian Dystopias of the 21st Century." Journal of Arabic and Islamic Studies 21 (October 23, 2021): 79–94. http://dx.doi.org/10.5617/jais.9151.

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During the first two decades of the 21st century an increasing amount of narratives termed as Arabic dystopian fiction appeared on the Arabic literary scene, with a greater part authored by Egyptian writers. However, what characterises/marks a work as a dystopia? This paper investigates the dystopian nature of a selection of Egyptian literary works within the frame of the dystopian narrative tradition. The article begins by introducing the features of the traditional literary dystopias as they will be used in the analysis. It then gives a brief overview of the development of the genre in the A
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K, Pappitha. "Dystopian Visions: A Critical Examination of Margaret Atwood’s the Handmaid’s Tale and Cormac Mccarthy’s The Road." Shanlax International Journal of Arts, Science and Humanities 12, S3-Jan (2025): 45–51. https://doi.org/10.34293/sijash.v12is3-jan.8837.

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Literature is the total of preserved writings belonging to a given language or people. It is a product of life and about life. It uses language as a medium. A dystopia is an imaginary society or community characterized by undesirable, frightening, and often oppressive conditions in a totalitarian society. Dystopian literature is a genre of fiction that enables authors to examine the consequences of human decisions, social and politicalpatterns, and technological processes. It characterizes a society plagued with suffering, poverty, or oppression. Dystopias are extremely flawed societies. In th
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Poleganov, Vladimir. "Variations on the Dystopian: William James, Ursula Le Guin, and Bernard Wolfe." Colloquia Comparativa Litterarum 10 (2024): 45–54. http://dx.doi.org/10.60056/ccl.2024.10.45-54.

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For over a centurynow, dystopian visions of the future have been an integral part of the strategies through which literature reacts to changes in the world. However, dystopia is not always an entirely new world. Sometimes, it is an element in a world born from a utopian impulse. The article explores the variations of the dystopianin two such worlds influenced by the works of William James: Bernard Wolfe's Limboand in Ursula K. Le Guin's The Ones Who Walk Away From Omelas. The analysis adopts the concept of dystopia as utopia’s shadow, and traces the moments when the world, the body, and the la
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Seeger, Sean, and Daniel Davison-Vecchione. "Dystopian literature and the sociological imagination." Thesis Eleven 155, no. 1 (2019): 45–63. http://dx.doi.org/10.1177/0725513619888664.

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This article argues that sociologists have much to gain from a fuller engagement with dystopian literature. This is because (i) the speculation in dystopian literature tends to be more grounded in empirical social reality than in the case of utopian literature, and (ii) the literary conventions of the dystopia more readily illustrate the relationship between the inner life of the individual and the greater whole of social-historical reality. These conventional features mean dystopian literature is especially attuned to how historically-conditioned social forces shape the inner life and persona
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Scotti, Nathani dos Reis, and Marcelo Fernando de Lima. "Mulheres distópicas: representações femininas em Nós e Jogos vorazes." Acta Scientiarum. Language and Culture 46, no. 2 (2024): e70228. http://dx.doi.org/10.4025/actascilangcult.v46i2.70228.

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This paper aims to compare the representations of women in the novels We, by Yevgeny Zamiátin, and The hunger games, by Suzanne Collins, to examine how women are represented in dystopian literature and whether there are significant changes in these representations in the 20th and 21st centuries and how they influence the construction of the dystopian novel. The study was based on feminist and cultural theories, which helped to understand the processes of oppression and resistance present in the characters O-90 and I-330 in Zamiátin's novel and Katniss Everdeen in Suzanne Collins' narrative. Th
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Su, Ping, Mingwen Xiao, and Xianlong Zhu. "Rethinking utopian and dystopian imagination in island literature and culture." Island Studies Journal 17, no. 2 (2022): 3–12. http://dx.doi.org/10.24043/isj.392.

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The trope of the utopian island occurs in a variety of cultural traditions. For example, in the West, the literary imagination of ideal islandness made manifest an imperialist rhetoric and contributed to European exploration and colonization. The tension between utopia and dystopia is an intrinsic feature of Western utopian island imaginations, which were complicit in colonial exploitation and oppression. Western models of island utopias and dystopias have been imposed on non-Western cultures, whose scholars have engaged in decolonial practices by adapting, reshaping, and transforming these co
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Stahr, Radka, and Anne Marlene Hastenplug. "With dark humor about a dark future." Folia Scandinavica Posnaniensia 29, no. 1 (2020): 19–29. http://dx.doi.org/10.2478/fsp-2020-0005.

