Relevant bibliographies by topics / Dystopian narratives

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dystopian narratives'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Dystopian narratives"

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Bakker, Barbara. "Egyptian Dystopias of the 21st Century." Journal of Arabic and Islamic Studies 21 (October 23, 2021): 79–94. http://dx.doi.org/10.5617/jais.9151.

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During the first two decades of the 21st century an increasing amount of narratives termed as Arabic dystopian fiction appeared on the Arabic literary scene, with a greater part authored by Egyptian writers. However, what characterises/marks a work as a dystopia? This paper investigates the dystopian nature of a selection of Egyptian literary works within the frame of the dystopian narrative tradition. The article begins by introducing the features of the traditional literary dystopias as they will be used in the analysis. It then gives a brief overview of the development of the genre in the A
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Hochberg, Gil. "Dystopias in the Kingdom of Israel: Prophetic Narratives of Destruction in Recent Hebrew Literature." Comparative Literature 72, no. 1 (2020): 19–31. http://dx.doi.org/10.1215/00104124-7909950.

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Abstract This article is about a recent wave of literary dystopias published in Israel, most of which center on the soon-to-come destruction of the Jewish state. Notable among these are The Third (Ha-shlishi) by Yishai Sarid (2015), Mud (Tit) by Dror Burstein (2016), and Nuntia (Kfor) by Shimon Adaf (2010). These texts draw on biblical or Rabbinic Hebrew, Jewish sources, and Jewish historical events (specifically the destruction of the First and Second Temples), making them just as much about a dystopian past as they are about a dystopian future. They are, in other words, dystopias of a circul
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Vrbančić, Mario. "The Future of Dystopia." Politička misao 59, no. 4 (2022): 31–48. http://dx.doi.org/10.20901/pm.59.4.02.

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Dystopia, just as utopia, has always been immersed in political visions: utopia ‎as an ideal society and dystopia as its opposite: ‘bad place’ – a futuristic, usually ‎very near future, an imagined universe in which oppressive social control ‎rules. However, utopia and dystopia cannot be absolutely separated, there is‎ a constant threat of replacing good place by bad place, very often leading to‎ the conclusion that every utopia either leads to dystopia or already is dystopia.‎ Today, it often seems that the dystopian future has already arrived, the reality ‎itself evokes dystopian imagination
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Baccolini, Raffaella. "Recovering Hope in Darkness: The Role of Gender in Dystopian Narratives." Revista X 17, no. 4 (2022): 1224. http://dx.doi.org/10.5380/rvx.v17i4.87033.

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My aim is to comment on dystopia based on an approach that has foregrounded, from its very beginning, issues of writing in their intersection with gender and the deconstruction of high and low culture. In the first part of the article, I carry out a reflection on the genre of dystopia, how it has changed, its constituent elements and their transformations, with a look in particular to its gender dimension, its formal and thematic features, as well as to its modes of articulating horizons of hope. In the second part, I discuss dystopian conventions and developments, drawing from Lyman Sargent’s
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Dipankar, Mondal. "Utopian and Dystopian Perspectives in the Works of Jules Verne." Literary Enigma 1, no. 4 (2025): 1–5. https://doi.org/10.5281/zenodo.15450570.

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Abstract   Jules Verne's narratives have played an essential role in science fiction literature, with wildly utopian and dystopian themes. His imagination and storytelling impacted the science fiction genre; he showed us the uses of technological advantages and disadvantages. This paper focuses on the duality of Jules Verne as a utopian and dystopian writer. This paper analyzed Verne's works, reflecting on his time's society and technological changes. This research highlighted the portrait of technology and society ideals in his utopias, criticized the Industrialization in his dystopias,
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Vanteevsky, M. M. "Ideological Role and Substantive Features of Dystopian Narratives in Russian Mass Culture." Moscow University Bulletin. Series 12. Political Science, no. 5, 2024 (October 15, 2024): 40–53. https://doi.org/10.55959/msu0868-4871-12-2024-2-5-40-53.

