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Journal articles on the topic 'East European prose literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Bunea, Camelia Teodora. "Censorship, Shame and Pornography in East-European (Post-World War II) Literature." Interlitteraria 23, no. 1 (2018): 48–55. http://dx.doi.org/10.12697/il.2018.23.1.5.

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The aim of this paper is to closely follow the dynamics of concepts such as shame or pornography as seen throughout the lens of East-European (post-World War II) literature focusing only on the books that had the power and courage to change the perspective or the whole definition(s) of this terms. Moreover, I want to show if/how the Communist Regime changed the perception, the mentality or, with Pierre Bourdieu’s term, habitus of some countries and if/how is the change reflected in literature focusing my research mostly on Romanian, (but also Polish and Hungarian) prose which means I will also

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Berdichevsky, Dina. "The Long Endless Railroads, the Blowing of Winds, and the Invention of the Hebrew Mood." Comparative Literature 73, no. 1 (2021): 23–40. http://dx.doi.org/10.1215/00104124-8738862.

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AbstractThis article explores the moment of “invention” of the Hebrew mood. Around the year 1900 a new expression for mood appeared in Hebrew: matsav ruah. The articulation of a new linguistic expression was paralleled by the rise of an original atmospheric prose, mood prose, in Hebrew. By analyzing these parallel events, the article suggests that the matsav ruah of the early 1900s was a new form of self-experience and that this new form stimulated original poetic language created by a cohort of Hebrew, East European writers, including Yosef Hayim Brenner, Uri Nissan Gnessin, and others. The a

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Guanqiong, Lin, and Natalia M. Solntseva. "Honghuzi in the literary reception." RUDN Journal of Studies in Literature and Journalism 25, no. 1 (2020): 82–90. http://dx.doi.org/10.22363/2312-9220-2020-25-1-82-90.

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Outlaw is one of the archetypes in world literature. Honghuzi is the eastern version of the image of the outlaw. As his counterpart in European literature, he expressed the ambiguity, the ambivalence of human nature. Unlike the characters of F. Schiller, A.S. Pushkin and others, the image of Honghuzi is the least marked by romantic features. In the prose of the Russian emigrant writers of the Harbin diaspora, Honghuzi expresses the Chinese mentality; the specifics of orientalism are projected onto him, and at the same time its image is extremely objective, which primarily characterizes the pro

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Vervaet, Stijn. "Linguistic Diversity in East-Central European Minority Literature: The Post-Imperial Borderlands of Petar Milošević." Zeitschrift für Slawistik 67, no. 4 (2022): 628–54. http://dx.doi.org/10.1515/slaw-2022-0031.

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Abstract Most recent studies on multilingual writing deal with literature by first- or second-generation immigrants. This article responds to debates about multilingual literature by examining the asymmetrical, historically-rooted multilingualism of minority groups in East-Central Europe. It does so by exploring linguistic diversity and its effects in the novels of the bilingual Serbian-Hungarian author Petar Milošević, novels that put the Serbian minority in Hungary centre stage. It is argued that Milošević’s prose fiction not only invites the reader to rethink the nature of script, standard

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Sadowska, Ida. "Wacław Sieroszewski and Problems of European Identity." Respectus Philologicus, no. 10(15) (December 28, 2006): 108–18. http://dx.doi.org/10.15388/respectus.2006.37584.

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This article presents two novels: "At the Edge of the Forests" (1894) and "Overseas Devil" (1902) written by Wacław Sieroszewski. The writer was regarded as the most interesting representative of exotic literature during the Young Poland period. The issue which the author of the article has concentrated her attention on is not connected with representation of specificity of exoticness manifested in Sieroszewski's work. However, the main problem concerns dilemmas connected with a sense of European identity of Polish characters in Sieroszewski's prose. The texts from both novels are discussed as

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Contea, Bogdan, and Iulia Pietraru. "The Post-Communist Novel of Transition as Realism of Transition. Thematic Precedents in Romanian and East-Central European Literature." Studia Universitatis Babeș-Bolyai Philologia 69, no. 2 (2024): 207–28. http://dx.doi.org/10.24193/subbphilo.2024.2.12.

