Relevant bibliographies by topics / Dystopie

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Dystopie'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 June 2024

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Journal articles on the topic "Dystopie"

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Mauclair, Patricia. "La relation ville/campagne dans les dystopies espagnoles pour la jeunesse: quelles alternatives pour l'espagne de demain?" Ondina - Ondine, no. 8 (December 22, 2022): 113–29. http://dx.doi.org/10.26754/ojs_ondina/ond.202285833.

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Le recours à l'anticipation pour repenser les défis écologiques n'a rien d'étonnant dans une littérature destinée à une jeunesse que l'on cherche à préparer pour l'avenir. Aussi serait-il logique que les dystopies écrites au XXIe siècle dans une Espagne préoccupée par l'expansion tentaculaire de la ville et la désertification des campagnes invitent à réinventer la relation ville/campagne. Nous tenterons de voir ici si elles y sont parvenues. Mots-clés : Roman jeunesse espagnol, dystopie, écologie, ville
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Welsch, Martin. "Zwischen Utopie und Dystopie." Archiv für Rechts- und Sozialphilosophie 109, no. 2 (2023): 217–30. http://dx.doi.org/10.25162/arsp-2023-0007.

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Hochberg, Gil. "Dystopias in the Kingdom of Israel: Prophetic Narratives of Destruction in Recent Hebrew Literature." Comparative Literature 72, no. 1 (March 1, 2020): 19–31. http://dx.doi.org/10.1215/00104124-7909950.

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Abstract This article is about a recent wave of literary dystopias published in Israel, most of which center on the soon-to-come destruction of the Jewish state. Notable among these are The Third (Ha-shlishi) by Yishai Sarid (2015), Mud (Tit) by Dror Burstein (2016), and Nuntia (Kfor) by Shimon Adaf (2010). These texts draw on biblical or Rabbinic Hebrew, Jewish sources, and Jewish historical events (specifically the destruction of the First and Second Temples), making them just as much about a dystopian past as they are about a dystopian future. They are, in other words, dystopias of a circular temporality: emerging from and moving toward (Jewish) dystopia. This recent wave of Israeli dystopian narratives is primarily preoccupied with the past and future of Judaism, the Jewish people, and Israel as a secular-yet-Jewish state. Most interesting, perhaps, is the complete absence of Palestinians from these texts and from this dystopic imagination. Despite their obvious presence in Israel’s current reality, Palestinians have no role whatsoever in these texts. We are dealing therefore with exclusively Jewish dystopias. Read against some of the dystopian white South African writings under Apartheid, the complete absence of Palestinians in the recently published Israeli dystopias, appears particularly disheartening. Neither partner nor enemy, Palestinians do not even share in a future nightmare with Israeli Jews. We are left with the following questions: Does writing a Jewish Israeli dystopia require eliminating Palestinians from the narrative? Is it possible (how is it possible?) to think of a Jewish (Israeli) future, present, and past without thinking about a Palestinian past, present, and future? Following the example of South African dystopias, this article concludes that for such literary and ethical concerns to be critically explored, Israel must first be (officially) recognized as an apartheid regime.
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Kemp, Peter. "Utopie et dystopie." Eco-ethica 5 (2016): 13–30. http://dx.doi.org/10.5840/ecoethica201653.

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David, Christophe. "Messianisme et dystopie." Cahiers philosophiques N° 167, no. 4 (July 18, 2022): 27–42. http://dx.doi.org/10.3917/caph1.167.0029.

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Marc’hadour, Germain. "Utopie et Dystopie." Moreana 24 (Number 94), no. 2 (June 1987): 74. http://dx.doi.org/10.3366/more.1987.24.2.19.

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Simon, W. "Dystopie der Milz." RöFo - Fortschritte auf dem Gebiet der Röntgenstrahlen und der bildgebenden Verfahren 130, no. 04 (July 31, 2009): 511–12. http://dx.doi.org/10.1055/s-0029-1231321.

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de Mijolla-Mellor, Sophie. "La dystopie politique." Topique 160, no. 1 (January 1, 2024): 7–16. http://dx.doi.org/10.3917/top.160.0007.

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La dystopie politique nous ramène à la quête de perfection dans l’organisation de l’État et, comme toute quête de cette espèce, elle signe l’action de la pulsion de mort sous la forme du travail entropique de la purification de ses membres. La dystopie est avant tout une mise en garde contre le danger que représente l’utopie, trop belle pour être vraie, ce dont on risque de ne s’aviser que quand il est trop tard.
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Haza, Marion. "Objets culturels dystopiques et adolescence." Topique 160, no. 1 (January 1, 2024): 97–110. http://dx.doi.org/10.3917/top.160.0097.