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Over the past few years, a fairly large number of authors have appeared (I.S. Tehlikidi, E.N. Verkin, V.O. Bogdanova, D.S. Zakharov, D.A. Danilov, Ya.M. Wagner) who use the dystopian genre for the socio-political construction of the future, and also use the methods of dystopia and heterotopia to represent modernity or certain aspects of the historical past. The article examines the evolution of the dystopian genre and the current state of this direction, the basis of which is not individual signs and distinctive features, but the concept of ‘dystopian narratives’. In the dystopias of the secon
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Song, Mingwei. "A Topology of Hope: Utopia, Dystopia, and Heterotopia in Contemporary Chinese Science Fiction." AUC PHILOLOGICA 2021, no. 3 (2022): 107–33. http://dx.doi.org/10.14712/24646830.2022.6.

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This essay investigates how utopian thinking met with dystopian variations in contemporary Chinese science fiction. The dystopian gaze into the utopian dreams, the alternative histories contending with the utopian narratives, and the heterotopian experiments challenging ideological orthodoxy are the focus of my analysis. Reading the dystopian fiction by Chan Koonchung and science fiction stories and novels by Han Song, Bao Shu and Hao Jingfang etc., I do not intend to illustrate the utopian/ dystopian interventions in the political sense, but rather to explore the vigorous, multifaceted variat
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Pennell, Beverley. "Allan Baillie’s Secrets of Walden Rising as Critical Dystopia: Problematising National Mythologies." Papers: Explorations into Children's Literature 15, no. 2 (2015): 31–39. http://dx.doi.org/10.21153/pecl2005vol15no2art1248.

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In lieu of abstract, here is the first paragraph of the article: Allan Baillie’s Secrets of Walden Rising (1996) is a novel about ‘the politics of history’ (Fernandez 2001, p. 42) and an examination of the text’s significant challenges to the dominant historical stories of its time seems appropriate as Australia’s ‘history wars’ continue. In this paper I examine the critical dystopian strategies employed in Secrets of Walden Rising to subvert some of the utopian national mythologies of white settler Australia. Baccolini (2003 p.115) argues that critical dystopias tend to be ‘immediately rooted
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Atasoy, Emrah, and Akkoyun Burcu Kayışcı. "Distopik Yazında Umudun Yolculuğu." Nesir: Edebiyat Araştırmaları Dergisi, no. 3 (October 31, 2022): 11–27. https://doi.org/10.5281/zenodo.7221182.

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The Journey of Hope in Dystopian Fiction Öz Ütopya temsilleri ve ütopyacı düşünce, tüm çağ ve kültürlerde insanlığın umut ve özlemlerinin sembolü olmuştur. Distopik anlatılar ise içinde bulunulan tarihsel bağlama dair kaygı ve korkuları geleceğe yansıtarak kâbusvari senaryolar ürettiklerinden genellikle umutla ilişkilendirilmezler. Ancak karanlık dünyaları tasvir ediyorlar diye tüm distopyaların umuttan yoksun olduğunu iddia etmek yanıltıcıdır. Çoğu distopya, ütopik dürtüyü ve umudu
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Andonova-Kalapsazova, Elena. "Motherhood – The Quiet Rebellion of Utopia in Megan Hunter’s The End We Start From." Balkanistic Forum 33, no. 1 (2024): 252–65. http://dx.doi.org/10.37708/bf.swu.v33i1.19.

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The blurring of the boundaries between utopia and dystopia and the weaving of utopian hopes and possibilities into narratives seen as belonging to the genre of the dystopian novel has been a characteristic of the latter for a long time. Overviews of developments in dystopian literature in the twentieth and the twenty-first century have noted instances of this phenomenon ranging from works in which pockets of resistance to dystopian worlds carry with them hopes for a utopian future to ones in which utopian hope is read in the faces of a handful of survivors who have heroically emerged from amon
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Dissertations / Theses on the topic "Dystopian narratives"

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Cojocaru, Daniel. "Violence and dystopia : mimesis and sacrifice in contemporary Western dystopian narratives." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:f3f2848d-d349-4dcd-8bff-810010a2e8e3.