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The Post-Communist Novel of Transition as Realism of Transition. Thematic Precedents in Romanian and East-Central European Literature. The present study aims to analyze how certain narrative formulas circulate within the world literary system – one but unequal (Moretti 2004, WReC 2015) – starting from the case of the novel of post-communist transition, specific to many Eastern European literatures. The Romanian literature abounds in such novels, which take various forms according to the different literary paradigms from which they have emerged. Thus, we consider that post-communist Romanian li

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Chirteș, Denisa Artemisa. "Two Samples of Queer Ecology in Romanian Contemporary Literature. From Silenced Witness to Redeemer." Metacritic Journal for Comparative Studies and Theory 9, no. 2 (2023): 167–77. http://dx.doi.org/10.24193/mjcst.2023.16.11.

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This paper will analyse the intersection between two components (queer and ecological) by reviewing two texts, both describing themselves as “ecological queer,” therefore, settling a new paradigm in Romanian literature, aiming beyond the aesthetic sphere. The examples are Copiii ecosistemului (The Children of the Ecosystem) by Ilinca Mănescu and the anthology Luminișuri (Glades), published under Cenaclul X. The main stake of the thesis is to identify and detail the similarities between the two ideologies, as a new phenomenon in Romanian literature and anthropology (as these critical lenses hav

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Lin, Guanqiong. "Mythopoetics of the Were-Dragon (The Way of the Dragon by B. M. Yulsky and the Literary Context)." Vestnik NSU. Series: History and Philology 20, no. 2 (2021): 128–35. http://dx.doi.org/10.25205/1818-7919-2021-20-2-128-135.

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As a Russian mountain-forest policeman and writer of the Harbin diaspora, B. M. Yulsky combined in his prose the experience of the police service and ideas about the ethnoculture of the Chinese who inhabited the territory of the Far East. This article contains a hermeneutic and comparative historical analysis of the short story The Way of the Dragon (1939) by B. M. Yulsky. The artistic morphology of the dragon is built on the comparison of its image in Chinese, Amur, Slavic and European cultures. One of the key images in the Russian heroic epic, in the Christian legend of Saint George, in West

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Shagbanova, Khabiba Sadyrovna. "The place and role of Chinese themes in Russian literature of the XIX – early XX centuries." Филология: научные исследования, no. 3 (March 2024): 67–79. http://dx.doi.org/10.7256/2454-0749.2024.3.69943.

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The article presents the artistic perception of Chinese culture in the Russian literature of the XIX – early XX centuries. The author sets out to show a generalized image of China in the works of Russian prose writers and poets in a given historical period of time. The relevance of the research lies in the increased interest of modern linguistic science in the problems of intercultural dialogue. It is noted that the study of Chinese subjects in Russian literature is of indisputable interest for understanding the peculiarities of intercultural communication between Russia and China. The multifa

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Kuznetsova, Vera S. "Legends of Folk Hagiography about St. Nicholas the Miracle-Worker and Their Siberian Texts: Threshing with Fire." Critique and Semiotics 10, no. 2 (2022): 211–23. http://dx.doi.org/10.25205/2307-1737-2022-2-211-223.

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In the oral tradition of the Eastern Slavs, stories about miraculous threshing with fire are well known (AaTh 752A, SUS 752A). Folk hagiography often associates with the name of St. Nicholas the Miracle-Worker. The article presents the results of a study of Siberian texts of such legends (including folk prose plots not taken into account by the indexes) in comparison with variants of similar narratives of the European territory of historical Russia. It was found that, along with the plot forms common to the East Slavic tradition, Siberian texts contain special versions of this plot, which are

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Kozlov, Alexey E., and Francesco Varlaro. "The Way of listven’ in the Russian and Siberian Worldview: From Phytonym to Concepts." Critique and Semiotics 40, no. 1 (2022): 183–97. http://dx.doi.org/10.25205/2307-1737-2022-1-183-197.

