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Relevant bibliographies by topics / Earthworks (sculpture)

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Academic literature on the topic 'Earthworks (sculpture)'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Earthworks (sculpture)"

1

Orion, Ezra. "Sculpture in the Solar System: From Geologically Based Earthworks to Astro-Sculpture." Leonardo 18, no. 3 (1985): 157. http://dx.doi.org/10.2307/1578045.

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Cruise, Wilma. "On curating Earthworks/Claybodies: an exhibition of ceramic sculpture." de arte 38, no. 68 (2003): 57–58. http://dx.doi.org/10.1080/00043389.2003.11877015.

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홍임실. "Study on Art Administration of Earthworks: Land Reclamation as Sculpture (1979-1982) in King County." Journal of History of Modern Art ll, no. 41 (2017): 67–94. http://dx.doi.org/10.17057/kahoma.2017..41.003.

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Doyle White, Ethan. "Saxon Kent versus Roman London? Presenting Borderland Heritage at the Faesten Dic in Joyden’s Wood, Kent." Offa's Dyke Journal 2 (August 10, 2020): 1. http://dx.doi.org/10.23914/odj.v2i0.272.

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Standing on Kent’s western border with Greater London, the Faesten Dic in Joyden’s Wood is one of Britain’s less-well known linear earthworks. There has been speculation as to its origins since the late nineteenth century, although as of yet no conclusive dating evidence has been revealed. This article reviews the archaeological and historical evidence for the site, before exploring the ways in which the heritage of this earthwork has been presented to the public by the Woodland Trust, a charity which own Joyden’s Wood, focusing on how both information boards and installed sculptures have fore

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5

Iorga, Rozalia. "Land-Art, Ecologie, Politică şi Societate." Hiperboreea A2, no. 1 (2013): 15–27. http://dx.doi.org/10.5325/hiperboreea.2.1.0015.

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Abstract The Land-Art was integrated to Postmodernism by the most art historians, having as arguments the important affinities presented by the two artistic phenomena, both at the expressing modalities level but, especially, at the level of principles and, of the ideological sphere. The Postmodernism intended, as it is well-known, to parody or to interpret, in a proper way, a cultural tradition whose authority had become disturbing the Land-Art also started an innovating programme in the 60s -70s of the 20th century, through which the millenary art of the landscape was questionable, trying thi

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6

Taylor, Kristin Vanderlip. "Building school community through cross-grade collaborations in art." International Journal of Education Through Art 16, no. 3 (2020): 351–70. http://dx.doi.org/10.1386/eta_00038_1.

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This qualitative study examines multiple collaborative art experiences across ages and classrooms during two years at a suburban public school in one of the largest school districts in the United States. Students in two middle-school elective art courses engaged in contemporary art education projects to strengthen visual and verbal communication skills as they partnered with younger peers in primary grades, including the following activities: collaborative earthworks, toy designs and mixed-up animal sculptures. These multi-age socially-constructive art experiences provided students with opport

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7

I.L., Mordatenko, Doiko N.M., Dragan N.V., and Silenko O.V. "Restoration and reconstruction of the historical landscape area the Eastern beam in the Dendrological Park Olexandria of the NAS of Ukraine." Plant Introduction 83 (September 1, 2019): 72–79. https://doi.org/10.5281/zenodo.3404140.

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<strong>Objective</strong> – to establish the historical past and the current state, to develop measures for restoration and optimization of plantings the landscape area the Eastern beam of Dendrological Park Olexandria of the NAS of Ukraine. <strong>Material and methods</strong>. The object of research – key landscape elements, the structure of the landscaping area the Eastern beam. The methods of complex analysis which were used: historical-analytical, iconographic, full-scale, route surveys. The names of taxa are consistent with the list of “The Plant List”. <strong>

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Dissertations / Theses on the topic "Earthworks (sculpture)"

1

Martin, Timothy Daniel. "Robert Smithson : writings, sculptures, earthworks." Thesis, Goldsmiths College (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324920.

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Moos, Sarah. "Analyzing the interconnectedness between space, place, and human interaction with the natural environment: "Ecological reawakening: Organic DNA and evolution"." Scripps College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,51.