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Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-
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Taylor, Deborah. "Reading utopian narratives in a dystopian time." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8014.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Varsamopoulou, Maria. "Before Utopia : the function of sacrifice in dystopian narratives." Thesis, University of Nottingham, 2010. http://etheses.nottingham.ac.uk/3771/.

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The aim of this study is to illustrate the ways in which the practice and logic of sacrifice in dystopian narratives is anti-utopian. There is a dearth of research on the dystopian fiction, very little which investigates ethical issues and none which consider sacrificial ethics. In the first half of the thesis, the concept of dystopia is delineated against definitions of utopia, concrete utopia and utopian literature. In the second theoretical chapter, major and minor theories of sacrifice are examined for their normative bias in order to question their function in practice. Two important lite
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Fatica, Olga <1987&gt. "Re-appropriating the Body and the Machine. Technology in Dystopian and Post-Apocalyptic Narratives." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2332.

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Taschler, Brigitte <1976&gt. "The representation of violence in five dystopian film narratives : myth, catharsis and adaptation in '28 Days Later', '28 Weeks Later', 'Children of Men', 'The Road' and 'V for Vendetta' : five case studies." Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1154.

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La mia tesi si occupa della rappresentazione della violenza in cinque racconti filmici distopici: 28 Days Later (2002), 28 Weeks Later (2007), Children of Men (2006), The Road (2009) e V for Vendetta (2006). La prima parte del lavoro riguarda l’adattamento, cioè le trasformazioni della violenza nel passaggio da un medium a un altro con particolare attenzione ai sistemi semiotici del romanzo, del fumetto e del film. La parte teorica viene illustrata attraverso l’analisi comparata di scene emblematiche prese dalle opere in questione. La seconda parte del lavoro è incentrata sui film come opere a
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Bauer, Robert B. "Resisting the Resistance: The Emancipation of Students from the Hidden Curriculum of Commodified Resistant Narratives in Young Adult Dystopian Film Through Open Pedagogical Space and Culture-Jamming." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5621.

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Young Adult Dystopian Film exercises an influence over young people of which they are not aware. As part of a structure of domination these films teach students to participate in their own oppression by the capitalist system. The film industry maintains a hidden curriculum like that utilized in school classrooms to conceal the oppression from the masses. One particularly effective means is the portrayal of resistance against oppression in the narratives of the YA Dystopian Film. Young people are drawn to that narrative and end up supporting the structure of domination financially and ideol
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Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fictionthrough the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28495.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21 st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analys
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Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fiction through the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27968.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analysi
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Edgren, Justin. "ANIMATING DYSTOPIA: AN ANALYSIS OF MY ANIMATED FILM, P19." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/theses/1099.

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In this paper, I discuss the modern socio-technological state of global social control and its representation in my stop motion animated film P19. I will compare the ways in which social control has changed and remained the same from September 11, 2001 to the present. I will discuss the surveillance and control grids permeating all communication networks and how humans are interacting with them. I will conclude with an analysis of some of my techniques and processes in stop motion animation.
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Divine, Susan Marie. "Utopias of Thought, Dystopias of Space: Science Fiction in Contemporary Peninsular Narrative." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/195666.

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This study serves as an introduction to three recent narratives in Spanish Science Fiction. While this literary genre has long been read in Spain in translation, it is only recently that Sci-Fi has been successful as a popular literature produced by native authors. Álex de la Iglesia, Gabriela Bustelo and Rafael Reig have worked in realist and genre fiction through their careers but chose to use Science Fiction to speak of the rapidly changing space of Madrid. Their criticism is centered on the changes to the physical, social, economic and political landscape of Madrid post-1992. My analysis i
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Books on the topic "Dystopian narratives"

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Hart, Heidi. Music and the Environment in Dystopian Narrative. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01815-3.

