Relevant bibliographies by topics / Eastern classical literature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Eastern classical literature'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Eastern classical literature"

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Ikromjonovna, Jumanova Shaxnoza. "The poetic significance of landscape lyrics in eastern classical literature." American Journal of Philological Sciences 5, no. 2 (2025): 60–62. https://doi.org/10.37547/ajps/volume05issue02-17.

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This article analyzes the poetic significance of landscape lyrics in classical Eastern literature. The artistic depiction of natural landscapes is not limited to providing aesthetic pleasure, but is also revealed to be inextricably linked with human experiences, philosophical views, and the spiritual life of society. The article highlights the role of the depiction of nature in enriching the inner world of lyrics, ensuring imagery and spiritual and compositional integrity in the works of poets such as Alisher Navoi, Babur, Sakkoki, Huvaido, Ogahiy and Furqat. Also, scientific and theoretical c
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Sofieva, Gulchin. "Epistolary genre in Eastern classical literature." Golden Scripts 5, no. 4 (2022): 65–76. http://dx.doi.org/10.52773/tsuull.gold.2022.4/hcxy5980.

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Epistolary genres (Greek epistole - letter) are a special form of lit-erature embodied in texts “in the form of letters, postcards, telegrams sent to an address to convey certain information.” Writing is an ancient popular epistolary genre. For people separated by a long distance, correspondence was the only means of communication. Over time, fixed etiquette formulas specific to certain types of letters (business, personal, etc.) were developed. Correspondence with relatives, acquaintances, friends, colleagues, etc. was conducted between Today, epistolary genres are experiencing hard times. Th
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Sharifova, Salida. "Researcher of classical Eastern and classical Azerbaijani literature: Panah Khalilov." Philology and Art Studies, no. 01 (2025): 51. https://doi.org/10.59849/2663-4368.2025.1.51.

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Yusupova, Dilnavoz, and Umedullo Mahmudov. "Faxriya (Self-Praise) in Eastern Classical Literature." Golden Scripts 2 (June 10, 2024): 89–102. http://dx.doi.org/10.52773/tsuull.gold.2024.2/qhkt2328.

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This article is devoted to the problem of faxriya (self-praise), which occupies a special place in the works of figures of world literature. The article presents scientific data based on the role and significance of faxriya in world literature, especially in classical oriental literature. Information is also given about the stages of gradual development of faxriya in European, Arabic, Persian and Turkic literature. In addition, the classification in the literature of the East and related scientific views were subjected to scientific analysis, and conclusions on this issue were presented. In th
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MIRUSMANOVA, Ziyoda. "THE INFLUENCE OF EASTERN CLASSICAL POETRY ON WESTERN POETS." UzMU xabarlari 1, no. 1.10.1 (2024): 312–13. https://doi.org/10.69617/nuuz.v1i1.10.1.4791.

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Literature serves as a mirror reflecting the cultural, social, and philosophical contexts of its time. Western and eastern literature has impacted each other in all era. While Western poetry has its own distinct heritage, it has also been significantly influenced by Eastern classical poetry. The interplay between Eastern and Western literary traditions has been a significant area of exploration in comparative literature. This article examines how Eastern classical poetry has influenced notable Western poets, specifically Johann Wolfgang von Goethe, Alexander Pushkin, and Lord Byron. By analyzi
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Russ-Fishbane, Elisha. "Jews and Judaism in Classical Sufi Literature." Journal of Sufi Studies 6, no. 2 (2018): 143–64. http://dx.doi.org/10.1163/22105956-12341300.

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Abstract This paper addresses a paradox at the heart of the classical Sufi tradition. On the one hand, key Sufi writers express a radical universalism or ‘transconfessionalism’ in their mystical verse. This has led a variety of modern scholars to identify Sufism as an ecumenical and non-dogmatic tradition. On the other hand, in other writings the selfsame authors conduct a vigorous literary polemic and celebrate missionary efforts against unbelievers of all stripes, yet with a notable emphasis on Jewish unbelievers. This article examines the image of Jews and Judaism in key Sufi texts in both
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Davletov, Barliqboy. "Traditions of eastern classical poetry in the literature of turkic languages." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 5 (2021): 15–18. http://dx.doi.org/10.5958/2249-7137.2021.01346.x.

