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Journal articles on the topic 'Early nomads' art'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

George, F. Steiner. "The Goddess and the Copper Snake: Metallurgy, Star-Lore and Ritual in the Rock Art of the Southern Levant." Expression 12 (June 15, 2016): 73–96. https://doi.org/10.5281/zenodo.7788125.

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Pastoralism and metallurgy emerged simultaneously in the arid southern Levant, with the first attested records dated to the Late Neolithic. The two economies reached their maturity during the Chalcolithic and the Early Bronze Age. The bulk of the rock engravings of the Negev Desert and the neighboring areas are dated precisely to this period. Here, I argue that their symbolism bears witness to the compatible values of smiths and nomads. These beliefs are also well-reflected in nomadic star-lore, which is apparently the oral version of stories also told by a number of petroglyphs. The literatur

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Bogoslovskaya, Irina. "Nomad Textile Bags from Central Asia in the 19th and 20th Centuries: Geographic Distribution, Decoration, Semantics." Textile Museum Journal 44, no. 1 (2017): 30–45. http://dx.doi.org/10.1353/tmj.2017.a932718.

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Abstract: The nomadic lifestyle required sets of bags to transport both valuables and everyday objects. Those produced by Central Asia’s nomads were not only functional items but works of art whose decoration and semantics reflected the worldview of the people who made them. Evidence of their usage can be traced from the early medieval period to Soviet times. This article explores in some detail traditional materials and embroidery techniques used in their production. The characteristic compositions and multiple symbols of different nomadic groups are demonstrated and discussed, with in-depth

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Bannikov, Alexey L. "Finno-Ugric elements in the art of the early nomads of the Southern Urals." Finno-Ugric World 13, no. 3 (2021): 265–71. http://dx.doi.org/10.15507/2076-2577.013.2021.03.265-271.

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Introduction. Arterfacts, which are a part of the burial equipment, especially of a cult nature, are a ethnocultural, social and ideological markers of the population and time which they belong to. The research in the area of penetration of foreign elements into the sphere of religious and mythological representations can reveal new aspects of the interaction of nomadic and sedentary worlds of Volga-Urals area. This article refers to elements of Finno-Ugric art and ideology, which are reflected in the art of the early nomads of the Southern Urals, in particular, in the images of stone altar al

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Yatsenko, Sergey A. "WOMEN-WARRIORS IN THE ART OF THE EARLY NOMADS." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 1 (2018): 153–61. http://dx.doi.org/10.28995/2073-6401-2018-1-153-161.

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Okorokov, Konstantin. "Items of Clothing from the Early Nomadic Kurgans in the Southern Urals: Iconography and Burial Practice (Based on the Materials of Cemeteries Filippovka 1 and Filippovka 2)." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 1 (June 2022): 66–90. http://dx.doi.org/10.15688/nav.jvolsu.2022.1.4.

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The article is devoted to publication and analyses of objects found during the excavation of the cemeteries Filippovka 1 and Filippovka 2 which are of value for reconstruction of clothing of the early nomads from the Filippovka Southern Urals. The objects under study are divided into two blocks – those carrying images of the nomads themselves for instance depictions of exclusively male riders with weapons or of various decorative elements made of precious metals, stripes, pendants and embroideries, according to the location of which in the burial relative to the backbone, one can get an idea o

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Makhortykh, S. V. "«CIMMERO-SCYTHIAN» ANTIQUITIES FROM CENTRAL ANATOLIA." Archaeology and Early History of Ukraine 42, no. 1 (2022): 58–74. http://dx.doi.org/10.37445/adiu.2022.01.04.

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Central Anatolia is one of the regions of Western Asia, where the most significant concentration of archaeological materials connected with the Eurasian nomads of the Early Scythian period is recorded. The flat plains of Central Anatolia had good pastures and served as a space where different cultures communicated with each other since ancient times. In the 7th—6th centuries BC this territory was located between Western Anatolia with Lydia and the eastern Greek centers and Eastern Anatolia, which was the zone of interest of Urartu and Assyria. Small local «principalities» were localized here.

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Toleubayev, Abdesh, Rinat Zhumatayev, and Dina Baimuhamedova. "Image of an Eagle in the Art of the Early Nomads." Procedia - Social and Behavioral Sciences 122 (March 2014): 240–44. http://dx.doi.org/10.1016/j.sbspro.2014.01.1335.

