Academic literature on the topic 'Early colour photographic processes'

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Journal articles on the topic "Early colour photographic processes"

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End, Albert, and Matthias Gamer. "Task instructions can accelerate the early preference for social features in naturalistic scenes." Royal Society Open Science 6, no. 3 (2019): 180596. http://dx.doi.org/10.1098/rsos.180596.

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Previous research demonstrated that humans rapidly and reflexively prioritize social features (especially heads and faces) irrespective of their physical saliency when freely viewing naturalistic scenes. In the current study, we investigated whether this preference for social elements already occurs maximally fast during free exploration or whether it is possible to additionally accelerate it by means of top-down instructions. To examine this question, we presented participants with colour photographs of naturalistic scenes containing social features (e.g. heads and bodies) while recording the
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Fraser, Kathryn. "The Photographic Insane." Cinémas 9, no. 1 (2007): 139–51. http://dx.doi.org/10.7202/024777ar.

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ABSTRACT Bazin's famous essay touting the photograph's identicality with its subject was precedented by photography's early relation to empirical investigation in the human sciences (the psychiatry). Contrary to this, what this author wishes to reinforce in this paper is that perception is constructed and integrally bound up with conceptual processes. This paper thus constitutes a short examination of what this author calls the "Photographic Insane," and illustrates how images of madness use, and require for their interpretation, a particular, and culturally shared "schematic" framework.
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Mollon, J. D. "Colour Perception 1978–1997." Perception 26, no. 1_suppl (1997): 274. http://dx.doi.org/10.1068/v970021.

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In the past twenty years, the spectral sensitivities of the three types of cone have been established with some certainty: direct measurements by microspectrophotometry and electrophysiology are in fair agreement with psychophysical estimates. Particularly significant was the publication of DNA sequences for the four opsins of the human eye, by Jeremy Nathans and colleagues in 1986. This work was soon to transform the understanding of retinitis pigmentosa and other retinal dystrophies, and it has given many insights into the evolution of colour vision; but, curiously, the explanations of dichr
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Pierce, Kathleen. "Photograph as Skin, Skin as Wax: Indexicality and the Visualisation of Syphilis in Fin-de-Siècle France The William Bynum Prize Essay." Medical History 64, no. 1 (2019): 116–41. http://dx.doi.org/10.1017/mdh.2019.79.

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In early twentieth-century France, syphilis and its controversial status as a hereditary disease reigned as a chief concern for physicians and public health officials. As syphilis primarily presented visually on the surface of the skin, its study fell within the realms of both dermatologists and venereologists, who relied heavily on visual evidence in their detection, diagnosis, and treatment of the disease. Thus, in educational textbooks, atlases, and medical models, accurately reproducing the visible signposts of syphilis – the colour, texture, and patterns of primary chancres or secondary r
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Kazakevych, Gennadii. "Memory Factories: Professional Photography in Kyiv, 1850-1918." Text and Image: Essential Problems in Art History, no. 1 (2020): 82–101. http://dx.doi.org/10.17721/2519-4801.2020.1.06.

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The article deals with the early history of photographic industry in Kyiv as a complex cultural phenomenon. Special attention is focused on the portrait photography as a ‘technology of memory’. It involves methods of social history of art, prosopography and visual anthropology. The study is based on the wide scope of archival documents, including the correspondence of publishing facilities inspector, who supervised the photographic activity in Kyiv from 1888 to 1909. By the early 20th century, making, collecting, displaying and exchanging the photographic portraits became an important memorial
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Dzhanfezova, Tanya, Chris Doherty, and Nedko Elenski. "UNPACKING THE EARLY NEOLITHIC?" Samara Journal of Science 4, no. 3 (2015): 63–71. http://dx.doi.org/10.17816/snv20153205.

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The preliminary analysis of Early Neolithic pottery from North Central Bulgaria, and the site of Dzhulyunitsa specifically, yielded surprising results which affect a number of aspects related to the study of the Neolithisation processes. Not all characteristic features traditionally considered as key signal of the Neolithisation processes were confirmed by our mineralogical and chemical analysis. A number of specifics related to the presence of engobe for instance, indicate a considerably more complex picture. In some cases the observations show no additional slip, just a simple burnish of the
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Rogge, Corina E., and Anikó Bezur. "An Investigation into the Creation, Stability, and X-ray Fluorescence Analysis of Early Photographic Processes: An Upper-Level Undergraduate Laboratory." Journal of Chemical Education 89, no. 3 (2011): 397–400. http://dx.doi.org/10.1021/ed101185d.