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Qobilov, Usmon. "On the Study of the Problem of Tawhid, Prophecy and Artistic Description." Golden Scripts 4 (December 10, 2023): 61–81. http://dx.doi.org/10.52773/tsuull.gold.2023.4/aerd1431.

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This scientific article is devoted to the study of the problem of prophecy and artistic creativity, which are important and topical issues of Uzbek classical literature. It contains reflections on the teaching of prophecy (prophetology), which has an important place in the ideological and artistic world of Eastern Islam, in particular, Turkish-Uzbek mysticism and classical literature. The article explains the lexical-terminological and educational meanings of this concept, and evaluates the traditions of expression in artistic processes from theoretical aspects. At the same time, the issues of
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Madaminova, S. A. "THE IMPLEMENTATION AND EXPLORATION OF FANTASY IN UZBEK LITERATURE." JOURNAL OF NEW CENTURY INNOVATIONS 2, no. 1 (2022): 340–43. https://doi.org/10.5281/zenodo.6448474.

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Annotation: Theoretical and scientific support of the  existence of fiction in  Eastern  literature  is  regarded  as  an  integral  part  of  world  classical  literature.  It  influences and relies on not only elements of fiction in Uzbek classical literature, but  also  mature  examples,  the  development  of  modern  Uzbek  fiction,  in  particular,  science fiction as well as the study of problems is evaluated as a great scientific  importance.  
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Toshniyozova, Dilfuza Polvonovna. "IBNI DAVLAT - CREATIVITY OF MODERN APPROACH IN HIS WORK." Eurasian Journal of Academic Research 1, no. 5 (2021): 115–18. https://doi.org/10.5281/zenodo.5347962.

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This article calls for the promotion of communist ideology in the majority of Uzbek Soviet literature published during the reign of Ibn Davlat, a representative of Eastern classical literature, but the works that do not adhere to this ideology and their authors, of course, persecute the poet. , is based on classical traditions. Ibn Davlat's mastery of the devon, one of the classical traditions, was based on the mastery of the work of the classical salaf, which reflected the harmony and commonality of general ideas.
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Dissertations / Theses on the topic "Eastern classical literature"

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Uchitel, Alexander. "Mycenaean and Near Eastern economic archives." Thesis, University College London (University of London), 1985. http://discovery.ucl.ac.uk/1317733/.

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The present research was conducted. with the aim of better understanding of Linear B texts through the help of the Near Eastern parallels. The method chosen was the comparison between individual texts and groups of texts and not between the 'models' reconstructed for this or that society. Several restrictions for such a comparison were set up. The comparison itself was limited to the problems of manpower (lists of personnel, ration lists, land-surveys). The best parallels for Mycenaean records of work-teams (male and female) were found among the Sumerian documents from the period of the Third
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Bowles, Henry Miller. "Anatomy of "Decadence"." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493344.

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Examining the perception of literary decline in Greek, Latin, Arabic, and Persian, this study unearths an enduring taboo, one little changed by place and time, against verbal creation too readily sacrificing “nature” and “truth” to artifice and phantasy. The fading of the taboo after the nineteenth century, when “Decadent” yields to a non-normative name for the present (“Modern”), is without precedent. Demonstrating the opprobrium’s enduring nature, this study compares for the first time four literary traditions’ confrontations with a “Decadence” whose similarities have been conjectured since
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Yung, Lawrence Kwan-chee. "The China which is here : translating classical Chinese poetry." Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/36378/.

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The thesis proposes to address how the tradition of translating Chinese poetry in the English speaking world developed in the early twentieth century and has continued. Problems relating to this issue, such as the great change in poetics and intellectual atmosphere since 1915 when Cathay appeared, its impact on the translation of Chinese poetry, and the universe of discourse of the two cultures involved, those of the Chinese and the English speaking world, as well as the constraints of the target system on the translations, will also be discussed. The introduction provides an overview of the p
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Petrella, Bernardo Ballesteros. "Divine assemblies in early Greek and Mesopotamian narrative poetry." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:cfd1affe-f74b-48c5-98db-aba832a7dce8.

