Relevant bibliographies by topics / Early Cuban narrative

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Early Cuban narrative'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Early Cuban narrative"

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Janzen, Philip. "“LookingForwardAlways toAfrica”:William George Emanuel and the Politics of Repatriation in Cuba, 1894–1906." Americas 78, no. 1 (2021): 37–59. http://dx.doi.org/10.1017/tam.2020.40.

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AbstractThis article examines a back-to-Africa movement from early twentieth-century Cuba. The leader, William George Emanuel, arrived in Cuba from Antigua in 1894, and over the next several years, he worked to unite thecabildos de naciónandsociedades de coloron the island. After independence in 1898, Emanuel and his followers rejected Cuban citizenship and began petitioning Britain, the United States, Belgium, and the Gold Coast for land grants in West and Central Africa. Each petition, however, told a different story. Emanuel skillfully tailored his appeals according to his audience, various
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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 85, no. 3-4 (2011): 265–339. http://dx.doi.org/10.1163/13822373-90002433.

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Create Dangerously: The Immigrant Artist at Work, by Edwidge Danticat (reviewed by Colin Dayan) Gordon K. Lewis on Race, Class and Ideology in the Caribbean, edited by Anthony P. Maingot (reviewed by Bridget Brereton) Freedom and Constraint in Caribbean Migration and Diaspora, edited by Elizabeth Thomas-Hope (reviewed by Mary Chamberlain) Black Europe and the African Diaspora, edited by Darlene Clark Hine, Trica Danielle Keaton & Stephen Small (reviewed by Gert Oostindie) Caribbean Middlebrow: Leisure Culture and the Middle Class, by Belinda E dmondson (reviewed by Karla Slocum) Global Cha
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Konyavskaya, Elena L. "Polovtsians in the Early Chronicles: Assessments and Interpretations by the Chroniclers." Slovene 4, no. 1 (2015): 180–90. http://dx.doi.org/10.31168/2305-6754.2015.4.1.10.

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The purpose of this article is to investigate images of Polovtsians (Cumans) in the chronicles in terms of their direct perceptions by Russians—as enemies and neighbors, allies and relatives. Narratives and messages in the early chronicle tradition enable us to trace the formation of such images and the dynamics of their transformation. The study was conducted on the basis of reports and narratives in the Laurentian and Hypatian Chronicles that transmit events of the pre-Mongol period. The chroniclers describe the Polovtsians in terms of ethnic, religious, and, sometimes, geopolitical features
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KITLV, Redactie. "Bookreviews." New West Indian Guide / Nieuwe West-Indische Gids 83, no. 1-2 (2009): 121–86. http://dx.doi.org/10.1163/13822373-90002463.

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Afro-Atlantic Dialogues: Anthropology in the Diaspora, edited by Kevin A. Yelvington (reviewed by Aisha Khan)Central Africans, Atlantic Creoles, and the Foundation of the Americas, 1585-1660, by Linda M. Heywood & John K. Thornton (reviewed by James H. Sweet)An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque, by Krista A. Thompson (reviewed by Carl Thompson)Taíno Indian Myth and Practice: The Arrival of the Stranger King, by William F. Keegan (reviewed by Frederick H. Smith) Historic Cities of the Americas: An Illustrated Encyclopedia, by David F. Marley (r
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Moreno, E. Mark. "Popular Narratives and Mestizo Horsemen: Creating a Racial Ideal in Nineteenth-Century Mexico, 1844–1896." Mexican Studies/Estudios Mexicanos 35, no. 3 (2019): 352–81. http://dx.doi.org/10.1525/msem.2019.35.3.352.

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Between 1844 and 1896, two archetypal figures on horseback known as rancheros and chinacos were disseminated through print publications. As war with the United States loomed in 1844, a relatively obscure Mexican writer depicted the ranchero as a “true national type” in a popular magazine. Eighteen years later another archetype on horseback, the chinaco, appeared in newspaper propaganda designed to provoke resistance against an imminent French advance into the Mexican interior. Later writers, such as Justo Sierra and Antonio García Cubas, imbued such figures with racialized mestizo qualities an
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Rodríguez-Silva, Ileana M. "The Caribbean House of Mirrors." positions: asia critique 29, no. 1 (2021): 93–119. http://dx.doi.org/10.1215/10679847-8722797.

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This article introduces the house of mirrors as an analytical device with the aim of cracking open binary comparative work. It offers close readings of debates regarding US colonialism among Puerto Rican intellectuals and politicians at two distinct historical moments. These are the 1910s, prompted specifically by the 1912 War in Cuba, and the early Cold War, the 1950s and 1960s moment of intentionally modeling Puerto Rico as the “Showcase of the Americas.” In changing the focus to examine the play of images intrinsic to the house of mirrors, this meditation seeks to avoid reproducing the sing
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Allen, Rose Mary. "Oral History as Auto|biography through Embodied Performance: A Look at the Narratives of the Early Twentieth Century Afro-Curaçaoan Migrants to Cuba." a/b: Auto/Biography Studies 32, no. 2 (2017): 335–37. http://dx.doi.org/10.1080/08989575.2017.1288974.

