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Relevant bibliographies by topics / Early Netherlandish Art

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Academic literature on the topic 'Early Netherlandish Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Early Netherlandish Art"

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Kristin, Lohse Belkin. "Rubens and Early Netherlandish Art." Acta Historiae Artium 44, no. 1 (November 1, 2003): 265–72. http://dx.doi.org/10.1556/ahista.44.2003.1-4.31.

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Auerbach, Elissa. "Domesticating the Virgin in Early Modern Netherlandish Art." IKON 10 (January 2017): 223–36. http://dx.doi.org/10.1484/j.ikon.4.2017019.

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Trevisan, Sara. "The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England*." Renaissance Quarterly 66, no. 3 (2013): 866–903. http://dx.doi.org/10.1086/673585.

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AbstractThe relationship between poetry and painting has been one of the most debated issues in the history of criticism. The present article explores this problematic relationship in the context of sixteenth- and seventeenth-century England, taking into account theories of rhetoric, visual perception, and art. It analyzes a rare case in which a specific school of painting directly inspired poetry: in particular, the ways in which the Netherlandish landscape tradition influenced natural descriptions in the poem Poly-Olbion (1612, 1622) by Michael Drayton (1563–1631). Drayton — under the influence of the artistic principles of landscape depiction as explained in Henry Peacham’s art manuals, as well as of direct observation of Dutch and Flemish landscape prints and paintings — successfully managed to render pictorial landscapes into poetry. Through practical examples, this essay will thoroughly demonstrate that rhetoric is capable of emulating pictorial styles in a way that presupposes specialized art-historical knowledge, and that pictorialism can be the complex product as much of poetry and rhetoric as of painting and art-theoretical vocabulary.

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Deam, Lisa. "Flemish versus Netherlandish: A Discourse of Nationalism." Renaissance Quarterly 51, no. 1 (1998): 1–33. http://dx.doi.org/10.2307/2901661.

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AbstractThis essay shows how scholarship on fifteenth-century Flemish panel painting became intertwined with efforts at national identity-building in nineteenth and early twentieth-century Europe. Paintings such as Jan van Eyck's Ghent Altarpiece were not only dispersed across regional and national boundaries, but were intellectually appropriated for competing national programs. The paintings consequently became a site of conflict between the Latin and Germanic traditions. These conflicts are clearly visible through the shifting terminology of this art, variously claimed as “Flemish” and “Netherlandish.” Such nationalist discourses shaped future scholarship on Flemish painting and contributed to its perceived inferiority vis-à-vis the Southern artistic tradition.

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Brisman, Shira. "The Madness of Hugo van der Goes: The Troubled Search for Origins in Early Netherlandish Painting." Journal of Medieval and Early Modern Studies 51, no. 2 (May 1, 2021): 321–65. http://dx.doi.org/10.1215/10829636-8929080.

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The extant works of Hugo van der Goes frustrated attempts among early historians of Netherlandish painting to organize the artist's career according to a chronology. The survival of a biographical document attesting to his madness additionally troubled the expectation of artistic progression. Goes earned the reputation of the first modern artist whose genius was connected to his aberrant psychology. This essay critically examines the impulse in art history toward temporal sequencing, arguing that such a practice is most profitably applied in the case of Goes not to his oeuvre as a whole but to a study of his process within an individual work. The alterations over time to the surface of The Fall of Man, which has often (but not unanimously) been deemed the artist's “first work,” afford consideration of how Goes thought about revision and how historians of early Netherlandish painting might engage disciplinary change by rethinking the impulse toward prioritization.

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wouk, edward h. "From nabeeld to kopie: the after-image and the copy in Early Modern Netherlandish art." Word & Image 35, no. 3 (July 3, 2019): 223–42. http://dx.doi.org/10.1080/02666286.2019.1628621.