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Après avoir redéfini utopie et dystopie, cet article déploie l’analogie entre processus pubertaire et scénario dystopique. L’adolescent est bien une figure de héros de sa propre histoire, résistant au tourment pubertaire pour s’inscrire dans la société en tant que futur adulte, parfois dans un sacrifice psychopathologique. Les objets culturels adolescents servent de portage et de protection face à ce parcours dystopique : les fictions dystopiques des adolescents contemporains (livres, manga, jeux vidéo, etc.) figurent leurs conflictualités internes, rendent possible des indentifications ou contre-identifications, et leur permettent de les partager avec d’autres, que ce soient leurs pairs, mais aussi, les adultes comme les thérapeutes.
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Benkel, Thorsten. "Der Geist der Dystopie." Zeitschrift für kritische Theorie (ZkT) 17, no. 32/33 (December 1, 2011): 227–43. http://dx.doi.org/10.28937/9783866746763_11.

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Dissertations / Theses on the topic "Dystopie"

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Guertin, Michel. "La contestation dystopique : étude sur les rapports entre l'utopie, l'idéologie et la dystopie /." Thèse, Trois-Rivières : Université du Québec à Trois-Rivières, 2000. http://www.uqtr.ca/biblio/notice/resume/03-2211695R.html.

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Guertin, Michel. "La contestation dystopique : étude sur les rapports entre l'utopie, l'idéologie et la dystopie." Thèse, Université du Québec à Trois-Rivières, 2000. http://depot-e.uqtr.ca/6638/1/000667809.pdf.

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Rombert, Trigo Nadine. "Utopie et dystopie dans l'internationalisation de l'enseignement supérieur européen." Phd thesis, Université du Sud Toulon Var, 2009. http://tel.archives-ouvertes.fr/tel-00493212.

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Cette thèse explore l'influence de l'internationalisation de l'enseignement supérieur européen dans la construction d'une Université «contingente ». En partant de l'analyse de Richard Bagnall – qui identifie une «tendance des universités à mieux répondre aux exigences et aux attentes immédiates de ceux qu'elles servent, à mieux répondre aux préférences expresses de leurs marchés respectifs, à mieux répondre au désir collectif et individuel, à dépendre plus directement des contextes culturels dans lesquels elles s'insèrent», cette étude essaie de présenter une approche critique du rôle de l'internationalisation en tant que moteur et conséquence de cette situation de dépendance quelque peu nouvelle que semble vivre l'Université actuellement. Le cadre de Bagnall est élargi pour inclure l'examen de Bill Reading qui constate l'université en ruines (University in Ruins ) et la possibilité de développer une « nouvelle idée » de l'Université par le biais d'une approche «éthique » différente de l'internationalisation de l'enseignement supérieur. La recherche analyse les différentes définitions de l'internationalisation dans le contexte de l'enseignement supérieur. De plus, à travers le rapport de l'enquête menée en 2005 par l'AIU (2005 IAU Global Survey ), elle essaie de comprendre les différentes motivations (raisons d'être) présentées par les établissements d'enseignement supérieur (EES) pour développer des politiques/stratégies internationales. Ces différentes approches de l'internationalisation sont considérées dans le contexte de la mondialisation et de l'européanisation en ce qui concerne les politiques d'enseignement supérieur.
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Glises, de la Rivière Orlane. "Le discours totalitaire du Grand Inquisiteur dans la littérature dystopique : de ses réécritures à sa réappropriation." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC012/document.

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Cette étude analyse le discours totalitaire à travers le prisme du personnage du Grand Inquisiteur dans quatre romans dystopiques : "Le Zéro et l’infini" d’Arthur Koestler, "1984" de George Orwell, "La Zone du Dehors" d’Alain Damasio et "2084" de Boualem Sansal. Il s’agira non seulement de comprendre la structure du discours totalitaire mais également la façon dont il interagit dans l’univers dystopique et avec les autres personnages. La méthode de recherche aborde ces questions de façon pluridisciplinaire afin de mieux analyser les aspects linguistiques, historiques et philosophiques au sein de la littérature dystopique. La thèse se découpe en trois grandes parties, elles-mêmes divisées en trois chapitres. Il s’agit d’étudier en premier lieu la parole hérétique qui s’oppose au dogme totalitaire, pour ensuite comprendre la manière dont le discours du Grand Inquisiteur impose son joug sur chaque individu. Enfin, la recherche aborde la dimension salvatrice de chacune des œuvres du corpus. A travers elles, les auteurs ne souhaitent pas uniquement tendre un miroir désespérant du monde mais aussi ouvrir des possibilités pour faire face aux dérives totalitaires qui peuvent être engendrée
This research analyses totalitarian’s speech from the Grand Inquisitor in four dystopia’s books: "Darkness at Noon" from Arthur Koestler, "1984" from George Orwell, "La Zone du Dehors" from Alain Damasio and "2084" from Boualem Sansal. This work studies the structure of the totalitarian’s speech and how he interacts with dystopia’s universe and their characters. Questioning will be treated through dystopia’s literature and from linguistical, historical and philosophical viewpoints. Thesis is divided in three parts, each one divided in three chapters. First part analyses heretic’s speech in opposition to totalitarian’s dogma. Second part studies how the Grand Inquisitor dominates everyone in the dystopia’s society. In fine, third part tries to find the saving dimension in corpus. In fact, writers don’t want to show only a dark future. Their books are maybe a message to fight against totalitarian’s excesses
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Zeissler, Elena. "Dunkle Welten die Dystopie auf dem Weg ins 21. Jahrhundert." Marburg Tectum-Verl, 2007. http://d-nb.info/989102548/04.

