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Journal articles on the topic 'Easter Rising'

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Published: 4 June 2021
Last updated: 30 July 2024

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1

Foster, John Wilson. "Yeats and the Easter Rising." Canadian Journal of Irish Studies 11, no. 1 (1985): 21. http://dx.doi.org/10.2307/25512617.

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2

Whelehan, Niall. "The Rising. Ireland: Easter 1916." European Review of History: Revue europeenne d'histoire 18, no. 2 (April 2011): 274–75. http://dx.doi.org/10.1080/13507486.2011.558251.

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3

Himmelberg, Andrew. "Unearthing Easter in Laois: Provincializing the 1916 Easter Rising." New Hibernia Review 23, no. 2 (2019): 114–33. http://dx.doi.org/10.1353/nhr.2019.0021.

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4

Jaffe, Sarah. "The Women of the Easter Rising." Dissent 63, no. 3 (2016): 160. http://dx.doi.org/10.1353/dss.2016.0050.

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5

Huvane, Kevin, and James Moran. "Staging the Easter Rising: 1916 as Theatre." Canadian Journal of Irish Studies 32, no. 1 (2006): 85. http://dx.doi.org/10.2307/25515627.

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6

O'Driscoll, Cian. "Knowing and Forgetting the Easter 1916 Rising." Australian Journal of Politics & History 63, no. 3 (September 2017): 419–29. http://dx.doi.org/10.1111/ajph.12371.

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7

Coughlan, Anthony. "The 75th Anniversary of the Easter Rising." Bulletin of the Marx Memorial Library 116, no. 1 (July 1991): 3–5. http://dx.doi.org/10.3828/bbml.1991.116.2.

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8

Bloom, Emily C. "Broadcasting the Rising: Yeats and Radio Commemoration." International Yeats Studies 3, no. 1 (November 1, 2018): 15–32. http://dx.doi.org/10.34068/iys.03.01.02.

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In a series of radio broadcasts from 1931 to 1937, Yeats presented several of his poems about the Easter Rising but, curiously, not his most famous Rising poem, “Easter, 1916.” The poems he chose, as well as those he omitted, reveal his understanding of radio’s commemorative properties. Radio’s ephemerality and its intimacy were especially well-suited for Yeats’s minor poems, which were better able to present shifting perspectives on the Rising from the vantage of the present moment, unlike “Easter, 1916,” which was quickly settling into the canonical version of the event. Through multiple broadcasts responding to historical developments, Yeats presented new perspectives on the Rising and emphasized the event’s changing meaning. Yeats recognized the role of mass media in shaping historical memory and was early to see the radio as a key medium for reframing the Rising as it began to settle into history. Broadcasting his 1916 poems provided a means for Yeats to subtly alter previous statements on the Rising during the early years of the Irish Free State and to re-contextualize some of his own earlier work.
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9

Ezkerra Vegas, Estibalitz. "Re-membering Easter 1916: Homosexuality and Irish History in Jamie O’Neill’s At Swim, Two Boys." Review of Irish Studies in Europe 5, no. 1 (May 25, 2022): 58–72. http://dx.doi.org/10.32803/rise.v5i1.2959.

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While the benefits brought to the LGBTQ+ community through the legal reforms enacted in the last two decades are undeniable, paradoxically the contribution of this community to Ireland is still largely absent from official narratives of the past. This article discusses Jamie O’Neill’s novel At Swim, Two Boys (2001) as a response to this absence through its reconstruction of Easter 1916. The narrative that the novel presents on the Easter Rising differs from national and nationalist accounts of the event in that it is not a mere recollection or remembering of what happened, but rather a re-membering of it. Drawing on the approach of the Easter Rising as a moment of possibility, the novel reassembles the narrative of the rebellion on the basis of gay experience, an experience that has been absent not only from the historiography on the Easter Rising, but also from the national imaginary as well. Through this reassemble and resignification of the rebellion, O’Neill’s novel provides a retroactive as well as future-oriented counter-memory of Irishness that materializes the need to reorient of Irish historiography and the political body based on a non-heteronormative affiliative understanding of the sovereign country. Keywords: LGBTQ+ Voices; 1916 Easter Rising; Memory; Jamie O’Neill; Irish Historiography.
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10

Bew, Paul. "The Easter Rising: Lost Leaders and Lost Opportunities." Irish Review (1986-), no. 11 (1991): 9. http://dx.doi.org/10.2307/29735609.

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11

Mathews, P. J. (Patrick J. ). "Staging the Easter Rising: 1916 as Theatre (review)." Modern Drama 49, no. 3 (2006): 413–15. http://dx.doi.org/10.1353/mdr.2006.0082.