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Hokanson, Alison, and Edward H. Wouk. "The past is always present: The image of early Netherlandish art in the long nineteenth century." Oud Holland – Journal for Art of the Low Countries 133, no. 3-4 (December 4, 2020): 146–54. http://dx.doi.org/10.1163/1875-0176-1330304002.

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Pearson, Andrea. "Visuality, Morality, and Same-Sex Desire: The Infants Christ and Saint John the Baptist in Early Netherlandish Art." Art History 38, no. 3 (February 3, 2015): 434–61. http://dx.doi.org/10.1111/1467-8365.12135.

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Montgomery, Scott. "The Eye and the Rock: Art, Observation and the Naturalistic Drawing of Earth Strata." Earth Sciences History 15, no. 1 (January 1, 1996): 3–24. http://dx.doi.org/10.17704/eshi.15.1.9373301405572mr3.

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The first naturalistic drawings of geologic phenomena, particularly rock formations, are assumed by historians to have occurred early in the 19th century, when geology matured as a science. No less than three centuries earlier, however, the Netherlandish master, Jan Van Eyck, drew exposures of natural rock whose features are so remarkably accurate as to permit modern-day geologic analysis of their lithology, fossil content, sedimentary structures, and depositional environment. Van Eyck clearly studied, drew, and painted a specific outcrop "in the field," long before such practice had become common in art or science. As the first modern geologic "observer," Van Eyck greatly extended an existing tradition of naturalism with regard to organic phenomena (esp. plants, insects, human figures) fully into the realm of inorganic reality. In this, he far surpassed other scholar-artists, such as Leonardo da Vinci, who have been credited with similar achievements. Van Eyck's achievement proved exceptional. It was matched neither by later artists, scientists, or illustrators until the late 18th-early 19th century, when conventions in travel literature and landscape inspired new attention to the drawing of rock materials. The reasons for this historical gap have everything to do with the limitations of observation in early geological study, which show important parallels to those in art.

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Zabrodina, Elena Al'bertovna. "“Sacred Theology” of Nicholas of Cusa in the portraits and altar paintings of the artists of the Early Netherlandish painting." Человек и культура, no. 4 (April 2020): 21–32. http://dx.doi.org/10.25136/2409-8744.2020.4.33349.

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The subject of this research is the processes that unfolded in the spiritual sphere of the Netherlandish society of the XV century, which can be assessed by the treatises of the prominent philosopher and figure of the Catholic Church Nicholas of Cusa (1401-1464), as well as by the images, scenes, artistic techniques used by Netherlandish artists of that time such brothers van Eyck, Rogier van Weyden, Hans Memling, Petrus Christus, Hieronymus Bosch, Robert Kampin, and others. Main attention is given to the comparison of the views of Nicholas of Cusa, as well as the manner and ideological program that can be seen in the work of the XV century artists. The scientific novelty consists in demonstration of just how the views of Nicholas of Cusa correlate to the worldview of the people of the XV century – transitional period from the Medieval Era to the Modern Age. Perceptions of the Netherlanders of that time of the world and people’s place within it, of divine predestination and everyday life are reflected in the orders for a new type of altar compositions and portraits. The conducted analysis uses specific examples to reveal the theme of commonness of the worldview in the examined chronological period. Comparison of the paintings and thoughts of Nicholas of Cusa demonstrate the commonness of views that reflect the transformational era in the history of art.

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Dissertations / Theses on the topic "Early Netherlandish Art"

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Nuttall, Paula. "Early Netherlandish painting in Florence : acquisition, ownership and influence c.1435-1500." Thesis, University of London, 1989. http://books.google.com/books?id=AurVAAAAMAAJ.

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Mitchell, Laura. ""Through Marriage Marvelously Blended": Visual Representations of Matrimonial Rituals in the Burgundian and Habsburg Netherlands, 1384 to 1555." Thèse, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/30560.