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This thesis charts divine assembly scenes in ancient Mesopotamian narrative poetry and the early Greek hexameter corpus, and aims to contribute to a cross-cultural comparison in terms of literary systems. The recurrent scene of the divine gathering is shown to underpin the construction of small- and large-scale compositions in both the Sumero-Akkadian and early Greek traditions. Parts 1 and 2 treat each corpus in turn, reflecting a methodological concern to assess the comparanda within their own context first. Part 1 (Chapters 1-4) examines Sumerian narrative poems, and the Akkadian narratives
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Books on the topic "Eastern classical literature"

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Ettore, Cingano, and Milano Lucio, eds. Papers on ancient literatures: Greece, Rome, and the Near East : proceedings of the Advanced Seminar in the Humanities, Venice International University 2004-2005. Sargon, 2008.

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Institut nauchnoĭ informat︠s︡ii po obshchestvennym naukam (Rossiĭskai︠a︡ akademii︠a︡ nauk), ed. Post scriptum. T︠S︡entr gumanitarnykh init︠s︡iativ, 2022.

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Robins, Gay. The Rhind mathematical papyrus: An ancient Egyptian text. Dover, 1990.

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De Bary, William Theodore, 1919- and Bloom Irene, eds. Eastern canons: Approaches to the Asian classics. Columbia University Press, 1990.

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Borgen, Peder. The Philo index: A complete Greek word index to the writings of Philo of Alexandria. William B. Eerdmans Pub., 2000.

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Guanzhong, Luo. Three kingdoms: [classic novel in four volumes. Foreign Languages Press, 1995.

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Guanzhong, Luo. Three kingdoms: [classic novel in four volumes]. Foreign Languages Press, 2001.

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Defoe, Daniel. Tour Through Eastern Counties of England. eBooksLib, 2005.

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Guanzhong, Luo. Jing xuan bai hua San guo yan yi. Shang wu yin shu guan Xianggang fen guan, 1988.

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Guanzhong, Luo. San guo yan yi. Jiangsu gu ji chu ban she, 1994.

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Book chapters on the topic "Eastern classical literature"

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Jovanović, Neven. "Croatian Neo-Latin Literature and Its Uses." In A Handbook to Classical Reception in Eastern and Central Europe. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118832813.ch3.

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Ristović, Nenad. "Innovative Impact of the Classical Tradition on Early Modern Serbian Literature." In A Handbook to Classical Reception in Eastern and Central Europe. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118832813.ch29.

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Čadková, Daniela. "Classical Antiquity in Czech Literature between the National Revival and the Avant-Garde." In A Handbook to Classical Reception in Eastern and Central Europe. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118832813.ch11.

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Fassberg, Steven E. "Neo-Aramaic 2MS and 2FS Genitive Pronominal Suffixes in the Light of Earlier Aramaic." In Interconnected Traditions: Semitic Languages, Literatures, Cultures—A Festschrift for Geoffrey Khan. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0464.20.

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The article examines the historical development and variation of the 2ms and 2fs genitive pronominal suffixes in Aramaic, tracing their evolution from Proto-Semitic through different phases of the language to their forms in Neo-Aramaic dialects. In Proto-Aramaic, these suffixes were characterised by distinct vowels, with -kā̆ for masculine and -kī̆ for feminine. Over time, dialects such as Official Aramaic, Jewish Babylonian Aramaic, and Classical Syriac preserved earlier forms, while Neo-Aramaic dialects innovated new realisations. In North-Eastern Neo-Aramaic, the suffixes -o/ux (m) and -ax
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Gallien, Claire. "‘Literature’, Did You Say?" In Reconfiguring and Appropriating Arabic, Persian, and Indic Literary Traditions in Seventeenth- and Eighteenth-Century Britain. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780198908401.003.0005.

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Abstract The fourth chapter retraces the variations in meaning and function of the term ‘literature’. There is a casual assumption that we all know what literature is about and what it means and does, but this chapter calls into question this assumption. It exposes the biblical and classical formation received by orientalists and argues that this formation and their classical tastes impacted the selection and reproduction of Eastern literatures. In particular, the chapter offers a detailed analysis of Greek and Latin literatures as generic and stylistic intermediaries and explains how they wer
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Sumi, Akiko Motoyoshi. "Brill Studies in Middle Eastern Literatures (formerly Studies in Arabic Literature)." In Description in Classical Arabic Poetry. BRILL, 2004. http://dx.doi.org/10.1163/9789047401872_015.