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Diop, Babacar. "Esthétique des Ruines et Dystopie dans le roman Anglais postmoderne : une lecture de Riddley Walker, (1980) de Russel Hoban, Cloud Atlas, (2004) de David Mitchell et The Book of Dave (2006) de Will Self." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30080/document.

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Les concepts de dystopie et de postmodernisme ont pris une dimension nouvelle depuis une vingtaine d’années environ.Ces concepts, qui ont fait l’objet d’études multiples tant sur le plan littéraire qu’historique, pour ne citer que ces deuxdomaines-là, ont révélé d’autres perspectives qui, de notre point de vue, n’ont pas encore été abordées. Il s’agit parexemple du rapport entre la dystopie et les ruines. A travers cette thèse, nous avons étudié les concepts de dystopie et deruines tel qu’ils apparaissent dans trois oeuvres (Riddley Walker, (1980) de Russel Hoban, Cloud Atlas, (2004) de DavidMitchell et The Book of Dave (2006) de Will Self) à la lumière des évènements contemporains et en rapport avec lepostmodernisme. Ce corpus a permis de souligner des liens entre dystopie et postmodernisme grâce à la valeuresthétique, éthique, poétique et politique des ruines dont l’ubiquité nous a fait considérer les oeuvres dystopiquescomme un portrait du monde où nous vivons. Cette thèse a par ailleurs permis de souligner le comportementautodestructeur de l’homme, en rapport avec la notion de progrès qui est constamment remise sur le métier, devenantplus une illusion qu’une réalité au moyen de scènes de violence dont les principales illustrations restent les deux conflitsmondiaux avec la Shoah et les bombes atomiques larguées sur Hiroshima et Nagasaki ainsi que l’utilisation des armeschimiques. En plus d’être un trait d’union entre dystopie et postmodernisme, les ruines s’érigent en témoin du passésinistre de l’homme vers lequel elles guident les contemplateurs tout en leur rappelant la vanité de leur vie etl’évanescence de toute existence. L’ubiquité des ruines ne cesse de plonger survivants et contemplateurs dans unemélancolie à laquelle s’ajoute le trauma lié à la perte et la menace de répétition du passé. Les ruines deviennent alorsune forme d’expression, un langage pour les dystopies postmodernes et, à travers elles, les disparus prennent la parole.Les traces de ce qui a été sont ainsi devenues des médias par lesquels le silence des ruines devient la parole de ceux quine sont plus, révélant de manière continue la présence du passé
The concepts of dystopia and postmodernism have taken a new dimension for the past two decades. These conceptshave been explored in multiple studies from both literary and historical viewpoints, to name but these two areas thathave revealed other perspectives, which, to our knowledge, have not yet been addressed. This is the case, for example,of the relationship between dystopia and ruins. The present work explores the concepts of dystopia and ruins as theyappear in the three books (Riddley Walker (1980) by Russell Hoban, Cloud Atlas (2004) by David Mitchell and TheBook of Dave (2006) by Will Self) in the light of contemporary events and in connection with postmodernism. Thiscorpus was used to discover the links between dystopia and postmodernism through the aesthetic, ethical, poetic andpolitical values of ruins, the ubiquity of which brought us to consider the dystopian works as a depiction of the world inwhich we live. The present study has also helped highlight the destructive behavior of Man in relation to the notion ofprogress that is constantly questioned, thus becoming more of an illusion than a reality because of scenes of violencemainly illustrated by the two World Wars with the Shoah and the atomic bombs dropped on Hiroshima and Nagasaki,as well as the use of chemical weapons, commonly called mass destruction weapons. Besides being a bridge betweendystopia and postmodernism, ruins stand as witnesses of Man’s sinister past toward which they direct contemplatorswhile reminding them of the vanity of their lives and the evanescence of any existence. The ubiquity of the ruinsrelentlessly plunges survivors and contemplators into a melancholy supplemented by the trauma associated to thefeeling of loss and the threat of a repetition of the past. The ruin thus becomes a form of expression, a language forpostmodern dystopias and through it, the departed speak. The traces of what has been have thus become media through
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Banaś, Maria. "Dystopie we współczesnej literaturze pięknej : socjologiczna analiza zjawiska na przykładzie dystopijnych powieści Margaret Atwood." Doctoral thesis, Katowice : Uniwersytet Śląski, 2020. http://hdl.handle.net/20.500.12128/16084.

