Relevant bibliographies by topics / Early postwar American fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Early postwar American fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Early postwar American fiction.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Early postwar American fiction"

1

FROMER, YOAV. "THE LIBERAL ORIGINS OF JOHN UPDIKE’S LITERARY IMAGINATION." Modern Intellectual History 14, no. 1 (August 27, 2015): 187–216. http://dx.doi.org/10.1017/s147924431500030x.

Full text
Abstract:
This article, through a close engagement with John Updike's work, explores the manner in which the postwar liberal temper shaped American fiction. By contextualizing the novelist's early writings within the changing intellectual climate of the period, it demonstrates how his liberal sensibilities deeply informed his literary imagination. The essay employs new archival material about Updike's Harvard education and sketches his political biography—the first of its kind—to offer a fresh and more nuanced understanding of Updike as not only a gifted writer but also a political thinker. Although he chose the less traveled road of fiction to do so, Updike expressed a particular temperament pervasive among many liberal intellectuals at the time. By challenging the widely held view of him as an apolitical writer, the article also enriches our understanding of the meanings and complexities of postwar liberalism while illuminating the often overlooked link between literature and politics.
APA, Harvard, Vancouver, ISO, and other styles
2

Scheibach, Michael. "Faith, Fallout, and the Future: Post-Apocalyptic Science Fiction in the Early Postwar Era." Religions 12, no. 7 (July 10, 2021): 520. http://dx.doi.org/10.3390/rel12070520.

Full text
Abstract:
In the early postwar era, from 1945 to 1960, Americans confronted a dilemma that had never been faced before. In the new atomic age, which opened with the atomic bombings of Hiroshima and Nagasaki, Japan, in August 1945, they now had to grapple with maintaining their faith in a peaceful and prosperous future while also controlling their fear of an apocalyptic future resulting from an atomic war. Americans’ subsequent search for reassurance translated into a dramatic increase in church membership and the rise of the evangelical movement. Yet, their fear of an atomic war with the Soviet Union and possible nuclear apocalypse did not abate. This article discusses how six post-apocalyptic science fiction novels dealt with this dilemma and presented their visions of the future; more important, it argues that these novels not only reflect the views of many Americans in the early Cold War era, but also provide relevant insights into the role of religion during these complex and controversial years to reframe the belief that an apocalypse was inevitable.
APA, Harvard, Vancouver, ISO, and other styles
3

DENTON, STACY. "Nostalgia, Class and Rurality in Empire Falls." Journal of American Studies 45, no. 3 (April 27, 2011): 503–18. http://dx.doi.org/10.1017/s0021875811000119.

Full text
Abstract:
In American society, rural spaces – particularly those of the working class – are seen as stagnant holdovers from a temporal past that “modern” society has evolved beyond. As a result, working-class rurality and those living within these places are viewed as static, ignorant, insular and so on: whatever places do not conform to the appearance of “modern” progress and development simply must be regressed, on both socioeconomic and cultural levels. While scholars in some disciplines are attempting to redress this misconception, other disciplines (like literary studies) largely align with the mainstream perspective that rurality represents a regressed past to our evolved present. However, despite the critical lack of attention to rurality as a viable space in the present, we can see in various fictional works that working-class rural spaces can effectively show us the interrelationship of rural spaces with “modern” society and culture in the present, the continuing relevance and deep history alike of said spaces, and the potential of these fictional working-class rural places to confront America's norms of progress and development within and without their fictional borders. Richard Russo's fiction illustrates the potential to bring out this critical working-class rural voice. Russo's fictional treatments afford the reader an opportunity to witness the ever-changing complexity (not the temporal and cultural regression) of working-class rurality. In turn, Russo's fictional working-class rural spaces offer a counterperspective to the mainstream (defined here as middle-class and (sub)urban) notions of progress that otherwise dismiss these perspectives. In his book Empire Falls, Russo uses nostalgia to assert this counterperspective. This nostalgia not only reaffirms the postwar and early twenty-first-century working-class rural identity of Empire Falls, but it also offers a critique of dominant conceptions of progress and development that continue into our present.
APA, Harvard, Vancouver, ISO, and other styles
4

Mart, Michelle. "The “Christianization” of Israel and Jews in 1950s America." Religion and American Culture: A Journal of Interpretation 14, no. 1 (2004): 109–46. http://dx.doi.org/10.1525/rac.2004.14.1.109.