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Lukyashko, Sergey. "Hunting of Steppe Nomads of the Pontic Region in the Early Iron Age." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 2 (December 2019): 62–74. http://dx.doi.org/10.15688/nav.jvolsu.2019.2.4.

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Hunting is the oldest kind of human activity preserving traditional forms due to its conservatism. Paleozoologists working in the Northern Black Sea region determined the objects of hunting according to the data obtained from Greek settlements. These are mainly hoofed animals such as deer, roe deer, saigas, and wild boars, and fur animals including hares, foxes, beavers, as well as a variety of birds. According to paleozoological data, hunting was elitist. Unfortunately, it was not taken into account that inhabitants of the settlements hunted in the steppes of foreign lands, and delivered not

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Gantulga, Jamiyan-Ombo. "Хөгжингүй ба хожуу хүрлийн үеийн амьтны загварт урлагийн гол дүрүүд". mongolian Journal of Anthropology, Archaeology and Ethnology 13, № 1 (2024): 8–29. http://dx.doi.org/10.22353/mjaae.2024130101.

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This paper aims to illuminate the archaeological cultures of the Middle and Late Bronze Ages in the neighboring regions of Mongolia. It delves into the phases and chronology of Mongolia’s Bronze Age development, scrutinizing key characters and their symbols in early animal-style art. The artistic expressions stemming from the nomadic way of life are categorized as “animal-style art,” wherein nomads transitioned the characters from two-dimensional to three-dimensional representations a significant and invaluable contribution to the history of global art. The distinctive characters of art from t

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Таиров, Александр. "Случайные находки эпохи ранних кочевников из Кунашакского и Красноармейского районов Челябинской области". Уфимский археологический вестник 23, № 2 (2023): 396–402. http://dx.doi.org/10.31833/uav/2023.23.2.015.

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People of several aboriginal archaeological cultures populated the northern part of the foreststeppe zone of the Southern Trans-Urals in the Early Iron Age. Several accidental archaeological finds of bronze items come from this region. They are featured with the traditional animal style of the early nomads of Eurasia. A plaque depicts a predator crouching to the ground with the head of a ram in its mouth grabbing the muzzle. The plaque was found on a plowed field in the Karpino tract. It renders the scene of herbivore being tormented by a predator. This sort of image is popular in the Scytho-S

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Azi, E. A., S. M. Aralbay, and K. I. Kurazova. "Nomadic culture and chivalric tradition (XIX-early XX centuries)." BULLETIN of the L.N. Gumilyov Eurasian National University. Historical sciences. Philosophy. Religion Series 143, no. 2 (2023): 140–51. http://dx.doi.org/10.32523/2616-7255-2023-143-2-140-151.

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It is true that there are traditions, customs, rituals, national games, traditional art, and musical heritage that distinguish one nation from another and make it clear that the nation is a nation. In this respect, the Kazakh people are not an exception. This rich spiritual, cultural and literary heritage of the Kazakh people testifies to the fact that this people is a long-standing ancient tribe, a follower of bagzi nomads who are rooted from the depths of centuries.It is a fact that at all times every nation had its own values and culture, which poured into the minds of future generations, m

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Khudyakov, Yuliy S., and Alisa Yu Borisenko. "CHARACTERISTIC FEATURES OF MARTIAL ART OF THE OLD TURKIS DURING THE FORMATION PERIOD OF THE FIRST TURKIC KHAGANATE." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 2 (2021): 173–81. http://dx.doi.org/10.21684/2411-197x-2021-7-2-173-181.

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This article studies and characterizes the principal features of martial arts of the Old Turks during the period, when in the Central Asian historical and cultural region, the Old Turkic state entities were formed, including the most powerful Turkic nomads’ state — the First Turkic Khaganate. The authors analyze the data, contained in the medieval written sources, which mentioned available different types of weapon of the Old Turkic equestrian lightly armed and armored warriors. The historical data show that the Old Turkic archers were accurate bows’ shooters. The Old Turkic warriors used arro

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Akhmedov, Ilia. "Some Remarks on the Genesis of One of the Images of Early Medieval Art." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 2 (February 2019): 25–46. http://dx.doi.org/10.15688/nav.jvolsu.2019.2.2.

