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1

Heine, Elizabeth, and Frederick P. W. McDowell. "E. M. Forster." Yearbook of English Studies 16 (1986): 354. http://dx.doi.org/10.2307/3507866.

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Pinkerton, Mary, E. M. Forster, Philip Gardner, and Alan Wilde. "E. M. Forster." Contemporary Literature 29, no. 2 (1988): 286. http://dx.doi.org/10.2307/1208442.

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3

Rau, Santha Rama. "Remembering E. M. Forster." Grand Street 5, no. 4 (1986): 99. http://dx.doi.org/10.2307/25006904.

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4

Scott, Laurence. "Concerning E. M. Forster." English Studies 92, no. 6 (October 2011): 699. http://dx.doi.org/10.1080/0013838x.2011.553915.

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5

Christie, S. "FORSTER AND FICTION: Concerning E. M. Forster. By FRANK KERMODE." Essays in Criticism 61, no. 1 (January 1, 2011): 89–96. http://dx.doi.org/10.1093/escrit/cgq026.

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6

Mary Lago. "E. M. Forster: Clapham's Child." Biography 14, no. 2 (1991): 117–37. http://dx.doi.org/10.1353/bio.2010.0352.

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7

Al-Hout, Ahmed. "E. M. Forster in Egypt." International Journal of Arabic-English Studies 4, no. 1 (January 1, 2003): 31–48. http://dx.doi.org/10.33806/ijaes2000.4.1.3.

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The research aims at examining the kind of relationship the English novelist Edward Morgan Forster (1879-1970) had with Egypt during his stay there for three years, when he traveled presumably for only six months to work as a Red Cross Searcher to report missing soldiers and interview wounded soldiers during the First World War (1914-1918). Egypt was then a colony of the British Empire. The research shows Forster's attitude towards Egypt, Egyptian life, customs, music and nature, and towards Egyptians and Europeans, including Anglo-Egyptians and other foreigners. It also explains the reasons behind the change of his view of Egyptians and traces his sympathy with them, especially after being acquainted with Mohamed el Adl, an Egyptian tram conductor. After leaving Egypt, he continued to be connected to it emotionally, literarily and politically. He revisited it three times later. He admitted its positive effect on him and he continued to support it politically. It inspired him some short stories, two geography and history books of ancient Egypt. A big deal of his experience in Egypt was echoed in two of his novels, his Indian novel A Passage to India and his posthumous novel Maurice..
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8

Arjomand, Minou. "E. M. FORSTER'SBILLY BUDDAND THE COLLABORATIVE WORK OF OPERA." Theatre Survey 51, no. 2 (October 18, 2010): 225–45. http://dx.doi.org/10.1017/s0040557410000311.

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On 9 January 1964, the 86-year-old E. M. Forster took a curtain call at the Covent Garden revival ofBilly Buddalongside his colibrettist, Eric Crozier. TheTimesreview of the event neglected to mention either of the librettists, prompting Forster to write:Dear Sir,I have read with interest and approval your article onAn Opera of Good and Evilin this morning'sTimes, but wish you could have managed to squeeze in a reference to Eric Crozier and myself. We did the Libretto. We worked on it in Britten's house for several weeks. We might reasonably be credited with having helped to interpret his intentions and his conception of Melville's intentions.Yours faithfully,E. M. Forster
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9

Crossland, R. "E. M. FORSTER, The Creator as Critic and Other Writings by E. M. Forster, ed. Jeffrey M. Heath." Notes and Queries 59, no. 2 (March 30, 2012): 287–88. http://dx.doi.org/10.1093/notesj/gjs025.

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10

Foster, Paul I. "A Taxonomic Revision of Melodinus (Apocynaceae) in Australia." Australian Systematic Botany 5, no. 4 (1992): 387. http://dx.doi.org/10.1071/sb9920387.

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A taxonomic revision of Melodinus Forster & G. Forster in Australia is presented with generic and specific descriptions, a key to species, illustrations, notes on typification with lectotypifications, distribution and ecology, conservation status and local names. Four species, M. acutiflorus F. Muell., M. australis (F. Muell.) Pierre, M. bacellianus (F. Muell.) S . T. Blake and M. forbesii Fawc., are recognised. M. forbesii is newly recorded from Australia.
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11

Lago, Mary. "E. M. Forster and the BBC." Yearbook of English Studies 20 (1990): 132. http://dx.doi.org/10.2307/3507526.

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12

Johnston, Hamish H. "M. Forster Heddle: an intimate friendship." Geological Society, London, Special Publications 480, no. 1 (October 12, 2018): 93–111. http://dx.doi.org/10.1144/sp480.10.

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13

Christie, Stuart. "E. M. Forster as Public Intellectual." Literature Compass 3, no. 1 (January 2006): 43–52. http://dx.doi.org/10.1111/j.1741-4113.2005.00174.x.

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14

Dellamora, Richard. "E. M. Forster at the End." Victorian Literature and Culture 21 (March 1993): 271. http://dx.doi.org/10.1017/s1060150300003119.

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15

Gutmann, L. "Francis M. Forster, MD (1912-2006)." Neurology 66, no. 12 (June 26, 2006): 1809–10. http://dx.doi.org/10.1212/01.wnl.0000221773.87915.60.

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16

Sahni, Chaman L. "Commonplace Book by E. M. Forster." Rocky Mountain Review 40, no. 1-2 (1986): 100–101. http://dx.doi.org/10.1353/rmr.1986.0006.

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17

Julie Hastrup-Markussen. "Howards Ends’ åndelige arving: Arv og umistelig ejendom i E. M. Forsters Howards End (1910)." Slagmark - Tidsskrift for idéhistorie, no. 82 (November 18, 2020): 111–27. http://dx.doi.org/10.7146/slagmark.vi82.141050.

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When E. M. Forster published the novel Howards End in 1910, it was at the height of ‘the inheritance society’, and the gulf between rich and poor was great and problematic; a fact that Forster was very well aware of. Yet in spite of this, the main character in Howards End, Margaret Schlegel, is a financially independent rentier living off of the wealth of her ancestors, and her wealth increases when she is named the ‘spiritual heir’ of Ruth Wilcox and thus inherits the house of Howards End. In this study, I argue that Forster shifts the focus from inherited money to inherited values in order to pardon a society of great inequality. Drawing on an aristocratic principle, Forster thus deals with inheritance as an inalienable and spiritual subjectrather than as a legal and economic one.
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18

Thacker, Andrew. "E. M. Forster and the Motor Car." Literature & History 9, no. 2 (November 2000): 37–52. http://dx.doi.org/10.7227/lh.9.2.3.

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19

Melaver, Martin, Judith Scherer Herz, and E. M. Forster. "The Short Narratives of E. M. Forster." Poetics Today 10, no. 3 (1989): 646. http://dx.doi.org/10.2307/1772916.

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20

VARTY, ANNE. "E. M. FORSTER, ARNOLD BÖCKLIN, AND PAN." Review of English Studies XXXIX, no. 156 (1988): 513–18. http://dx.doi.org/10.1093/res/xxxix.156.513.

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21

Salim, Nessma. "The Nostalgic Home in E. M. Forster's Novels." Athens Journal of Philology 10, no. 3 (August 25, 2023): 211–24. http://dx.doi.org/10.30958/ajp.10-3-2.

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Edward Morgan Forster wrote 6 novels, all of which revolve around the concept of home in relation to the representation of time and its impact on human soul and spirit. Homes of Forster are created by people and their emotions; hence they are very effective in their lives. In his Aspects of the Novel, Forster confirms that the art of fiction depends on facets like characters, plots, patterns, time, and places. This paper handles the representation of homes and the impact of time on these homes in E.M. Forester's Where Angels Fear to Tread, A Room With A View and Howard's End. In these novels Forster uses a recurrent theme; that is the impact of time on places and people. As Angels Fear to Tread echoes Alexander Pope's line in his An Essay on Criticism: "for fools rush in where angels fear to tread", the novel deals with concepts like national character, connection across social differences, the passage of time and its impact on places and houses. In A Room with A View, Forster contrasts Florence, Italy and Windy Corner, England, showing their influence on the development of Lucy, the heroine. Lucy is torn between two different lives. She misses the feeling of home, warmth and domesticity. She struggles throughout the whole novel to embrace love, security, and belonging. Home as a concept is an evasive axis in Forster's Howard's End. The novel is set in the Victorian era where all houses were rebuilt, reconstructed and replaced. There was a demanding rebuilding initiative across Britain, especially in London. That's why houses and places were obviously an entity for people's emotional values. In Howard's End, the Schlegels are evicted from Wickham place, and this leads to their dichotomy. The concepts of places, dwelling, passing of time, and nostalgia, give an opportunity for readers to observe the importance of home in modern life. In Forster's novels, homes are experienced on many levels: homes as places people have already visited and lived in; homes as places people imagined through pictures or dreams; and homes that are never visited or even imagined by dwellers. As John Edward Hardy states: "buildings, and the design of them, the architectural character of civilization, would seem to be in Forster's mind fundamentally related to its character of manners and morals", it would be significant to have a deeper look into the concept of home, time and nostalgia in relation to modern man. Keywords: houses, homes, Forster's novels, passage of time, nostalgia and modernity
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22

HELLENTHAL, RONALD A., and ROGER D. PRICE. "The genus Myrsidea Waterston (Phthiraptera: Menoponidae) from bulbuls (Passeriformes: Pycnonotidae), with descriptions of 16 new species." Zootaxa 354, no. 1 (November 17, 2003): 1. http://dx.doi.org/10.11646/zootaxa.354.1.1.

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We redescribe the only previously known species of Myrsidea from bulbuls, M. pycnonoti Eichler. Sixteen new species are described; they and their type hosts are: M. phillipsi ex Pycnonotus goiavier goiavier (Scopoli), M. gieferi ex P. goiavier suluensis Mearns, M. kulpai ex P. flavescens Blyth, M. finlaysoni ex P. finlaysoni Strickland, M. kathleenae ex P. cafer (L.), M. warwicki ex Ixos philippinus (J. R. Forster), M. mcclurei ex Microscelis amaurotis (Temminck), M. zeylanici ex P. zeylanicus (Gmelin), M. plumosi ex P. plumosus Blyth, M. eutiloti ex P. eutilotus (Jardine and Selby), M. adamsae ex P. urostictus (Salvadori), M. ochracei ex Criniger ochraceus F. Moore, M. borbonici ex Hypsipetes borbonicus (J. R. Forster), M. johnsoni ex P. atriceps (Temminck), M. palmai ex C. ochraceus, and M. claytoni ex P. eutilotus. A key is provided for the identification of these 17 species.
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23

Gardner, P. "E. M. Forster, Surrey, and the Golden Fleece." Review of English Studies 65, no. 272 (April 18, 2014): 904–21. http://dx.doi.org/10.1093/res/hgu018.

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24

Osovskii, Oleg Efimovich, and Svetlana Anatol’evna Dubrovskaia. "LITERATURE AS A FORM OF THE «RUSSIAN THOUGHT»: A NEW GUIDE TO THE INTELLECTUAL HISTORY OF RUSSIA." Russkaya literatura 1 (2023): 267–68. http://dx.doi.org/10.31860/0131-6095-2023-1-267-268.

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25

데럭존맥거번. "Rectifying E. M. Forster? The Film Version of Maurice." New Korean Journal of English Lnaguage & Literature 55, no. 3 (August 2013): 149–70. http://dx.doi.org/10.25151/nkje.2013.55.3.008.

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26

Tilby, Michael. "Andre Gide, E. M. Forster, and G. Lowes Dickinson." Modern Language Review 80, no. 4 (October 1985): 817. http://dx.doi.org/10.2307/3728958.

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27

Stone, Wilfred, and E. M. Forster. "Some Interviews with E. M. Forster, 1957-58, 1965." Twentieth Century Literature 43, no. 1 (1997): 57. http://dx.doi.org/10.2307/441863.

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28

Twidle, H. "Nothing Extraordinary: E. M. Forster and the English Limit." English in Africa 40, no. 2 (January 9, 2014): 25. http://dx.doi.org/10.4314/eia.v40i2.2.

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29

Meehan, Lynne. "Forster, M. (ed.) (2017). Information literacy in the workplace." Journal of Information Literacy 11, no. 2 (December 3, 2017): 120. http://dx.doi.org/10.11645/11.2.2309.

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30

Cahill, Daniel J., E. M. Forster, Mary Lago, and P. N. Furbank. "Selected Letters of E. M. Forster. 2: 1921-1970." World Literature Today 59, no. 4 (1985): 600. http://dx.doi.org/10.2307/40142032.

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31

Goodwin, C. D. "Observation through Fiction: Frank Norris and E. M. Forster." History of Political Economy 44, Supplement 1 (January 1, 2012): 206–25. http://dx.doi.org/10.1215/00182702-1631842.

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32

Corne, Jonah. "Queer Fragments: Ruination and Sexuality in E. M. Forster." College Literature 2014, no. 3 (2014): 27–44. http://dx.doi.org/10.1353/lit.2014.0040.

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33

Cajigal, Stephanie. "DR. FRANCIS M. FORSTER, FOUNDING FATHER OF AAN, DIES." Neurology Today 6, no. 6 (March 2006): 4. http://dx.doi.org/10.1097/00132985-200603210-00003.

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34

Verheyen, Leen. "M. Forster, K. Gjesdal, The Cambridge companion to hermeneutics." Phenomenological Reviews 5 (2019): 39. http://dx.doi.org/10.19079/pr.5.39.

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35

Hughes, Edward, and Yves Clavaron. "Inde et Indochine: E. M. Forster et M. Duras au miroir de l'Asie." Modern Language Review 99, no. 3 (July 2004): 857. http://dx.doi.org/10.2307/3739109.

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36

Banerjee, Ria. "Fashions and Wars." English Language Notes 60, no. 2 (October 1, 2022): 69–91. http://dx.doi.org/10.1215/00138282-9890780.

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Abstract Most accounts of E. M. Forster recall him as a dowdy man in a suit, someone Lytton Strachey nicknamed “the Taupe” for his restricted sartorial palette. The ability to wear unfashionable clothes without causing remark is an exercise of privilege that Forster became aware of during his time working for the Red Cross (1916–19), and through interactions with his Egyptian friend, Mohamed El-Adl. Refusing to wear his uniform after work, Forster broke away from convention to wear one of the three suits he had brought with him to Egypt even as he embarked on a difficult love affair with El-Adl. Their clothes-based interactions prompted Forster to question and discard many of his colonialist biases. The suit, previously an unexamined everyday object, thus becomes a loaded metaphor for social privilege and unwilling complicity with national politics in Forster’s essay “Me, Them and You” (1925). The sartorial symbols that emerge from his letters, essays, and the archive he created of El-Adl’s notes allow us to reapproach the philosophical idea with which he is most closely associated: liberal humanism. This essay finally suggests that Forster’s experiences in Egypt led to an intersectional humanist position that holds interest for global modernist approaches.
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37

Lanone, Catherine. "Mediating multi-cultural muddle: E. M. Forster meets Zadie Smith." Études anglaises 60, no. 2 (2007): 185. http://dx.doi.org/10.3917/etan.602.0185.

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38

Armstrong, Paul B. "Reading India: E. M. Forster and the Politics of Interpretation." Twentieth Century Literature 38, no. 4 (1992): 365. http://dx.doi.org/10.2307/441781.

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39

Bailey, Quentin. "Heroes and Homosexuals: Education and Empire in E. M. Forster." Twentieth Century Literature 48, no. 3 (2002): 324. http://dx.doi.org/10.2307/3176031.

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40

Wallace, J. "DAVID BRADSHAW (ed.). The Cambridge Companion to E. M. Forster." Review of English Studies 59, no. 238 (March 21, 2007): 176–77. http://dx.doi.org/10.1093/res/hgm153.

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41

Stape, J. H. "Calendar of the Letters of E. M. Forster. Mary Lago." Papers of the Bibliographical Society of America 79, no. 4 (December 1985): 612–13. http://dx.doi.org/10.1086/pbsa.79.4.24303697.

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42

Bailey, Quentin. "Heroes and Homosexuals: Education and Empire in E. M. Forster." Twentieth-Century Literature 48, no. 3 (2002): 324–47. http://dx.doi.org/10.1215/0041462x-2002-4002.

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43

Tsai, T. H. "'Worse than Irritated - Namely, Insecure': E. M. Forster at Bayreuth." Forum for Modern Language Studies 50, no. 4 (September 12, 2014): 466–81. http://dx.doi.org/10.1093/fmls/cqu029.

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44

Yee, J. "Review: Inde et Indochine: E. M. Forster et M. Duras au miroir de l'Asie." French Studies 57, no. 1 (January 1, 2003): 106–7. http://dx.doi.org/10.1093/fs/57.1.106-a.

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45

Moraes, Helvio. "Uma leitura de The Machine Stops, a distopia tecnológica de E. M. Forster." Remate de Males 32, no. 2 (December 19, 2012): 249–62. http://dx.doi.org/10.20396/remate.v32i2.8635885.

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Apresentamos uma leitura do conto The Machine Stops, de E.M.Forster, publicado em 1909. Na descrição de um mundo governado pela máquina, Forster expõe sua crítica a certas tendências do século que começava: o isolamento do indivíduo, o esfacelamento das relações humanas, o crescente desenvolvimento tecnológico e industrial, a crença desmedida no progresso, o distanciamento do homem em relação à natureza, a repressão da faculdade instintiva, o enrijecimento das convenções sociais e a consciência de classe. Em nossa análise, privilegiamos a relação entre os gêneros literários da utopia e da ficção científica, a partir de estudiosos que retomam e, por vezes, fazem uma revisão crítica dos estudos pioneiros de Darko Suvin, publicados durante a década de setenta. O conto de Forster também nos possibilita investigar a crise de certos paradigmas da tradição utópica – como a tensão entre liberdade individual e o controle do Estado -, por ser um dos textos fundadores da literatura distópica que, ao longo de todo o século XX, terá uma enorme difusão. Nesse sentido, nosso estudo também busca compreender a complexa relação entre as noções de utopia e distopia, a partir da distinção conceitual elaborada por Berriel.
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46

Alonso Gómez, Marina. "La traducción del discurso de los personajes indios en A Passage to India de E. M. Forster." TRANS. Revista de Traductología, no. 22 (December 22, 2018): 169. http://dx.doi.org/10.24310/trans.2018.v0i22.3123.

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La última novela publicada en vida por el autor británico E. M. Forster, A Passage to India, que transcurre en la India colonial de principios del siglo xx, ha sido traducida a nuestro idioma en tres ocasiones. En el presente trabajo analizaremos la traducción del discurso de los personajes indios de la novela.
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47

Castillo Didier, Miguel. "Castillo Didier, M. (2020) Kavafis: Cartas a Forster y a Vaianos." Byzantion nea hellás, no. 39 (December 2020): 369–70. http://dx.doi.org/10.4067/s0718-84712020000100369.

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48

Das, Santanu. "‘In a Church, in a Cave’: Cruising with E. M. Forster." Cambridge Quarterly 50, no. 2 (June 1, 2021): 143–58. http://dx.doi.org/10.1093/camqtly/bfab015.

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49

Fajardo, Salvador J., Arsenio Sanchez Calvo, Miguel de Unamuno, and E. M. Forster. "Miguel de Unamuno y E. M. Forster. Tematica y tecnica novelistica." Hispanic Review 61, no. 3 (1993): 423. http://dx.doi.org/10.2307/475084.

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50

Paučová, Lenka. "E. M. Forster in margine ruského románu a několik dalších souvislostí." Slavica litteraria, no. 2 (2018): 83–93. http://dx.doi.org/10.5817/sl2018-2-7.

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