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The purpose of this study is a sociological analysis of Margaret Atwood's novels, in the perspective of literary dystopias. Therefore, the key issues are the contexts that clearly and unequivocally build the image of the social world, read through the prism of the sociology of literature. In the selection of the research subject, the public reception of the analyzed novels is of particular importance; their often turbulent reception proves the extraordinary timeliness of the problems discussed. The issues presented in the analysis focus on the following questions: 1. How and to what extent are classical and contemporary theories of totalitarianism reflected in the novels of the Canadian writer? 2. What is the structure of the social world and what types of individual adaptation to the challenges of social reality do individuals choose, and what are the reasons behind it? 3. What types of social bonds dominate within social microstructures? 4. What is the social position of women in Atwood’s dystopian novels, and how is it justified? The theoretical part of the dissertation details the chosen concept of investigating literary dystopias, outlines the status of the sociology of literature as a sociological subdiscipline, and discusses the basic assumptions of the two sociological concepts that constitute the theoretical background for this study (Erving Goffman's dramaturgical perspective, and the types of individual adaptation of individuals to social structure by Robert K. Merton). It also presents the assumptions of the perspective adopted in the work – on the one hand, the most general assumptions of qualitative analysis, and on the other hand, the dissertation looks at analyses and interpretations in the sociology of literature – classical (György Lukács, Lucien Goldman), also contemporary (Krzysztof Łęcki, Paweł Ćwikła). The research interests include the issues of the anthropology of dystopia, as well as the terminological and categorization complexity of utopia/dystopia. An important element of the analysis is also a utopian project considered as a thought experiment and its significance in the dynamics of social processes. The last section of the theoretical part problematizes the totalitarian perspective. Classical concepts of totalitarianism are presented, from Plato to contemporary thought: Hannah Arendt, Zbigniew Brzeziński and Carl Friedrich, to the systemization proposed by Jacob L. Talmon. In the micro-sociological perspective, the analyses refers to the model of a total institution by Erving Goffman. The next chapter opens an empirical part. In reference to the systematization proposed by Ralf Dahrendorf, the characteristics of the utopian vision of reality are sought in Atwood's novels, in order to clarify the fundamental properties of the total prospective seen in the analysed works and, in particular, those that seem to dominate. In addition, by describing the model of social structure recognized in The Handmaid’s Tale and the MaddAddam trilogy, representative characters are selected from the novels to analyze the types of individual adaptation to changing social conditions. Another empirical section of the work discusses the role of a woman in the Atwood’s world. These reflections focus on the assumption of patriarchal impairment of women in the analyzed dystopias. At the end of the empirical part, the author presents the vision of the (new) man in the discussed dystopian narratives. The key aspect of the analysis is to distinguish the Crakers and Gardeners, who exemplify the new quality of social microstructures as well as the Handmaids illustrating the properties of (new) women. The last chapter of the dissertation compares Margaret Atwood's narrative with classic anti-utopias – George Orwell's 1984 and Aldous Huxley's Brave New World – which belong to the most influential dystopian novels of the 20th century. This part specifies the place of the total order described by Margaret Atwood on the axis connecting Orwell's 1984 and Huxley's Brave New World.
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Fischer, Nicole. "Représentations de l'Islam dans la littérature contemporaine - Le nouveau "genre" de la dystopie islamique." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030076.