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The article focuses on the origin of the image of a dragon with a serpentine body known in the early medieval antiquities of Eastern European nomads. Researchers have long been discussing such images found on the sites of the Volga region and the Urals. According to the most recent hypothesis proposed by N.A. Lifanov, these dragon figures generally match the image of ancient κyτος which was adopted as a result of the acquaintance of the steppe inhabitants with works of late antique or early Byzantine art. The present study addresses a wide range of sources allowing us to construct an alternati

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Maslov, Vladimir. "The First Images in the Scythian “Animal Style”." Stratum plus. Archaeology and Cultural Anthropology, no. 3 (2022): 41–55. http://dx.doi.org/10.55086/sp2234155.

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The author addresses the origin of the oldest images of the Scythian “animal style” of the transitional Zhabotin period, which were found in three remote regions — the North Caucasus, the Lower Don and the Ukrainian Dnieper forest-steppe. There is a close relationship between them, which can only be explained by the fact these images were simultaneously spread from a common external source. All images appeared during the period of the Cimmerian invasion in Transcaucasia in the first half of the 7th century BC. The already developed corpus of systemic images of “animal style” art was brought fr

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Efremova, N. S. "Image of Wild Boar as Decoration Image in Ancient Nomads Rielm of Western Siberia: Semantics Issue." Problems of Archaeology, Ethnography, Anthropology of Siberia and Neighboring Territories 30 (2024): 491–97. https://doi.org/10.17746/2658-6193.2024.30.0491-0497.

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In the steppe and forest-steppe regions of Western Siberia, the wild boar image is one of the dominant animal motifs in ScythianSiberian art. The image was used in the decorations of weapons, funerary equipment, clothing, and harnesses; it was likely perceived as a certain symbol by the Early Iron Age nomadic peoples. In the religious and mythological traditions of European cultures, the boar was regarded as both a hoofed animal and a predator. The archaeological context of the artifacts decorated with boar images suggests that the animal was seen either as a chthonic creature or as an interme

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Iskakov, K. A., U. U. Umitkaliev, and O. A. Mitko. "Grave Goods of an Elite Saka Burial at Kyrykoba in the Context of Cultural Ties Between the Nomads of Kazakhstan and Siberia." Archaeology, Ethnology & Anthropology of Eurasia 50, no. 3 (2022): 72–81. http://dx.doi.org/10.17746/1563-0110.2022.50.3.072-081.

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This article describes the findings of excavations of an Early Saka kurgan at Kyrykoba, Eastern Kazakhstan. The kurgan had been looted; human remains, according to physical anthropologists, belonged to a mature woman. Her cranium exhibited trepanation. Some 200 artifacts were found, mostly gold and stone ornaments (belt clips, gold seed beads, and simple beads). The most interesting find is a bimetallic pin made of iron. Its rod is missing; the tiny head, less the 1 cm in diameter, is covered with gold foil. On its surface, there is a figure of an ungulate with a curved antler, its body twiste

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Шульга, Д.П. "Образ грифона в скифоидных культурах Южной Сибири и Северного Китая". ПРИЧЕРНОМОРЬЕ. История, политика, культура. 2017. Серия А. Античность и Средневековье, № XXII(VII) (2017): 77–90. https://doi.org/10.5281/zenodo.849139.

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<em>Практически во всех скотоводческих культурах скифского облика, распространённых в VIII–II вв. до н.э. в степях Евразии от Дуная до Китая, широко бытовали изображения фантастических и обожествляемых существ, трактуемых исследователями как «символ воинской доблести», «божество», «дух загробного мира». Специфичность этих образов, имеющих прямые аналогии в культурах земледельческих государств Передней и Средней Азии, Греции и Китая, всегда привлекала археологов, историков и искусствоведов. </em> Fantastic and idolized creatures images, interpreted by researchers as "a symbol of military valor"

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Kovalskaya, Svetlana. "Formation of New Life Strategies of the Nomadic Kazakhs the Imperial Frontier of the 19th — Early 20th Century." ISTORIYA 12, no. 12-2 (110) (2021): 0. http://dx.doi.org/10.18254/s207987840004313-3.

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The article will analyze the process of the formation of new, different from traditional, life strategies of Kazakh nomads of the imperial frontier zone of the 19th — early 20th centuries based on the analysis of various sources, as well as works and studies devoted to characterizing the specifics of the existence of nomadic forms of management. We studied materials 175 of the Fund of the State Archive of the Orenburg Region, as well as Temporary Provisions on Management in the Steppe Regions of the Orenburg and West Siberian Governor-Generals and Materials on Kyrgyz Land Use published from 18

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Habdulina, Maral. "New data on the study of the Tasmola archaeologial culture of Saryarka." Turkic Studies Journal 1, no. 2 (2019): 21–33. http://dx.doi.org/10.32523/tsj.02-2019/2-3.

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The article presents historical and cultural reconstructions of the research results of the last decades of the Tasmola archaeological culture of Central Kazakhstan. Tasmola archaeological culture in the frame work of the VII-III centuries BC was highlighted by M.K. Kadyrbaev in 1966. Currently, the Tasmola culture source data base has been replenished with new types of archaeological sites: “royal” mounds, settlements, stone statues. An analysis of them using new natural-science methods makes it possible to make adjustments to the culturalal and chronological periodization of the Saka era of

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A., Mukhareva A. N. ,., and Seregin N. "Petroglyphes of the Early Medieval Age in the Territory of Mongolia: the Main Stages And Results of Research." Teoriya i praktika arkheologicheskikh issledovaniy 33, no. 1 (2021): 144–61. http://dx.doi.org/10.14258/tpai(2021)33(1).-09.

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the territory of Mongolia. The process of accumulation and diverse interpretation of information about rock paintings, as well as images on “memorial” objects dating back to the second half of the 1st millennium AD is characterized. The analysis of the main results of the study of the petroglyphs of the early medieval nomads of the region allowed the authors to identify several key stages in the history of their study. The first stage, within which the initial formation of the source base took place, is associated with the discovery and fixation at the end of the 19th century of stylized image

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Бакиров, А. А. "Artistic portrayal of the military art of the Kyrgyz people in the heroic epic Manas." Эпосоведение, no. 2(30) (June 30, 2023): 26–42. http://dx.doi.org/10.25587/svfu.2023.59.27.003.

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Актуальность статьи обусловлена тем, что в научной литературе практически отсутствуют труды, в которых эпос «Манас» привлекался бы в качестве основного источника для изучения военного дела кыргызов. Исключение составляют статья С. М. Абрамзона «Черты военной организации и техники у киргизов (по историко-этнографическим данным и материалам эпоса “Манас”»), в которой автор блестяще рассмотрел отдельные стороны военного дела кыргызов, а также очерк З. Ч. Мамытбекова «Отражение жизни и борьбы киргизов в эпосе “Манас”», в котором содержатся разделы, посвященные интересующей нас теме. Важными для на

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Bobrov, Leonid A. "Копейный бой в военном искусстве калмыков и джунгар XVII – начала XIX вв." Монголоведение (Монгол судлал) 15, № 4 (2023): 551–92. http://dx.doi.org/10.22162/2500-1523-2023-4-551-592.

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Introduction. The article examines the features of the formation and evolution of the Oirat light cavalry armed with spears of the Late Middle Ages and early Modern times. The purpose of the study is to identify the role of spear fighting in the military practice of the Dzungars and Kalmyks of the XVII – early XIX centuries on the basis of a comprehensive analysis of written, pictorial and material sources. Results. It has been established that in the Central Asian region for centuries shock spears and pikes remained mainly the weapons of armored cavalry, while light nomads without armor used

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Yarygin, Sergey, and Nikolay Ilderyakov. "Petroglyphs of “Eastern” Appearance in the Kairakkol Mountains and the Aksu River Valley." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 1 (June 2022): 193–207. http://dx.doi.org/10.15688/nav.jvolsu.2022.1.10.

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The article is devoted to the publication of new monuments of rock art in the Kairakkol mountains and the Aksu river valley, located in the Aksu district of the Almaty region of the Republic of Kazakhstan. Geographically, the mountains are part of the Dzhungar Alatau system and are located in the eastern Semirechye. A description of three engravings and a group of three clusters of geometric signs is given. The drawings were discovered during exploration work in the vicinity of the Late Pazyryk burial ground of Tausamaly in 2020 and 2021 in the western spurs of the mountain Kairakkol, rocky ou

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Шрамко, І. Б. "Мідний кований казан ранньоскіфського часу з округи Більського городища". Arheologia, № 4 (5 грудня 2023): 102–25. http://dx.doi.org/10.15407/arheologia2023.04.102.

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In the article, for the first time, data on the accidental discovery of a thin-walled copper cauldron in the floodplain of the Stara Vorskla River (Left Bank Dnipro Forest-Steppe), in the nearest district of Bilsk fortified hillfort, are introduced into scientific circulation. On the basis of morphological and X-ray fluorescence analyses of the object, its place among other few similar finds in the territory of Forest-Steppe Scythia is shown, the connection with the Central Caucasian production centers, as well as the influence of Urartian art in the design of handles, are traced. Previously,

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Яценко, С. А., and А. Е. Рогожинский. "SOME NOTES ON THE TAMGA-SIGNS OF SARMATIANS AND THEIR NEIGHBOURS." Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, no. 13 (February 15, 2022): 733–67. http://dx.doi.org/10.53737/2713-2021.2021.56.17.023.

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Публикуются прототипы сарматских зеркал-подвесок с тамгами, известные во II—I вв. до н.э. вокруг оз. Балхаш в Казахстане. Там же представлены позднетагарские сюжеты в искусстве и тамги будущих правителей более западных территорий. В тагарском Большом Салбыкском кургане тамги позднего времени, аналогичные сарматским, изображены узкими полосами по краям. В поздний период использования храма Байте III среди сарматских региональных тамг преобладают знаки Нижнего Дона и«варварского» Крыма I — начала II вв., когда торговля была наиболее интенсивной. Интересны обряды над стелой с тамгами в Мингурюке.

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Seleznev, Evgenii Kirillovich. "The nomadic subject as a cinematographic hero by Alain Resnais." Философия и культура, no. 5 (May 2023): 146–57. http://dx.doi.org/10.7256/2454-0757.2023.5.40667.

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The author of the work raises the issue of the phenomenon of nomadism in the context of the work of the French director Alain Resnais. The object of the research is the early works of the director, such films as "Last year in Marienbad", "Hiroshima, my love", "I love you, I love". The purpose of the work is to answer the question of how nomadic strategies allow the author to create non-linear narrative structures, oscillating characters and flickering characters in his films, and how understanding these strategies can help viewers and researchers in the act of deciphering works. The author als

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Fialko, O. Ye. "BATTLE AXES OF AMAZONS OF EUROPEAN SCYTHIA." Archaeology and Early History of Ukraine 47, no. 2 (2023): 113–26. http://dx.doi.org/10.37445/adiu.2023.02.07.

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Weapons are one of the most important elements of the material culture of the North Pontic nomads. Archaeological finds from the steppe kurhans testify that the Scythians were armed with bows and arrows, spears and javelins, slings, swords and daggers, battle axes, horseman’s picks (pick axe), hammers and maces. However, not all types of weapons were equally common, and battle axes were less popular. Relatively few battle axes came from burial assemblages on the territory of European Scythia — from 50 to 100 items, according to the data of various researchers. By morphological features,

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Vdovchenkov, Evgeny, and Dalia Pokutta. "Some remarks on new directions in social archaeology of early nomads." Materiały i Sprawozdania Rzeszowskiego Ośrodka Archeologicznego 41 (2020): 53–56. http://dx.doi.org/10.15584/misroa.2020.41.4.

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The article discusses the interpretational issues of the so-called actor-network theory (ANT) in relation to the archeology of nomadic societies. Based on selected examples, in particular the analysis of clan symbols, the so-called tamga and military organization units (so-called troops), the authors present potential new interpretations of known cultural phenomena in the archeology of the Great Steppe.

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Treister, Мikhail. "Italic Bronze Statuette of the 5th — 3rd Centuries BC from the Late Sarmatian Burial in the Lower Don Area (on the Statuettes in the Burials of Eurasian Nomads of the First Centuries AD)." ISTORIYA 12, no. 12-1 (110) (2021): 0. http://dx.doi.org/10.18254/s207987840018588-5.

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The article is devoted to the attribution of a bronze statuette of a naked man with a rounded object in a raised right hand, found in the Late Sarmatian female burial of Valovyy-I burial-ground, dating not earlier than the second half of the 2nd century AD, in the vicinity of ancient Tanais in the Lower Don region. This is the only reliable case I know of a find of a bronze figurine in the burials of the early nomads of Eurasia, in which imported anthropomorphic figurines are extremely rare. The analysis of the statuette has shown that, contrary to the opinion of the publishers, it has nothing

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Zhang, Fan. "Xianbei Zoomorphic Plaques: Art, Migration, and Human-Environment Entanglement." Arts 11, no. 6 (2022): 129. http://dx.doi.org/10.3390/arts11060129.

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This paper adopts an ecological perspective to investigate the visual and material remains associated with the Xianbei people, a nomadic group active in Northeast Asia from the turn of the common era to the early medieval period. Through the study of metal plaques bearing animal motifs and the environmental contexts of these artworks, I articulate the entangled relationship between humans, animals, and nature. More specifically, this research highlights three groups of zoomorphic designs, including the deer, the horse, and the human–animal juxtaposition. By investigating the stylistic changes

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Ponomareva, Irina A. "Unraveling manifold identities in the early nomadic rock art of East Siberia." Archaeological Research in Asia 23 (September 2020): 100208. http://dx.doi.org/10.1016/j.ara.2020.100208.

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Buijtenhuijs, Robert. "The Chadian Tubu: Contemporary Nomads Who Conquered a State." Africa 71, no. 1 (2001): 149–61. http://dx.doi.org/10.3366/afr.2001.71.1.149.

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AbstractIn the literature on pastoralist groups and the state, nomads are usually seen as increasingly marginalised today, whereas in the past nomads have often been described as ‘state builders’. But one interesting, if atypical, case has been overlooked: how a contemporary group of nomads, though they did not create a state, nonetheless came to conquer and dominate an existing one. The article starts by describing how the Tubu of Chad established dominance over the central government in the late 1970s and early 1980s. An evaluation is then made of the consequences this take-over of the Chadi

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Ditcham, Brian G. H. ":The Nomadic Object: The Challenge of World for Early Modern Religious Art." Sixteenth Century Journal 51, no. 1 (2020): 204–7. http://dx.doi.org/10.1086/scj5101121.

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Markova, C. Yu. "On the Nomadic Influence on the Artistic Culture of the Cities of Semirechye and South Kazakhstan in the 6th – Early 13th Centuries." Bulletin of the Irkutsk State University. Geoarchaeology, Ethnology, and Anthropology Series 36 (2021): 12–23. http://dx.doi.org/10.26516/2227-2380.2021.36.12.

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The study, the results of which form the basis of this article, is aimed at determining the role of nomadic Turkic peoples in the formation of the urban culture of Semirechye and South Kazakhstan during the Middle Ages. Semirechye from 6th to 8th century, in political terms, was under the rule of the nomadic Turks, who formed their state here (Khaganate). The main role in the emergence of the first urban centers belongs, to a greater extent, to the Sogdians who came from the south. At the same time, the significance of the nomadic peoples in the development of urban culture of the region remai

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Helms, Svend. "A New Architectural Survey of Qaṣr Burquʽ, Eastern Jordan". Antiquaries Journal 71 (вересень 1991): 191–215. http://dx.doi.org/10.1017/s000358150008687x.

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Qaṣr Burqu⃓ is one of the most remote of the Jordanian so-called ‘desert castles’ (quṣūr) of the early Islamic period: it lies some 200km east of⃓Ammān (figs. 1–4). However, it is neither a castle, nor is it in the desert, rather it represents a variety of building types and lies in the dry steppe (areas receiving less than 100mm of rainfall per annum) of the bādiyat al-šām (literally, the steppe lands of Damascus). Furthermore, most of the architectural elements are not necessarily attributable to the early Islamic period, namely the Umayyad Caliphate of the seventh and eighth centuries, desp

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Olzkhuu, Otgonbaatar, and Qiburi. "Principles of God in Nomad Epics." Mongolian Journal of Humanities and Social Sciences 10, no. 20 (2025): 26–34. https://doi.org/10.69542/mjhss.v10i20.4206.

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The Mongolian folk heroic epic is a giant dinosaur of early oral poetry, a complex of multiple forms of the oral art tradition. Therefore, the Mongolian folk heroic epics have created many types of studies covering the wide scope of epic studies from ancient times until now. Herein, dozens of books and articles have been written and published, such as the study of character description of Mongolian heroic epics, the study of symbolism, the study of historical methodology, the biographical works of epic writers, and the rituals of epics. As far as we know our academics have compared and studied

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Rota, Giorgio. "Safavids Against Turkmen in the Early Seventeenth Century: Warfare Against the Nomads on the Caspian Steppe." Iran 55, no. 1 (2017): 35–43. http://dx.doi.org/10.1080/05786967.2016.1277099.

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Nelson, Narda, Emily Coon, and Anna Chadwick. "Engaging With the Messiness of Place in Early Childhood Education and Art Therapy: Exploring Animal Relations, Traditional Hide, and Drum." Journal of Childhood Studies 40, no. 2 (2015): 42. http://dx.doi.org/10.18357/jcs.v40i2.15178.

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How place is conceptualized impacts the way everyday moments and relationships unfold. This paper explores possibilities for shifting our practices by engaging with an ethic of doing. Drawing on ecofeminist, nomadic, and Indigenous perspectives, we aim to open up space for more accountable, political practices that acknowledge the diverse realities of the children and youth we work with. We present vignettes from our practices to illustrate possibilities for (re)conceptualizing the deeply embedded, normative colonial assumptions in the places we work, and introduce political, contextual, and m

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R, Arjun. "Understanding the Stability of Early Iron Age folks of South India with Special Reference to Krishna-Tungabhadra- Kaveri, Karnataka; Their Past-Present-Future." Artha - Journal of Social Sciences 13, no. 4 (2014): 47. http://dx.doi.org/10.12724/ajss.31.4.

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There are about 1933 Early Iron Age Megalithic sites spread across South India. The Early Iron Age of South India is implicit either in the form of burial sites, habitation sites, habitation cum burial sites, Iron Age rock art sites, and isolated iron smelting localities near a habitation or burials. This paper is an attempt to take a rough computation of the potentiality of the labour, technology and quantity of artifact output that this cultural phase might have once had, in micro or in macro level. Considering the emergence of technology and its enormous output in Ceramics, Agriculture, Met

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Caplan, Debra. "Nomadic Chutzpah: The Vilna Troupe's Transnational Yiddish Theatre Paradigm, 1915–1935." Theatre Survey 55, no. 3 (2014): 296–317. http://dx.doi.org/10.1017/s0040557414000325.

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Consider an unlikely scenario. In the midst of World War I, a motley group of Jewish refugees in their teens and early twenties becomes obsessed with the idea of creating a “Yiddish art theatre” modeled upon Stanislavski's famous Russian company. By day they work as laborers, storekeepers, housepainters, and wartime smugglers; by night they teach themselves the basics of acting and stagecraft from outdated Russian and German books. The only theatre building where they can afford to perform is a dilapidated former circus on the outskirts of town, repurposed by the German army as a military stab

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Muller, Jeffrey. "The Nomadic Object: The Challenge of World for Early Modern Religious Art, edited by Christine Göttler and Mia Mochizuki." Journal of Jesuit Studies 5, no. 4 (2018): 661–66. http://dx.doi.org/10.1163/22141332-00504010-02.

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Rosen, Steven A. "Early multi-resource nomadism: Excavations at the Camel Site in the central Negev." Antiquity 77, no. 298 (2003): 749–60. http://dx.doi.org/10.1017/s0003598x0006169x.

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Excavations at the Camel Site, in the Negev, provide evidence of desert cottage industries making (and probably trading) beads and millstones in the Early Bronze Age. But these were people for whom nomadism was the ‘default lifestyle’.

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Taylor-Batty, Juliette. "‘Everything's been done before’: Jean Rhys, Translation, and the Politics of Originality." Modernist Cultures 14, no. 4 (2019): 498–521. http://dx.doi.org/10.3366/mod.2019.0269.

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This article explores questions of ‘originality’ and textual ‘ownership’ in the work of Jean Rhys and argues that her fiction presents a pervasive and unsettling challenge to the post-Romantic notion of ‘original’ literary production as organically ‘rooted’ in ‘national’ culture. I first focus on Rhys's treatment of questions of authorship and appropriation in ‘Again the Antilles’ and ‘Let Them Call It Jazz’ in the light of archival documents which indicate a pervasive anxiety of originality. I then move on to examine the relationship between authorship and translation that is revealed in an e

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Klein, Kenneth. "Bibliography of Western Works on Early Medieval China (1981-1993) Part 1: Art, History, Language, Literature, and Pastoral Nomadic Peoples." Early Medieval China 1994, no. 1 (1994): 150–60. http://dx.doi.org/10.1179/152991094788306017.

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Chang, Claudia, Sergei Sergievich Ivanov, and Perry Alan Tourtellotte. "“Animal-Style Art,” and Special Finds at Iron Age Settlements in Southeastern Kazakhstan: Chronology, Trade, and Networks during the Iron Age." Arts 12, no. 1 (2023): 28. http://dx.doi.org/10.3390/arts12010028.

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Two Iron Age settlements, Tuzusai and Taldy Bulak 2 (ca. 500 BC to 1 CE), located in southeastern Kazakhstan on the Talgar alluvial fan north of the Tian Shan range, have yielded a small collection of bone, antler/horn, bronze, and stone artifacts with an affinity to the nomadic art of the first millennium BC. Both settlements date within the period of late Saka culture. Two pieces have decorative ornamentations with zoomorphic imagery: a small carved fragment with carved images of a wing and an ear and a perforated bone disk with the carving of three birds’ heads. The other artifacts include

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Komandzhaev, Alexandr N., та Evgeniy A. Komandzhaev. "«Живем в Калмыцкой степи обыкновенно, как и другие живут». Ики-Хурулов род на рубеже XIX–XX вв." Монголоведение (Монгол судлал) 14, № 3 (2022): 524–46. http://dx.doi.org/10.22162/2500-1523-2022-3-524-546.

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Introduction. The fact that Kalmyk past everyday life remains somewhat unexplored makes the study relevant enough to be tackled. Kalmyk historical literature virtually never viewed the issue as a subject of independent research. Only a few works by prerevolutionary and — even fewer — Soviet authors contain fragmentary references to certain aspects of Kalmyk life. In addition, topicality of the theme arises from the stern need to introduce new sources into scientific discourse, as well as ones to clarify and supplement the deeply-rooted conclusions and provisions of available works. Goals. The

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Malyshev, A. A., and A. M. Novichikhin. "ANTIQUE CERAMICS FROM THE BURIALS OF THE SINDIAN BURIAL GROUND AT ART. ANAPA (ON THE QUESTION OF THE INITIAL STAGE OF GREEK-BARBARIAN CONTACTS IN THE KUBAN AND EAST AZOV REGION)." Ancient World and Archaeology 21, no. 21 (2023): 252–61. http://dx.doi.org/10.18500/0320-961x-2023-21-252-261.

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the article is devoted to the analysis of objects of antique ceramic imports from the burials of the early group (late VII – first half of the VI century BC) of the Sindian burial ground near the experimental farm «Anapa»: the Theos amphora and the Ionian cup. Special attention is paid to the amphora of the Theos (or the «circle of Clazomen»). The finds of similar amphorae in the burials of the Kuban and the East Azov region give reason to believe that one of the Greek emporiums through which the product contained in these amphorae got to the barbarians was the Alekseevka settlement located ne

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Dong, Yiwen. "The Social Functions Assigned to Wine in Zhou and Scythia and Their Similarities and Differences---Seen in the ShangshuJiugao and the Historiae." Communications in Humanities Research 70, no. 1 (2025): 85–88. https://doi.org/10.54254/2753-7064/2024.23630.

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This article presents an analysis of the social functions ascribed to Jiugao and Historiae during the Western Zhou period in China and in the early Scythian civilisation. While regulating the conditions under which wine may be consumed, Jiugao also ascribes very important ethical attributes and functions to wine. In Jiugao, the necessary indoctrination, national laws and ideologisation are applied to the otherwise simple act of drinking alcohol. While in Herodotus: On the Scythians, wine is an integral part of the sacrifice, and is also closely associated with warfare. The act of "drinking" is

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Johnson, Imani Kai. "Battling in the Bronx: Social Choreography and Outlaw Culture Among Early Hip-Hop Streetdancers in New York City." Dance Research Journal 50, no. 2 (2018): 62–75. http://dx.doi.org/10.1017/s0149767718000232.

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This article closely examines oral histories of b-boys Aby and Kwikstep, b-girl Baby Love, and poppers Cartoon and Wiggles, and the social choreography necessary to navigate the streets of the South Bronx in the 1970s and 1980s that has an indelible link to four core battling principles as articulated by 1970s b-boy Trac2: survivalism, strategizing, nomadism, and illusionism. By comparing and contrasting foundational elements of battling techniques with life lessons about growing up in the Bronx, the comparison signals the impact of “outlaw culture” within hip-hop, and the counterdominant sens

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Aibabin, Aleksandr Il’ich. "Early Byzantine Fortification Buildings on the Eastern Side of the Plateau of Eski-Kermen." Античная древность и средние века 51 (2023): 149–67. http://dx.doi.org/10.15826/adsv.2023.51.008.

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The eastern fortification complex of Eski-Kermen consists of a defensive wall between towers IV and VI, towers V and VI, the eastern entrance to the city, a fortress granary, and a siege well. The cave rooms of the towers are cut into 30–44-meter-high rocky promontories protruding from the eastern façade of the plateau. According to N. I. Repnikov, the Goths built the castle atop the plateau of Eski-Kermen in the late fifth century. A. A. Vasiliev, A. L. Yakobson, and M. A. Tikhanova considered that the Eski-Kermen defensive complex, along with other the fortifications of the limes Tauricus, w

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