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Journal articles on the topic 'Early modern architecture'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Duque, Estela. "Modern tropical architecture: medicalisation of space in early twentieth-century Philippines." Architectural Research Quarterly 13, no. 3-4 (2009): 261–71. http://dx.doi.org/10.1017/s1359135510000114.

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In the interwar years European historians and critics of architecture tried to assimilate science into architecture and arts. For example Sigfried Giedion's Space, Time, and Architecture (1941) attempted to bring Einsteinian spacetime into architectural theory, while Nikolaus Pevsner's An Outline of European Architecture (c. 1943) used space as a criterion to differentiate architecture from other art forms. These brought to the idea of ‘space’ a distinctly modern meaning, making it a universal signifier; whereas in the last decade, architectural historians have argued for the historical specif

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2

Emmons, Paul. "Architecture before art: imagining architectural authority in early modern England." Architectural Research Quarterly 10, no. 3-4 (2006): 275–83. http://dx.doi.org/10.1017/s1359135506000388.

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Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.

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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting th

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Carpo, Mario. "Drawing with Numbers: Geometry and Numeracy in Early Modern Architectural Design." Journal of the Society of Architectural Historians 62, no. 4 (2003): 448–69. http://dx.doi.org/10.2307/3592497.

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Precision in building was pursued and achieved well before the rise of modern science and technology. This fact applies to the classical tradition as well as to medieval architecture, and is particularly evident in architectural drawings and design from the Italian Renaissance onward. In this essay, I trace the shift from geometry-the primary tool for quantification in classical architecture- to numeracy that characterizes Renaissance architectural theory and practice. I also address some more general aspects of the relation between technologies of quantification and the making of architectura

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Siedashev, Oleh. "DETERMINATION OF SOFTWARE ARCHITECTURE (SOA) AND MICROSERVICE ARCHITECTURE (MSA) USAGE CRITERIA." Computer Science and Cybersecurity, no. 2 (December 30, 2024): 41–50. https://doi.org/10.26565/2519-2310-2024-2-04.

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In modern software development, one of the key tasks is to choose the appropriate architecture for the system in the early stages of its design. This article examines two popular software architecture approaches: service-oriented architecture (SOA) and microservice architecture (MSA). Based on the analysis of architectural features, advantages and disadvantages of these approaches, the criteria that influence the choice of an architectural model depending on the specifics of the system are investigated. Microservice architecture, due to its independence and the possibility of rapid scaling, is

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Vega, Macarena de la. "A historical legacy: Henry-Russell Hitchcock and early Modernism." Cuaderno de Notas, no. 16 (July 1, 2015): 73. http://dx.doi.org/10.20868/cn.2015.3119.

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On the occasion of the publication of Modern Architecture: Romanticism and Reintegration’s first Spanish edition. This essay aims to discuss the impact of Henry- Russell Hitchcock’s book –published in 1929– on the history of architecture. In spite of being the first history of modern architecture written in English, Modern Architecture fell into oblivion due to the success of Hitchcock’s subsequent book, coauthored with Philip Johnson: The International Style: Architecture since 1922. Discussing the critical approaches to the text –from the first book reviews to the latest historiographical st

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Özgüven, H. Burcu. "Early Modern Military Architecture in the Ottoman Empire." Nexus Network Journal 16, no. 3 (2014): 737–49. http://dx.doi.org/10.1007/s00004-014-0206-8.

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Sruthi Somarouthu. "Pipeline architecture: The assembly line of modern processors." World Journal of Advanced Engineering Technology and Sciences 15, no. 2 (2025): 185–93. https://doi.org/10.30574/wjaets.2025.15.2.0540.

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Pipeline architecture fundamentally transforms processor design by enabling concurrent instruction processing across multiple stages, revolutionizing computing performance. This architectural paradigm breaks the sequential nature of instruction execution into discrete steps that operate simultaneously, analogous to manufacturing assembly lines. From early implementations in systems like the IBM Stretch to modern superscalar designs, pipeline architecture has evolved from simple five-stage models to sophisticated multi-stage implementations incorporating advanced techniques like branch predicti

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Bahtiyar, Tuba Bülbül, and Esra Yaldiz. "Disidentification in modern architecture products: Edirne government mansion." Global Journal of Arts Education 11, no. 1 (2021): 102–16. http://dx.doi.org/10.18844/gjae.v11i1.5728.