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Abstract This article analyses the relationship between black humor and dystopian literature. In dystopia, humor can appear on the surface as language or situational comics, but there is also a deeper link between these two literary phenomena: they confront the reader with an unexpected notion in order to bring him to a critical reflection. There are many dystopias in the Nordic literature that use comic elements. Three of them are discussed in this article: Axel Jensens Epp (1965), Lena Anderssons Duck City (2006) and Kaspar Colling Nielsens Den danske borgerkrig 2018–24 (2013). The analysis
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Baccolini, Raffaella. "Recovering Hope in Darkness: The Role of Gender in Dystopian Narratives." Revista X 17, no. 4 (2022): 1224. http://dx.doi.org/10.5380/rvx.v17i4.87033.

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My aim is to comment on dystopia based on an approach that has foregrounded, from its very beginning, issues of writing in their intersection with gender and the deconstruction of high and low culture. In the first part of the article, I carry out a reflection on the genre of dystopia, how it has changed, its constituent elements and their transformations, with a look in particular to its gender dimension, its formal and thematic features, as well as to its modes of articulating horizons of hope. In the second part, I discuss dystopian conventions and developments, drawing from Lyman Sargent’s
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Nguyen, Phuong Khanh. "DYSTOPIAN THEME IN SOUTH KOREAN LITERATURE AND FILM." UED Journal of Social Sciences, Humanities and Education 11, no. 1 (2021): 137–46. http://dx.doi.org/10.47393/jshe.v11i1.944.

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The theme Dystopia began as a response to Utopian theory, which isrelated to perfect communities. A dystopia is an imaginary community or society that is dehumanized and is therefore terrifying with people who are forced to battle for survivalin a ruined environment with technological control and oppression by the governing authority. Dystopian novels or films can challenge readers to think differently about the current social and political contexts, and can even promptpositive actions for the future of human beings. Recently, not only America and Europe but also South Korea has witnessed the
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Dissertations / Theses on the topic "Dystopian literature"

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Cojocaru, Daniel. "Violence and dystopia : mimesis and sacrifice in contemporary Western dystopian narratives." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:f3f2848d-d349-4dcd-8bff-810010a2e8e3.

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Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-
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麥雅琳 and Ngah-lam Elaine Mak. "Eugenics in dystopian novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31226516.

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Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fiction through the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27968.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analysi
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Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fictionthrough the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28495.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21 st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analys
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Hensley, Martin. "The Green World of Dystopian Fiction." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/276.

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Northrop Frye was the first theorist to develop the green world archetype; Frye used the term to refer to a recurring motif in Shakespearean comedy. In several of Shakespeare's comedies, the protagonists leave the civilized world and venture into the green world, or nature, to escape from the irrational law of society, which is the case in such comedies as As You Like It and A Midsummer Night's Dream. Elements of the green world can also be found in Shakespearean tragedy, where the natural retreat serves as a temporary escape for the protagonists. Such a green world exists in three of the most
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Weiss, Katherine. "Beckett’s Ruined Landscapes: Dystopian Visions after WWII." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2252.

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Mak, Ngah-lam Elaine. "Eugenics in dystopian novels /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23595954.

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Johnson, Bryan W. "Dystopian Literature and the Novella Form as Illustrated Through Side Effects, an Original Novella." DigitalCommons@USU, 2012. https://digitalcommons.usu.edu/etd/1413.

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This master’s degree thesis exists in two parts: a critical introduction and an original novella entitled Side Effects. The critical introduction introduces and explains the theories on, literature surrounding, and literary uses of dystopian fiction, the novella format, and drug-based psychotherapy. Current opinion on dystopian fiction sees it characterized by a seemingly perfect societal setting that ultimately contains hidden or suppressed moral flaws. The ultimate purpose of dystopian fiction is commentary on contemporary society through a defamiliarized setting. The novella format is shown
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Tan, Susan. "Between times : growing into future's history in young adult dystopian literature." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708554.

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NEWMAN, CHINA RAE. "GENDER PERFORMANCE IN DYSTOPIAN LITERATURE THROUGHOUT THE HISTORY OF SCIENCE FICTION." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/613347.

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This work analyzes the use and portrayal of gender in Jack London’s The Iron Heel (1908), George Orwell’s 1984 (1949), Philip K. Dick’s Do Androids Dream of Electric Sheep (1968), and Stephanie Collins’ The Hunger Games (2008), four dystopian works written over a period of 100 years. It questions the reasoning behind the use of gender within each of the texts and looks at the changes in the use and presentation of gendered characters in each of the novels, considering the purpose of each text and the possible reasoning behind gendered portrayals of the characters in each story. Though a chrono
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Books on the topic "Dystopian literature"

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Booker, M. Keith. Dystopian literature: A theory and research guide. Greenwood Press, 1994.

