Journal articles: 'Earl robert'

1

Roland, Charles G., and W. Bruce Fye. "Robert Earl Beamish." Clinical Cardiology 30, no. 6 (2007): 313–15. http://dx.doi.org/10.1002/clc.20055.

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Cullen, James Robert. "Earl Robert Callen." Physics Today 56, no. 12 (2003): 82–83. http://dx.doi.org/10.1063/1.1650243.

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Eyl, Jennifer. "Christian Divination in Late Antiquity by Robert Wiśniewski." Journal of Early Christian Studies 29, no. 3 (2021): 457–59. http://dx.doi.org/10.1353/earl.2021.0033.

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Bertaina, David. "Shared Stories, Rival Tellings: Early Encounters of Jews, Christians, and Muslims by Robert C. Gregg." Journal of Early Christian Studies 25, no. 3 (2017): 477–79. http://dx.doi.org/10.1353/earl.2017.0040.

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O'Keefe, John J. "In Dominico Eloquio, In Lordly Eloquence: Essays on Patristic Exegesis in Honor of Robert Louis Wilken (review)." Journal of Early Christian Studies 11, no. 3 (2003): 436–37. http://dx.doi.org/10.1353/earl.2003.0052.

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Robbins, Chandler S. "In Memoriam: Robert Earl Stewart, Sr., 1913-1993." Auk 113, no. 3 (1996): 680–82. http://dx.doi.org/10.2307/4088991.

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Hay (book author), Millicent V., and Gary F. Waller (review author). "The Life of Robert Sidney, Earl of Leicester." Renaissance and Reformation 23, no. 2 (2009): 185–86. http://dx.doi.org/10.33137/rr.v23i2.11983.

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Eckerlin, Ralph. "Robert Earl Lewis 1 December 1929 – 18 January 2017." Proceedings of the Entomological Society of Washington 119, no. 4 (2017): 670–77. http://dx.doi.org/10.4289/0013-8797.119.4.670.

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9

Crouch, David. "Robert, earl of Gloucester, and the daughter of Zelophehad." Journal of Medieval History 11, no. 3 (1985): 227–43. http://dx.doi.org/10.1016/0304-4181(85)90026-0.

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10

Licence, Tom. "Robert of Jumièges, archbishop in exile (1052–5)." Anglo-Saxon England 42 (December 2013): 311–29. http://dx.doi.org/10.1017/s0263675113000161.

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AbstractArchbishop Robert of Jumieges interests historians of Anglo-Saxon England chiefly for his role in offering the crown to William of Normandy and in the conflict between King Edward and Earl Godwin in 1051–2. Before now, very little was known of his movements after his flight from England that September, but the discovery of an early source placing him in Paris casts new light on his activities. Part 1 examines the source and proposes a date for the event Robert attended. Part 2 challenges current perceptions of his career and offers a new interpretation of its significance in view of his movements in exile.

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BRENNAN, MICHAEL. "Alexander Pope's ’Epistle to Robert Earl of Oxford, and Earl Mortimer‘: A New Autograph Manuscript." Library s6-15, no. 3 (1993): 187–205. http://dx.doi.org/10.1093/library/s6-15.3.187.

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12

Robinson, Mary K. "Stedall, Robert, Elizabeth I’s Secret Lover: The Royal Affair with Robert Dudley, Earl of Leicester." History: Reviews of New Books 49, no. 1 (2021): 14–15. http://dx.doi.org/10.1080/03612759.2021.1854028.

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13

MARGETTS, MICHELE. "THE BIRTH DATE OF ROBERT DEVEREUX, 2ND EARL OF ESSEX." Notes and Queries 35, no. 1 (1988): 34–35. http://dx.doi.org/10.1093/nq/35-1-34.

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14

Cognard, Roger A. "An Unpublished Letter by Robert Dudley, the Earl of Leicester." Notes and Queries 67, no. 2 (2020): 204–7. http://dx.doi.org/10.1093/notesj/gjaa015.