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Urban identity, architectural, cultural, economic, political, psychological, emotional, social and so on, contains many concepts. They are all values that differentiate the city from others and add meaning to the city. The buildings that contribute to the unique identity of the cities and have architectural features related to the period in which they were built play an important role in ensuring the cultural continuity of the city and carry the identity of the cities to the next generations. 20th-century modern architecture products, which started with the products of early Modernism in the e

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Baitenov, E. M., and A. S. Espenbet. "«STONE» MOSQUES OF EASTERN KAZAKHSTAN: TO THE PROBLEM OF SOURCES FOR MODERN REGIONAL ARCHITECTURE." BULLETIN of D. Serikbayev EKTU 4 (December 10, 2024): 216–27. https://doi.org/10.51885/1561-4212_2024_4_216.

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The «stone» mosques, i.e. constructed from burnt brick in cities of Eastern Kazakhstan, represent a distinctive phenomenon of regional architecture, of the period - 19th-the early 20th century. Moreover, even in conjunction with wooden mosques, built before the "stone" ones, they represent variations within well-established tradition. Nevertheless, the renewed construction of mosques in cities of Eastern Kazakhstan since the 1990s completely disregards this tradition legitimized by centuries. The article is devoted to this regional phenomenon, analyses architecture of mosques in terms of its u

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Folkers, Antoni. "Early Modern African Architecture. The House of Wonders Revisited." Modern Africa, Tropical Architecture, no. 48 (2013): 20–29. http://dx.doi.org/10.52200/48.a.fkxy01xv.

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This essay explores the various strands of the advent of Modernity in African architecture. It starts from the assumption that the history of Modernity in African architecture is a complex and rich subject that merits increased scientific attention.

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Erarslan, Alev. "The Art Déco Influence in the Modern Turkish Architecture of the Early Republican Period." Prostor 30, no. 2(64) (2022): 154–67. http://dx.doi.org/10.31522/p.30.2(64).2.

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With the proclamation of the Republic, Atatürk, the founder of Modern Turkey, wanted a new model of politics that would bring about the establishment of the “nation state”, also symbolized by architecture. Having decided to make a transition to modern architecture in Turkey, Atatürk invited academics from Germany and Vienna to achieve this. Consequently, by the 1930s, architecture followed a functionalistrationalist path in both public buildings and in residences. Another architectural style that wielded a lot of influence on the trends in the Modern Movement in this period was Art Déco. The p

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Lei, Ao, and Zheng Xin. "British architectural theory during the early modern architecture period in the 19th century." IOP Conference Series: Earth and Environmental Science 242 (April 1, 2019): 062018. http://dx.doi.org/10.1088/1755-1315/242/6/062018.

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Мунир, Исса Рахаф, and Т. Ф. Жукова. "Traditions and modernity in architecture of mosques in Iran." Вестник гражданских инженеров 19, no. 1 (2022): 5–11. http://dx.doi.org/10.23968/1999-5571-2022-19-1-5-11.

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The article is devoted to the architecture of contemporary mosques in Iran. A summary of the historical development of the architectural mosque type in Iran from the emergence of Islam up to the end of the XIX century is offered. The main attention is paid to the analysis of the modern architectural morphogenesis from the early XX century to the present time when liberal politics has led to the author's interpretations of the original provisions of traditional Muslim religious architecture. The authors provide an overview of architectural structures of mosques built in Iran in the XX century a

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Hamilton, Sue, THOMAS Mike SEAGER, and Hetereki Huke. "Imagining Polynesia: Heritage, Identity Politics and the Evolution of a New Rapa Nui Architecture." Journal of Contemporary Archaeology 8, no. 1 (2021): 53–88. https://doi.org/10.1558/jca.43378.