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La présente thèse se penche sur une analyse comparative de la forme littéraire de la dystopie islamique : des récits dystopiques qui abordent la crise de l’islam dans le monde réel et la projettent dans un scénario futuriste, sous le pouvoir d’un régime islamiste. Ces récits exploitent des schémas de perception de l’islam qui sont promus de manière discursive dans le monde réel, leur conférant, dans leurs récits, une nouvelle force politique explosive. Ce travail examine les aspects esthétiques, idéologiques et socio-communicatifs de la dystopie islamique qui n’ont pas encore été systématiquement appréhendés.Une attention particulière est portée à la manière dont les concepts politiques d’identité, de communauté et d’avenir, dans le contexte du débat sur l’islam souvent présenté comme un affrontement entre Islam et Occident, sont traités au sein des dystopies islamiques. La thèse identifie deux courants principaux au sein des dystopies islamiques issus de la littérature contemporaine. D’une part, les œuvres 2084 : La Fin du Monde (2015) de Boualem Sansal et Soumission (2015) de Michel Houellebecq, peuvent être considérées comme des littératures de compensation. Ces derniers abordent les défis posés par la présence croissante de l’Autre musulman.e dans un monde marqué par la migration et le multiculturalisme. Elles établissent de nouvelles frontières basées sur la supériorité supposée de l’Occident, les esthétisant sous forme d’un triomphalisme culturel.D’autre part, des œuvres comme 2028 (2016 [2006]) de Thérèse Fournier et Le dernier Été de la Raison (1999) de Tahar Djaout adoptent une approche fondamentalement différente vis-à-vis des discours établis sur l’islam. Ces œuvres affaiblissent les catégories politiques mobilisées dans les discours sur l’islam et sapent leur noyau idéologique. Au lieu de promouvoir une identification avec l’Occident, elles encouragent à réfléchir d’une manière empreinte de compassion aux relations alternatives entre l’individu, la communauté et l’avenir. Elles soutiennent que l’Occident lui-même est dystopique et incitent à repenser la relation avec l’islam et les musulmans, notamment par le biais d’une réévaluation d’un passé traumatique et partagé.Dans l’ensemble, cette thèse contribue à la saisie systématique et à l’analyse de la dystopie islamique en tant que forme littéraire. Elle met en lumière la complexité des aspects politiques, culturels et idéologiques présents dans ces récits et montre comment la dystopie islamique présente différentes perspectives sur la réalité extralittéraire et sur le rôle de la littérature dans ce débat
This thesis focuses on a comparative analysis of the literary form of Islamic dystopia – dystopian narratives that address the crisis of Islam in the real world and project it into a futuristic scenario, under the rule of an Islamist regime. These narratives exploit patterns of Islamic perception that are discursively perpetuated in the real world, imbuing them with a new explosive political force. This work examines the aesthetic, ideological, and socio-communicative aspects of Islamic dystopia that have not yet been systematically reviewed.We pay particular attention to how political concepts of identity, community, and future are treated within Islamic dystopias, especially in the context of the debate on the ‘muslim question’ often framed as a clash between Islam and the West. In that, the thesis identifies two main currents within contemporary literature's Islamic dystopias. On the one hand, works like 2084 : La Fin du Monde (2015) by Boualem Sansal and Soumission (2015) by Michel Houellebecq can be seen as compensatory literature. These works address the challenges posed by the growing presence of the Muslim Other in a world marked by migration and multiculturalism. They establish new boundaries based on the superiority of the West, which are aesthetically presented in the form of cultural triumphalism.On the other hand, works such as 2028 (2016 [2006]) by Thérèse Fournier and Le dernier Été de la Raison (1999) by Tahar Djaout take a fundamentally different approach to established discourses on Islam. These works weaken the political categories mobilized in aforementioned discourses and undermine their ideological core. Instead of promoting identification with the West, they encourage reflection, laden with compassion, upon alternative relationships between the individual, community, and future. They argue that the West itself is dystopian and prompt a re-evaluation of its relationship with Islam and Muslims, particularly by reevaluating a traumatic and shared past.Overall, this thesis contributes to the systematic understanding and analysis of Islamic dystopia as a literary form. It highlights the complexity of the political, cultural, and ideological aspects present in these narratives, showcasing how Islamic dystopia offers diverse perspectives on extraliterary reality and the role of literature in this discourse
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Bumbas, Alexandru. "Interroger l'émergence d'une nouvelle forme dramatique ˸ la "dystopie théâtrale" dans les réécritures contemporaines de Shakespeare (Müller, Bond, Barker)." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA002.

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Associant l’analyse du discours esthétique des auteurs comme Müller, Bond et Barker, à l’étude dramaturgique de leurs réécritures respectives de Shakespeare, cette thèse a pour but de s’interroger sur l’émergence d’une nouvelle forme dramatique – la dystopie théâtrale. En faisant appel à l’instrumentalisation de la catastrophe, à la fois shakespearienne et historique, les dramaturges s’empressent à écrire des pièces qui partagent presque la même vision sur l’avenir du monde et de l’homme. L’apocalypse du roi Lear et la vision cauchemardesque qu’Hamlet porte sur le monde sont greffées, par les dramaturges, sur des tissus dramatiques étayés déjà sur les traces des barbaries du XXe et XXIe siècles. En tant qu'écritures résolument catastrophistes, les « dystopies théâtrales » s’opposent, à première vue, à toute fonction utopique. Néanmoins, le ton apocalyptique (au sens derridien du terme) qui les caractérise, cache des fonctions esthétiques qui questionnent à nouveau la catharsis et la nature même du théâtre. En analysant ces fonctions, nous tentons de démontrer que ces formes dramatiques peuvent être vues aussi comme des dramaturgies censées provoquer l’éveil des consciences et ressusciter ainsi la pulsion utopique que l’Humanité semble avoir perdue. En plus d’une épuration émotionnelle (qui elle-même est remise en question), la dystopie théâtrale est aussi caractérisée par une catharsis inversée, dans le sens d’une surcharge intellective et d’une rétention émotionnelle qui touche souvent le paroxysme. Quel lien entre l’Utopie et la « dystopie théâtrale » ?
This thesis emphasizes the emergence of a new dramaturgical form – the theatrical dystopia. The study analyses the aesthetical discourse of authors such as Heiner Müller, Edward Bond and Howard Barker, as well as their contemporary rewritings of some of Shakespeare’s plays. Through their conceptualization of the Catastrophe, both Shakespearian and historical, these authors seem to have the same vision of the future of the world and the humans. King Lear’s apocalypse and the nightmarish “Hamletian” vision of the world are grafted on modern literary “tissues”, which are already imbued with the traces of the catastrophes from twentieth and the twenty-first century. Theatrical dystopias seem opposed to every utopian function. Nevertheless, le ton apocalyptique (Derrida) which characterizes them hides aesthetical functions, which cast new meanings to the catharsis notion and the nature of the theatre. By analyzing these functions by and large, this study shows that these new dramaturgical forms are to be seen as writings that highlight awareness and resuscitate the utopian impulse that the Humanity seems to have lost. Despite a strong emotional discharge (which also acquires new functions), theatrical dystopias are also characterized by inverse catharsis – a cerebral and emotional retention which often touches paroxysm. What is thus the connection between Utopia and theatrical dystopia?
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Colas, de La Noue Hélène. "Dystopie et science-fiction au Québec : 1963-1973 : étude des représentations des sciences et des techniques." Thèse, Université du Québec à Trois-Rivières, 1989. http://depot-e.uqtr.ca/5596/1/000580215.pdf.

