Relevant bibliographies by topics / E. Gombrich

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  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'E. Gombrich'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "E. Gombrich"

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Cieszkowski, Krzysztof Z. "Heresy and the pleasures of the hunt." Art Libraries Journal 16, no. 01 (1991): 20–24. http://dx.doi.org/10.1017/s0307472200018927.

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This conversation between the distinguished art historian, Professor Sir Ernst Gombrich, and Krzysztof Z. Cieszkowski of the Tate Gallery Library, took place in Professor Gombrich’s home late in 1990. Professor Gombrich recalls making use of a number of libraries, and offers some thoughts — from an art historian’s point of view — on librarians, who, it is suggested, tend to make too much of professional skills at the expense of knowledge.
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Li, Ziyi. "The Inspiration of Gombrich’s Critical Discourse Innovation to Film Criticism——Take “The Great Road” as an Example." Learning & Education 10, no. 8 (2022): 94. http://dx.doi.org/10.18282/l-e.v10i8.3071.

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As a critic of the classic visual art of images, Gombrich has pioneering insights into some aspects of the discourse of image criticism. This is not only used in his art history and art direction, but also in films that are also visual culture. direction. This article utilizes Gombrich’s innovation of critical discourse, combined with some cognitive models and related concepts proposed by Gombrich to inspire traditional film criticism. Combining neo-realism films with the inner characteristics of characters in the external material world, taking Italian director Fellini’s “The Great Road” as a
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Demchuk, Stefaniia. "E. H. Gombrich, "Reflections on teaching art history in art schools paper given, 4th January, 1966"." Text and Image: Essential Problems in Art History, no. 2 (2022): 6–17. http://dx.doi.org/10.17721/2519-4801.2022.2.01.

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The text is an authorized translation of Ernst Gombrich’s lecture first published in the Journal of Art Historiography (2022). The lecture explores the ways the history of art is and should be taught at art academies. It, too, reveals the prejudices towards history as a discipline and the shortcomings of traditional ways of teaching it. At the end, Gombrich summarises his own views on the subject and suggests possible options for teaching art history.
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Kozbelt, Aaron. "Psychological Implications of the History of Realistic Depiction: Ancient Greece, Renaissance Italy and CGI." Leonardo 39, no. 2 (2006): 139–44. http://dx.doi.org/10.1162/leon.2006.39.2.139.

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Art historian Ernst Gombrich argued that learning to create convincing realistic depictions is a difficult, incremental process requiring the invention of numerous specific techniques to solve its many problems. Gombrich's argument is elaborated here in a historical review of the evolution of realistic depiction in ancient Greek vase painting, Italian Renaissance painting and contemporary computer-generated imagery (CGI) in video games. The order in which many problems of realism were solved in the three trajectories is strikingly similar, suggesting a common psychological explanation.
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Pashentsev, Ivan Dmitrievich. "The contribution of E.H. Gombrich to the study of the primitivism." Философия и культура, no. 2 (February 2025): 61–75. https://doi.org/10.7256/2454-0757.2025.2.73366.

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The article is dedicated to the researches of the famous art historian of the XX century E.H. Gombrich (1909–2001) of such a phenomenon as primitivism. The subject of this work is the mentioned term in the works of this scholar. The purpose of the article is to present the evolution of Gombrich's views on the primitivism in the theory and history of European art throughout his scientific career: from the works of the 1950s to the latest monograph "Preference for the Primitive: episodes in the history of Western Taste and Art" written in 2002. The scientific novelty lies in the fact that there
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Del Conde, Teresa. "Ernst H. Gombrich." Anales del Instituto de Investigaciones Estéticas 23, no. 79 (2012): 229. http://dx.doi.org/10.22201/iie.18703062e.2001.79.2085.

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Migašová, Jana. "Ernst Hans Gombrich: jeho koncepcia dejín umenia, metodologické východiská a príspevok k chápaniu moderného výtvarného umenia." ESPES. The Slovak Journal of Aesthetics 6, no. 1 (2017): 29–39. https://doi.org/10.5281/zenodo.6386948.