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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 86, no. 1-2 (2012): 109–96. http://dx.doi.org/10.1163/13822373-90002427.

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The African Diaspora: A History Through Culture, by Patrick Manning (reviewed by Joseph C. Miller) Atlas of the Transatlantic Slave Trade, by David Eltis & David Richardson (reviewed by Ted Maris-Wolf) Abolition: A History of Slavery and Antislavery, by Seymour Drescher (reviewed by Gregory E. O’Malley) Paths to Freedom: Manumission in the Atlantic World, edited by Rosemary Brana-Shute & Randy J. Sparks (reviewed by Matthew Mason) You Are All Free: The Haitian Revolution and the Abolition of Slavery, by Jeremy D. Popkin (reviewed by Philippe R. Girard) Fighting for Honor: The History o
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Sciuto, Jenna Grace. "Forms of Dictatorship: Power, Narrative, and Authoritarianism in the Latina/o NovelHispanicism and Early US Literature: Spain, Mexico, Cuba, and the Origins of US National IdentityWhere the New World Is: Literature about the U.S. South at Global Scales." American Literature 92, no. 3 (2020): 609–12. http://dx.doi.org/10.1215/00029831-8616307.

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Allatson, Paul. "The Virtualization of Elián González." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2449.

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For seven months in 1999/2000, six-year old Cuban Elián González was embroiled in a family feud plotted along rival national and ideological lines, and relayed televisually as soap opera across the planet. In Miami, apparitions of the Virgin Mary were reported after Elián’s arrival; adherents of Afro-Cuban santería similarly regarded Elián as divinely touched. In Cuba, Elián’s “kidnapping” briefly reinvigorated a torpid revolutionary project. He was hailed by Fidel Castro as the symbolic descendant of José Martí and Che Guevara, and of the patriotic rigour they embodied. Cubans massed to deman
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Dissertations / Theses on the topic "Early Cuban narrative"

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Bencomo, Gisela. "Relectura del discurso narrativo de las tres primeras décadas de la República cubana en el contexto de los rasgos de la picaresca." FIU Digital Commons, 2003. http://digitalcommons.fiu.edu/etd/131.

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The purpose of this dissertation was to study the narrative discourse of three Cuban novelists who produced their works from 1902 to 1933, using a typology that reveals a picaresque view of Cuban society. Focusing on La conjura and La manigua sentimental by Jesús Castellanos (1879-1912), Las honradas and Las impuras by Miguel de Carrión (1875-1929), and Generales y doctores and Juan Criollo by Carlos Loveira (1882-1928), this dissertation identified and defined picaresque traits and elements in the characterization, contrasting main and secondary, male and female characters, at all social leve
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Books on the topic "Early Cuban narrative"

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Wenceslao Gálvez y Delmonte, Translated by, Smith Noel M., and Andrew T. Huse. Tampa. Translated by Noel M. Smith. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066639.001.0001.

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Tampa: Impressions of an Emigrant is a translation of Tampa: impresiones de emigrante written by Cuban author Wenceslao Gálvez y Delmonte, published in 1897 in Ybor City, Tampa, Florida, translated from the Spanish by Noel M. Smith. Gálvez was an early diaspora writer in the costumbrismo genre, which emphasized the depiction of everyday manners and customs of a particular social milieu. Gálvez emigrated from Havana in 1896 to escape the Cuban War of Independence and join the Cuban exile community in Tampa. Gálvez was a champion baseball player in the earliest years of Cuban baseball, a lawyer/
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Milazzo, Kathy M. Black Erased. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.004.

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One of flamenco’s many palos, or forms, is the tango, which was transported as the tango de negros or tangos de Americas from Cuba to Spain in the mid-nineteenth century. There, it was transformed into the tango de gitanos and the tango flamenco, an action which disassociated it from its Africanist roots. In order to illustrate the consequences of omitting negro references to the tango in flamenco narratives, this chapter addresses the mechanisms of myth-making in the construction of identity as the Cuban tango was appropriated and subsumed into the flamenco repertoire. This chapter argues tha
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Zagare, Frank C. Game Theory, Diplomatic History and Security Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831587.001.0001.

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The main purpose of this book is to demonstrate, by way of example, the several advantages of using a formal game-theoretic framework to explain complex events, diplomatic history, and contentious interstate relationships, via causal mechanisms and rationality. Chapter 1 lays out the broad parameters and major concepts of the mathematical theory of games and its applications in the security studies literature. Chapter 2 explores a number of issues connected with the use of game-theoretic models to organize analytic narratives, both generally and specifically. Chapter 3 interprets the Moroccan
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Marino, Katherine M. Feminism for the Americas. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469649696.001.0001.