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Books on the topic "Dystopie"

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Gallinat, Anne. Born: Dystopie-Thriller. München: Knaur Taschenbuch, 2021.

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Petzi, Moritz, and Simone Kattwinkel. Das Gesunde Unternehmen zwischen Utopie und Dystopie. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15146-1.

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1966-, Pordzik Ralph, and Seeber Hans Ulrich, eds. Utopie und dystopie in den neuen englischen Literaturen. Heidelberg: C. Winter, 2002.

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Jung, Andreas. Das Erwachen der Diener. Deutschland: Andreas Jung, 2019.

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Kanovsky, Petr, Kailash P. Bhatia, and Raymond L. Rosales, eds. Dystonia and Dystonic Syndromes. Vienna: Springer Vienna, 2015. http://dx.doi.org/10.1007/978-3-7091-1516-9.

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Jauk, Roswitha M. Längeres Gedankenspiel und Dystopie: Die Mondfiktion in Arno Schmidts Roman Kaff auch Mare Crisium. Erlangen: Palm & Enke, 2000.

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Utopie, Utopismus und Dystopie in Der Mann ohne Eigenschaften: Robert Musils utopisches Konzept aus geschlechtsspezifischer Sicht. Frankfurt am Main: P. Lang, 1997.

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1936-, Griffin Ed, ed. Dystopia. Victoria, BC: Trafford, 2007.

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Matheson, Richard Christian. Dystopia. Paris: J'ai lu, 2005.

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Dystopia. Ipswich, Mass: Salem Press, 2013.

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Book chapters on the topic "Dystopie"

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Rust, Holger. "Schluss: Dystopie digitaler Schockstarre." In Virtuelle Bilderwolken, 143–46. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11886-0_8.

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Richter, Torsten. "Zur Dystopie der Unsterblichkeit." In utopisch dystopisch, 231–46. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-21966-6_15.

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Koskinas, Nikolaos-Ioannis. "Zwischen Dystopie und Heterotopie." In Lettre, 85–104. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462980-006.

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Nikolaos-Ioannis Koskinas wirft in seinem Beitrag einen komparatistischen Blick auf ein griechisches und ein deutschsprachiges Theaterstück - Fräulein Unglück (Δεσποιν#- U+03AF-#ς Δυστυχί#- U+03B1-#, 2018) von Tsimaras Tzanatos und Die Verfassung der Strände (2012) von dem österreichischen Dramatiker Stephan Lack. Beide Werke stellen den maritimen Raum ins Zentrum und setzen sich kritisch mit anthropogenen Umweltveränderungen auseinander. Während Lack bei der Behandlung der Problematik Mensch-Umwelt eine anthropozentrische Perspektive einnimmt, wird das Meer in dem Stück von Tzanatos zum eigentlichen Protagonisten, und die menschlichen Akteure treten zugunsten einer dezentrierten Perspektive eher in den Hintergrund, die die Vielschichtigkeit der weit über den Menschen hinausreichenden Natur widerspiegeln soll.
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Kröber, Franz. "4. Dystopie und Raum." In Räume serieller Dystopien, 113–36. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839465554-006.

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Curstädt, Lucas. "Dystopie und anthropologische Differenz." In Dystopien in Serie, 57–75. Wiesbaden: Springer Fachmedien Wiesbaden, 2024. http://dx.doi.org/10.1007/978-3-658-41677-5_4.

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Kröber, Franz. "Albträume ohne Grenzen: Dystopie, Serie und Raum." In Räume serieller Dystopien, 13–24. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839465554-002.

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Spiegel, Simon. "Von der Utopie zur Dystopie – und zurück." In Dystopien in Serie, 15–31. Wiesbaden: Springer Fachmedien Wiesbaden, 2024. http://dx.doi.org/10.1007/978-3-658-41677-5_2.