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The Burgundian and Habsburg Netherlands constitute an interesting case for studying the function and symbolism of matrimony. This period marked an active time of change in the Low Countries: there was ongoing antagonism between the dukes of Burgundy and their Dutch subjects; shifts in the mercantile industry caused economic flux; the Reformation sparked religious tension; and the rapid expansion of the art market created a Europe-wide demand for Netherlandish fine and decorative art. In the face of upheaval, the act of marriage and the ideology surrounding it remained relatively consistent. Betrothal and marriage ceremonies in the Low Countries were quite formal compared to those in southern Europe; the quintessential northern ceremony customarily involved a priest, witnesses, and symbolic hand gestures. The images discussed in this thesis overwhelmingly reflect the importance of ritualistic behaviour in the late medieval Netherlands; the majority of them depict proper in facie ecclesiae unions, meaning “in the face of the Church.” These images of ideal marriage rituals were most commonly commissioned by members of the court or Church, and were used primarily to display wealth and power, to enhance the pageantry of court life, to draw connections with the mythic or biblical past, to promote canon law, and to reinforce cultural values. The fifty-three images studied in this thesis not only relate to discourses on medieval marriage and art history; they also fit into the larger narratives surrounding civic authority, religious tension, economic change, and social mores. In this thesis, I use an interdisciplinary approach to reveal the main functions of matrimonial ceremonies in Early Netherlandish art, and to examine the gap between image and reality. This thesis contributes to a better understanding of ritual and visual expression in the Burgundian and Habsburg Netherlands.

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Vanhaelen, Engeline Christine. "Guilty pleasures : the uses of farcical prints for children in early modern Amsterdam." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ46439.pdf.

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Feldman, Paula. "Made to order : American minimal art in the Netherlands, late 1960s to early 1970s." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414492.

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Hingh, Anne Evelyne de. "Food production and food procurement in the Bronze Age and early Iron Age (2000-500 BC) : the organisation of a diversified and intensified agrarian system in the Meuse-Demer-Scheldt region (the Netherlands and Belgium) and the region of the river Moselle (Luxembourg and France) /." Leiden : Faculty of archaeology, Leiden university, 2000. http://catalogue.bnf.fr/ark:/12148/cb38870674h.

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Rabier, Delphine. "La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle." Thesis, Tours, 2015. http://www.theses.fr/2015TOUR2018.

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Cette étude se propose de dégager les liens étroits qui unissent la production picturale des anciens Pays-Bas des XVe et XVIe siècles avec la mystique de Ruysbroeck l’Admirable et la pensée de la Dévotion moderne (devotio moderna). À partir d’un corpus comprenant des oeuvres de Jan van Eyck, Rogier van der Weyden, Petrus Christus, Hans Memling, Hugo van der Goes, le Maître à la vue de Sainte-Gudule, le Maître de 1499, le Maître d’Alkmaar, Jérôme Bosch ou encore Gérard David et Jan Mostaert, l’analyse fait apparaître que peinture et écrits se répondent et se subliment mutuellement. Dans une première partie, nous observerons la façon dont les peintres ont décliné la progression dynamique des différentes visions (active, intérieure et contemplative) et traité le phénomène de désimagination. Puis, dans un deuxième temps, notre étude mettra en lumière que l’image soutient grâce à différents procédés (mnémotechnique, participatif, etc.) les pratiques spirituelles et méditatives des fidèles. Enfin dans la dernière phase de notre analyse, nous nous intéresserons aux mises en images d’une idée clé définie par Ruysbroeck l’Admirable, et adaptée par les auteurs de la Dévotion moderne : dat ghemeine leven (la vie commune)
This study intends to investigate and clarify the links between the Early Netherlandish pictorial tradition (15th and 16th centuries) and mystical literature as exemplified by Ruysbroeck the Admirable and the authors associated with the Modern Devotion (devotio moderna). Focusing on a corpus of works by Jan van Eyck, Rogier van der Weyden, Petrus Christus, Hans Memling, Hugo van der Goes, the Master of the View of St Gudule, the Master of 1499, the Master of Alkmaar, Hieronymus Bosch, Gerard David and Jan Mostaert, this analysis brings to light that painting and writing enrich each other’s meaning. In the first part, we shall observe the ways in which the painters captured the dynamic progression of the various types of vision (active, internal and contemplative) as well as the ways in which they addressed the phenomenon of disimagination. The second part of this study will highlight the fact that the image supports the spiritual and meditative practices of the faithful through various processes and techniques (mnemonic, participative etc.). The third part of the analysis will focus on the visual treatment of a key idea defined by Ruysbroeck the Admirable, and adapted by the authors of the Modern Devotion: dat ghemeine leven (the common life)