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Doyle, Mark. Utopian and Dystopian Themes in Tolkien’s Legendarium. Lexington Books, 2019. https://doi.org/10.5040/9781978738928.

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Utopia and Dystopia in Tolkien’s Legendarium explores how Tolkien’s works speak to many modern people’s utopian desires despite the overwhelming dominance of dystopian literature in the twentieth and twenty-first centuries. It also examines how Tolkien’s malevolent societies in his legendarium have the unique ability to capture the fears and doubts that many people sense about the trajectory of modern society. Tolkien’s works do this by creating utopian and dystopian longing while also rejecting the stilted conventions of most literary utopias and dystopias. Utopia and Dystopia in Tolkien’s Le
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Imperfect worlds and dystopian narratives in contemporary cinema. Peter Lang, 2011.

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Stock, Adam. Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Taylor & Francis Group, 2018.

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Stock, Adam. Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Taylor & Francis Group, 2018.

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Stock, Adam. Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Taylor & Francis Group, 2018.

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Stock, Adam. Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Taylor & Francis Group, 2018.

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Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Taylor & Francis Group, 2018.

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Hill, Matthew B., ed. Dystopian States of America. ABC-CLIO, LLC, 2022. http://dx.doi.org/10.5040/9798216182764.

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Dystopian States of America is a crucial resource that studies the impact of dystopian works on American society—including ways in which they reflect our deep and persistent fears about environmental calamities, authoritarian governments, invasive technologies, and human weakness. Dystopian States of America provides students and researchers with an illuminating resource for understanding the impact and relevance of dystopian and apocalyptic works in contemporary American culture. Through its wide survey of dystopian works in numerous forms and genres, the book encourages readers to connect wi
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Schmeink, Lars. The Utopian, the Dystopian, and the Heroic Deeds of One. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383766.003.0006.

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Chapter 6 discusses the TV series Heroes as more optimistic in its depiction of the social consequences of posthuman evolution than the other texts analyzed. The show's premise of posthumanity as a result of evolutionary mutation reflects radical changes in subjectivity not onto an elite few, as in classic superhero narratives, but onto the everyday man. The series consequently emphasizes the potential of the posthuman condition as a catalyst for global social and political change – a solution to the 'big issues' that elude the current institutions of power. The posthuman becomes the site of s
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Book chapters on the topic "Dystopian narratives"

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Agra, Fábio Ferreira. "Sertão Through Narratives: The Invention of Dystopian Geography." In Mediascapes of Ruined Geographies in the Global South. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31590-9_7.

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Höglund, Johan. "Concurrences and the Planetary Emergency: Ursula K. Le Guin in the Capitalocene." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_2.

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AbstractUrsula Le Guin’s prescient 1971 novel The Lathe of Heaven envisions a multitude of utopian or dystopian futures made real by dreams its protagonist is made to have by a manipulating psychologist. The chapter analyzes these layered futures with the help of Gunlög Fur’s concept concurrences (2017) and Kyle Whyte’s observation that Western speculative writing frequently leaves humanity in dystopian and postapocalyptic futures “that erase Indigenous peoples’ perspectives” (2017, 225). The chapter argues that LeGuin’s vision resists the simplistic and single dystopian vision common in norma
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Mieszkowski, Sylvia. "Acts of Resistance: Female Counter-Conduct in Transnational Dystopian Narratives." In geschlecht_transkulturell. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-30263-4_8.

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Tomin, Brittany, and Ryan B. Collis. "Science Fiction, Speculative Pedagogy, and Critical Hope: Counternarratives for/of the Future." In Palgrave Studies in Education and the Environment. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-35430-4_14.

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AbstractIn times characterized by pervasive future narratives—technological utopianism, dystopian annihilation, neoliberal “progress”—and simultaneous, all-consuming eco-anxiety, how the future is addressed in schools is critically important as we navigate our complex relationship with the “Anthropocene” in education. In this chapter, we problematize restrictive curricular and pedagogical visions of possibility and, as an alternative, position science fiction and speculative storytelling as genres that offer pedagogical frameworks through which educators may center collective, speculative, com
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Milivojevic, Sanja. "Artificial Intelligence, COVID-19, and Crime: Charting the Origins and Expansion of Dystopian and Utopian Narratives." In Cybercrime in the Pandemic Digital Age and Beyond. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29107-4_12.