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The article is devoted to the study of the semantic properties of the dialect word listven’ (“larch”) in the narrative prose. Based on the material of encyclopaedias, fiction and travel prose, observations on the lexical and semantic properties of the word “larch” (lat. Larix dahurica; in the studied context – larix sibirica) are presented. It is shown how, being a dialect nomination, the word becomes a part of the individual author’s system. In the treatise of Vitruvius, the word Larix is associated with the name of the citadel Larignum. The historian talks about the fire that started during

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Kuznetsova, Vera S. "Folklore Version of the “Biblical” Story about Solomon in Hell and Her Russian Siberian Texts." Studies in Theory of Literary Plot and Narratology, no. 1 (2024): 46–57. http://dx.doi.org/10.25205/2713-3133-2024-1-46-57.

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The main theme of folk stories about the biblical King Solomon is his wisdom, which allows him to solve difficult problems and find a way out of difficult situations. Such stories include stories about Solomon in hell: left in hell during the descent of Christ into hell, for the liberation of the souls of the Old Testament righteous languishing there, Solomon, thanks to his wisdom, finds a way to get out of there – he threatens the devils to build a church, for which he is expelled from hell and so freed; they are the subject of consideration in the article. Neither the Holy Scriptures nor the

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HOHULIA, Maryna. "Central european literary cosmopolitanism: “Encyclopedia of the dead” by Danilo Kish and “Museum of unconditional surrender” by Dubravka Ugreshich." Problems of slavonic studies 70 (2021): 215–22. http://dx.doi.org/10.30970/sls.2021.70.3749.

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Background: This work compares the story Encyclopedia of the Dead by Danilo Kiš and novel The Museum of Unconditional Surrender by Dubravka Ugrešić which were written outside the homeland of their authors. It is used the definition of the literary cosmopolitanism as a kind of cultural cosmopolitanism which is characterized raising the issue of identity of heroes in the perspective of world citizenship, often depicting the coexistence of different identities without the specifying a national one. The article studies the influence of Kiš's poetics on Ugrešić's poetics, intertextual relations in

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Kamień, Joanna. "Yi Lijun (1934–2022)." Gdańskie Studia Azji Wschodniej, no. 21 (August 30, 2022): 216–19. http://dx.doi.org/10.4467/23538724gs.22.032.16148.

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On 7 February 2022, Professor Yi Lijun passed away in Beijing. She was the most outstanding Chinese Polish scholar, and was known as the ambassador of Polish literature in China. She was closely linked with the University of Gdańsk. In 2007, she received an honorary doctorate from the University, and she was a member of the Academic Council of the Centre for East Asian Studies at the University of Gdańskand of the scholarly bi-annual journal Gdańsk East Asian Studies. Yi Lijun was born on 4 December 1934 in the Huang Gang administrative district of Hu Bei Province. She studied in the Departmen

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Ashaf, Mohammad Arifullah. "AKAR EPISTEMIK HEGEMONI POLITIK BARAT TERHADAP NASIONALISME DI TIMUR TENGAH." Walisongo: Jurnal Penelitian Sosial Keagamaan 24, no. 2 (2016): 225. http://dx.doi.org/10.21580/ws.24.2.954.

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<p class="IIABSBARU">Nationalism in the Middle East until now have not been able to create an atmosphere of peace in the life of the nation. This spawned the thesis that the nationalism that developed there really is not free from the influence of Western Europe to split the power of Islamic world power. This paper is directed to probe the roots of Western European political epistemic hegemony on nationalism in the Middle East by applying the method of literature study. Hegemony of colonialism in Middle East supported the rise of nationalism. Nationalism made Islam no longer used as the

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Nikitina, Larisa. "A longitudinal study of language learners’ images about Russia." Journal of Language and Cultural Education 4, no. 2 (2016): 103–17. http://dx.doi.org/10.1515/jolace-2016-0019.

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Abstract Several studies in the field of applied linguistics have explored images held by language learners about a target language country. However, for the most part, these studies focused on learners of modern European languages, such as German, Spanish and French and they were conducted in Western educational contexts. Besides, none of the previous investigations attempted to conduct a systematic classification of the language learners’ images. The present longitudinal study addressed these gaps in the research literature. It explored images about Russia held by Malaysian learners of the R

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KOROLEVA, S. B. "MAURICE BARING AND ALEXANDER PUSHKIN: TRANSLATION AND PROBLEMS OF THE LITERARY CANON DEVELOPMENT." Imagologiya i komparativistika, no. 22 (2024): 88–113. https://doi.org/10.17223/24099554/22/6.