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Coleman, Sally Whitman. "Empathetic constructions in early Netherlandish painting narrative and reception in the art of Hans Memling /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3110764.

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Levy, Janey L. "The Last Judgement in early Netherlandish painting faith, authority, and charity in the fifteenth century /." 1988. http://catalog.hathitrust.org/api/volumes/oclc/67904482.html.

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STOENESCU, LIVIA. "The Visual Narratives of El Greco, Annibale Carracci and Rubens: Altarpieces of the Assumption of the Virgin Mary in the Early Modern Age." Thesis, 2009. http://hdl.handle.net/1974/5316.

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The Assumption of the Virgin Mary has been regarded as a normative subject of post-Tridentine altarpiece production. Yet it is actually a complex pictorial allegory that comments upon an archaic tradition of Christian narratives and its intersection with Marian devotion. The Assumption of the Virgin Mary belongs to a tradition of devotional images in which the Eucharistic meaning is the preferred means for furthering narrative ideas. The deeper meaning of the Assumption altarpiece becomes apparent in the light of the following points, demonstrated repeatedly throughout the study: 1) altarpieces of the Assumption represent a Marian subject informed by narrative liberty, not views of iconography and Tridentine history 2) their imagery is largely based upon visual narratives associated with the historical imagination of the painter 3) they disallow the pre-eminence of the classical model and incorporate other models derived from a resemblance to Byzantine icons and Northern prints 4) they are analogous to icons, essays praising truthfulness and inwardness which operate to convey complex pictorial ideas in narrative adaptations. The first chapter evaluates the narrative source of El Greco’s altarpieces from Toledo. The medieval past of Toledo fused with the Byzantine tradition in an altarpiece form for which parallels are rare in the modern age. The second chapter examines Annibale Carracci’s main Assumption altarpieces and a selection of related paintings. For Annibale Carracci, the original setting at the high altar safeguards the Eucharistic meaning of his Assumption narrative and in turn shapes the narrative link with the adjoining altarpieces. The third chapter involves the Northern devotional print as a narrative outset of Federico Zuccari’s and Rubens’ altarpieces. Their narrative solutions negotiate complex pictorial allegories and further the claim for truthfulness of representation inherent in the print.
Thesis (Ph.D, Art History) -- Queen's University, 2009-11-13 11:41:08.724

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Books on the topic "Early Netherlandish Art"

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National Gallery of Art (U.S.). Early Netherlandish painting. Washington: National Gallery of Art, 1986.

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Opening doors: The early Netherlandish triptych reinterpreted. University Park, Pa: Pennsylvania State University Press, 2011.

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Vested angels: Eucharistic allusions in early Netherlandish paintings. Leuven: Peeters, 1998.

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The home setting in early Netherlandish paintings: A statistical and iconographical analysis of fifteenth- and early sixteenth-century domestic imagery. Lewiston, N.Y: E. Mellen Press, 2008.

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Sight and spirituality in early Netherlandish painting. Cambridge: Cambridge University Press, 2005.

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(Translator), Williams Karen, and Scuffil Michael, eds. Masterpieces in detail: Early Netherlandish art from van Eyck to Bosch. Munich: Prestel, 2014.

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Le mobili frontiere dell'arte tra Medioevo e Rinascimento. Milano: Jaca book, 2012.

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New York. From Van Eyck to Bruegel: Early Netherlandish painting in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1998.