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Lieser, J. L., M. A. J. Curran, A. R. Bowie, et al. "Antarctic slush-ice algal accumulation not quantified through conventional satellite imagery: Beware the ice of March." Cryosphere Discussions 9, no. 6 (2015): 6187–222. http://dx.doi.org/10.5194/tcd-9-6187-2015.

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Abstract. Our current knowledge of broad-scale patterns of primary production in the Southern Ocean is derived from satellite ocean-colour estimates of chlorophyll a (Chl a) in the open ocean, typically in spring-summer. Here, we provide evidence that large-scale intra-ice phytoplankton surface aggregation occur off the coast of Antarctica during austral autumn, and that these "blooms" are largely undetected in satellite ocean-colour time series (which mask the ice-covered ocean). We present an analysis of (i) true-colour (visible) satellite imagery in combination with (ii) conventional ocean-
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Gariépy, C., B. Ghaleb, C. Hillaire-Marcel, A. Mucci, and S. Vallières. "Early diagenetic processes in Labrador Sea sediments: uranium-isotope geochemistry." Canadian Journal of Earth Sciences 31, no. 1 (1994): 28–37. http://dx.doi.org/10.1139/e94-004.

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The concentration and isotopic composition of U dissolved in pore waters from hemipelagic sediments of the Labrador Sea were determined by thermal ionization mass spectrometry in two 30 cm long box cores. The present fluxes of seawater U that diffuses across the sediment–seawater interface are on the order of 2–4 μg/(cm2∙ka). This diffusion imposes decreasing gradients of dissolved U downwards, but the U concentration in pore waters immediately below the surface is much lower than that of open-ocean seawater. This is a primary feature that cannot be explained by carbonate precipitation due to
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Oliva, A., and P. G. Schyns. "Diagnostic Colours Influence Speeded Scene Recognition." Perception 25, no. 1_suppl (1996): 114. http://dx.doi.org/10.1068/v96l1007.

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A critical aspect of early visual processes is to extract shape data for matching against memory representations for recognition. Many theories of recognition assume that this is achieved by luminance information. However, psychophysical studies have revealed that colour is being used by low-level visual modules such as motion, stereopsis, texture, and 2-D shapes. Should colour really be discarded from theories of recognition? Here we present two studies which seek to throw light on the role of chromatic information for the recognition of real scene pictures. We used three versions of scene pi
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Dissertations / Theses on the topic "Early colour photographic processes"

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Fonseca, Amanda Ferreira Branco da. "Câmera e pincel : grafismos corporais e processos fotográficos /." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/153424.

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Submitted by Amanda Ferreira Branco da Fonseca null (amandafbf@yahoo.com.br) on 2018-04-02T20:07:20Z No. of bitstreams: 1 dissertacao completa.pdf: 33600023 bytes, checksum: 702c8f20bc86d7f1ea78e999d3683c4b (MD5)<br>Approved for entry into archive by Laura Mariane de Andrade null (laura.andrade@ia.unesp.br) on 2018-04-06T16:38:58Z (GMT) No. of bitstreams: 1 fonseca_afb_me_ia.pdf: 33581509 bytes, checksum: 56d530dd4450d6c59b281a01999ca35e (MD5)<br>Made available in DSpace on 2018-04-06T16:38:58Z (GMT). No. of bitstreams: 1 fonseca_afb_me_ia.pdf: 33581509 bytes, checksum: 56d530dd4450d6c59b2
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Books on the topic "Early colour photographic processes"

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Seaver Center for Western History Research (Natural History Museum of Los Angeles County), Natural History Museum of Los Angeles County, and Fisher Gallery (University of Southern California), eds. Lost & found: Rediscovering early photographic processes : American Case Art Collection from the Seaver Center for Western History Research, Natural History Museum of Los Angeles County : Fisher Gallery, University of Southern California, March 7-April 21, 2002. Fisher Gallery, University of Southern California, 2001.

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Centre national de la photographie (France), ed. Early color photography. Pantheon Books, 1986.