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Maurice Baring’s reception of Alexander Pushkin’s personality and oeuvre can be described in terms of scholarly, educational, editorial, and translation activities. The unique role of this dialogue in the history of the English Pushkin Studies is determined by its immense influence on the perception of Pushkin’s oeuvre in England as well as on the formation of the English canon of Russian poetry. The major ideas of Baring’s concept, outlined in general notions in his Landmarks in Russian Literature (1910) and detailed in An Outline of Russian Literature (1914), can be found in the preface to t

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Shilova, Natalya L. "North as West: The literary image of Karelia and the late Soviet outsideness practice." Imagologiya i komparativistika, no. 18 (2022): 346–64. http://dx.doi.org/10.17223/24099554/18/17.

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The article examines the peculiarities of the literary representation of Karelia in the late Soviet literature. The research involves texts by Yury Kazakov, Andrey Voznesensky, Bella Akhmadulina, Lev Ozerov, Viktor Starkov, and others, which were written based on trips to Karelia in the period from the 1960s to the 1980s. The historical and cultural features of the area often became significant for writers and poets who came from other regions. These features (bilingualism, dialogue of cultures, historically and geographically determined European influence) emphasized the region’s uniqueness a

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Gama, Majda. "East: West." Ploughshares 49, no. 4 (2023): 74. http://dx.doi.org/10.1353/plo.2023.a917689.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Janecek, Gerald J., Endre Bojtar, and Pal Varnai. "East European Avant-Garde Literature." Slavic and East European Journal 38, no. 3 (1994): 532. http://dx.doi.org/10.2307/308874.

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Abdullabeyli, Guler. "East in the European literature." Philology and Art Studies, no. 02 (2024): 153. https://doi.org/10.59849/2663-4368.2024.2.153.

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Holquist, Michael, Charles Moser, and Jurij Striedter. "East European Criticism." Comparative Literature 43, no. 1 (1991): 60. http://dx.doi.org/10.2307/1770993.

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Can, Nazir Ahmed. "THE TRANSLATION OF THE EAST IN MOZAMBICAN LITERATURE." Anuari de Filologia. Literatures Contemporànies, no. 10 (January 3, 2021): 53–68. http://dx.doi.org/10.1344/aflc2020.10.3.

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For many scholars who have studied the practice, translation is, among many other things, a form of poetic transcreation. In a similar way, the landscape, due to its ability to generate meaning, invites the writer to move from one cultural code to another. Focusing on contemporary Mozambican literature, with special emphasis on the production of João Paulo Borges Coelho, Luís Carlos Patraquim and Eduardo White, this article aims to observe how the spaces of the East are “translated” in the prose and poetry of the post-independence period. We will also draw attention to the forms of late Orient

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Davydova, Tatiana T., and Еlena V. Kulikova. "Ethnic worlds in E.V. Rudashevsky’s prose." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2021): 124–30. http://dx.doi.org/10.20339/phs.2-21.124.

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The article deals with the research of Russian and American so called ethnic worlds (cultural backgrounds) in the novel «Bessonitsa» (“Insomnia”) by E.V. Rudashevsky. The other of the novel is a representative of YA literature in modern Russian literature. The relevance of the research is due to the investigating a possible links between American and European cultures in the novel, and the comparison of the American and Russian value systems. The article examines the genetic links between “Insomnia” and new journalism, a popular trend in the US press in the 1970s, as well as American cinema an

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Navbatova, Rano Khodjimuratovna. "THE DEVELOPMENT OF THE EPIC GENRE IN RUSSIAN PROSE AT THE BEGINNING OF THE 20TH CENTURY." International Journal of Education, Social Science & Humanities. FARS Publishers 11, no. 2 (2023): 585–87. https://doi.org/10.5281/zenodo.7663093.

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Russian literature refers to the literature of Russia and its émigrés and to Russian-language literature. The roots of Russian literature can be traced to the Middle Ages, when epics and chronicles in Old East Slavic were composed. This article discusses the Development of the Epic Genre in Russian Prose at the Beginning of the 20th Century.