Full text
Abstract:
AbstractIn the 1950s, the United States experienced a domestic religious revival that offered postwar Americans a framework to interpret the world and its unsettling international political problems. Moreover, the religious message of the cold war that saw the God-fearing West against atheistic communists encouraged an unprecedented ecumenism in American history. Jews, formerly objects of indifference if not disdain and hatred in the United States, were swept up in the ecumenical tide of “Judeo-Christian” values and identity and, essentially, “Christianized” in popular and political culture. Not surprisingly, these cultural trends affected images of the recently formed State of Israel. In the popular and political imagination, Israel was formed by the “Chosen People” and populated by prophets, warriors, and simple folk like those in Bible stories. The popular celebration of Israel also romanticized its people at the expense of their Arab (mainly Muslim) neighbors. Battling foes outside of the Judeo-Christian family, Israelis seemed just like Americans. Americans treated the political problems of the Middle East differently than those in other parts of the world because of the religious significance of the “Holy Land.” A man such as Secretary of State John Foster Dulles, who combined views of hard-nosed “realpolitik” with religious piety, acknowledged the special status of the Middle East by virtue of the religions based there. Judaism, part of the “Judeo-Christian civilization,” benefitted from this religious consciousness, while Islam remained a religion and a culture apart. This article examines how the American image of Jews, Israelis, and Middle Eastern politics was re-framed in the early 1950s to reflect popular ideas of religious identity. These images were found in fiction, the press, and the speeches and writings of social critics and policymakers. The article explores the role of the 1950s religious revival in the identification of Americans with Jews and Israelis and discusses the rise of the popular understanding that “Judeo-Christian” values shaped American culture and politics.
APA, Harvard, Vancouver, ISO, and other styles
5

Donahue, William. "The Impossibility of the Wenderoman: History, Retrospective, and Conciliation." Konturen 4 (May 13, 2013): 167. http://dx.doi.org/10.5399/uo/konturen.4.0.3191.

Full text
Abstract:
“The Impossibility of the Wenderoman” argues against the conventional conception of the Wenderoman (and of thematically related films and plays) that views it essentially as a kind of cultural document of the German “Wende.” Placing the question within the larger problematic of historical fiction and political literature, this paper notes first that the very genre is itself an impossibility insofar as its boundaries are ever-expanding. The quintessential contribution of the genre, this paper argues, is twofold: retrospective and “conciliatory.” It is the first insofar as we are willing to look beyond literature and film that focuses principally on the Wende per se, and instead take Unification as a juncture from which truly to look back (taking advantage of the new temporal perspective given us by “the turn”), and thus reevaluate Cold War conventions, specifically those governing German-German and German-American cultural relations that often went unquestioned in the postwar period. In other words, the Wenderoman dimension I elaborate (drawing especially on Kempowski’s Letzte Gruesse) may contribute to a more profound understanding of the period it “closes” than the one it ostensibly celebrates and inaugurates. Secondly, the Wenderoman functions as a prominent vehicle of cultural memory, preserving various moments of a Marxist-inspired social agenda for future generations. Agamben’s notion of “the contemporary” as well as foundational concepts of “cultural memory” are useful here. The discussion features well-known films (Good Bye, Lenin! and Das Leben der Anderen), theater (Brussig’s Leben bis Maenner), as well as several novels. Whether this process of cultural “sifting” will remain purely elegiac, or serve as a resource for imagining alternative social possibilities in the future is of course impossible to know—both because it is far too general of a hypothesis, and still far too early to tell.
APA, Harvard, Vancouver, ISO, and other styles
6

Genter, Robert. "Constructing a Plan for Survival: Scientology as Cold War Psychology." Religion and American Culture: A Journal of Interpretation 27, no. 2 (2017): 159–90. http://dx.doi.org/10.1525/rac.2017.27.2.159.