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12

Krall, Aaron. "Staging the Easter Rising: 1916 as Theatre (review)." Theatre Journal 58, no. 4 (2006): 718–19. http://dx.doi.org/10.1353/tj.2007.0016.

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13

Meagher, Timothy J. "Ireland's Exiled Children: America and the Easter Rising." Journal of American History 104, no. 3 (December 1, 2017): 790–91. http://dx.doi.org/10.1093/jahist/jax376.

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14

Reid, C. "The Rising: Ireland, Easter 1916, by Fearghal McGarry." English Historical Review 128, no. 530 (January 2, 2013): 193–95. http://dx.doi.org/10.1093/ehr/ces368.

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15

Aiken, Síobhra. "Ireland’s Exiled Children: America and the Easter Rising." Irish Studies Review 25, no. 2 (March 3, 2017): 268–70. http://dx.doi.org/10.1080/09670882.2017.1296078.

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16

Averill, Ann C. "Rising: Reverence, Relevance, Revelry — Commemorations of the 1916 Rising in Dublin, Easter 2016." Studies in Ethnicity and Nationalism 19, no. 2 (August 22, 2019): 207–26. http://dx.doi.org/10.1111/sena.12301.

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17

Smyth, Hannah, and Diego Ramirez Echavarria. "Twitter and feminist commemoration of the 1916 Easter Rising." Journal of Digital History 1, no. 1 (September 1, 2021): 142–67. http://dx.doi.org/10.1515/jdh-2021-1006.

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18

Winston, Greg. "Queensberry Rules and Jacob's Biscuits: James Joyce's Easter Rising." James Joyce Quarterly 56, no. 1-2 (2019): 81–97. http://dx.doi.org/10.1353/jjq.2019.0051.

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19

Kunze, Svenja, and Brendan Power. "Capturing commemoration: the 1916 Easter Rising web archive project." Internet Histories 2, no. 1-2 (March 19, 2018): 202–17. http://dx.doi.org/10.1080/24701475.2018.1446238.

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20

Collins, A. "The Richmond District Asylum and the 1916 Easter Rising." Irish Journal of Psychological Medicine 30, no. 4 (September 11, 2013): 279–83. http://dx.doi.org/10.1017/ipm.2013.51.

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21

McIntyre, Anthony. "Marginalizing Memory: Political Commemorations of the 1916 Easter Rising." Studies in Arts and Humanities 2, no. 1 (June 16, 2016): 5–16. http://dx.doi.org/10.18193/sah.v2i1.61.

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22

M.A, English Literature- Poetry Shaymaa Saleem Yousif. "William Butler Yeats' Political Views of Rising in Easter 1916." journal of the college of basic education 26, no. 108 (March 30, 2022): 649–66. http://dx.doi.org/10.35950/cbej.v26i108.5297.

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It has been 103 years since the Rising of Easter 1916 had broken in Ireland. Yet, there are still far reaching questions regarding the real political views of William Butler Yeats in his famous poem Eater 1916. William Butler (1865-1939) is one of the poets who wrote about the events in their country in general and about the Rising of Easter1916 in particular. Butler as an Irish poet is expected to believe and support this rising, but as a protestant who spent most of his youth in London, should refuse and denounce The Easter Rising 1916. Yeats belongs to the protestant who was controlling the political, social, and economic life of Ireland. For this reason, many people suspected his loyalty and accused him of lacking the sense of Irish nationalism and patriotism. However, Yeats attacked his Irish contemporaries who under evaluates his nationalism, saying that every man born in Ireland should belong to it, and if a man considers himself an Irishman then he is indeed a part of Ireland. This research states how Yeats was insisting on his Irish nationality in spite of the fact that he had spent most of his life living out of Ireland and he belongs to the Anglo section through analyzing important and relevant lines from his historical and patriotic poem, Easter1916. Additionally, some relevant messages between the poet and, his friends will be stated to support his views. It is concluded that W.B. Yeats positively expresses his Irish nationality and support of independence through his poem Easter 1916
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23

Damer, Seán. "A Terrible Beauty is Born: Scotland and the Easter Rising." Scottish Affairs 26, no. 2 (May 2017): 256–59. http://dx.doi.org/10.3366/scot.2017.0182.

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24

Joyce, Stephen. "The Centenary on Screen: Transnational Productions of the Easter Rising." Éire-Ireland 57, no. 1-2 (March 2022): 87–109. http://dx.doi.org/10.1353/eir.2022.0004.