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TRATSIAK, Z. "BELARUSIAN AND AMERICAN LITERATURE ABOUT THE FIRST WORLD WAR: THE EXPERIENCE OF CORRELATIVE RESEARCH." Herald of Polotsk State University. Series A. Humanity sciences 66, no. 1 (2023): 127–32. http://dx.doi.org/10.52928/2070-1608-2023-66-1-127-132.

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The article is devoted to the scientific trend in the comparative and correlative study of distant literary traditions based on the material of Belarusian and American prose about the First World War; a model for the comparative study of cultural traditions formed in Western Europe and the United States of America is considered by highlighting resonant motives at similar structural levels in nationally specific literatures; the complementarity and parity of Belarusian and American prose about the First World War is demonstrably substantiated by the generally recognized text samples of Western

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ДУБІНІНА, К. "ЛИЦАРСЬКА ТРАДИЦІЯ В ЄВРОПЕЙСЬКІЙ СЕРЕДНЬОВІЧНІЙ ЛІТЕРАТУРІ ТА ФЕНОМЕН ЛИЦАРСТВА В УКРАЇНСЬКІЙ ПОЛЕМІЧНІЙ ПРОЗІ КІНЦЯ XVI– ПОЧТАКУ XVII СТОЛІТЬ". Current issues of linguistics and translation studies 21, № 2 (2021): 16–23. https://doi.org/10.31891/2415-7929-2021-21-32.

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In the article the author attempts to elaborate on the problem and the notion of chivalry tradition, characteristic of the medieval European literature as well as on peculiarities of its development and its re-thinking in the Ukrainian polemical prose of XVI –XVII centuries. Besides, basing on the respectful historical, philological and cultural sources the author substantiates chivalry importance in culture and literature, the durability of the tradition from the middle ages to modern times. The article provides comparative analysis of chivalry tradition in the context of the European medieva

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Riabchenko, Maryna. "Combatant Prose in Modern Ukrainian Literature: Genre and Stylistic Features." Слово і Час, no. 6 (June 21, 2019): 62–73. http://dx.doi.org/10.33608/0236-1477.2019.06.62-73.

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During the last few years a signiﬁ cant number of texts covering a huge range of genres appeared within the Ukrainian literary community with a purpose to depict the recent events of the war taking place in the East of the country. The most complete list of such literary texts created by Anna Skorina has more than 400 positions. It includes poetry, ﬁction, essays, diaries, non-ﬁ ction (documentaries and political researches), photo albums and, surprisingly, comic books and a graphic novel. Moreover, the list is permanently updated. There are both civilians (writers, journalists, volunteers) an

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Czapliński, Przemysław. "Literature and Geography." Porównania 27, no. 2 (2020): 143–66. http://dx.doi.org/10.14746/por.2020.2.8.

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This article proposes to treat literature as a template of the collective imagination. The basis for discussion is Polish prose from 1986–2016, with the main thesis being that Polish culture has reached the limits of geographical imagination. This is the result of Poland withdrawing from the larger structures to which it once belonged or to which it aspired (its diminishing presence in the European Union, the disappearance of Central Europe, delayed efforts to pursue the Scandinavian model of the state and civic culture, the destruction of relations with Lithuania, Belarus and Ukraine). Weaken

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Iwasiów, Stanisław. "Orbitowanie. Proza fantastycznonaukowa Jacka Sawaszkiewicza między obiegami literatury lat 70. i 80. XX wieku." Czas Kultury XLI, no. 2 (2025): 79–89. https://doi.org/10.61269/r25n1acc/vrvm5708.

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Orbiting. Jacek Sawaszkiewicz’s Science Fiction Prose Between the Literary Circulations of the 1970s and 1980s Jacek Sawaszkiewicz’s science fiction prose is situated at the crossroads of three literary circulations active during the 1970s and 1980s: state publishing houses, the underground press, and the emerging fan community focused on sociological fiction. Though Sawaszkiewicz navigated through these diverse literary influences, today he is largely a forgotten author. This obscurity can be attributed to several factors: the derivative nature of his works, the geographical and cultural isol

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Gladsky, Thomas S. "Jerzy Kosinski's East European Self." Critique: Studies in Contemporary Fiction 29, no. 2 (1988): 121–32. http://dx.doi.org/10.1080/00111619.1988.9937843.