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Theis, Mary Elizabeth. Mothers and masters in contemporary utopian and dystopian literature. P. Lang, 2009.

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Palardy, Diana Q. The Dystopian Imagination in Contemporary Spanish Literature and Film. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92885-2.

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Fürst, Saskia, and Yvonne Katharina Kaisinger. US American expressions of utopian and dystopian visions. LIT, 2017.

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1970-, Hintz Carrie, and Ostry Elaine 1967-, eds. Utopian and dystopian writing for children and young adults. Routledge, 2003.

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Booker, M. Keith. Dystopian Literature. Greenwood, 1994. http://dx.doi.org/10.5040/9798400642869.

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Dystopian literature is a potent vehicle for criticizing existing social conditions and political systems. While utopian literature portrays ideal worlds, dystopian literature depicts the flaws and failures of imaginative societies. Often these societies are related to utopias, and the dystopian writers have chosen to reveal shortcomings of those social systems previously considered ideal. This reference overviews dystopian theory and summarizes and analyzes numerous dystopian works. By reviewing the critical thought of particular dystopian theorists, the beginning of the volume provides a the
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Smith, Kiley. Young Adult Literature: Dystopian Worlds. Teacher Created Materials, Incorporated, 2016.

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Smith, Kiley E. Young Adult Literature: Dystopian Worlds. Teacher Created Materials, Incorporated, 2016.

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Doyle, Mark. Utopian and Dystopian Themes in Tolkien’s Legendarium. Lexington Books, 2019. https://doi.org/10.5040/9781978738928.

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Utopia and Dystopia in Tolkien’s Legendarium explores how Tolkien’s works speak to many modern people’s utopian desires despite the overwhelming dominance of dystopian literature in the twentieth and twenty-first centuries. It also examines how Tolkien’s malevolent societies in his legendarium have the unique ability to capture the fears and doubts that many people sense about the trajectory of modern society. Tolkien’s works do this by creating utopian and dystopian longing while also rejecting the stilted conventions of most literary utopias and dystopias. Utopia and Dystopia in Tolkien’s Le
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Booker, M. Keith. The Dystopian Impulse in Modern Literature. Praeger, 1994. http://dx.doi.org/10.5040/9798400642852.

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While literary utopias depict an ideal society and reflect an optimistic belief in the triumph of humanity and government, dystopias present a society marked by suffering caused by human and political evils. This book offers a detailed study of several literary dystopias and analyzes them as social criticism. The volume begins with a discussion of utopias, dystopias, and social criticism. By drawing upon the theories of Freud, Nietzsche, and others, Booker sets a firm theoretical foundation for the literary explorations that follow. The chapters that come next discuss Zamyatin'sWe, Huxley'sBra
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Book chapters on the topic "Dystopian literature"

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Norledge, Jessica. "Dystopian Ethics." In Palgrave Studies in Language, Literature and Style. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93103-2_5.

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Boller, Alessandra. "Gender in Dystopian Literature." In The Palgrave Handbook of Feminist, Queer and Trans* Narrative Studies. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-75864-5_22.

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Norledge, Jessica. "Building Dystopian Worlds." In Palgrave Studies in Language, Literature and Style. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93103-2_3.

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Norledge, Jessica. "Reading Dystopian Minds." In Palgrave Studies in Language, Literature and Style. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93103-2_4.

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Norledge, Jessica. "Unreliability and Dystopian Refraction." In Palgrave Studies in Language, Literature and Style. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93103-2_6.

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Norledge, Jessica. "Reconceiving the Dystopian Genre." In Palgrave Studies in Language, Literature and Style. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93103-2_7.

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Mofield, Emily, and Tamra Stambaugh. "Dystopian Literature: The Abuse of Power." In Perspectives of Power. Routledge, 2021. http://dx.doi.org/10.4324/9781003237143-8.

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Ameel, Lieven. "Cities Utopian, Dystopian, and Apocalyptic." In The Palgrave Handbook of Literature and the City. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-54911-2_49.

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McManus, Patricia. "The Strange Case of Dystopian Fiction." In The Routledge Companion to Literature and Class. Routledge, 2021. http://dx.doi.org/10.4324/9781003008354-33.

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Parrinder, Patrick. "Beyond the Telescope: From Astronomy to (Dystopian) Fiction." In Utopian Literature and Science. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137456786_2.

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Conference papers on the topic "Dystopian literature"

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Hening, Irish, and Suma Rusdiarti. "Dystopian Narrative in Gundala’s Multiverse: Transmedia Studies." In Proceedings of the 4th BASA: International Seminar on Recent Language, Literature and Local Culture Studies, BASA, November 4th 2020, Solok, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.4-11-2020.2314221.