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15

Robison, William B., and Millicent V. Hay. "The Life of Robert Sidney, Earl of Leicester (1563-1626)." Sixteenth Century Journal 16, no. 4 (1985): 556. http://dx.doi.org/10.2307/2541255.

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16

Cogswell, Thomas. "The Life of Robert Sidney, Earl of Leicester (1563-1626)." Manuscripta 29, no. 2 (1985): 130–31. http://dx.doi.org/10.1484/j.mss.3.1155.

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17

Guy-Bray, Stephen. "Song and Sonnet: Robert Duncan and the Earl of Surrey." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 12, no. 4 (1999): 39–42. http://dx.doi.org/10.1080/08957699909598077.

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18

Hay (book author), Millicent V., and Martha Kurtz (review author). "The Life of Robert Sidney, Earl of Leicester (1563-1626)." Renaissance and Reformation 28, no. 3 (2009): 82–85. http://dx.doi.org/10.33137/rr.v28i3.11673.

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19

Woodhouse, Elisabeth. "Kenilworth, the Earl of Leicester's Pleasure Grounds Following Robert Laneham's Letter." Garden History 27, no. 1 (1999): 127. http://dx.doi.org/10.2307/1587177.

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20

MAY, STEVEN W. "THE BIRTH DATE OF ROBERT DEVER-EUX, 2ND EARL OF ESSEX." Notes and Queries 37, no. 3 (1990): 318—d—318. http://dx.doi.org/10.1093/nq/37-3-318d.

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21

Hill, Robert. "Robert Dudley, Earl of Leicester, and the World of Elizabethan Art." Journal of the History of Collections 27, no. 2 (2014): 283–84. http://dx.doi.org/10.1093/jhc/fhu078.

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22

Simpson, Jacqueline. "The Mawkin on Herrick's Hock-cart." Rural History 6, no. 1 (1995): 1–9. http://dx.doi.org/10.1017/s0956793300000790.

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In a poem written at Dean Prior in Devonshire sometime between 1630 and 1648, and addressed to the Earl of Westmoreland, Robert Herrick invites the Earl to watch a procession of harvesters bringing in the last load:Come forth, my Lord, and see the CartDrest up with all the Country Art.See, here a Maukin, there a sheet,As spotless pure as it is sweet:The Horses, Mares, and frisking Fillies(Clad, all, in Linnen, white as Lillies.)The Harvest Swaines, and Wenches, boundFor joy, to see the Hock-cart crown'd.

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23

Hulse, Lynn. "The Musical Patronage of Robert Cecil, First Earl of Salisbury (1563–1612)." Journal of the Royal Musical Association 116, no. 1 (1991): 24–40. http://dx.doi.org/10.1093/jrma/116.1.24.

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‘Such is your divine Disposation that both you excellently understand, and royally entertaine the Exercise of Musicke.‘ So wrote John Dowland of Robert Cecil, first earl of Salisbury, in the dedicatory epistle of Andreas Ornithoparcus his Micrologus, published in 1609. Beneath the hyperbole natural to a dedication lie the essential characteristics of Cecil's musical patronage. The first part of this paper examines his royal entertainment of music in terms of the form and scale of his patronage and the ways in which music could be used within the patron-client relationship. The second part explores Cecil's excellent understanding of music and comments on his personal taste.

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24

KAHAN, JEFFREY. "HENRY CHETTLE‘S ROMEO Q1 and THE DEATH OF ROBERT EARL OF HUNTINGDON." Notes and Queries 43, no. 2 (1996): 155–56. http://dx.doi.org/10.1093/nq/43-2-155.

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25

KAHAN, JEFFREY. "HENRY CHETTLE‘S ROMEO Q1 and THE DEATH OF ROBERT EARL OF HUNTINGDON." Notes and Queries 43, no. 2 (1996): 155–56. http://dx.doi.org/10.1093/nq/43.2.155.