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Sturgeon, Sinéad. "East-Central Europe in the Writing of James Clarence Mangan." Acta Universitatis Sapientiae, Philologica 12, no. 1 (2020): 10–26. http://dx.doi.org/10.2478/ausp-2020-0002.

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Abstract This study explores the significance of East-Central Europe in a range of James Clarence Mangan’s poetry and prose from 1838–1847, focusing particularly on his depiction of Biedermeier Vienna (in the short story “The Man in the Cloak”), revolutionary uprisings in Poland and Albania (in the poems “Siberia” and “Song of the Albanian”), and his translations from the work of Bohemian-born Viennese poet Joseph Christian Freiherr von Zedlitz (1790–1862). I argue that Mangan’s interest in this region is twofold. On the one hand, it stems from the amenability of East-Central European culture

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Dvinyatina, Tatiana Mikhailovna. "POETRY AND PROSE IN I. A. BUNIN’S BOOK THE TEMPLE OF THE SUN." Russkaya literatura 4 (2022): 185–97. http://dx.doi.org/10.31860/0131-6095-2022-4-185-197.

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Drawing on the contents of Bunin’s book of poems and travel sketches, The Temple of the Sun (1917), this article analyses the relationship and mutual influence of poetry and prose in his writing. At the upper level, it is a matter of direct textual repetitions and visual parallels in the registers of prose and poetry in Bunin’s presentation of identical impressions he received during his journeys through the Middle East. At the same time, particular attention is paid to the functional retargetting of artistic techniques: to the «prosaic» nature of Bunin’s lyrics and his adoption in prose of me

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Latyshev, O. Yu. "Adyghe rural prose as a source of spiritual and moral meanings." Язык и текст 4, no. 3 (2017): 61–66. http://dx.doi.org/10.17759/langt.2017040306.

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Taking into account the fact that most of the Adygeans live in the countries of the Middle East, we elect to consider the rural prose of the Adygeyan writers who lived in the former USSR. This allows us to see the typological convergence of the literature of the Adygs and other peoples living on the territory of the Soviet Union, placing emphasis on the ways in which their interethnic relations arise. Maintaining the deep folk traditions, imprinted on the pages of Adyghe village prose works, is seen by us as a source of enhancing the stability of modern society.

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Atiya Faiz Baloch. "Research And Critical Review Of Insha's Experiments." Dareecha-e-Tahqeeq 2, no. 1 (2022): 33–42. http://dx.doi.org/10.58760/dareechaetahqeeq.v2i1.14.

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"Syed Insha is a famous Urdu poet and prose writer. He was born in Murshidabad, India. His father's name was Mir Mashallah Khan. Syed Insha's grandfather was Mir Noorullah Hakim. Belonging to a scholarly and literary family, he spoke Turkish, Hindi, Arabic, Persian, European, Pashto, Punjabi, Kashmiri and Bengali fluently. Thanks to this linguist, he worked in prose. In prose Syed Insha wrote two stories. In both of them, he had two different experiments. In the story of Rani Ketki, Insha did not use any words of Persian and Arabic. For him Urdu is a separate language apart from these two lang

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Ugli, Tursunqulov Sanjar Dilmurod. "The Poetics of Ramon Maria Del Valle-Inclans Prose in the Works: Womens Stories, Sonatas, Flower of Holiness, Carlist War, Tyrant Banderas, etc." International Journal for Research in Applied Science and Engineering Technology 11, no. 3 (2023): 589–91. http://dx.doi.org/10.22214/ijraset.2023.49515.

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Abstract: Each text and each movement has its own style. Literary type is a product of written speech that does not have elements characteristic of poetry, such as weight and rhyme. Prose as a form of written speech appeared later than poetry, as in the literature of European nations, as well as in the literature of Eastern nations. If the prose speech was quiet and lofty, like the poetic speech, when it first appeared, by the first quarter of the 20th century, it began to be devoid of excess luxury, and it increasingly obeyed the rules of realistic imagery. Artistic simplicity, naturalness, t

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Mukhatova, Manchuk, Nurzhamal Shengelbayeva, Zhangul Yelemessova, Tolkyn Konyrbekova, and Saltanat Kalmukhanbetova. "Forms and functions of the use of figurative systems in modern Kazakh prose (cognitive aspect and comparative aspect with European literature)." Scientific Herald of Uzhhorod University Series Physics, no. 56 (March 7, 2024): 889–98. http://dx.doi.org/10.54919/physics/56.2024.88lor9.