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Carvalho, Rodrigo Janoni. "Critical wheels of reading: Reflecting on the degrees of consciousness of characters in four dystopian works." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-068.

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In this work, we present discussions developed in critical reading circles based on the analysis of dystopian works. The realization of a reading wheel as a learning strategy is a unique opportunity for socialization in the literate world. In this sense, we propose an interdisciplinary work in the dialogue between History, Literature and Cinema, from the realization of spaces for debate, as well as the understanding of the historian's office, from the reflection of historical sources. We start from the assumption that History as knowledge is representation and narrative of the past. Thus, base
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Oğuzhan, Adnan, and Cenk Hamamcıoğlu. "Spatial and Structural Analysis of Futuristic Urban Utopian Thoughts in Climate Change Dystopias." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0067n17.

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It is thought that climate change will radically affect societies in the future, leading to radical changes in the structural and spatial mechanisms of cities. Today, most of the World, particularly 10% of the World's population living in settlements below the sea level are expected to be affected by extreme climatic conditions such as sea-level rise, change in ocean currents, destructive weather events and heat waves (IPCC, 2019). As discussed in the literature (see. Hjerpe & Linner, 2009; Foust, 2009), in this study, the most severe effects of climate change are described as a dystopian
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Kovalenko, A., and Jiarui Hu. "DYSTOPIANISM IN THE PROSE OF POSTMODERN WRITERS (V. PELEVIN)." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3686.rus_lit_20-21/23-26.

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The article explores the role and the place of Utopia and Dystopia in Victor Pelevin's novels. Traditions of “classical dystopia” in his novels disclosed, at the same time the presence of a Meta-genre modification observed. The novels may hardly attributed either to Utopia or to Dystopia in “pure form”. Actually, they are balancing in a space where a parody of Soviet Utopia coexists with a satirical depiction of bourgeois consumer Utopianism. The creative method of the writer reveals a special ideological complex of Distopianism in the absence of “canonical” samples of the Meta-genre. Principl
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Ceylan, Yağmur. "Reflections of Epidemic Diseases in Dystopic Works: An Example of "An Trial of Blindness"." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.011.

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Throughout human history of mankind, many epidemics have arisen, and these diseases have been frequently the subject of novels and movies. The spread of the Covid-19 virus has caused the works on epidemic diseases to come back to the agenda and it has caused to be reconsidered for this issue in the new period works. One of these literary works, the novel “Ensaio Sobre a Cegueira” (Blindness) which is written by Saramago in 1995, is essentially a dystopian work that seeks an answer to “Well, what if all people suddenly went blind for no reason?”. While the author deals with the conflicts in the
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Grzeszczuk-Brende, Hanna. "Expressionist utopia and dystopia (architecture, literature, film)." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-38.

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Arantes, Priscila, and Cynthia Nunes. "Into the decolonial encruzilhada: the Afrofuturistic collages of Luiz Gustavo Nostalgia as the artistic materialization of cruzo." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.88.

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The task of reviewing the silences present in hegemonic histories emerges at the beginning of the 20th century, seeking to provide a more amplified way of understanding the history of peoples and nations subjected to colonial subjugation. Rufino (2019) considers that this space of decolonization presents itself under the name of “encruzilhada” (crossroads) and understands the potentialities of the orixá Exu, of Yoruba spirituality: the orixá of communication, of the paths and the guardian of axé (vital energy). Exu disarray what exist to reconstruct— therefore, since the encruzilhada is Exu’s
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Roark, Ryan. "Dystopia, Climate Change and Heritage Conservation in the Late Nineteenth Century." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5037py0jq.

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The architectural conservation and restoration movements emerged in the Western world in the mid-nineteenth century, in part as a reaction to the acceleration of visible aging of buildings caused by the Industrial Revolution and associated changes in air quality. At the same time, Enlightenment ideals established at the end of the eighteenth century reinforced the relatively new idea that a building could have a single author and a fixed state. A new drive towards ‘restoration’ – the return of a building to a glorified singular past state – led William Morris in 1877 to establish the Society f
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Moura, Ana S., João Barreiros, and M. Natália D. S. Cordeiro. "Drugs, Achievements and Educational Systems: Predictive Models for Society and Education through Speculative Data." In Sixth International Conference on Higher Education Advances. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.11156.

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Higher Education Student burnout is an increasingly educational and social concern. The problem is complex and multilayered, demanding new approaches in predicting hazardous situations that can lead to the demise of the mental and physical well-being of the students. This work proposes a new model that can be used to predict and prevent such educational and/or social scenarios, resourcing to new tools, as the Reductio ad dystopia and speculative data. It departs from recent social quantum-based models and selected speculative literature works while introducing the use of social network theory
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