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This book chronicles the dawn of the global movement for women’s rights in the first decades of the twentieth century. The founding mothers of this movement were not based primarily in the United States, however, or in Europe. Instead, Katherine M. Marino introduces readers to a cast of remarkable Latin American and Caribbean women whose deep friendships and intense rivalries forged global feminism out of an era of imperialism, racism, and fascism. Six dynamic activists form the heart of this story: from Brazil, Bertha Lutz; from Cuba, Ofelia Domíngez Navarro; from Uruguay, Paulina Luisi; from
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Book chapters on the topic "Early Cuban narrative"

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Amorosa, Paolo. "International Law as Faith. The Cuban Intervention and the Narrative of 1898." In Rewriting the History of the Law of Nations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198849377.003.0004.

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The second chapter illustrates the function of faith in James Brown Scott’s theory of international law through an account of his understanding of the role of the United States in American continental relations. Section 1 introduces James Brown Scott’s 1917 speech on the Platt Amendment. Taking the speech as a point of departure, it traces the connection between the rise of international law and US–Cuba relations at the turn of the century. Section 2 describes the rise of humanitarianism in the United States in the late nineteenth century and its religious inspiration. This development would provide the ideological foundations for the narrative of the selfless empire that supported the 1898 US intervention in Cuba. Section 3 begins with a textual analysis of Scott’s speech and connects it with the narrative of 1898. It continues by illustrating the ambivalent relationship of the narrative with concrete US policies toward Cuba and Latin America in the early twentieth century.
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Pettway, Matthew. "Católico a mi manera." In Cuban Literature in the Age of Black Insurrection. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496824967.003.0002.

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This chapter discusses Manzano’s early identity formation from a religious and racial standpoint prior to his 1836 manumission.Instead of reading Manzano’s Catholicism as imperfect mimicry–as Homi Bhabha might suggest–this chapter explores the mulatto-Catholic identity as a persona that garnered social capital and as a political statement that rendered Manzano inoffensive when questioned by the Military Commission under suspicion of conspiracy.The racial self-image that Manzano created in his slave narrative, poetry, and letters to his patron Domingo Del Monte manifest double-consciousness because the poet reads himself through the prism of the white gaze.But unlike in previous studies, Pettway demonstrates that Manzano’s Autobiografíaand poetry demonstrate that the Catholic redemption narrative was insufficient to emancipate the enslaved person.
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Magnúsdóttir, Rósa. "The Possibilities of Peaceful Coexistence, 1958–1959." In Enemy Number One. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681463.003.0007.

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This chapter focuses on the official cultural exchange agreement from 1958 and its immediate outcome. The focus is first on Soviet reactions to the American National Exhibition in Moscow in 1959 and then Khrushchev’s trip to the United States, which aptly illustrates the changes in both official and popular discourses on America that had taken place since 1945. In 1959, Khrushchev emphasized the demonstrated capabilities of the Soviet and American people to fight for peace together: the Soviet-American alliance again entered the Soviet narrative of the Great Patriotic War, and even if hopes for a real thaw in Soviet-American relations came to nothing in the early 1960s, culminating in 1962 with the Cuban Missile Crisis, there was never again such a strong effort to control and contain images of the United States in the Soviet Union as there had been during the early Cold War.
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Pérez, Louis A. "Introduction." In Intimations of Modernity. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631301.003.0001.

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The character of the history of Cuba was fixed early in the nineteenth century, at the about moment that Cubans imagined the need for a proper history of their own. From that time forward, historical knowledge of Cuba has hewed to a well-defined narrative arc, one shaped discursively around the formation of nation, something of a chronicle of national liberation given principally to the celebration of collective resolve and commemoration of individual valor. Much of the historical literature has been given to the heroic, an account of a people to whom is ascribed indomitable will confronting adversaries possessed of unyielding determination, from which are derived two principal narrative subsets of struggle: against colonialism (Spain) and against imperialism (the United States)....
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Surwillo, Lisa. "Transatlantic Currents: Oceanic Crossings in Novás Calvo’s El negrero." In Transatlantic Studies. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620252.003.0007.

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Novás Calvo's _Pedro Blanco, el negrero _novelizes the life of aninfamous slave trader from Málaga who was responsible for thetransportation of thousands of enslaved Africans to Cuba early in thenineteenth century. His Atlantic is a space of international exchange, aloosely regulated space where the forces of nature and currents createdconditions for massive accumulations of capital. This essay argues thatNovás Calvo writes against the narrative of European superioritythrough a depiction of the Atlantic Ocean as the determining his fate.Finally, the essay makes a methodological claim for readingtransatlantically as a means to appreciate the Atlantic as both a spaceand a place that shaped human culture on land, at seas, and therelations among them.
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