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26

KAHAN, JEFFREY. "‘HENRY CHETTLE'S ROMEO Q1 and THE DEATH OF ROBERT, EARL OF HUNTINGDON ’." Notes and Queries 44, no. 3 (1997): 370—a—370. http://dx.doi.org/10.1093/nq/44-3-370a.

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27

KAHAN, JEFFREY. "‘HENRY CHETTLE'S ROMEO Q1 and THE DEATH OF ROBERT, EARL OF HUNTINGDON’." Notes and Queries 44, no. 3 (1997): 370—a—370. http://dx.doi.org/10.1093/nq/44.3.370-a.

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28

Guerci, Manolo. "The Construction of Northumberland House and the Patronage of its Original Builder, Lord Henry Howard, 1603–14." Antiquaries Journal 90 (May 27, 2010): 341–400. http://dx.doi.org/10.1017/s0003581510000016.

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AbstractThis paper affords a complete analysis of the construction of the original Northampton (later Northumberland) House in the Strand (demolished in 1874), which has never been fully investigated. It begins with an examination of the little-known architectural patronage of its builder, Lord Henry Howard, 1st Earl of Northampton from 1603, one of the most interesting figures of the early Stuart era. With reference to the building of the contemporary Salisbury House by Sir Robert Cecil, 1st Earl of Salisbury, the only other Strand palace to be built in the early seventeenth century, textual and visual evidence are closely investigated. A rediscovered elevational drawing of the original front of Northampton House is also discussed. By associating it with other sources, such as the first inventory of the house (transcribed in the Appendix), the inside and outside of Northampton House as Henry Howard left it in 1614 are re-configured for the first time.

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29

Croft, Pauline. "The Religion of Robert Cecil." Historical Journal 34, no. 4 (1991): 773–96. http://dx.doi.org/10.1017/s0018246x00017295.

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The debate over the nature and significance of religious change in late sixteenth and early seventeenth century England has been one of the most lively of recent years and shows no sign of abating. The emergence or otherwise of a Calvinist consensus, the impact of the high church or Arminian party, the role of puritanism, and the relationship between all these and the outbreak of the civil war have generated vigorous discussion. Attention has inevitably tended to focus on the theological outlook of university-educated clerics, whose sermons and treatises provide a mine of information. In the absence of comparable sources it is far harder to evaluate the position of laymen, and in the case of Robert Cecil it may seem exceptionally foolhardy to attempt to do so, since he has usually been depicted as both an enigmatic figure and a morally dubious one. Hurstfield confined his discussion to the Cecils' view of the right relationship between church and state, concluding merely that Robert Cecil followed his father Lord Burghley in supporting a via media. Yet it is possible to piece together a large amount of information about his spiritual development, and the evidence suggests a gradual but very significant change of outlook, from orthodox Elizabethan protestantism to a more complex position in which both his doctrinal and aesthetic sensibilities were moving in the direction later identified with Laudianism. Moreover, in the construction of his private chapel at Hatfield, and in his links with men such as Richard Neile and Samuel Harsnett, he can be seen as the first great patron of the emerging high church party, antedating Buckingham and Charles I by a generation. Tracing the religious evolution of Robert Cecil first earl of Salisbury thus illuminates some of the crucial changes reshaping English protestantism in these formative years.

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30

WILKS, T. "THE PICTURE COLLECTION OF ROBERT CARR, EARL OF SOMERSET(c.1587 1645), RECONSIDERED." Journal of the History of Collections 1, no. 2 (1989): 167–77. http://dx.doi.org/10.1093/jhc/1.2.167.

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31

Edwards, Francis. "The First Earl of Salisbury’s Pursuit of Hugh Owen." Recusant History 26, no. 1 (2002): 2–38. http://dx.doi.org/10.1017/s0034193200030697.