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25

Tormey, Thomas. "Defending Trinity College Dublin, Easter 1916: Anzacs and the Rising." Irish Studies Review 30, no. 1 (January 2, 2022): 103–4. http://dx.doi.org/10.1080/09670882.2022.2030518.

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26

Larsen, Daniel. "British signals intelligence and the 1916 Easter Rising in Ireland." Intelligence and National Security 33, no. 1 (May 5, 2017): 48–66. http://dx.doi.org/10.1080/02684527.2017.1323475.

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27

Atkinson, Peter. "‘An Ireland Built Anew’: Bax’s ‘Tintagel’ and the Easter Rising." Music and Letters 97, no. 1 (February 2016): 100–135. http://dx.doi.org/10.1093/ml/gcw013.

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28

McBrinn, Joseph. "Making 1916: Material and Visual Culture of the Easter Rising." Journal of Design History 29, no. 2 (May 2016): 202–4. http://dx.doi.org/10.1093/jdh/epw010.

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29

Walsh, Anna. "Making 1916: material and visual culture of the Easter Rising." Irish Studies Review 25, no. 1 (December 5, 2016): 124–26. http://dx.doi.org/10.1080/09670882.2016.1266734.

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30

Haughton, Miriam. "‘Them the Breaks’: #WakingTheFeminists and Staging the Easter/Estrogen Rising." Contemporary Theatre Review 28, no. 3 (July 3, 2018): 345–54. http://dx.doi.org/10.1080/10486801.2018.1475363.

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31

Koneczniak, Grzegorz. "Commemorating history, historicising commemoration." Theoria et Historia Scientiarum 20 (June 26, 2024): 217–29. http://dx.doi.org/10.12775/ths.2023.010.

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This essay offers a combination of historical, editorial and commemorative approaches to the process of historicising the practices of remembering the Easter Rising in Ireland. Considered one of the most defining historical moments that has shaped the present-day Ireland and its relationships with Great Britain, the Easter Rebellion of 1916 was remembered in a series of events comprised within the framework of the “Decade of Centenaries” programme of celebrations. The history of the Easter Rising, spoken and unspoken, was symbolically re-enacted in various commemorative forms and via multiple media: television, radio, theatre, internet and many more cultural institutions. The study deals with crucial interconnected problems concerning the ephemerality of commemoration treated as a historical moment whose aim is to remember the defining historical event and which, paradoxically, itself becomes history. The importance of editorial and typographical considerations, as studied on the basis of selected commemorative texts and media,are important in the way in which commemoration functions and seeks unity in terms of shaping the perceptions of historical events in Ireland. Yet, the editorial, typographic and graphic dimensions of such texts may also question the discourse of practices or, at least, signal inconsistencies. The methodology applied here is that of a case study and comparative examination. Following the temporal confrontative procedure employed in one of the previous coauthored articles (see Koneczniak & Koneczniak, 2022), the research cases involve two historical moments: the analysis conducted and described during the exact commemorative moment, that is, the precise one hundredth anniversary of the Easter Rising, and the state found almost five years after the remembrance series, at the beginning of 2021. The comparative basis involves the same research materials, and it focuses on determining changes in the access to the original commemorative materials available in 2016 and linked to the celebration of the 1916 Rising.
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32

HATİPOĞLU, Gülden. "Erotics of War and Sovereignty in Iris Murdoch’s The Red and the Green." Gaziantep University Journal of Social Sciences 22, no. 3 (July 28, 2023): 852–64. http://dx.doi.org/10.21547/jss.1237803.

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In The Red and the Green the Irish writer Iris Murdoch creates a narrative universe that focuses on the Easter Rising of 1916, one of the most tumultuous turns in twentieth century Irish history, and introduces a rich web of moral conflicts and dilemmas experienced by members of an Anglo-Irish community in Dublin. The main concern of this article is to introduce a reading of Murdoch’s The Red and the Green in the context of the mythopoetic discourse of the Easter Rising of 1916, which predominantly reflected the nationalist rhetoric of the Irish Revivalist Movement, and to show how Murdoch revisualizes recent Irish history through her own cultural origins. The argument is grounded on the premise that Millie features in the novel as the embodiment of the feminine archetype and symbolic representation of the Erotic in stark contrast to the war rhetoric of the Easter Rising that relies heavily on the desexualized, romanticized and idealized versions of the feminine in Celtic mythic imagination. Millie’s feminine archetypal image and her symbolic representation of Eros distorts and shakes the masculine rhetoric of the Rising. As a response to the desexualized, sterile, and therefore displaced representations of the Sovereignty Goddess in the literature of the Irish Revival, Murdoch introduces a critical ethos in the novel by restoring the essence of this feminine element in the portrayal of Millie, the central character around whom the plot largely revolves.
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33

Stępnik, Krzysztof. "Powstanie Wielkanocne w prasie polskiej (Komentarze polityczne)." Politeja 17, no. 4(67) (October 15, 2020): 184–215. http://dx.doi.org/10.12797/politeja.17.2020.67.10.