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Relevance. The relevance of this research is due to the study of the forms and functions of the use of figurative systems in modern Kazakh prose, considering the cognitive aspect of these systems next to the comparative aspect in European literature, and the consideration of classifications and typologies of the figurative system of modern prose in a narrowly innovative literary direction. Purpose. The study purpose is to identify the forms and functions using the figurative systems in the prose of modern Kazakhstan, to compile a classification and designation of the typology of the figurative

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Czerwinski, E. J., and Emery George. "Contemporary East European Poetry: An Anthology." World Literature Today 68, no. 3 (1994): 644. http://dx.doi.org/10.2307/40150595.

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RUDAŠ, Jutka. "THE POETICS OF PAIN About the prose of Dubravka Ugrešić." Hungarológiai Közlemények 25, no. 2 (2024): 82–91. http://dx.doi.org/10.19090/hk.2024.2.82-91.

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Dubravka Ugrešić after leaving her homeland Croatia, considered herself a transnational writer, and she picked this status with all its consequences. She was very determined not to belong to any nation or national literature, saying, “Wherever she was, if she had to belong to someone, she belonged to her readers”. Consequently, in her texts, she has dealt with individual and collective memory, identity and nationality, as well as the status of women. The characteristic elements of her prose are the private and public life, East and the West, politics, media and poetics, and the melting of „hig

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Selden, Daniel L. "TARGUM: TRANSLATION IN HELLENISTIC AND ROMAN IMPERIAL PROSE FICTION." Ramus 43, no. 2 (2014): 173–217. http://dx.doi.org/10.1017/rmu.2014.11.

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Hellenistic and Roman Imperial prose fiction sprang from the ashes of the Haxāmanišiyan Empire (c.550-330 BCE). The multicultural autonomy that Iranian regents afforded their subject peoples laid the groundwork for social policy under Alexandros, the Diadokhoi, and Roman governance of the Near East. As literary fiction developed over the course of the ‘long’ Hellenistic period, the diversity of languages and cultures not only shaped the kinds of narratives produced: polyglossia became a subject of representation in and of itself, as did the possibilities of translation between one language and

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Starostenko, Tetiana M., and Ianina V. Gurtova. "THE POSTMODERN CITY TEXT IN SERHIY ZHADAN’S POETICS." Alfred Nobel University Journal of Philology 1, no. 25 (2023): 78–89. http://dx.doi.org/10.32342/2523-4463-2023-1-25-6.

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The article explores the display mechanisms of the postmodern city as a text in Serhiy Zhadan’s works during the period between 2008 up to 2022. We’ve investigated the city representation tools portrayed in the diachronic aspect. There have been studies of Ukrainian urbanism time-space and audio characteristics, viewed through the connection with European urbanity on the examples of Kharkiv regional centers’ and Voroshilovgrad depictions, the east of Ukraine urban points of district significance, as well as particular foreign urban locations. The purpose of the research paper is to distinguish

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Kozhabergenova, Anel Y. "The Soviet East Cities in the Prose of Dina Rubina." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 28, no. 3 (2022): 125–35. http://dx.doi.org/10.15826/izv1.2022.28.3.052.

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The article is devoted to the analysis of urban space in a work of fiction as an important element of the narrative, thanks to which a more complete understanding of the plot, the inner world of the characters and even the author himself becomes possible. Soviet cities in modern Russian literature, being on the border between history and nostalgia, fact and fiction, also play a certain role in the narrative. In this article, using the example of prose of Dina Rubina we tried to track down the way the author creates a nostalgic image of the city in fiction and what role the writer assigns to th

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Vicol, Dragos, and Valentina Andreea Popovici. "On the Christhood of Literature. Pretexts and Subtexts of Reflexivity." Intertext, no. 1(61) (December 2023): 141–52. http://dx.doi.org/10.54481/intertext.2023.1.15.