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New York. From Van Eyck to Bruegel: Early Netherlandish painting in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1998.

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de, Voorde G. van, ed. The masters' and the forgers' secrets: X-ray authentication of paintings ; from early Netherlandish till modern. Brussel: Mercatorfonds, 2009.

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Book chapters on the topic "Early Netherlandish Art"

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Moffitt Peacock, Martha. "Chapter 24. The Comedy of the Shrew: Theorizing Humor in Early Modern Netherlandish Art." In Laughter in the Middle Ages and Early Modern Times, 667–714. Berlin, New York: DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110245486.667.

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De Rock, Jelle. "The Image of the City Quantified: The Serial Analysis of Pictorial Representations of Urbanity in Early Netherlandish Art (1420-1520)." In Portraits of the City, 67–81. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.seuh-eb.5.101612.

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Spronk, Ron. "Standing on the Shoulders of Giants: The Early Years of Conservation and Technical Examination of Netherlandish Paintings at the Fogg Art Museum." In Museums at the Crossroads, 39–56. Turnhout: Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.mac-eb.3.1801.

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Luttikhuizen, Henry M. "Putting a Face on Justice: Group Portraiture in Early Netherlandish Painting." In The Arts, Community and Cultural Democracy, 233–54. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62374-7_13.

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Bussels, Stijn. "Making the Most of Theatre and Painting: The Power of Tableaux Vivants in Joyous Entries from the Southern Netherlands (1458-1635)." In Theatricality in Early Modern Art and Architecture, 36–47. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396744.ch3.

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Faries, Molly. "Technical Studies of Early Netherlandish Painting: A Critical Overview of Recent Developments." In Museums at the Crossroads, 1–37. Turnhout: Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.mac-eb.3.1800.

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Ainsworth, Maryan Wynn. "What’s in a Name? The Question of Attribution in Early Netherlandish Painting." In Museums at the Crossroads, 135–47. Turnhout: Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.mac-eb.3.1808.

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Bøggild Johannsen, Birgitte. "3.3: Promising Enterprises and Broken Dreams: An Early Incident of Netherlandish Architectural Import in Sixteenth-Century Denmark." In The Low Countries at the Crossroads, 263–76. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.archmod-eb.4.00147.

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Bos, David J. "Hellish Evil, Heavenly Love: A Long-Term History of Same-Sex Sexuality and Religion in the Netherlands." In Public Discourses About Homosexuality and Religion in Europe and Beyond, 21–58. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56326-4_2.

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AbstractThis chapter offers an overview of changes in Dutch perceptions of, and attitudes toward, same-sex sexuality and the part religion played in them. It discusses landmark events and publications from 1730—when “sodomy” became a public issue—until the present. It describes the evolution of discourse on same-sex sexuality, with special reference to the earliest publications on “homosexuality,” alias “Uranism,” which often referred to religion. In the twentieth century, Roman Catholic and Protestant opposition to homosexual emancipation gradually gave way to sympathy, and in the 1960s some pastors were vocal advocates of acceptance. In the early 1970s, homosexuality became a doctrinal issue, a religious identity marker. Polarization was exacerbated in the late 1970s, which saw the rise of both the gay and lesbian movement and religious fundamentalism. “Discursive associations” between religion—including Judaism and Islam—and homosexuality are brought to light partly by means of quantitative content analysis of newspapers.

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"4. Coasts and Interiors of India. Early Modern Indo-Dutch Cross-Cultural Exchanges." In Mediating Netherlandish Art and Material Culture in Asia, 95–110. Amsterdam University Press, 2014. http://dx.doi.org/10.1515/9789048519866-006.

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Conference papers on the topic "Early Netherlandish Art"

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Kolkman, H. J., G. A. Kool, and R. J. H. Wanhill. "Aircraft Crash Caused by Stress Corrosion Cracking." In ASME 1994 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/94-gt-298.