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Easter Rising in the Polish Press (Political Commentaries)The author of the paper describes the ways in which the Polish press were informed about the Easter Rising, sources of gaining this knowledge (Reuters Agency and European daily newspapers); particularly, he makes analysis of political commentaries which were published in Warsaw, Cracow and Lvov newspapers. He shows a specific character of Polish reaction to the events in Ireland, which was rooted in the analogy of historical destiny of both nations, and gained a particularly strong resonance on the turn of April and May 1916. The author points out to the causes of this resonance of which a gradual change in the attitude of the Polish society towards Germany was the most important. The permission of German authorities-in-occupation for a great national manifestation in Warsaw on 3 May 1916 strengthened the orientation towards the central states which was evidenced by the participation of the political figuring on Germany in this event. Reports of the fall of the uprising in Ireland and the accompanying commen aries coincided with comprehensive accounts of manifestation celebrating 125th ann versary of 3rd May Constitution, which was of significant importance for the reception of the Easter Rising. Emotional stress in Warsaw, strongly stimulating patriotic feelings, created an extremely emotional attitude towards the uprising in Dublin experienced by Poles as a charter almost from their history.
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34

Donald McNamara. "Bloody Instructions: General John Maxwell in Dublin after the Easter Rising." Princeton University Library Chronicle 63, no. 3 (2002): 534. http://dx.doi.org/10.25290/prinunivlibrchro.63.3.0534.

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35

Townshend, Charles, and Reinhard R. Doerries. "Prelude to the Easter Rising: Sir Roger Casement in Imperial Germany." Journal of Military History 64, no. 4 (October 2000): 1174. http://dx.doi.org/10.2307/2677297.

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36

Weihman, Lisa. "Doing My Bit for Ireland : Trangressing Gender in the Easter Rising." Éire-Ireland 39, no. 3 (2004): 228–49. http://dx.doi.org/10.1353/eir.2004.0025.

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37

Eide, Marian. "Maeve’s Legacy: Constance Markievicz, Eva Gore-Booth, and the Easter Rising." Éire-Ireland 51, no. 3-4 (2016): 80–103. http://dx.doi.org/10.1353/eir.2016.0018.

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38

Culleton, Claire A. "Ireland’s Exiled Children: America and the Easter Rising by Robert Schmuhl." James Joyce Quarterly 53, no. 1-2 (2015): 155–57. http://dx.doi.org/10.1353/jjq.2015.0067.

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39

Ward, Brian. "Reception of the Easter Rising in British and American little magazines." Irish Studies Review 25, no. 1 (January 2, 2017): 88–100. http://dx.doi.org/10.1080/09670882.2016.1270716.

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40

Arrington, Lauren. "Socialist Republican Discourse and the 1916 Easter Rising: The Occupation of Jacob's Biscuit Factory and the South Dublin Union Explained." Journal of British Studies 53, no. 4 (October 2014): 992–1010. http://dx.doi.org/10.1017/jbr.2014.116.

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AbstractThe events of the Easter Rising have been subjected to extensive analysis by historians who have focused on military strategy as a means of explaining the occupation of specific sites. However, Jacob's Biscuit Factory and the South Dublin Union have proven resistant to this paradigm. The political value of both places can be understood by giving close attention to the long history of antagonism between these two institutions and the Irish Transport and General Workers' Union, out of which the Irish Citizen Army that fought in the rising was formed. In his articles for the Irish Worker and Workers' Republic, James Connolly adapted traditional republican discourse of economic emancipation through political sovereignty to address a contemporary urban context. An understanding of the way that this discourse functioned facilitates an understanding of the role of Jacob's Biscuit Factory and the South Dublin Union in the Easter Rising: as sites of actual and symbolic liberation. This analysis of popular discourse in the contemporary press offers a new approach to the study of events that have been termed the Irish Revolution, and it presents a model for understanding the way that republican discourse accommodated the very different political objectives of Irish separatists.
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41

Higgins, Roisín. "Projections and Reflections: Irishness and the Fiftieth Anniversary of the Easter Rising." Éire-Ireland 42, no. 3 (2007): 11–34. http://dx.doi.org/10.1353/eir.2007.0034.

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42

Mac Mathúna, Liam. "Great War Strains and Easter Rising Breaking Point: Douglas Hyde’s Ideological Ambivalences." Éire-Ireland 53, no. 1-2 (2018): 7–28. http://dx.doi.org/10.1353/eir.2018.0000.