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Rapa Nui’s prehistoric Polynesian heritage is iconic. From the later twentieth century the island’s economy has been dependent on the tourism its prehistory attracts. However, until recently there has been little link between the modern built environment of Rapa Nui and its prehistoric past. This article tracks how during the late nineteenth and twentieth centuries, the island’s traditional domestic architecture was supplanted first by colonial then early modern Chilean architecture. The remains of this transformation are fast disappearing through contemporary demolition and

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Froio, Gregorio. "Archaeology and Modern Architecture: A Comparative Reading." Athens Journal of Architecture 11, no. 2 (2025): 181–200. https://doi.org/10.30958/aja.11-2-4.

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This essay explores the relationship between archaeology and modern architecture, moving beyond the conventional examination of modern archaeology to examine the role of archaeology in a modern context. It traces the influence of archaeology from the Renaissance to the early 20th century, through the Modern Movement and Italian Rationalism, arguing that historical context is essential to architectural knowledge. The essay criticises the contemporary neglect of historical consciousness and promotes the past as a key contributor to shaping the present. It debates the nature of archaeology, sugge

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17

Mangani, Giorgio. "Vincenzo Scamozzi and the Chorography of Early Modern Architecture." Journal of Historical Geography 49 (July 2015): 105–6. http://dx.doi.org/10.1016/j.jhg.2014.08.038.

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18

Jakubec, Ondřej. "Roman References in Early Modern Central European Confessional Architecture." Convivium 2, no. 1 (2015): 250–67. http://dx.doi.org/10.1484/j.convi.5.111169.

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19

Wells, Emma J. ":Literature and Architecture in Early Modern England." Sixteenth Century Journal 44, no. 4 (2013): 1147–48. http://dx.doi.org/10.1086/scj24246352.

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20

Sopandi, Setiadi. "Modern Indonesian Architecture: a Cultural Discourse." Modern Southeast Asia, no. 57 (2017): 20–29. http://dx.doi.org/10.52200/57.a.kqfg8kio.

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The paper highlights the course of Indonesian architectural development through the narrative of national and cultural identity which prevailed almost consistently from the early years of the 20th century. Despite the various contexts and the involvement of participants from different eras, the question of identity recurs among architectural practitioners, political figures, as well as the general public in Indonesia. In this light, architects are perceived as active agents continually contributing models of national identity through architectural forms, expressions, materials, and narratives.

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21

Gnatiuk, Liliia. "Reconception of the early paradigm in the formation of modern sacred space." Current problems of architecture and urban planning, no. 70 (September 27, 2024): 46–54. https://doi.org/10.32347/2077-3455.2024.70.46-54.

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The article analyzes the changing principles of modern European sacred architecture. A rethinking of the early paradigm is presented: it is revealed that the monastic orders and liturgical movements that initiated the reforms of the modern Catholic Church were usually inspired by the worship and way of life of the primitive Christian communities. This inspiration lived on after the Second Vatican Council; thus, the spatial and urban heritage of the early centuries shaped the course of European church architecture up to the present day. The question of resources, which has been completely reeva

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22

Gaiduk, M. Yu. "Art Nouveau and Neoclassicism of buildings in Tyumen financed by merchants late in the 19th and early 20th centuries." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 6 (2021): 56–64. http://dx.doi.org/10.31675/1607-1859-2021-23-6-56-64.

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The problem of preservation of the historical and architectural environment in Russian cities is currently rather relevant. Research and popularization of the different architectural styles play an important role in preservation of the unique historical environment of the city. Architectural styles of buildings in Tyumen are from Siberian Baroque to large-scale buildings of neoclassicism, which is characteristic of the architecture of this period.The paper describes the buildings the construction of which is financed by the merchants. The building architecture belongs to a particular stye typi

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Verma, Neena. "Insecurity in architecture." Architectural Research Quarterly 18, no. 2 (2014): 106–9. http://dx.doi.org/10.1017/s1359135514000414.