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Petzi, Moritz, and Simone Kattwinkel. "Das Gesunde Unternehmen: Utopie oder Dystopie?" In Das Gesunde Unternehmen zwischen Utopie und Dystopie, 35–37. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15146-1_5.

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Fischer, Andreas, and Daniel Dravenau. "Country-Rap. Nostalgie, Dystopie und Klassenunbewusstes." In Musik – Kultur – Gedächtnis, 208–30. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29609-4_10.

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Krieger, Peter. "V Dystopie." In Müll in der Natur, 181–98. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2024. http://dx.doi.org/10.5771/9783828851146-181.

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Conference papers on the topic "Dystopie"

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Stiénon, Valérie. "Vivre en dystopie mais lutter contre. La fiction d’anticipation comme expression militante." In Les écrits sauvages de la contestation. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9315.

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Kovalenko, A., and Jiarui Hu. "DYSTOPIANISM IN THE PROSE OF POSTMODERN WRITERS (V. PELEVIN)." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3686.rus_lit_20-21/23-26.

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The article explores the role and the place of Utopia and Dystopia in Victor Pelevin's novels. Traditions of “classical dystopia” in his novels disclosed, at the same time the presence of a Meta-genre modification observed. The novels may hardly attributed either to Utopia or to Dystopia in “pure form”. Actually, they are balancing in a space where a parody of Soviet Utopia coexists with a satirical depiction of bourgeois consumer Utopianism. The creative method of the writer reveals a special ideological complex of Distopianism in the absence of “canonical” samples of the Meta-genre. Principles of postmodern aesthetics bring new features to the concept of the Meta-genre. Pelevin's work exists in the range between private Dystopias (like alchemical marriage of the West and the East) and total Dystopianism, which perceives the world as a universal illusion. Illusion is not only possible (or impossible) social harmony, but the World in general as well. From this point of view, the image of Emptiness is interpreted because of mutual annihilation of two ideological vectors of the novel.
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Listik, Clarice, Eduardo Listik, Jorge Dornellys Lapa, Graziele Costa Santos, Fabricio Vianna do Vale, Rubens Gisbert Cury, Manoel Jacobsen Teixeira, et al. "Classifying pain in dystonia: a way to improve pain outcome measure in dystonia." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.250.

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Background: Pain is a frequent and incapacitating non-motor symptom in dystonia. Evidence indicates that pain in dystonia is not only of muscular origin, but pain’s descending modulatory systems are impaired in dystonia. There is much to be learned about this topic. Still, we do not have a simple and straightforward way to classify, evaluate pain, and assess its improvement after pharmacological, surgical, and non-invasive treatments. Objective: To improve the classification system for pain in dystonia. Design and setting: This are the preliminary results of a multicentric study that at this moment selects patients in the Hospital das Clinicas da Faculdade de Medicina da Universidade de Sao Paulo and in the Hospital Sao Paulo da Universidade Federal de São Paulo. Methods: We evaluated 36 patients with hereditary/idiopathic dystonia of any distribution. These results are preliminary finds of this multicentric assessment. We applied the Burke-Fahn-Marsden (BFM) dystonia scale, two pain scales (Douleur Neuropathique - DN4 and the short-form Brief Pain Inventory - BPI), and our developed classification system. Results: Patients (54.9 ± 14.6 years, 41.7% male) had a BFM motor and disability subscores of 17.6 ± 6.8 and 4.5 ± 5.7, respectively, and 15 patients (41.7%) had chronic pain. Four patients had chronic pain non-related to dystonia, and 11 patients had chronic pain directly related to dystonia. Six patients had a second chronic pain, one of which was aggravated by dystonia, and five were directly associated with dystonia. DN4 was 2.1 ± 1.9, and BPI pain severity 5.2 ± 2.0 interference 5.0 ± 3.2. Conclusions: Chronic pain is prevalent in dystonic patients and is frequently directly related to dystonia.
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Feliz, Nerea. "No-Stop Shopping City: Supermarkets, Hybrid Space, and the Logistics of the Quotidian." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.14.

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Archizoom Associati’s 1970s dystopian “No-stop City” manifesto affirmed: “Architecture no longer represents the system, it is the system…Production and consumption poses one and the same ideology, which is that of programming.”1 No-stop City portrayed the future of the capitalist metropolis as an endless supermarket slash factory interior space where production and consumption coalesced into a singular and infinite isotropic field. With the digitalization of consumption, Archizoom’s dystopic overlap of production and consumption is already a reality. How is endless space framed and created by the digitizing economic realities of the 21st century? We are beginning to see a transition in which retailers are attempting to merge the experience of online and offline shopping, creating a new hybrid marketplace. How is this transition taking place?
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Oğuzhan, Adnan, and Cenk Hamamcıoğlu. "Spatial and Structural Analysis of Futuristic Urban Utopian Thoughts in Climate Change Dystopias." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0067n17.