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An aircraft crash in the Netherlands was caused by disintegration of a jet engine. Fractography showed that the chain of events started with stress corrosion cracking (SCC) of a pin attached to a lever arm of the compressor variable vane system. Such a lever arm-pin assembly costs only a few dollars. Investigation of hundreds of pins from the accident and a number of identical engines revealed that this was not an isolated case. Many pins exhibited various amounts of SCC. The failed pin in the accident engine happened to be the first fractured one. SCC requires the simultaneous presence of tensile stress, a corrosive environment and a susceptible material. In this case the stress was a residual stress arising from the production method. There was a clear correlation between the presence of salt deposits on the levers and SCC of the pins. It was shown that these deposits were able to reach the internal space between the pin and lever arm, thereby initiating SCC in this space. The corrosive environment in Western Europe explains why the problem manifested itself in the Netherlands at a relatively early stage in engine life. The main point is, however, that the manufacturer selected an SCC-prone material in the design stage. The solution has been to change the pin material.

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Keane, Robert G. "Ensuring Successful Ship Construction Outcomes: Using More Physics-Based Design Tools in Early Concept Design." In SNAME Maritime Convention. SNAME, 2012. http://dx.doi.org/10.5957/smc-2012-p01.

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The Navy has experimented with many ways to improve the producibility of naval ship designs. In terms of effectiveness - does the ship do what it is supposed to do - the Navy has been reasonably successful. However, in terms of efficiency - are the ships efficient to produce and own - there is still much room for improvement. Design for producibility – being able to efficiently produce a warship - must start during the earliest stages of concept design and continue to be addressed during the subsequent pre-production processes. However, many early stage naval ship design engineers either do not recognize this need or do not know how to design for producibility. A number of improvements to early stage ship design capabilities are being developed in order to make the process both effective and efficient. This paper addresses the critical stage of the collaborative Design-Build-Own process of initially sizing the hull during concept design. The author proposes the development and use of more physics-based design tools during concept design, such as those being developed under the DoD High Performance Computing Modernization Program’s Computational Research & Engineering for Acquisition Tools & Environments (CREATE) – SHIPS Project. These new ship design methodologies will enable conceptual design engineers to adequately size a ship to meet military performance requirements and to have a low enough ship density to ensure successful ship construction outcomes. The director of a Netherlands’ shipyard which designs and builds surface combatants recently stated at a luncheon of the American Society of Naval Engineers (ASNE), “We learned a long time ago to give ourselves enough space to build a ship – steel is cheap, air is free!”

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İncekara, Ahmet, and Elif Haykır Hobikoğlu. "Eco-innovation as a Determinant of the Importance of Sustainable Economic Development: World and Turkey Examples." In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01170.

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In modern societies, because of the continuity of change and transformation, innovation became one of the hallmarks of community life. Studies which mainly started by engineers in the field of environment, nowadays became a work area in many branches of science. Although eco-innovation has supply or demand side determinants, there are some corporate and political effects. Negative interaction with the environment of the societies of the world has become a risk for the sustainable existence. It also revealed the need for eco-innovation. Eco-innovation examined in four main sectors such as recycling, building and construction, food and beverage, and green businesses. Businesses can also become a part of the transformation and the concept has emerged that called green businesses. Contribute to the formation of eco-labeling has provided public awareness. Netherlands, Germany, France, the United Kingdom and Turkey are examined, said that Turkey's eco-innovation in the early period.

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Head, Adam Joseph, Carlo De Servi, Emiliano Casati, Matteo Pini, and Piero Colonna. "Preliminary Design of the ORCHID: A Facility for Studying Non-Ideal Compressible Fluid Dynamics and Testing ORC Expanders." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-56103.

