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Books on the topic 'Early film history'

Author: Grafiati

Published: 24 April 2022

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1

Moving color: Early film, mass culture, modernism. New Brunswick, N.J: Rutgers University Press, 2012.

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2

Blom, Ivo. Jean Desmet and the early Dutch film trade. Amsterdam: Amsterdam University Press, 2002.

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3

Blom, Ivo Leopold. Jean Desmet and the early Dutch film trade. Amsterdam: Amsterdam University Press, 2003.

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4

Early film noir: Greed, lust, and murder Hollywood style. Jefferson, N.C: McFarland, 2003.

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5

Popple, Simon. Early cinema: From factory gate to dream factory. London: Wallflower, 2004.

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6

Afterlives: Allegories of film and mortality in early Weimar Germany. New York: Bloomsbury, 2014.

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7

Brewster, Ben. Theatre to cinema: Stage pictorialism and the early feature film. Oxford: Oxford University Press, 1997.

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8

John, Sundholm, and Söderbergh-Widding Astrid, eds. A history of Swedish experimental film culture: From early animation to video art. Stockholm: National Library of Sweden, 2010.

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9

Shakespeare remains: Theater to film, early modern to postmodern. Ithaca, N.Y: Cornell University Press, 2002.

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10

Australian History and Film Conference (6th 1993 La Trobe University, Melbourne). Screening the past: Aspects of early Australian film : selected papers from the Sixth Australian History and Film Conference and other sources. Acton, ACT: National Film and Sound Archive, 1995.

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11

Toulmin, Vanessa. An early crime film rediscovered: Mitchell and Kenyon's Arrest of Goudie (1901). [Eastleigh]: John Libbey, 2004.

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12

Canfield, J. Douglas. Mavericks on the border: The early Southwest in historical fiction and film. Lexington: University Press of Kentucky, 2001.

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13

Wagner, A. F. Recollections of Thomas A. Edison: A personal history of the early days of the phonograph, the silent and sound film and film censorship. [London]: City of London Phonograph & Gramophone Society in association with Symposium Records, 1991.

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14

Vardac, A. Nicholas. Stage to screen: Theatrical origins of early film : David Garrick to D.W. Griffith. New York, N.Y: Da Capo Press, 1987.

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15

Ōkubo, Ryō. Eizō no arukeorojī: Shikaku riron, kōgaku media, eizō bunka = Archaeology of screen in early modern Japan. Tōkyō-to Chiyoda-ku: Seikyūsha, 2015.

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16

Gunning, Tom. D.W. Griffith and the origins of American narrative film: The early years at Biograph. Urbana: University of Illinois Press, 1994.

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17

Gunning, Tom. D.W. Griffith and the origins of American narrative film: The early years at Biograph. Urbana: University of Illinois Press, 1991.

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18

Keil, Charlie. Early American cinema in transition: Story, style, and filmmaking, 1907-1913. Madison, Wis: University of Wisconsin Press, 2001.

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19

Chanan, Michael. The dream that kicks: The prehistory and early years of cinema in Britain. 2nd ed. London: Routledge, 2003.

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20

Universal women: Filmmaking and institutional change in early Hollywood. Urbana: University of Illinois Press, 2010.

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21

Chanan, Michael. The dream that kicks: The prehistory and early years of cinema in Britain. 2nd ed. London: Routledge, 1995.

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22

Grgic, Ana. Early Cinema, Modernity and Visual Culture. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnational and cross-cultural perspective. This book investigates how the unique geopolitical positioning of the Balkan space and the multicultural identity of its communities influenced and shaped visual culture and the development of early cinema until World War I. It highlights how early moving images and foreign film productions contributed to the construction of Balkanist and semi-colonial discourses. Building on approaches such as ‘new cinema history’, ‘vernacular modernity’ and ‘polycentric multiculturalism’ to counter Eurocentric modernity paradigms and to reframe hierarchical relations between centres and peripheries, this monograph adopts an alternative methodology for interstitial spaces. Using the notion of the haptic, it examines the relationship between the new medium and regional visual culture. By doing so, it establishes new connections between moving image artefacts and print media, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium in the Balkan region.

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23

Beauchamp, Cari. Without lying down: Frances Marion and the powerful women of early Hollywood. New York: Scribner, 1997.

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24

Niebisch, Arndt. Media parasites in the early avant-garde: On the abuse of technology and communication. New York: Palgrave Macmillan, 2012.

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25

Emison, Patricia. Moving Pictures and Renaissance Art History. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036.

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Film, like the printed imagery inaugurated during the Renaissance, spread ideas – not least the idea of the power of visual art – across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, between the demands of narrative and those of visual composition, spurred new ways of addressing the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates are part of the story told here.

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26

A companion to early cinema. Malden: Wiley-Blackwell, 2012.

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27

Stephen, Herbert, ed. A history of early film. London: Routledge, 2000.

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28

Stephen, Herbert, ed. A history of early film. London: Routledge, 2002.

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29

A history of early film. London: Routledge, 2000.

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30

Stephen, Herbert, ed. A history of early film. London: Routledge, 2000.

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31

Medieval and Early Modern Film and Media. Palgrave Macmillan, 2008.

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32

Daan, Hertogs, and Klerk Nico de, eds. Uncharted territory: Essays on early nonfiction film. Amsterdam: Stichting Nederlands Filmmuseum, 1997.

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33

The early film music of Dmitry Shostakovich. Oxford University Press, 2016.

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34

Groo, Katherine. Bad Film Histories: Ethnography and the Early Archive. University of Minnesota Press, 2019.

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35

Groo, Katherine. Bad Film Histories: Ethnography and the Early Archive. University of Minnesota Press, 2019.

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36

Blom, Ivo. Jean Desmet and the Early Dutch Film Trade. Amsterdam University Press, 2003.

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37

Frank, Kessler, and Verhoeff Nanna, eds. Networks of entertainment: Early film distribution 1895-1915. Eastleigh: John Libbey Pub., 2007.

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38

1957-, Kessler Frank, and Verhoeff Nanna, eds. Networks of entertainment: Early film distribution 1895-1915. Eastleigh: J. Libbey Pub., 2007.

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39

(Editor), Frank Kessler, and Nanna Verhoeff (Editor), eds. Networks of Entertainment: Early Film Distribution 1895-1915. Indiana University Press, 2008.

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40

Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford University Press, USA, 1998.

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41

Brewster, Benjamin Robert, and Lea Jacobs. Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford University Press, USA, 1998.

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42

After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Film and Culture Series). Columbia University Press, 2014.

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43

Popple, Simon, and Joe Kember. Early Cinema: From Factory Gate to Dream Factory (Short Cuts). Wallflower Press, 2004.

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44

Contributor), Williams College (Other, ed. Moving Pictures: American Art and Early Film, 1880-1910. National Book Network, 2005.

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45

Peterson, Jennifer Lynn. Education in the School of Dreams: Travelogues and Early Nonfiction Film. Duke University Press, 2013.

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46

The West in Early Cinema: After the Beginning (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2006.

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47

Verhoeff, Nanna. The West in Early Cinema: After the Beginning (Amsterdam University Press - Film Culture in Transition). Amsterdam University Press, 2006.

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48

Education In The School Of Dreams Travelogues And Early Nonfiction Film. Duke University Press, 2013.

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49

Screening the past: Aspects of early Australian film : Selected papers from the Sixth Australian History and Film Conference and other sources. National Film and Sound Archive, 1995.

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50

Gaycken, Oliver. Devices of Curiosity: Early Cinema and Popular Science. Oxford University Press, Incorporated, 2015.

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