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Oró-Piqueras, Maricel, and Sarah Falcus. "Queering Time, Questioning Ageism Through Speculative Siction." In Edition Kulturwissenschaft. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839462836-013.

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Speculative narratives offer particularly rich and complex explorations of time and aging, exhibiting a tendency to play with 'queer temporalities' and imagine the lifecourse and human chronology in alternative ways. In this article, we employ an ageing studies perspective in our analysis of time, the lifecourse and aging in four visual speculative narratives. We focus on recent film/TV about increased longevity/immortality. "San Junipero" (in TV Series Black Mirror, 2016), Mr Nobody (2009) and In Time (2011) imagine societies in which forms of technologically enabled extended longevity have b
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Wagner-Lawlor, Jennifer A. "Narrative." In The Palgrave Handbook of Utopian and Dystopian Literatures. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88654-7_13.

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Boller, Alessandra. "Gender in Dystopian Literature." In The Palgrave Handbook of Feminist, Queer and Trans* Narrative Studies. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-75864-5_22.

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Boller, Alessandra. "In need of new narratives." In The Postworld In-Between Utopia and Dystopia. Routledge, 2021. http://dx.doi.org/10.4324/9781003082958-3.

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Atasoy, Emrah. "Dys/utopian narratives on the screen." In The Postworld In-Between Utopia and Dystopia. Routledge, 2021. http://dx.doi.org/10.4324/9781003082958-21.

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Conference papers on the topic "Dystopian narratives"

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Carvalho, Rodrigo Janoni. "Critical wheels of reading: Reflecting on the degrees of consciousness of characters in four dystopian works." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-068.

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In this work, we present discussions developed in critical reading circles based on the analysis of dystopian works. The realization of a reading wheel as a learning strategy is a unique opportunity for socialization in the literate world. In this sense, we propose an interdisciplinary work in the dialogue between History, Literature and Cinema, from the realization of spaces for debate, as well as the understanding of the historian's office, from the reflection of historical sources. We start from the assumption that History as knowledge is representation and narrative of the past. Thus, base
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Hening, Irish, and Suma Rusdiarti. "Dystopian Narrative in Gundala’s Multiverse: Transmedia Studies." In Proceedings of the 4th BASA: International Seminar on Recent Language, Literature and Local Culture Studies, BASA, November 4th 2020, Solok, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.4-11-2020.2314221.

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Amiranashvili, Tamta. "THE FUNCTION OF MUSIC IN ANTHONY BURGESS’S A CLOCKWORK ORANGE." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.168a.

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English writer and composer Anthony Burgess, world-famous for his dystopian novel A Clockwork Orange (1962), skillfully incorporates music in his several artistic works, such as The Earthly Powers (1980), The Piano Players (1986), Mozart and Wolf Gang (1991). Due to the author’s frequent reference to Beethoven’s Ninth Symphony in A Clockwork Orange, its use in the novel cannot be accidental. This article aims to explore the multifaceted role of music in A Clockwork Orange, analyze its influence on character development, narrative structure, and thematic resonance. The fact that Alex, the bruta
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Mortensen Steagall, Marcos, and Sergio Nesteriuk Gallo. "LINK 2022 4th Conference in Creative Practice, Research and Global South." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.191.

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It is increasingly overwhelming that our societies are living in disintegrating environments and need for more sustainable design approaches and wiser ways of living and being. Anthropogenic design impact in corporate spheres is causing socio-ecological destruction that threatens the underpinnings of civilisation and bio-diverse nature. Hence, economies and life worlds are facing the limitations of narratives of progress and creeds of growth with their designs and actions that are inapposite to the flourishing of life on our planet. In this context that the LINK Conference has emerged. LINK is
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