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Organic Rankine Cycle (ORC) power systems are receiving increased recognition for the conversion of thermal energy when the source potential and/or its temperature are comparatively low. Mini-ORC units in the power output range of 3–50 kWe are actively studied for applications involving heat recovery from automotive engines and the exploitation of solar energy. Efficient expanders are the enabling components of such systems, and all the related developments are at the early research stage. Notably, no experimental gasdynamic data are available in the open literature concerning the fluids and flow conditions of interest for mini-ORC expanders. Therefore, all the performance estimation and the fluid dynamic design methodologies adopted in the field rely on non-validated tools. In order to bridge this gap, a new experimental facility capable of continuous operation is being designed and built at Delft University of Technology, the Netherlands. The Organic Rankine Cycle Hybrid Integrated Device (ORCHID) is a research facility resembling a state-of-the-art high-temperature ORC system. It is flexible enough to treat different working fluids and operating conditions with the added benefit of two interchangeable Test Sections (TS’s). The first TS is a supersonic nozzle with optical access whose purpose is to perform gas dynamic experiments on dense organic flows in order to validate numerical codes. The second TS is a test-bench for mini-ORC expanders of any configuration up to a power output of 100 kWe. This paper presents the preliminary design of the ORCHID setup, discussing how the required operational flexibility was attained. The envisaged experiments of the two TS’s are also described.

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Rooth, R. A. "User-Oriented Gas Turbine Research at KEMA." In ASME 1996 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/96-gt-291.

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In the 80’s and early 90’s, in the Netherlands 11 combi blocks with prefitted gas turbines have been built. This repowering programme increased the efficiency of the units involved by several percentage points. Additionally, the commissioning of the five 335 MWe units at the Eems power station is in progress and plans exist for a farther seven 250 MW heat and power stations. This means that by 2002 the generating industry will be operating seventy-five gas turbines with a total gas turbine power of 5700 MWe. These data serve to illustrate mat gas turbines will be the workhorse of the Dutch generating industry in the coming decades, and that security of supply, efficiency, emissions and generating cost will to a large extent be determined by the gas turbine. However, the introduction of the gas turbine, driven by the possibility of high-efficiency electricity generation in e.g. combined cycle units, the increase in scale of the machines and the fact that they are increasingly being used in base load units have also led to problems and forced unavailability, as will be shown under goals of the project. The problems are related to creep, thermal stresses and fatigue of combustion chambers, turbine rotor blades, rotors etc. Apart from these problem areas, other subjects of interest are optimization of inlet air filtering and compressor cleaning. It is the Dutch Electricity Production industry who realized that a substantial R&D effort is necessary to solve those user related problems and formulated the execution of the target project Gas Turbines.

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Kurniati, Nurul. "Analysis of Factors and Management of Hepatitis B Virus Screening in Mothers and Infants: A Scoping Review." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.03.67.

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ABSTRACT Background: The importance of screening for HBV infection is to identify the risk of perinatal transmission from infected mothers. People infected with HBV during infancy or childhood are more likely to suffer chronic infection to cirrhosis of the liver and liver cancer. Early detection and prompt treatment are essential for HBV infection. This study aimed to review the factors and management of hepatitis B virus screening in mothers and infants. Subjects and Method: A scoping review method was conducted in eight stages including (1) Identification of study problems; (2) Determining priority problem and study question; (3) Determining framework; (4) Literature searching; (5) Article selection; (6) Critical appraisal; (7) Data extraction; and (8) Mapping. The search included PubMed, ScienceDirect, Wiley Online Library, and Scopus databases. The inclusion criteria were English/ Indonesian-language and full-text articles (scoping review, meta-analysis, systematic review)/ documents/ reports/ policy brief/ guidelines from WHO/ other organizations published between 2009 and 2019. The data were selected by the PRISMA flow chart. Results: The searched database obtained a total of 27.862 articles. After screening, 27.325 articles were excluded because of unmet the inclusion criteria. After conducting critical appraisal for the remaining 537 articles, only 11 articles were eligible for further review. The selected articles obtained from developing countries (China, South Africa, and Tanzania) and developed countries (Netherlands, Japan, Denmark, Northern Europe, and Canada) with quantitative studies design (cross-sectional, case series, and cohort) met the inclusion criteria. The findings emphasized on four main topics around hepatitis B virus screening in mothers and infants, namely demographic factors, risk factors, post-screening benefit, and challenges in screening uptake. Conclusion: Early detection of HBV infection with prenatal screening reduce the HBV prenatal transmission, especially from infected pregnancy. Screening plays an important role in the administration of universal infant HBV vaccination and postexposure prophylaxis with hepatitis B immune globulin (HBIG) at birth. Keywords: pregnant women, hepatitis B virus, perinatal transmission, screening Correspondence: Setianingsih. Universitas ‘Aisyiyah Yogyakarta. Jl. Siliwangi (Ringroad Barat) No. 63, Nogotirto, Gamping, Sleman, Yogyakarta, 55292. Email: nsetia580@gmail.com. Mobile: 082242081295. DOI: https://doi.org/10.26911/the7thicph.03.67