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Robert Cecil, the first Earl of Salisbury and James I’s principal secretary of state, had every reason for regarding Hugh Owen with intense dislike. Born at Plas Du on the Lleyn peninsula in Caernarvonshire in 1538, he belonged to a family that was completely devoted and committed to the old faith. For some time until 1571, he was secretary to Henry Fitzallan, twelfth and last Earl of Arundel of his house. He left Wales for the Low Countries in 1571 looking for the freer life that the Marian exiles sought abroad under Mary I. It was alleged by some that this was a virtual admission that he had been involved in the recent Ridolfi plot. Lord Lumley who knew him was prepared to defend him from any implication in that conspiracy. In fact the plot, like most of the plots of the period, was more likely to have been a contrivance to get rid of rivals and opponents.

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32

Jones, Clyve. "The Origin of the Leadership of the House of Lords Revisited*." Historical Research 72, no. 179 (1999): 268–84. http://dx.doi.org/10.1111/1468-2281.00084.

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Abstract From 1717 the ‘leadership’ of the house of lords was seen to be attached to the office of Secretary of State for the north (at that time occupied by the 3rd earl of Sunderland), for from then evidence exists in the form of lists of lords invited to or attending pre‐sessional meetings, held in the Secretary's office. However, the leadership did not suddenly emerge from nowhere. There is evidence, examined here, to show that aspects of the job were initiated by Sunderland in the last whig ministry of Anne's reign, which were then developed by Robert Harley, 1st earl of Oxford, between 1711 and 1714, and again by Sunderland after 1714.

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33

Gajda, Alexandra. "Henry Savile and the Elizabethan Court." Erudition and the Republic of Letters 6, no. 1-2 (2021): 32–60. http://dx.doi.org/10.1163/24055069-06010001.

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Abstract This essay examines Henry Savile’s relationship with the Elizabethan and Jacobean court and the political culture of the period in which he lived. Particular attention is paid to the controversies surrounding Savile’s alleged connection to Robert Devereux, 2nd earl of Essex and the court politics of the 1590s, and variant interpretations scholars have made of the political significance of his historical scholarship. Savile’s Elizabethan literary remains demonstrate his persistent interest in the association between militarism and the arts of civil government, and the frequently problematic relationship of virtuous soldiers and statesmen to princely rulers. These concerns were shared by leading Elizabethan soldiers and statesmen, from the earl of Leicester, William Cecil, Lord Burghley, to the earl of Essex, and may have influenced the latter’s growing alienation from queen and court in the late 1590s. A broader comparison of Savile’s career with those of contemporary Merton scholars, however, confirms that he rejected the public careers pursued by other friends and colleagues. Savile’s political connections seem to have served his scholarly ambitions rather than the other way around, and after the rebellion of the earl of Essex he seems to have retreated from life at court.

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34

Smith, Robert F. W. "The whirlpool of misadventures: letters of Robert Paston, First Earl of Yarmouth, 1663–1679." Archives and Records 35, no. 2 (2014): 166–68. http://dx.doi.org/10.1080/23257962.2014.942618.

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35

CROFT, PAULINE. "Parliamentary Preparations, September 1605: Robert Cecil, Earl of Salisbury on Free Trade and Monopolies." Parliamentary History 6, no. 1 (2008): 127–32. http://dx.doi.org/10.1111/j.1750-0206.1987.tb00414.x.

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36

Crouch, David. "Robert of Gloucester's Mother and Sexual Politics in Norman Oxfordshire." Historical Research 72, no. 179 (1999): 323–33. http://dx.doi.org/10.1111/1468-2281.00087.

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Abstract The discovery that the mother of Earl Robert of Gloucester (d. 1147), the illegitimate son of King Henry I, was a daughter of the Gay or Gayt family of north Oxfordshire allows us a new insight into the character of that complex king. We can now see how King Henry used Oxfordshire as his surrogate home in England from the ten‐eighties onwards: three of the Englishwomen who bore him children dwelt in the vicinity of Oxford. We can also now see why it was that he made Woodstock the third most important royal centre in England during his reign. The way that his chosen mistresses used their royal connection to their families' advantage is also more clear following this discovery.