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Robertson, Ritchie. "3. Classical art and world literature." In Goethe: A Very Short Introduction. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780199689255.003.0003.

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‘Classical art and world literature’ shows that Goethe’s knowledge of art and literature was wide-ranging and explains that, in both, he came to believe that the works produced by the ancient Greeks formed a standard that could never be surpassed. In art, he explored the classical tradition that descended via the Renaissance to the neoclassicism of the 18th century. In literature, his taste was much wider. He read easily in French, Italian, English, Latin, and Greek, and in his later life he eagerly read translations of Asian texts—novels from China, epics and plays from India, and the Arabic
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Dyakonova, Elena M. "The Role of Commentaries in the Formation of the Japanese Literary Tradition." In Translation, Interpretation, Commentary in the Eastern and Western Literature. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0710-6-415-439.

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Classical studies were the mainstream of Far Eastern traditional culture. They structured many aspects of literature, philosophy, science, and sometimes dominated them. A study of the relationship between classics and their commentaries is central for an understanding of the intellectual history of the countries of the Far East, of which Japan is one. Commentaries made tribute to the canonization of literary monuments, but did this without regard of the artistic and intellectual character of the classical text. Commentaries to the classical texts of ancient Japan, in particular to the first po
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Mattar, Karim. "A Genealogy of Adab in the Comparative Middle East." In Specters of World Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467032.003.0003.

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This chapter sets the historical scene of the book by charting the emergence of the modern concept of “literature” in the Middle East. I start by surveying the range of terms for the literary that are currently in use across the Arab world, Turkey, and Iran (“adab”, “edebiyat”, and “adabiyāt”). I argue that in their contemporary deployment, each is premised on the reinscription of the classical Arabic-Islamic concept of “adab” that took place in tandem with the modernization process from the 19<sup>th</sup> to mid-20<sup>th</sup> centuries. Against the long-held view in Arabic literary studie
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Karabela, Mehmet. "Lovers in the Age of the Beloveds: Classical Ottoman Divan Literature and the Dialectical Tradition." In The Beloved in Middle Eastern Literatures. I.B. Tauris, 2018. http://dx.doi.org/10.5040/9781350988484.ch-012.

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Conference papers on the topic "Eastern classical literature"

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Zhang, Mengyun. "A RESEARCH ON BAI JUYI’S POETRY CREATION FROM THE PERSPECTIVE OF CHILDREN’S LITERATURE." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.11.

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The works of the Tang Dynasty poet Bai Juyi have been selected for many times into Chinese general language textbooks because of their popular significance and aesthetic value. The overall length is as much as 15 articles, ranking second only to Li Bo, Du Fu and Wang Wei. His poetry not only has a profound theoretical level, but also is widely accepted by readers of different ages. The reason is that his poetry creation has the characteristics of combining simplicity and sublime, which can naturally integrate popularity and aesthetics, reflecting more real life in thought, and at the same time
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Breslavets, Tatiana, and Tatiana Vinokurova. "LOVE STANZAS IN SOGI’S POEM." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.33.

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The article is devoted to the peculiarities of the work of Iyo Soga, the author of “connected stanzas” (renga). The ways of presenting love lyrics in the poem Sogi dokugin nanihito hyakuin (One hundred stanzas of the poet Sogi, 1499) are highlighted. The issues of the influence of the previous classical literature on the poet’s work, the specifics of intra-literary continuity in the history of medieval Japanese verse are discussed. The implicit meanings of love stanzas are revealed. Precedent texts with which the stanzas of the poem establish associative links are found. Intertextuality acts a
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Sarikose, Mehmet. "PERSONAGES IN THE DIVAN OF BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/hryx7126.

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Classical Turkish literature is a literary tradition of approximately six centuries, within the general development of Turkish literature, whose theoretical and aesthetic principles were formed within the circle of Islamic civilization and shaped especially by the influence of Arabic and Persian literature. Classical Turkish literature, which is based on religious, historical, mythological and folklore foundations, also serves as a historical source with the "human" element it contains. Its’ statesmen, scholars, philosophers, poets, religious and sufi elders, legendary heroes and similar figur
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Guryeva, Anastasia. "LITERARY TRADITION IN CONTEMPORARY CONTEXT: PEACH BLOSSOM SPRING AND DREAM JOURNEY IN SOUTH KOREAN LITERATURE." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.34.