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The paper is the contribution approach to interpretations of Ernst Gombrich’s contribution to the understanding of modern fine art. The basis of the paper stems out from knowledge of domestic and foreign interpretations of Gombrich’s art history concept (Bakoš, Mikš, Kesner, Hříbek, Elkins etc.). The main hypothesis of the paper is idea that Gombrich’s posthumously published work The Preference for the Primitive (2002) is, in spite of legitimate critiques on the part of contemporary art historians, not solely contribution to the primitivism phenomenon, bu
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Bordonaba, Laure. "Ernst Gombrich : expliquer l’ornement." Cahiers philosophiques N° 162, no. 3 (2021): 91–101. http://dx.doi.org/10.3917/caph1.162.0093.

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Gutiérrez Haces, Juana. "Gombrich, una mente lúcida." Anales del Instituto de Investigaciones Estéticas 23, no. 79 (2012): 219. http://dx.doi.org/10.22201/iie.18703062e.2001.79.2100.

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GOMBRICH, E. H. "GOMBRICH ON THE RENAISSANCE." Art Book 1, no. 2 (1994): 22. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00026.x.

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Dissertations / Theses on the topic "E. Gombrich"

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Lee, Jeongsook. "Gombrich : the foundations of his theory of pictorial representation." Thesis, University of Essex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415957.

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Finch, Matthew Edward. "Ernst Gombrich and the memory of Aby Warburg : emotion identity and scholarship." Thesis, Queen Mary, University of London, 2007. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28177.

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This thesis in intellectual history examines the work of art historian Ernst Gombrich (1909-2001), one-time Director of London's Warburg Institute, on that institute's founder, Aby Warburg (1866-1929). The memory of War burg, as evoked in Gombrich's scholarship, is investigated as a focal point for contemporary concerns on the part of Gombrich and his peers, and as an influence on Warburg's reception in 20th century scholarship. The thesis gives a close account of Gombrich's particular intellectual achievements, in order better to understand his status as a figure of great popular and academic
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Souza, Thiago Sebben de. "Percepção e convenção : o desenvolvimento do conceito de representação pictórica em Gombrich, Goodman e Wollheim." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/148949.

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O presente trabalho trata do tema da representação pictórica no contexto da representação artística e se concentra sobre as teses desenvolvidas sobre o tema nas teorias de Ernst Gombrich, Nelson Goodman, e Richard Wollheim. Procura evidenciar que, no panorama conceitual desses autores, é possível encontrar subsídios para o desenvolvimento de uma teoria da representação pictórica que suponha a dualidade entre a consciência da forma material e a consciência do conteúdo da representação de modo compatível com o tratamento do conceito em termos estruturais. O desenvolvimento do tema em Gombrich ex
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Arabzadeh, Jamal. "La pratique du dessin et la cognition." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC002.

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L’axe principal de cette thèse intitulée « La pratique du dessin et la cognition » concerne le rapport entre la perception de l’artiste et son geste graphique, tout en limitant la portée de la recherche aux productions picturales réalistes. En ce sens, la thèse pose deux questions fondamentales. Premièrement : Comment l’artiste voit-il le monde ? Et deuxièmement : dans quelle mesure la manière dont l’artiste voit le monde détermine sa pratique et son résultat ? La thèse présente les différentes approches qui ont tenté d’expliquer le regard de l’artiste lors de la réalisation d'œuvres picturale
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Auyer, Jonathan P. "Illusion in the commonplace| Reinterpreting Ernst Gombrich's concept of illusion." Thesis, State University of New York at Albany, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3565358.

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<p> In the dissertation I analyze and interpret Ernst Gombrich's book <i> Art and Illusion,</i> focusing on his view that illusion is involved in pictorial representation. Since Gombrich never gave a concise, systematic account of illusion, my goal will be to fill this void by using the text of <i> Art and Illusion</i> as well as Gombrich's subsequent writings in order to present a coherent account of how illusion might play a role in a picture's representing an object.</p><p> My goal is not to present an unassailable account of pictorial representation. Instead, I offer a version of Gombric
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Caldarola, Elisa. "Pictorial Representation and Abstract Pictures." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3422042.

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This work is an investigation into the analytical debate on pictorial representation and the theory of pictorial art. My main concern are a critical exposition of the questions raised by the idea that it is resemblance to depicted objects that explains pictorial representation and the investigation of the phenomenon of abstract painting from an analytical point of view in relation to the debate on depiction. The first part is dedicated to a survey of the analytical debate on depiction, with special attention to the fortunes and misfortunes of the resemblance theory of depiction. In the firs
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Hwang, Ju-Yeon. "Réalisme pictural : pour une étude anthropo-comparative transculturelle sur l'expérience esthétique." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH051.

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Le réalisme pictural peut être conçu, par-delà la pensée ontologique dualiste, comme expérience perceptive cognitive du spectateur d’avoir l’impression de voir le « réel » dans une configuration imagée picturale. Cette impression de réel n’est pas illusoire, mais subjectivement factuelle, sans être nécessairement consciente. Elle pourrait résulter de la facilité perceptive ou de la fluidité opérationnelle du processus perceptif cognitif. Lorsque l’activité perceptive cognitive opérante dans l’expérience du réalisme pictural est régulée par la valence hédonique immanente a
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BONATI, AGNESE. "Ornamento e percezione ne "Il senso dell'ordine" di Ernst H. Gombrich." Doctoral thesis, 2013. http://hdl.handle.net/11573/917095.

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Il presente lavoro di ricerca analizza il ruolo svolto da uno dei testi fondamentali dello storico dell’arte Ernst Hans Gombrich, Il senso dell’ordine, all’interno della sua riflessione storico-artistica ed estetica. Valutando l’impatto delle sue tematiche principali, in special modo la teoria della percezione e l’analisi dell’ornamento, si vuole offrire una ridefinizione del percorso critico dell’autore, che lo mette in contatto con le evoluzioni della riflessione estetica e psicologica della seconda metà del Novecento, sulle modalità di fruizione dell’oggetto artistico.
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Ma, Ching-Ju, and 馬靜茹. "Representation and Seeing—— Gombrich’s Response to Goodman’s Interpretation of Pictorial Perception." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/rtnzpj.

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博士<br>中國文化大學<br>哲學系<br>104<br>This thesis is to focus on the problem of pictorial perception, which was an important issue in the philosophy of Art during the second half of the twentieth century. Particularly, the debate between E. H. Gombrich and Nelson Goodman was a matter of great concern to many philosophers and aestheticians. In the dispute, Goodman set out his argument in Language of Art (1968), after rejecting the aesthetics of traditional European painting, he looked for the analogies between pictorial representation and verbal description and emphasized that they could form and char
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Books on the topic "E. Gombrich"

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Gombrich, E. H. Gombrich on the Renaissance. 4th ed. Phaidon, 1993.

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Gombrich, E. H. Gombrich on the Renaissance. 4th ed. Phaidon, 1994.

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Gombrich, E. H. Gombrich on the Renaissance. Phaidon, 1986.

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Iñarra, Joaquín Lorda. Gombrich: Una teoría del arte. EUNSA, 2021.

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Iñarra, Joaquín Lorda. Gombrich: Una teoría del arte. Ediciones Internacionales Universitarias, 1991.

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Lepsky, Klaus. Ernst H. Gombrich: Theorie und Methode. Böhlau, 1991.

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Moser-Ernst, Sybille, ed. ART and the MIND – Ernst H. GOMBRICH. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007948.

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Congreso Internacional "E.H. Gombrich (Viena 1909-Londres 2001): Teoría e Historia del Arte" (1st 2002 Universidad de Navarra). E.H. Gombrich: In memoriam : actas del I Congreso Internacional "E.H. Gombrich (Viena 1909-Londres 2001): Teoría e Historia del Arte". Edited by Lizarraga Paula 1966-. Ediciones Universidad de Navarra, 2003.

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Andina, Tiziana. Percezione e rappresentazione: Alcune ipotesi tra Gombrich e Arnheim. Centro Internazionale Studi di Estetica, 2005.

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Gombrich, E. H. The essential Gombrich: Selected writings on art and culture. Phaidon Press, 1996.

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Book chapters on the topic "E. Gombrich"

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Seeley, William P. "E. H. Gombrich." In The Routledge Companion to the Philosophies of Painting and Sculpture. Routledge, 2023. http://dx.doi.org/10.4324/9781003312727-46.

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Kremmel, Stefanie, Julia Richter, Larisa Schippel, and Tomasz Rozmysłowicz. "Lisbeth Dorothea Johanna Gombrich." In Transkulturalität – Translation – Transfer. Frank & Timme GmbH, 2023. http://dx.doi.org/10.57088/978-3-7329-9012-2_3.

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Moser-Ernst, Sybille. "Why read Gombrich now?" In ART and the MIND – Ernst H. GOMBRICH. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007948.13.

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Moser, Sybille-Karin. "Gombrich, Sir Ernst Hans Joseph." In Lexikon der Geisteswissenschaften. Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.1216.

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Brendel, Alfred. "Gombrich und das Wunder Musik." In ART and the MIND – Ernst H. GOMBRICH. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007948.269.

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Seamon, Roger. "Gombrich, (Sir) Ernst Hans Josef." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-107.

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Quiviger, François. "E.H. Gombrich and the Warburg Institute." In ART and the MIND – Ernst H. GOMBRICH. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007948.157.

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Rothhaupt, Josef G. F. "„Wahlverwandtschaftliche Steckenpferde“ bei Gombrich und Wittgenstein." In ART and the MIND – Ernst H. GOMBRICH. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007948.275.

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Mitter, Partha. "The Paradox of Ernst H. Gombrich." In ART and the MIND – Ernst H. GOMBRICH. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007948.315.

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Richmond, Sheldon, Ian Jarvie, and Joseph Agassi. "Ernst Gombrich, Karl Popper und die Kunsttheorie." In Handbuch Karl Popper. Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-16239-9_43.

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Conference papers on the topic "E. Gombrich"

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de Carvalho, Gustavo Campos. "A primavera de Bredekamp e a primavera de Wind: um confronto sobre o legado de Warburg." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.3993.

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Em 1988, o historiador da arte alemão Horst Bredekamp publica um livro sobre o quadro A Primavera de Sandro Botticelli (1445 – 1510). Trata-se de um dos quadros mais discutidos dentro dos estudos de história da arte. Ao longo do século XX, este quadro foi submetido a diversas análises, muitas das quais seguiam os rastros de um estudo realizado no final do século precedente. Quando, em 1891, Abraham Moritz Warburg realizou sua tese de doutoramento a respeito dos quadros O Nascimento de Vênus e A Primavera, apresentada à Universidade de Estrasburgo. Nitidamente influenciados pelas teses de Warbu
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Moraes, Ary. "The visible and invisible in journalistic infographics: A reflection from the Gombrich notion of schema and representation." In 6th Information Design International Conference. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-137.

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Carvalho, Gustavo Campos de. "Um debate sobre o parnaso de Mantegna." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3844.

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O objetivo do trabalho é apresentar um debate a respeito do quadro Parnaso de Mantegna. O objeto a ser focalizado será a relação no quadro entre o casal Vênus e Marte, e a figura expressiva de Vulcano. As interpretações a respeito do trio são divergentes entre os historiadores da arte. Estaria Vênus cometendo adultério e sendo flagrada por seu marido furioso? Ou a relação do casal Vênus e Marte seria a de legítimos marido e mulher? Sendo esta a alternativa correta, como interpretar a figura de Vulcano? E como relacionar o Cupido com o trio? Como os outros elementos ajudariam a entender a trama
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Baró Zarzo, José Luis, and Javier Poyatos Sebastián. "Hermeneutics and principles of quality in urban morphology." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6726.

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It is common to ascertain the loss of quality in the urban form during the 20th and 21st centuries, especially in the current globalization scenario, and in comparison to the previous centuries. Relevant authors of the cultural and artistic critique such as Erwin Panofsky, Ernst Gombrich or Enrique Lafuente Ferrari have defended the identification of the quality in the works of creation as the fundamental objective of the critique. Due to this, the research and identification of the quality features in the urban form are pertinent in order to have useful instruments to correct this contemporar
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Ye, Jing. "Research on Gombrich's Academic Affinitive Community Based on Data Mining." In 2016 2nd International Conference on Artificial Intelligence and Industrial Engineering (AIIE 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/aiie-16.2016.79.

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