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43

Bolger, Judy. "Richmond Barracks 1916: we were there, 77 women of the Easter rising." Irish Studies Review 28, no. 4 (October 1, 2020): 524–27. http://dx.doi.org/10.1080/09670882.2020.1839214.

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44

Puirseil, Niamh. "Transforming 1916: Meaning, Memory and the Fiftieth Anniversary of the Easter Rising." Irish Political Studies 28, no. 4 (December 2013): 623–24. http://dx.doi.org/10.1080/07907184.2013.846524.

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45

Brearton, Fran. "Yeats, Dates, and Kipling: 1912, 1914, 1916." Modernist Cultures 13, no. 3 (August 2018): 305–22. http://dx.doi.org/10.3366/mod.2018.0214.

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This article proposes that W. B. Yeats's ‘Easter 1916’, intertextually linked to ‘September 1913’ and ‘Nineteen Hundred and Nineteen’, is also a subtle response to the political and sectarian quarrels of 1912–1914 as manifest in Rudyard Kipling's poems ‘Ulster (1912)’ and ‘The Covenant’. It examines the ways in which Kipling, and those in Ireland who reacted negatively to him, drew on the Easter sacrificial rhetoric later to be associated with the 1916 Rising, and illustrates how Yeats's poetry during and after the Rising may be read as implicitly engaged in a quarrel with Kipling's aesthetic. It reorientates perceptions of how and where the idea of sacrifice is deployed in Ireland (by Kipling and Yeats, but also by Tom Kettle and Padraic Pearse) and argues for the emergence of Yeats during the First World War as the figure who eclipses Kipling in terms of influence on, and significance to, the modernist generation.
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46

Backus, Margot Gayle, and Spurgeon Thompson. "‘If you shoulder a rifle […] let it be for Ireland’: James Connolly's War on War." Modernist Cultures 13, no. 3 (August 2018): 364–81. http://dx.doi.org/10.3366/mod.2018.0217.

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As virtually all Europe's major socialist parties re-aligned with their own national governments with the outbreak of World War I, Irish socialist and trade unionist James Connolly found himself internationally isolated by his vociferous opposition to the war. Within Ireland, however, Connolly's energetic and relentless calls to interrupt the imperial transportation and communications networks on which the ‘carnival of murder’ in Europe relied had the converse effect, drawing him into alignment with certain strains of Irish nationalism. Connolly and other socialist republican stalwarts like Helena Molony and Michael Mallin made common cause with advanced Irish nationalism, the one other constituency unamenable to fighting for England under any circumstances. This centripetal gathering together of two minority constituencies – both intrinsically opposed, if not to the war itself, certainly to Irish Party leader John Redmond's offering up of the Irish Volunteers as British cannon fodder – accounts for the “remarkably diverse” social and ideological character of the small executive body responsible for the planning of the Easter Rising: the Irish Republican Brotherhood's military council. In effect, the ideological composition of the body that planned the Easter Rising was shaped by the war's systematic diversion of all individuals and ideologies that could be co-opted by British imperialism through any possible argument or material inducement. Although the majority of those who participated in the Rising did not share Connolly's anti-war, pro-socialist agenda, the Easter 1916 Uprising can nonetheless be understood as, among other things, a near letter-perfect instantiation of Connolly's most steadfast principle: that it was the responsibility of every European socialist to throw onto the gears of the imperialist war machine every wrench on which they could lay their hands.
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47

Galazzi, Mariano. "“Dublin Traitors” or “Gallants of Dublin” The Argentine Newspapers and the Easter Rising." Estudios Irlandeses, no. 11 (March 15, 2016): 56–68. http://dx.doi.org/10.24162/ei2015-6098.

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48

Galazzi, Mariano. "“Dublin Traitors” or “Gallants of Dublin” The Argentine Newspapers and the Easter Rising." Estudios Irlandeses, no. 11 (March 15, 2016): 56–68. http://dx.doi.org/10.24162/ei2016-6098.

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49

Klaus, H. Gustav. ""Carry the Wild Rose of Insurrection" : Liam O'Flaherty's Novel on the Easter Rising." Études irlandaises 14, no. 1 (1989): 117–26. http://dx.doi.org/10.3406/irlan.1989.2514.

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50

Choi, Yunju. "Reading W. B. Yeats’s Easter Rising Poems from the Perspective of New Historicism." Yeats Journal of Korea 63 (December 31, 2020): 241–54. http://dx.doi.org/10.14354/yjk.2020.63.241.

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