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‘I myself do not believe in explaining anything’, wrote Shel Silverstein. It seems that architecture is always looking to explain itself. Definitions of architecture seem almost common knowledge; ask a bartender, biologist, computer scientist, economist, legislator, birdwatcher, quilter or scientist, each of whom analogises their field with respect to architecture. And several within the profession can themselves define architecture's limits quite elegantly. Most recently Steven Holl defined architecture as consisting simply of abstract, use, space and idea. However, seeking a rationale or exp

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Khudyakov, І. О., and I. S. Yaremenko. "STYLES IN THE ARCHITECTURE OF UKRAINE IN THE 1920S – EARLY 1930S." Regional problems of architecture and urban planning, no. 18 (December 16, 2024): 244–54. https://doi.org/10.31650/2707-403x-2024-18-244-254.

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The purpose of the article is to study the peculiarities of style solutions in the architecture of Ukraine in the 1920s and early 1930s, taking into account the influence of avantgarde trends that shaped modernism in the first half of the twentieth century, as well as the national and historical traditions and heritage of Ukrainian architectural modern. Examples of constructivist architecture in Kharkiv (the ensemble of Dzerzhynsky Square with the building of the Derzhprom, the Central Post Office, the Khatorg department store, and others), Kyiv (the fire station on Rostyslavska Street, the bu

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Emel'yаnov, E. Y., and E. V. Sitnikova. "MODERNISM IN TOMSK WOODEN ARCHITECTURE IN THE EARLY 20th CENTURY." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 114–25. http://dx.doi.org/10.31675/1607-1859-2019-21-1-114-125.

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The paper considers the development of modernism in the wooden architecture in the city of Tomsk in the context of national trends. The paper studies design features and specificity of wooden decoration of buildings made in the modern style or with the use of architectural elements performed in accordance with the variation of the neo-Russian style and “northern mo dernity”. The originality of the author's interpretations of style trends and those of the professional architects is described.The relevance of the study is stipulated by preserving wooden buildings in the cities of Russia and Sibe

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I., Ivanova, and Titinov V. "THE ARCHITECTURAL HERITAGE. ODESSA MODERN." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 210–20. http://dx.doi.org/10.31650/2519-4208-2020-20-210-220.

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The article presents material that briefly highlights the historical, socio-political, technological prerequisites for the emergence and development of modern architecture of the late 19th and early 20th centuries.Its features, basic characteristics and originality are considered, taking into account the development of Odessa.The presence in the urban environment of Odessa of large-scale monuments of architecture of the late 19th, early 20th centuries is obvious.They play a large role in the formation of urban identity.Tourists visiting the city pay tribute to the wealth of impressions that th

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Little, Bob, and Ladislava Knihova. "Modern trends in learning architecture." Industrial and Commercial Training 46, no. 1 (2014): 34–38. http://dx.doi.org/10.1108/ict-07-2013-0046.

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Purpose – The purpose of this paper is to examine current practice in blended learning – notably the view of blended learning as a synthesis of different approaches to the delivery of learning in order to create high impact learning. Design/methodology/approach – An exploration of the development of blended learning over the years, especially how it is being affected by developments in learning delivery technology and learning design. Findings – Learning architecture and design ought to be enhanced by the thoughtful use of various new tools, strategies and delivery platforms working in harmony

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Broner-Bauer, Kaisa. "Architectural visions." Approaching Religion 11, no. 1 (2021): 77–97. http://dx.doi.org/10.30664/ar.98060.

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In this article I examine the architecture and architectural thinking of Finnish Academician Reima Pietilä (1923–93) in relation to his design methodology. Pietilä was an architect with an original, creative, artistic personality, who set out early in his career to develop the form language, and theory of modern architecture, moving it towards an organic expressionism. Finnish nature mysticism was a source of inspiration for him, and ‘nature architecture’ one of his key concepts.

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Fell Contreras, Stephannie. "The Rise and Fall of Visual Paradigms: An Interview with Mario Carpo." Materia Arquitectura, no. 20 (December 24, 2020): 24. http://dx.doi.org/10.56255/ma.v0i20.477.