Full text
Abstract:
AbstractDeveloped in the early 1950s by science fiction writer L. Ron Hubbard, Scientology was part of the larger postwar therapeutic culture that blended religion and psychology in a search for mental well-being. Unlike contemporaneous self-help gurus such as Norman Vincent Peale and Harry Overstreet, however, Hubbard painted a much bleaker portrait of modern life, one rife with forces of psychological and social control. Railing against communists, homosexuals, and feminists as well as against the decay of the family and the rise of the welfare state, Hubbard argued that Americans suffered from a waning sense of ontological security, living in a world that provided no support for self-identity. Hubbard refused, however, to shrink from such changes and lapse into nostalgia for a pre-modern, pre-technological world like Peale and others did; instead, he offered a way for individuals to appropriate the dynamism of modernity for themselves. As advanced industrialization erased distances between societies, revolutionized transportation, and computerized information systems, Hubbard reimagined the self as spiritual being possessing precisely those powers to manipulate time and space and to remake the world at large. Borrowing freely from Eastern religious ideas, cybernetic theory, and German idealism, Hubbard produced a philosophy that was staunchly libertarian, spiritual, and future-oriented, one that tapped into Cold War fears about psychological manipulation and waning personal autonomy and into dreams about the immanent power of human beings.
APA, Harvard, Vancouver, ISO, and other styles
7

McGurl. "The Program Era: Pluralisms of Postwar American Fiction." Critical Inquiry 32, no. 1 (2005): 102. http://dx.doi.org/10.2307/3651477.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

McGurl, Mark. "The Program Era: Pluralisms of Postwar American Fiction." Critical Inquiry 32, no. 1 (September 2005): 102–29. http://dx.doi.org/10.1086/498006.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Alvarez, David. "American Clandestine Intelligence in Early Postwar Europe." Journal of Intelligence History 4, no. 1 (June 2004): 7–24. http://dx.doi.org/10.1080/16161262.2004.10555091.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

JEWETT, ANDREW. "PARSING POSTWAR AMERICAN RATIONALITY." Modern Intellectual History 13, no. 2 (April 22, 2015): 555–68. http://dx.doi.org/10.1017/s1479244314000894.

Full text
Abstract:
The “long 1950s,” once written off as a conservative era, now figure in many histories as the height of American “high modernity,” the apogee of a scientific outlook rooted in instrumental reason. This portrait suggests that the “Enlightenment project” took firm hold of American thought and culture in the early Cold War years, having finally defeated those who sought to yoke scientific rationality to one or another system of moral restraints. Despite nascent movements of opposition, the story goes, a rationalistic, technocratic form of liberalism dominated national life until the left and right mobilized against it in the 1960s.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Early postwar American fiction"

1

Haevens, Gwendolyn. "Mad Pursuits : Therapeutic Narration in Postwar American Fiction." Doctoral thesis, Uppsala universitet, Engelska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-263167.

Full text
Abstract:
Mad Pursuits: Therapeutic Narration in Postwar American Fiction examines three mid-century American novels—J.D. Salinger’s The Catcher in the Rye (1951), Ralph Ellison’s Invisible Man (1952), and Sylvia Plath’s The Bell Jar (1963)—in relation to the rise and popularization of psychoanalytic theory in America. The study historicizes these landmark novels as representing and interrogating postwar America’s confidence in the therapeutic capacity of narrative to redress psychological problems. Drawing on key concepts from narrative theory and the multidisciplinary field of narrative and identity studies, I argue that these texts develop a multi-layered, formal problematization of therapeutic narration: the narrativization of the self through modes of interpretation based on character action and development. The study, thus, investigates how the texts both critique the purported effectiveness of being healed through narrative means, as well as how they problematize their society’s investment in this method. I propose that the novels ultimately explore submerged possibilities for realizing what I call fugitive selves by creating self-representations that negotiate and exceed the confines of the paradigmatic models of plot and character of the period. In Chapter One, I argue that the ego and pop psychological movements during the postwar era encouraged the American public to define and realize psychological health, success and happiness through narrativized means. I show in Chapter Two how careful differentiation between narrative levels of interpretation in The Bell Jar reveals the novel’s complication of the self created in narrative, with and against the socio-cultural scripts and therapeutic assumptions of the period. Chapter Three concentrates on The Catcher in the Rye’s various methods of de-composing the narrative identity of the subject created through developmental and therapeutic narration. In the final chapter, I read Invisible Man as a satire of postwar psychoanalytic theory and method specifically concerning racialized narrative identities, and as a reflection on a method of enduring psychological illness. The Conclusion brings together several argumentative strands running throughout the dissertation regarding what the novels contrastively reveal about the perils, and even the possibilities, inherent in the narrativizing of the self in early postwar America.
APA, Harvard, Vancouver, ISO, and other styles
2

Nelson, Cassandra Maria. "Age of Miracles: Religion and Screen Media in Postwar American Fiction." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11554.