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It is thought that climate change will radically affect societies in the future, leading to radical changes in the structural and spatial mechanisms of cities. Today, most of the World, particularly 10% of the World's population living in settlements below the sea level are expected to be affected by extreme climatic conditions such as sea-level rise, change in ocean currents, destructive weather events and heat waves (IPCC, 2019). As discussed in the literature (see. Hjerpe & Linner, 2009; Foust, 2009), in this study, the most severe effects of climate change are described as a dystopian period. In this direction, the study aims to share and discuss the samples of futurist urban utopia thoughts for the environments such as floating, underwater/sub aqua, underground/subterranean and overhead/aerial (sky, space), which are considered as uninhabitable or difficult to live under normal conditions together with their structural and spatial properties, in order for societies to survive in the dystopia of climate change. In the context of climate change, the futurist urban utopias, which are envisaged for different environments, are analyzed through four variables; technological features, ways of obtaining resources, spatial and urban form conceptions, and their mutual evaluation has been determined as the method to be followed in the study.
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Rivera, Chelsy, and Li Jiang. "Dystopian." In Bridging the Divide. Iowa State University Digital Press, 2024. http://dx.doi.org/10.31274/itaa.17101.

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Kalikar, S. A. "Howling Cry of Dystopia." In The First Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0012492700003792.

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Tulloch, Rowan. "Ludic dystopias." In the Sixth Australasian Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1746050.1746063.

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da, Hilarino. "Utopia and dystopia in Jorge Barbosa." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-58.

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Suhr, Cecilia. "Me, Myself and I in Dystopia." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3483529.3483779.

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Reports on the topic "Dystopie"

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Myers, Evan R., Gillian D. Sanders, Remy R. Coeytaux, Kara A. McElligott, Patricia G. Moorman, Karen Hicklin, Chad Grotegut, et al. Labor Dystocia. Agency for Healthcare Research and Quality (AHRQ), May 2020. http://dx.doi.org/10.23970/ahrqepccer226.

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Sweadner, Kathleen J. Creation of a Mouse with Stress-Induced Dystonia: Control of an ATPase Chaperone. Fort Belvoir, VA: Defense Technical Information Center, October 2012. http://dx.doi.org/10.21236/ada573942.

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Sweadner, Kathleen J. Creation of a Mouse with Stress-Induced Dystonia: Control of an ATPase Chaperone. Fort Belvoir, VA: Defense Technical Information Center, April 2013. http://dx.doi.org/10.21236/ada583979.

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Scott, Ann, Joanna Duncan, David Tivey, and Wendy Babidge. Paediatric deep brain stimulation. The Sax Institute, October 2019. http://dx.doi.org/10.57022/iksx3206.

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This review aimed to assess the evidence around the use of deep brain stimulation (DBS) for paediatric patients with severe dystonia. It aimed to answer the following questions: 1) Is paediatric DBS safe, efficacious and cost effective when compared with best supportive care?, 2) Is DBS more safe or more effective for some types of paediatric dystonia than others? Are there agreed patient selection criteria?, 3) What models of care and service delivery or access and funding mechanisms are established to deliver paediatric DBS internationally?. The available evidence is limited but the growing body of level IV evidence generally supports use of DBS for improving motor function and disability. More data is needed that looks as other aspects of patient wellbeing.
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Albert, Michael. Postcapitalist Work: Balanced Jobs and Equitable Remuneration. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp6en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Michael Albert addresses the first pillar: postcapitalist production/work.
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Albert, Michael. Postcapitalist Allocation: Participatory Planning. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp9en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Michael Albert addresses the second pillar, allocation, as participatory planning.
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Albert, Michael. Postcapitalist Decision Making. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp4en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Michael Albert addresses the third pillar: postcapitalist decision making.
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Shalom, Stephen R. Decision-Making in a Good Society: The Case for Nested Councils. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp8en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Stephen R. Shalom addresses the third pillar: postcapitalist decision making.
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Chowdhury, Savvina. The Organisation of Social Reproduction in a Postcapitalist Participatory Economy. Mέta | Centre for Postcapitalist Civilisation, May 2022. http://dx.doi.org/10.55405/mwp12en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Savvina Chowdhury addresses the first pillar, i.e. producion.
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Shalom, Stephen R. Decision-Making in a Good Society: The Case for Nested Councils. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp08en.

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mέta Working Papers’ series “Towards (a Better) Postcapitalism: A Handy How-To Guide” publishes solicited policy papers on aspects of how would a non-dystopian postcapitalism look like. The series focuses on three ‘pillars’: Production | Allocation | Decision-Making i.e., how could/would postcapitalist production be like (and who would own the means of production), what shape would the allocation of goods take (and which alternatives to the market economy may be explored), and what would be the main tenets of postcapitalist decision making and democracy. In this paper, Stephen R. Shalom addresses the third pillar, i.e. postcapitalist decision-making.
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