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After the end of the Second World War, concurrently with the massive arrests of intellectuals, the imposition of false notions and generally valid atheistic behavior, literature--and especially Romanian prose--faced a harsh ideological regulation, being given "major objectives" of combating the bourgeois-landlord scourge, on the one hand, and glorifying the unshakable alliance between the worker and the Soviet farm-worker on the other. Any deviation was severely rebuked from the very beginning, the literary censorship and political propagandists of the proletarian ideology would despotically c

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Klimenko, I. "The Contexts of Vsevolod Ivanov's Early Prose: New Interpretations." Iasaýı ýnıversıtetіnіń habarshysy 134, no. 4 (2024): 246–57. https://doi.org/10.47526/2024-4/2664-0686.118.

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The article proposes interpretations of the contexts of the early prose of Vsevolod Vyacheslavovich Ivanov, one of the prominent representatives of early 20th-century Russian literature. The main goal of the study is to explore new interpretations by contemporary researchers of the cultural and historical conditions that influenced the creation of his initial stories and novellas. The relevance of studying the context of Ivanov's prose is due to the fact that his early works reflect significant events of the 1920s, which had a profound impact on the young writer's development. The article also

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Pilbrow, Tim, and Robert B. Pynsent. "The Literature of Nationalism: Essays on East European Identity." Journal of the Royal Anthropological Institute 4, no. 1 (1998): 155. http://dx.doi.org/10.2307/3034461.

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Wukasch, Charles, and Robert B. Pynsent. "The Literature of Nationalism: Essays on East European Identity." Slavic and East European Journal 41, no. 4 (1997): 722. http://dx.doi.org/10.2307/309860.

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Song, Binghui. "The reception of East-European literature in modern China." Neohelicon 38, no. 1 (2011): 53–69. http://dx.doi.org/10.1007/s11059-011-0093-x.

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Shalygina, Olga V. "Shakespeare’s Codes in Poetic Prose." Transcultural Studies 15, no. 2 (2019): 144–59. http://dx.doi.org/10.1163/23751606-01502006.

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Questions of teleology of art rhythm are closely related with concept of time. Objectives address the problem: to consider the relationship of aesthetic effects poetic prose associated with the manifestation of the reverse time in the story and vertical time in the architectonics of the artistic whole with literary codes. The article analyzes the aesthetic effects of poetic prose, considers the imposition of codes Hamlet’s and Macbeth’s in the plays by A.P. Chekhov and the novel by B. Pasternak Doctor Zhivago. The article analyzes the aesthetic effects of poetic prose, considers the imposition

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Dashko, Elena L. "STUDYING THE MODERN LITERARY PROCESS AT THE LESSONS ON FOREIGN LITERATURE AT THE UNIVERSITY." Proceedings of Southern Federal University. Philology 26, no. 4 (2022): 176–85. http://dx.doi.org/10.18522/1995-0640-2022-4-176-185.

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The paper presents the stages of work on the block &quot;Modern Foreign Literature&quot; as part of the discipline &quot;History of Foreign Literature&quot;. The main trends in Western European and American prose are highlighted. The following genres are characterized: anti-utopia, transformer novel, myth novel, philological novel; phenomena: neorealism, seterature (in particular, fanfiction). The specificity of fantastic literature at the present stage is determined. Common features for the literature of the late 20th – early 21st centuries are traced: intertextuality, hyperte

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Marsila, Priska. "Transformasi Sastra Sunda Modern pada Abad ke-19 sampai 20 M." Historia Madania: Jurnal Ilmu Sejarah 3, no. 1 (2020): 35–52. http://dx.doi.org/10.15575/hm.v3i1.9394.

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Literature in Sundanese culture is constantly changing. At the end of the 19th century, Sundanese literature began to experience changes in the modern direction. This is likely due to the spread of the influence of translated European prose works. In this paper discusses how the transformation of Sundanese literature from traditional forms into modern literary forms. In addition, it also discusses the comparative analysis of literature contained in Wawacan Panji Wulung and the novel Baruang Ka Nu Ngarora. The method used in this study is to use the method of historical research supported by ot

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