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37

Venema, Jeremy. "“Shortly They Will Play Me in What Forms They List upon the Stage”: Hamlet, Conscience, and the Earl of Essex." Religion and the Arts 16, no. 3 (2012): 185–210. http://dx.doi.org/10.1163/156852912x635197.

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AbstractThis essay explores the theme of conscience inHamletas it relates to Elizabethan Catholics and their hopes for Robert Devereux, second earl of Essex. Hamlet may represent Essex, the second half of the play being either a study of why Essex, put under house arrest in 1599, might delay taking bold action, or perhaps a negative example of how Essex ought not to proceed. Hamlet exhibits two traits that lead to delay, both applicable to Essex: rashness, and an overweening trust in Providence. These traits lead to tragedy in the play, as they would for Essex.

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38

Grieser, Jonathan, and Simon Adams. "Household Accounts and Disbursement Books of Robert Dudley, Earl of Leicester, 1558-1561, 1584-1586." Sixteenth Century Journal 28, no. 1 (1997): 318. http://dx.doi.org/10.2307/2543311.

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39

Wilson, Jean. "The Noble Imp: The Upper-Class Child in English Renaissance Art and Literature." Antiquaries Journal 70, no. 2 (1990): 360–79. http://dx.doi.org/10.1017/s0003581500070839.

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In the Beauchamp Chapel of St Mary's, Warwick, lies the body of Lord Denbigh, son of Robert, Earl of Leicester, and of his wife, Lettice Knollys (pl. XXXVIIa). The tomb, unlike those of his parents, his uncle, Ambrose Dudley, or the original denizen of the chapel, Richard Beauchamp, warrants little mention in guides and histories, and yet the child who was buried there was for the course of his short life one of the greatest heirs in England, and his tomb embodies the contradictions and ambiguities of the English Renaissance attitude to children.

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40

BUCKLE, ALEXANDRA. "An English composer in royal and aristocratic service: Robert Chirbury, c. 1380–1454." Plainsong and Medieval Music 15, no. 2 (2006): 109–22. http://dx.doi.org/10.1017/s0961137106000350.

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Four compositions in the first layer of the Old Hall Manuscript (GB-Lbl, Add. MS 57950) are attributed to R. Chirbury (or R. Chyrbury). This article argues that the Robert Chirbury who ended his days as Dean at the Collegiate Church of St Mary, Warwick was this composer. His career included stints at the Chapel Royal and probably also earlier employment in the London diocese, as well as service in the household of Richard Beauchamp, Earl of Warwick. Moreover, this individual can be differentiated from similarly named men in the Register of the London St Nicholas Fraternity of Parish Clerks, and the assertion that the composer was employed at St George's, Windsor can be discounted.

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41

Popper, Nicholas. "Spenser’s View and the Production of Political Knowledge in Elizabethan England." Explorations in Renaissance Culture 47, no. 1 (2021): 73–91. http://dx.doi.org/10.1163/23526963-47010006.

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Abstract This article analyzes the View as an example of knowledge production, rather than plumbing it for representation or ideology as scholars have traditionally done. Tracing the process of construction, sources, and generic conventions that Spenser wielded not only illuminates some of the more curious elements of the View, but also reveals his practices and motivations for it. As this article suggests, such an approach reinforces the idea that Spenser designed the View as an appeal for the patronage and support of Robert Devereux, 2nd Earl of Essex, by modeling specific forms of expertise and counsel characteristic of the Essex circle.

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42

HAMMER, PAUL E. J. "The Uses of Scholarship: The Secretariat of Robert Devereux, Second Earl of Essex, c. 1585–1601." English Historical Review CIX, no. 430 (1994): 26–51. http://dx.doi.org/10.1093/ehr/cix.430.26.

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43

HARDING, RICHARD. "Lord Cathcart, the Earl of Stair and the Scottish Opposition to Sir Robert Walpole, 1732-173511." Parliamentary History 11, no. 2 (2008): 192–217. http://dx.doi.org/10.1111/j.1750-0206.1992.tb00280.x.

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44

HARRIS, FRANCES. "Lady Sophia's Visions: Sir Robert Moray, the Earl of Lauderdale and the Restoration Government of Scotland." Seventeenth Century 24, no. 1 (2009): 129–55. http://dx.doi.org/10.1080/0268117x.2009.10555624.

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45

OKINES, A. W. R. E. "Why Was There So Little Government Reaction to Gunpowder Plot?" Journal of Ecclesiastical History 55, no. 2 (2004): 275–92. http://dx.doi.org/10.1017/s0022046904009911.

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This article rejects the approach that treats the Gunpowder Plot as a discrete historical episode. The plot is better understood when examined in parallel with the period after November 1605; the surprising leniency shown by the Jacobean government towards English Catholics destroys the motives upon which conspiracy theories are based. This article demonstrates that Robert Cecil, earl of Salisbury, supported King James's toleration since both wished to preserve domestic stability and peace with Spain. The assassination of King Henri IV of France in 1610 did more to jeopardise toleration than did the Gunpowder Plot, despite the latter's profound impact on the English popular consciousness.

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46

Neville, Cynthia J. "Royal Mercy in Later Medieval Scotland." Florilegium 29, no. 1 (2012): 1–31. http://dx.doi.org/10.3138/flor.29.001.

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Towards the end of October 1308, following a campaign that saw Robert Bruce secure his hold over the region of Moray, William earl of Ross found it wise to abandon the support he had to date given to Edward I of England in favour of the new king of Scots. The earl’s treason against the latter was notorious and of long standing: he had refused to recognize Bruce’s seizure of the throne in the summer of 1306, had carried fire and sword to the king’s supporters and the women of his kindred, and had been in correspondence with the enemy English as recently as the previous spring. The singular harshness and “terrible completeness” that marked Bruce’s “herschip” of the province of Buchan after the victory of royalist forces near Inverurie stands in marked contrast to the magnanimity that the king demonstrated towards Earl William himself in a public assembly held at Auldearn Castle. Here, before a large crowd of secular and ecclesiastical magnates the earl of Ross publicly confessed his offences; with joined hands and on bended knee he performed homage to Bruce and swore a solemn oath henceforth “faithfully to give [him] service, aid and counsel.” Bruce’s return gesture was an open offer of his “innate goodness, inspired mercy and special grace” and the remission of “all rancour of spirit” towards the traitor.

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47

McLaren, Anne, and Paul E. J. Hammer. "The Polarisation of Elizabethan Politics: The Political Career of Robert Devereux, 2nd Earl of Essex, 1585-97." Sixteenth Century Journal 31, no. 4 (2000): 1122. http://dx.doi.org/10.2307/2671209.

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48

Chibi, Andrew A., and Paul E. J. Hammer. "The Polarisation of Elizabethan Politics: The Political Career of Robert Devereux, 2nd Earl of Essex, 1585-1597." Sixteenth Century Journal 31, no. 2 (2000): 498. http://dx.doi.org/10.2307/2671642.

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49

Marsh, Peter T., and Norman Gash. "Lord Liverpool: The Life and Political Career of Robert Banks Jenkinson, Second Earl of Liverpool, 1770-1828." Journal of Interdisciplinary History 16, no. 3 (1986): 513. http://dx.doi.org/10.2307/204509.

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50

Younger, N. "The Practice and Politics of Troop-Raising: Robert Devereux, Second Earl of Essex, and the Elizabethan Regime." English Historical Review CXXVII, no. 526 (2012): 566–91. http://dx.doi.org/10.1093/ehr/ces095.

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Journal articles on the topic 'Earl robert'

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