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Interview conducted by Stephannie Fell Contrerasat The Bartlett School of Architecture (March 10th, 2020) and via Zoom (April 14th, 2020) Mario Carpo is Reyner Banham Professor of Architectural History and Theory at The Bartlett School of Architecture. He specializes in history of architectural theory and history of cultural technologies, focusing on the early modern period and contemporary digital design theory. He is the author of The Second Digital Turn (MIT Press, 2017), The Alphabet and the Algorithm (MIT Press, 2011), and Architecture in the Age of Printing (MIT Press, 2001), among

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Elet, Yvonne. "Seats of Power: The Outdoor Benches of Early Modern Florence." Journal of the Society of Architectural Historians 61, no. 4 (2002): 444–69. http://dx.doi.org/10.2307/991868.

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Outdoor public seating is an intriguing and virtually unstudied element in the history of western architecture and urbanism. This article focuses on Florence in the fourteenth and fifteenth centuries, tracing the numerous stone benches that once existed on piazzas, streets, loggias, and palace façades throughout the city. More than simply utilitarian appendages, the benches were carefully integrated into the design of iconic urban spaces and building fronts, both civic and private. The study draws on abundant and varied primary source material: contemporary chronicles, histories, letters, poet

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Klein, Rudolf. "Some Cosmological Roots of Modern Architecture." YBL Journal of Built Environment 2, no. 1 (2014): 5–17. http://dx.doi.org/10.2478/jbe-2014-0001.

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Abstract This paper investigates the links between some oriental cosmologies and modern architecture, stemming from major non-Western religions, such as Buddhism, Islam and Judaism as well as from Einstein’s theories. It analyses both the direct impact of these concepts, influencing modernism at a theoretical level, and their indirect impact through historic non-Western architecture, mainly Buddhist and Islamic. While modernist theoreticians and architects frequently emphasised functional and technical priorities of modernism, I argue that modernism was far less rational than it is commonly th

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Remizova, Olena, та Natalya Novak. "Dialogue of epochs in postmodern urban planning concepts of the late ХХth and early ХХIst centuries". Budownictwo i Architektura 17, № 4 (2019): 067–75. http://dx.doi.org/10.24358/bud-arch_18_174_07.

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The postmodern architecture of the last third of the XX century saw a steady tendency of appealing to classical heritage aimed at combining modern technologies and historical associations with classical architecture. The work considers postmodern urban planning concepts of the late XX-the beginning of ХХI centuries. Methods of interpreting the order system in the architecture of postmodernism are analyzed by comparing such theoretical concepts as R. Bofi ll›s industrial classicism, the new urbanism of L. and R. Krier, the theory of the city by Aldo Rossi. Architects postmodernists searching fo

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Velasco, Sherry. "Surveilling Gender through Architecture and Urbanism in Early Modern Spanish-Algerian Spaces." Letras Femeninas 42, no. 2 (2016): 63–73. http://dx.doi.org/10.14321/letrfeme.42.2.0063.

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Abstract Influenced by feminist perspectives on urban and architectural studies, this essay examines the relationship between premodern Muslim urbanism and gendered relations, an issue that has received little attention in Hispanic cultural studies to date. This discussion will center on two particular features of domestic architecture and city planning typical of sixteenth- and seventeenth-century Algiers: the location and nature of street-facing windows and the communicable rooftops. Focusing primarily on Christian writers such as Antonio de Sosa, Miguel de Cervantes, and Lope de Vega, Velas

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MacKechnie, Aonghus. "Introduction: Sir William Bruce and Architecture in Early Modern Scotland." Architectural Heritage 23, no. 1 (2012): 1–14. http://dx.doi.org/10.3366/arch.2012.0030.

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Walker, Matthew. "Architecture, Improvement and the ‘New Science’ in Early Modern Scotland." Architectural Heritage 23, no. 1 (2012): 41–55. http://dx.doi.org/10.3366/arch.2012.0032.

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Zirpolo, Lilian H., and Helen Hills. "Architecture and the Politics of Gender in Early Modern Europe." Woman's Art Journal 26, no. 2 (2005): 60. http://dx.doi.org/10.2307/3598105.