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Huth, M., A. Heilos, G. Gaio, and J. Karg. "Operation Experiences of Siemens IGCC Gas Turbines Using Gasification Products From Coal and Refinery Residues." In ASME Turbo Expo 2000: Power for Land, Sea, and Air. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/2000-gt-0026.

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The Integrated Gasification Combined Cycle concept is an emerging technology that enables an efficient and clean use of coal as well as residuals in power generation. After several years of development and demonstration operation, now the technology has reached the status for commercial operation. SIEMENS is engaged in 3 IGCC plants in Europe which are currently in operation. Each of these plants has specific characteristics leading to a wide range of experiences in development and operation of IGCC gas turbines fired with low to medium LHV syngases. The worlds first IGCC plant of commercial size at Buggenum/Netherlands (Demkolec) has already demonstrated that IGCC is a very efficient power generation technology for a great variety of coals and with a great potential for future commercial market penetration. The end of the demonstration period of the Buggenum IGCC plant and the start of its commercial operation has been dated on January 1, 1998. After optimisations during the demonstration period the gas turbine is running with good performance and high availability and has exceeded 18000 hours of operation on coal gas. The air-side fully integrated Buggenum plant, equipped with a Siemens V94.2 gas turbine, has been the first field test for the Siemens syngas combustion concept, which enables operation with very low NOx emission levels between 120–600 g/MWh NOx corresponding to 6–30 ppm(v) (15%O2) and less than 5 ppm(v) CO at baseload. During early commissioning the syngas nozzle has been recognised as the most important part with strong impact on combustion behaviour. Consequently the burner design has been adjusted to enable quick and easy changes of the important syngas nozzle. This design feature enables fast and efficient optimisations of the combustion performance and the possibility for easy adjustments to different syngases with a large variation in composition and LHV. During several test runs the gas turbine proved the required degree of flexibility and the capability to handle transient operation conditions during emergency cases. The fully air-side integrated IGCC plant at Puertollano/Spain (Elcogas), using the advanced Siemens V94.3 gas turbine (enhanced efficiency), is now running successfully on coal gas. The coal gas composition at this plant is similar to the Buggenum example. The emission performance is comparable to Buggenum with its very low emission levels. Currently the gas turbine is running for the requirements of final optimization runs of the gasifier unit. The third IGCC plant (ISAB) equipped with Siemens gas turbine technology is located at Priolo near Siracusa at Sicilly/Italy. Two Siemens V94.2K (modified compressor) gas turbines are part of this “air side non-integrated” IGCC plant. The feedstock of the gasification process is a refinery residue (asphalt). The LHV is almost twice compared to the Buggenum or Puertollano case. For operation with this gas, the coal gas burner design was adjusted and extensively tested. IGCC operation without air extraction has been made possible by modifying the compressor, giving enhanced surge margins. Commissioning on syngas for the first of the two gas turbines started in mid of August 1999 and was almost finished at the end of August 1999. The second machine followed at the end of October 1999. Since this both machines are released for operation on syngas up to baseload.

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