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The paper deals with contemporary representations of two classical plot models: Peach Blossom Spring (武陵桃源) and Dream Journey (夢遊錄) originated in Chinese literature tradition and were peculiarly developed in pre-modern Korean literature. The paper discusses their representations in South Korean poetry and prose. The analysis shows, that Peach Blossom Spring as a social utopia enters Korean literature both in an ironical context and as an opposition to the city life preoccupied with everyday vanity. The majority cases is when it serves the base for contemporary stories of an ideal place quest w
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Storozhuk, Alexander. "PU SONGLING’S LITERARY HERITAGE AND ITS TRANSLATIONS INTO RUSSIAN." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.06.

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While speaking of Pu Songling’s (1640–1715) impact on the Chinese literature one can’t help mentioning his short stories about fox turnskins and other wonders, known in English as Strange Tales from the Chinese Studio (Liao Zhai zhi yi). Commonly here the general survey concludes, and the main efforts are directed to analysis of the author’s pencraft and concealed political implications, since most of the plots are believed to be not original but adopted from earlier oeuvre. Thus the two major implied notions can be worded in the following fashion: 1) Strange Tales are the only work by Pu Song
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Abdulhakimova, Yulduz. "MASNAVIY IN THE CREATION OF NAVAI AND BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/wskm9182.

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Eastern classical literature cannot be imagined without the scientific and literary heritage left by two great figures Alisher Navoi and Zahiriddin Muhammad Babur. Their works give spirit and soul to Turkish literature, and today they continue to lead the literature of Turkic nations. Zahiriddin Muhammad Babur had a very high respect for Alisher Navoi. He writes: "I lived in Herat in Alisherbek's house. Every day I used to see places of the city that I had not seen myself.
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Bryleva, Natalia. "CHINESE XIQU THEATER ON THE PAGES OF DREAM OF THE RED CHAMBER: THE PHENOMENON OF “HOME THEATER” IN THE QING PERIOD." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.15.

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The Dream of the Red Chamber by Cao Xueqin, being the pinnacle of Chinese classical literature, has been studied and commented on for several centuries. Being a recognized encyclopedia of old Chinese life, this novel provides the reader with numerous information about various aspects of the life of the aristocracy of Qing China. The theme of the theatre is one of the most interesting aspects of traditional culture, reflected in the pages of “Hongloumen”. The novel provides information about the peculiarities of the social status of actors, the composition of theatre troupes and their varieties
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Adizova, Iqboloy. "THE SMALL MASNAVI GENRE CREATED BY BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/gxef1267.

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Zahir ad-Din Mukhammad Babur was a poet who wrote in 9 different lyrical genres. This article focuses on his works in the small masnavi genre, considered unique in Eastern classical literature. Babur's collection includes 16 works in this genre, which are classified thematically as romantic, autobiographical, moral-educational, and mystical. The masnavis are analyzed based on their subject matter, length, and the poet's skill.
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Pchelkina, Svetlana. "ABOUT RUSSIAN CLASSICAL LITERATURE IN MODERN CHINA: INTERIEW-CONVERSATION OF A GROUP OF CHINESE STUDENTS OF THE FAR EASTERN FEDERAL UN-TA." In Россия и Китай: история и перспективы сотрудничества. Благовещенский государственный педагогический университет, 2020. http://dx.doi.org/10.48344/bspu.2020.95.67.103.

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Tayyaba, Rakhshi. "THE ART OF THE SUBLIME: A LONGINIAN INTERPRETATION OF THE CITY OF BRASS BY S.A. CHAKRABORTY." In Transforming Knowledge: A Multidisciplinary Research on Integrative Learning Across Disciplines. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/ic250308.

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The paper explores a comparative analysis of the book “The City of Brass” the first novel in the Daevabad Trilogy by S. A. Chakraborty and the classical work On The Sublime by Longinus. To explore a deeper understanding of the subject researcher has used the descriptive qualitative method, to compare both the texts along with their detailed analysis. The study examines how the classical concept of sublimity as articulated by Longinus is depicted in Chakraborty’s modern fantasy work. Through the findings one can investigate the key elements given by Longinus as grandeur, use of language, emotio
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