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Straznicky, M. "ANNE M. MYERS. Literature and Architecture in Early Modern England." Review of English Studies 65, no. 269 (2013): 350–52. http://dx.doi.org/10.1093/res/hgt079.

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Spicer, Andrew. "Architecture and the Politics of Gender in Early Modern Europe." English Historical Review 120, no. 489 (2005): 1438–40. http://dx.doi.org/10.1093/ehr/cei443.

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Walker, Matthew. "Architecture, Anatomy, and the New Science in Early Modern London." Journal of the Society of Architectural Historians 72, no. 4 (2013): 475–502. http://dx.doi.org/10.1525/jsah.2013.72.4.475.

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Focuses on an important but overlooked building in late seventeenth-century London: the College of Physicians on Warwick Lane designed by the scientist and architect Robert Hooke in the 1670s. The building, which was commissioned in response to the previous college’s destruction in the Great Fire of London in 1666, was itself demolished in the nineteenth century. In this article, Matthew Walker argues that the conception and design of Hooke’s college had close links with the early Royal Society and its broader experimental philosophical program. This came about through the agency of Hooke—the

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Nájera, Luna. "The social spaces of surveillance in early modern military architecture." Journal of Spanish Cultural Studies 21, no. 2 (2020): 149–69. http://dx.doi.org/10.1080/14636204.2020.1760425.

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Cosnean, Letiția. "The Bolyai noble court. An Early Modern noble residence." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 4 (2013): 127–52. http://dx.doi.org/10.47950/caieteara.2013.4.09.

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Building works on the Bolyai noble court (Buia village, county of Sibiu) was carried out in different phases over more than four centuries. Based mainly on the archival and historical sources, specialists have suggested several hypotheses regarding the patronage and the phases of constructions of the noble court. A small fragment of vividly coloured wall painting preserved on the south-eastern side of the polygonal chapel’s chancel indicated the existence of the chapel in the medieval period. This had shaped the general idea that the noble court developed gradually around the existing medieval

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Stickells, Lee. "Conceiving an architecture of movement." Architectural Research Quarterly 14, no. 1 (2010): 41–51. http://dx.doi.org/10.1017/s1359135510000564.

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Ideas about movement were fundamental for Modernist architecture of the early twentieth century and are ubiquitous in contemporary theory and practice. The shifting theoretical terrain in which bodily movement is made sense of has continuously produced different understandings of architectural possibilities. For example, where in much early Modernism, and in present conventional practice, movement is often articulated in terms of technical, functional circulation and narrativised aesthetic experience (the architectural promenade), other recent practices adopt more ambivalent approaches. The em

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Gnatiuk, Liliia. "UNDERSTANDING THE OPPOSITION IN THE FORMATION OF MODERN SACRED SPACE." Urban development and spatial planning, no. 87 (October 25, 2024): 23–34. https://doi.org/10.32347/2076-815x.2024.87.23-34.

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The article analyzes the changing principles of modern European sacred architecture. A rethinking of the early paradigm is presented: it is revealed that the monastic orders and liturgical movements that initiated the reforms of the modern Catholic Church were usually inspired by the worship and way of life of the primitive Christian communities. This inspiration lived on after the Second Vatican Council; thus, the spatial and urban heritage of the early centuries shaped the course of European church architecture up to the present day. The question of resources, which has been completely reeva

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Mitrovic, Jelena. "The architecture of subject." Facta universitatis - series: Architecture and Civil Engineering 14, no. 1 (2016): 123–39. http://dx.doi.org/10.2298/fuace1601123m.

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This essay defines material and symbolic implications of linear perspective in modern architecture. First is seen as aesthetical method, which appears in architectural drawings since beginning of European Renaissance. It represents graphic system of creating illusion of spatial depth on flat surface. Second refers to perspective in figurative sense. It symbolizes perception of a subject: the capacity to view things in their true relations or relative importance. In terms of vision, it characterizes a visible scene, a mental view or prospect. Modern culture is, accordingly, the culture of persp

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Navarro Morales, Maria Elisa. "Architectura natural, the Unpublished Fourth Volume of Juan Caramuel’s Seventeenth-Century Architectural Treatise." Journal of the Society of Architectural Historians 81, no. 4 (2022): 414–19. http://dx.doi.org/10.1525/jsah.2022.81.4.414.