Full text
Abstract:
This dissertation examines how four postwar American writers, whose lives and fiction reveal a serious and sustained interest in religion and religious belief, treat screen media in their work. More specifically, it argues that Flannery O'Connor, Thomas Pynchon, David Foster Wallace, and Don DeLillo constitute a group of writers who espouse various forms of Catholic or crypto-Catholic belief. By allowing these writers to take seriously certain pre-modern ideas about metaphysical reality--namely, the possible existence of an immaterial, supernatural realm that transcends the physical, sensible world--these belief systems may have made them more attuned to the seemingly immaterial and supernatural properties of screen media.
APA, Harvard, Vancouver, ISO, and other styles
3

Walker, Christopher. "Terminal fictions : death in the postwar American novel : (a study of Mailer, Gaddis, Pynchon, Coover and DeLillo)." Thesis, University of Sussex, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248412.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Anderson, Daniel Paul Jr. "The Ivory Shtetl: The University and the Postwar Jewish Imagination." Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1333727480.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Donofrio, Nicholas Easley. "The Vanishing Freelancer: A Literary History of the Postwar Culture Industries." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11532.

Full text
Abstract:
Throughout the middle decades of the twentieth century, a wide range of U.S. fiction writers took jobs--sometimes briefly, but often for several years or more--in the film, broadcasting, publishing, and advertising industries. As a result of their experiences in these industries at a time when corporate employment was on the rise and freelance work was becoming less viable, writers like Raymond Chandler, Norman Mailer, Sylvia Plath, and Ishmael Reed crafted new narrative forms to examine the problems of bureaucratized creativity. While drawing on literary modernism's techniques and strategies, they traded its aesthetics of difficulty and self-sufficiency--its serene disdain for the uninitiated--for a more broadly communicative disposition.
APA, Harvard, Vancouver, ISO, and other styles
6

Mann, Kimberly Lynn. ""Genuine made-in-Americans" : living machines and the technological body in the postwar science fiction imaginary, 1944-1968." W&M ScholarWorks, 2014. https://scholarworks.wm.edu/etd/1539720301.

Full text
Abstract:
The science fiction imaginary of mid-twentieth century America often takes as its subjects all manner of animate objects --- living machines like robots, cyborgs, automata, androids, and intelligent "thinking" computers. These living machines embody early cold war anxieties about the relationship between humans and their machines, as well as about human "identity" in a world perceived as increasingly technological and fragmented. Built with text and still or moving images, these figures' bodies are formed by metal and plastic, circuits and electronics, at times fused with organic parts -- at the same time that they are also represented as built from the innovation and imagination of cutting-edge American industry and science. These diverse machined bodies are sometimes straightforwardly humanoid in form, and at other times, they are less so, while still others may appear to share little in common with humans at all. as bearers of built bodies, living machines inhabit the interface between human and machine, exposing the ruptures and contradictions of the conception of the modem, technological body: the material and the immaterial, the animate and the inanimate, the subject and the object. While this study analyzes fiction by canonical science fiction writers like Isaac Asimov, Ray Bradbury, and Arthur C. Clarke, its focus is on government documents and images regarding NASA's Projects Mercury (1959-1963) and Gemini (1962-1966), popular journalism articles and images, Stanley Kubrick's 1968 film 2001: A Space Odyssey, and less well-known pulp science fiction stories from the 1930s through the 1950s.
APA, Harvard, Vancouver, ISO, and other styles
7

Dean, Andrew. "Foes, ghosts, and faces in the water : self-reflexivity in postwar fiction." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:4c2e3b07-2454-457a-bf9f-a3f0734c89ba.