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Hawarth-Booth, Mark, and Brian Coe. A Guide to Early Photographic Processes. Hyperion Books, 1989.

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Searle, Mike. Colliding Continents. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199653003.001.0001.

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The Himalaya is the greatest mountain range on Earth: the highest, longest, youngest, the most tectonically active, and the most spectacular of all. Unimaginable geological forces created these spectacular peaks. Indeed, the crash of the Indian plate into Asia is the biggest known collision in geological history, giving birth to the Himalaya and Karakoram, one of the most remote and savage places on Earth. In this beautifully illustrated book, featuring spectacular color photographs throughout, one of the most experienced field geologists of our time presents a rich account of the geological f
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Book chapters on the topic "Early colour photographic processes"

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Jørgensen, Anne Mette. "A Gentle Gaze on the Colony: Jette Bang’s Documentary Filming in Greenland 1938–9." In Films on Ice. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0018.

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This chapter discusses one of few women documentary filmmakers of the Arctic, Danish Jette Bang. A prolific photographer and filmmaker in Greenland throughout her career, Jørgensen shows how the early color film Inuit (1940) was nimbly shot and cinematographically deliberate. Made for the 1940 International Polar Year, the film and accompanying photo book created substantial media coverage when it premiered in Copenhagen. Bang’s later films, including her depictions of a changing Greenlandic society in the 1950s and 60s, this chapter argues, were made with the intent to both document Greenlandic life in the post-war era and as a testament to Denmark’s benevolent colonial rule of Greenland. Bang’s films thereby showcase the welfare state and industrial modernization processes imported Greenland, while maintaining an interest in ‘traditional’ practices and customs.
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Quattrochi, Dale A., and Stephen J. Walsh. "Remote Sensing." In Geography in America at the Dawn of the 21st Century. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780198233923.003.0037.

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As noted in the first edition of Geography in America, the term “remote sensing” was coined in the early 1960s by geographers to describe the process of obtaining data by use of both photographic and nonphotographic instruments (Gaile and Wilmot 1989: 46). Although this is still a working definition today, a more explicit and updated definition as it relates to geography can be phrased as: “remote sensing is the science, art, and technology of identifying, characterizing, measuring, and mapping of Earth surface, and near Earth surface phenomena from some position above using photographic or nonphotographic instruments.” Both patterns and processes may be the object of investigation using remote sensing data. The science dimension of geographic remote sensing is rooted in the fact that: (1) it is dealing with primary data, wherein the investigator must have an understanding of the environmental phenomena under scrutiny, and (2) the investigator must understand something of the physics of the energy involved in the sensing instrument and the atmospheric pathway through which the energy passes from the energy source, to the Earth object, to the sensor. The art dimension of geographic remote sensing has to do with the creative ways that the scientific interpretations are presented for visualization and measurement. The technological dimension of geographic remote sensing has to do with the constantly evolving hardware, software, and algorithmic manipulation and modeling involved in the collection, processing, and interpreting of data regarding the Earth phenomena under investigation. It is the rapidly advancing combination of these three dimensions over recent decades that has brought remote sensing to be a vibrant and dynamic part of the discipline of geography today. We wish not to dwell at length on the historical aspects of remote sensing as it relates to geography. This has been done quite adequately in the first edition of Geography in America as well as in other publications, such as the American Society of Photogrammetry and Remote Sensing (ASPRS) Manual of Remote Sensing series (e.g. Colwell 1983), that is now going through a third edition and complete update, and is being presented as a compendium of individual volumes that deal with specific aspects of remote sensing science.
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Conference papers on the topic "Early colour photographic processes"

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de Raad, Jan A. "Reliability of Mechanised UT Systems to Inspect Girth Welds During Pipeline Construction." In 1998 2nd International Pipeline Conference. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/ipc1998-2073.

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As an alternative to radiography, a field-proven mechanized ultrasonic inspection system is discussed. Called Rotoscan, this system has been developed for inspection of girth welds during construction of long-distance pipelines, both on- and offshore. It is characterized by high inspection speed and instant recording of results. Unlike prevailing radiography, it provides immediate feedback to the welders. Recent technical improvements in flaw sizing and recording have allowed the application of rejection/acceptance criteria for weld defects based on fracture mechanics principles. The developme
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