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Abstract Architectura civil recta y obliqua (1678–79), by the Cistercian Juan Caramuel de Lobkowitz (1606–82), is one of the most important Spanish architectural treatises of the seventeenth century. The work was published in three volumes, and until recently, scholars knew of an unpublished fourth volume, Architectura natural, only through a fragment of sixty pages titled Compendio de architectura natural. In her Findings article Architectura natural, the Unpublished Fourth Volume of Juan Caramuel’s Seventeenth-Century Architectural Treatise, Maria Elisa Navarro Morales presents more than two

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Skelton, Kimberley. "The Malleable Early Modern Reader." Journal of the Society of Architectural Historians 73, no. 2 (2014): 183–203. http://dx.doi.org/10.1525/jsah.2014.73.2.183.

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Across early seventeenth-century Europe, the physical boundaries that had structured reading practices in institutional libraries from monasteries to universities suddenly dissolved. Where readers had previously encountered shelving units that projected out perpendicular from the wall to create secluded study spaces, they now found open rooms outlined by shelving along the perimeter walls. Readers thus seemed to have been given a new freedom to pursue idiosyncratic activities; yet the open reading room coincided with sharpened anxiety about the hazards of undisciplined reading. In The Malleabl

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Blaginyh, Elena A., Yury S. Serenkov, and Zhanna M. Cherednichenko. "PRESERVATION OF INDUSTRIAL ARCHITECTURE OF THE EARLY 20th CENTURY IN THE CITIES OF KUZBASS." Architecture, Construction, Transport, no. 1(103) (April 12, 2023): 18–26. http://dx.doi.org/10.31660/2782-232x-2023-1-18-26.

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The article focuses on the objects of industrial architecture of the early 20th century, in particular a number of structures of transport infrastructure in the cities of Kuzbass. Much attention is given to their planning solutions, architectural and decorative elements. The authors analise characteristic design features, the stylistics of the transition period from modern to the functional architecture of early modernism. It has been found that the time period of the erection of buildings influences on the stages of their inspection during reconstruction. This allows to specify the algorithm

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Lai, Delin. "Idealizing a Chinese Style." Journal of the Society of Architectural Historians 73, no. 1 (2014): 61–90. http://dx.doi.org/10.1525/jsah.2014.73.1.61.

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The National Central Museum in Nanjing (1935–48) was co-designed by the most distinguished architectural historian in twentieth-century China—Liang Sicheng. It has long been regarded, however, as a representative work of “conservative revivalism” in modern Chinese architectural history. Idealizing a Chinese Style: Rethinking Early Writings on Chinese Architecture and the Design of the National Central Museum in Nanjing attempts to demonstrate the creativity of the design process, Lin Huiyin, and the architects’ ideal for a Chinese-style modern architecture. This ideal, Delin Lai argues, is pro

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Troyano, Rodrigo. "Demetrio Ribeiro e o realismo socialista: arquitetura e política em Porto Alegre nos anos 1950." PosFAUUSP 31, no. 59 (2024): e218159. https://doi.org/10.11606/issn.2317-2762.posfauusp.2024.218159.

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This article sheds light on the architectural-political events that took place in the early 1950s in Porto Alegre by focusing on the architect Demetrio Ribeiro and his connection to socialist realism. Investigating Ribeiro’s work, inspired by communist aesthetic ideology, reveals the complexities of the theoretical and practical context of the first modern architecture phase in Porto Alegre. The opening years of 1950 marked a period in which the first generation of architects from the southernmost capital of Brazil dared to present first examples of modern “Brazilian architecture,” a term that

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Ioseph, Cabeza-Laïnez, and Xu Ying Ying. "Empire, science and geometry at the origins of early modern architecture." Symmetry: Culture and Science 31, no. 3 (2020): 321–51. http://dx.doi.org/10.26830/symmetry_2020_3_321.

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