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I have organized this paper into four chapters: "The Environmental Situation," "Space and Place," "Art and the Natural Environment," and "Creating Work of My Own." Chapter 1 explains human beings' intrinsic interconnection to the natural environment, outlining why humans should be concerned about the current degraded state of the natural world. Chapter 2 discusses the concepts of space and place. It analyzes how human beings interact with and experience spaces, developing their sense of place - within physical, theoretical, and spiritual realms. It finally illustrates the importance that space

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3

Muirhead, Anna. "Evergreen : [thesis] submitted in partial fulfillment of the requirements of the degree of Masters [Ie Master] of Fine Arts at Otago Polytechnic School of Art, Dunedin, New Zealand /." Conceptual Art Online- Anna Muirhead - About, 2008. http://www.imageandtext.org.nz/anna_m_about.html.

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Thesis (M.F.A.)--Otago Polytechnic, 2008. Includes bibliographical references.<br>Thesis typescript. Supervisors: Adrian Hall, Michele Beevors. Otago Polytechnic department: School of Art. "October 2008." Accompanied by a website of the exhibition of the author's artistic.

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Books on the topic "Earthworks (sculpture)"

1

Nucera, Marc. À l'écoute des arbres. Actes sud, 2009.

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2

L, Reinhardt Debra, and Goell Suzanne, eds. Laumeier Sculpture Park: Perfect unity--sculptors and living forms : works in progress, 1990-1994. Laumeier Sculpture Park, 1992.

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Nelson, Felix, Naves, Rodrigo, 1955- compiler, writer of added text, Palhares, Taisa Helena P., writer of added text, Perrota-Bosch, Francesco, writer of added text, and São Paulo (Brazil : State). Pinacoteca do Estado, eds. Nelson Felix: Ooco. Pinacoteca do Estado, 2015.

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Glória, Ferreira, Salzstein Sônia, and Brissac Nelson, eds. Nelson Felix. Editora Casa da Palavra, 2001.

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editor, Facchini Luciana, ed. Nelson Felix: Berceuse. WMF Martins Fontes, 2020.

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6

Studio, Ensamble. Architecture of the Earth: Daichi no kenchiku. TOTO Publishing, 2021.

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7

Felix, Nelson. Nelson Felix: Camiri. Museu Vale do Rio Doce, 2006.

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8

Erwan, Le Bourdonnec, ed. Ciel - piege - pieces, Erwan Le Bourdonnec. Lienart Ed., 2010.

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9

Park, Laumeier Sculpture, ed. Perfect unity: Sculptors and living forms, 1990-1994. Laumeier Sculpture Park and Museum, 1996.

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10

Beardsley, John. Earthworks and beyond: Contemporary art in the landscape. 3rd ed. Abbeville Press, 1998.

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Book chapters on the topic "Earthworks (sculpture)"

1

"8. Monumental Sculpture in the Wilderness." In Earthworks. University of California Press, 2002. http://dx.doi.org/10.1525/9780520407961-008.

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"2. The Ground of Earthen Sculpture." In Earthworks. University of California Press, 2002. http://dx.doi.org/10.1525/9780520407961-002.

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Pashman, Susan. "Landscape, Earthworks, and Site-Specific Sculpture." In A Walk in the Park: Kinesthesia in the Arts of Landscape. BRILL, 2024. http://dx.doi.org/10.1163/9789004697591_030.

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Renfrew, Colin. "Sculpture as Landscape: Archaeology and the Englishness of Henry Moore." In Communities and Connections. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199230341.003.0027.

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The interplay in English thought between archaeology and landscape has been a long-standing one. Even before the notion of ‘landscape’ was well defined as an artistic genre, antiquaries like John Leland became topographers, and topographers such as William Camden became antiquaries. Stuart Piggott was one of the twentieth century archaeologists acutely aware of these links, well analysed in his Ruins in a Landscape (1976), and Barry Cunliffe has certainly been another. Like Piggott, he is a graphic artist of distinction himself, often preferring to draw his own plans and sections for his final

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