Full text
Abstract:
This thesis examines the nature and value of metafictional practices in the careers of postwar novelists. Discussions of metafiction have been central to accounts of postwar literature. Where debates in the 1980s and 1990s about metafiction tended to make claims about its distinctive political and theoretical power, recent work in the study of institutions has folded metafiction into the routine operation of the literary field, and attacked previous claims to distinctive value. In this thesis I both historicize self-reflexive literary practices in the literary field, an element largely absent from the earlier scholarship, and present historically determinate claims about the value of these practices, an element I suggest is missing from the more recent work. To do so, I turn to the study of autobiography, specifically Philippe Lejeune's concept of 'autobiographical space.' In the first chapter, I explore how J. M. Coetzee develops academic literary criticism in his fiction. In the second chapter, I examine how Janet Frame responds to both the demands of a national literature and biographical inquiry into her life. In the third chapter, I address how Philip Roth handles the relationship between the politics of identity and the postwar novel. Self-reflexive practices, I show throughout, are ways of writing that were encouraged by particular formations in the literary field and were handled by writers through more or less explicit treatments of autobiographical space. I argue, though, that while these practices can be remarkably inventive, they carry no guarantees for political, theoretical, or aesthetic value.
APA, Harvard, Vancouver, ISO, and other styles
8

Kuske, Laura Eileen. "Border stories : race, space, and captivity in early national fiction /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9395.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hale, Alison Tracy. "Pedagogical Gothic : education and national identity in early American sensational fiction, 1790-1830 /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9393.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Graydon, Benjamin. "“Good-bye, All My Fathers”: Modernism, Displacement, and F. Scott Fitzgerald's Fiction of the Early 1930s." Miami University Honors Theses / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1110917173.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Early postwar American fiction"

1

Postwar academic fiction: Satire, ethics, community. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Shear, Walter. The feeling of being: Sensibility in postwar American fiction. New York: Peter Lang, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Adolescence, America and postwar fiction: Developing figures. New York: Palgrave Macmillan, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Uncontained: Urban fiction in postwar America. New Brunswick, N.J: Rutgers University Press, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Matsuda, Takeshi. Soft power and its perils: U.S. cultural policy in early postwar Japan and permanent dependency. Washington, D.C: Woodrow Wilson Center Press, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Little, Jean. An early American Christmas. New York: Holiday House, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mama's boy: Momism and homophobia in postwar American culture. New York: Palgrave Macmillan, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Burwell, Rose Marie. Hemingway: The postwar years and the posthumous novels. Cambridge [England]: Cambridge University Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

America noir: Underground writers and filmmakers of the postwar era. Washington [D.C.]: Smithsonian Institution Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

The postwar African American novel: Protest and discontent, 1945-1950. Jackson: University Press of Mississippi, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Early postwar American fiction"

1

Womack, Kenneth. "Reading the “Heavy Industry of the Mind”: Ethical Criticism and the Anglo-American Academic Novel." In Postwar Academic Fiction, 19–26. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230596757_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Fluck, Winfried. "Reading Early American Fiction." In A Companion to the Literatures of Colonial America, 566–86. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996416.ch34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Fuchs, Daniel. "Identity and the Postwar Temper in American Jewish Fiction." In A Concise Companion to Postwar American Literature and Culture, 238–62. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756430.ch10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Simmons, David. "Class and Horror Fiction During the Early Twentieth Century." In American Horror Fiction and Class, 39–77. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-53280-0_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Moudrov, Alexander. "Early American Crime Fiction: Origins to Urban Gothic." In A Companion to Crime Fiction, 128–39. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317916.ch9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Watts, Edward. "Exploration, Trading, Trapping, Travel, and Early Fiction, 1780-1850." In A Companion to the Literature and Culture of the American West, 11–28. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444396591.ch2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Tuthill, Maureen. "“Some Yankee Non-sense About Humanity”: Hiding away African Health in Early American Fiction." In Health and Sickness in the Early American Novel, 183–213. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59715-1_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ghosal, Nilanjana, and Srirupa Chatterjee. "Cultural Assimilation and the Politics of Beauty in Postwar American Fiction by Ethnic Women Writers." In The English Paradigm in India, 139–51. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Luczak, Ewa Barbara. "“Practical-Headed Judgment of a Stock-Breeder”: Sexual Selection in the Early Fiction of Jack London." In Breeding and Eugenics in the American Literary Imagination, 39–66. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137545794_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Pethers, Matthew. "The Early American Novel in Fragments: Writing and Reading Serial Fiction in the Post-Revolutionary United States." In New Directions in the History of the Novel, 63–75. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137026989_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Early postwar American fiction' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography