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1

Ettore, Cingano, and Milano Lucio, eds. Papers on ancient literatures: Greece, Rome, and the Near East : proceedings of the Advanced Seminar in the Humanities, Venice International University 2004-2005. Sargon, 2008.

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2

Institut nauchnoĭ informat︠s︡ii po obshchestvennym naukam (Rossiĭskai︠a︡ akademii︠a︡ nauk), ed. Post scriptum. T︠S︡entr gumanitarnykh init︠s︡iativ, 2022.

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3

Robins, Gay. The Rhind mathematical papyrus: An ancient Egyptian text. Dover, 1990.

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4

De Bary, William Theodore, 1919- and Bloom Irene, eds. Eastern canons: Approaches to the Asian classics. Columbia University Press, 1990.

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5

Borgen, Peder. The Philo index: A complete Greek word index to the writings of Philo of Alexandria. William B. Eerdmans Pub., 2000.

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6

Guanzhong, Luo. Three kingdoms: [classic novel in four volumes. Foreign Languages Press, 1995.

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7

Guanzhong, Luo. Three kingdoms: [classic novel in four volumes]. Foreign Languages Press, 2001.

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8

Defoe, Daniel. Tour Through Eastern Counties of England. eBooksLib, 2005.

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9

Guanzhong, Luo. Jing xuan bai hua San guo yan yi. Shang wu yin shu guan Xianggang fen guan, 1988.

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10

Guanzhong, Luo. San guo yan yi. Jiangsu gu ji chu ban she, 1994.

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11

Guanzhong, Luo. Three kingdoms: A historical novel, complete and unabridged = [San guo yan yi]. University of California Press, 2004.

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12

Guanzhong, Luo. San guo yan yi. Shang wu yin shu guan (Xianggang) you xian gong si, 2002.

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13

Guanzhong, Luo. Zeng xiang quan tu San guo yan yi. Zhejiang ren min chu ban she, 1985.

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14

Guanzhong, Luo. Three kingdoms: A historical novel. University of California Press, 1991.

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15

Guanzhong, Luo. "San guo yan yi" "San guo zhi" dui zhao ben. Jiangsu gu ji chu ban she, 2002.

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16

Guanzhong, Luo. San guo yan yi. Feng yun shi dai chu ban she, 1987.

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17

Guanzhong, Luo. Romance of the three kingdoms. 5th ed. K. Nguyen, 2003.

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18

Guanzhong, Luo. Kānmư̄ang samai phǣndin Sām kok. Somphavan ʻInthavong, 1987.

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19

Guanzhong, Luo. San guo yan yi: Three kingdoms. Hunan Ren min chu ban she, 2000.

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20

Guanzhong, Luo. San guo zhi tong su yan yi: [24 juan]. Shanghai gu ji chu ban she, 1990.

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21

Guanzhong, Luo. San guo yan yi. Zhongguo guang bo dian shi chu ban she, 1992.

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22

Guanzhong, Luo. San guo yan yi. Zhongguo ren min da xue chu ban she, 2000.

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23

Guanzhong, Luo. Romance of the three kingdoms =: San guo zhi yan yi. C.E. Tuttle Co., 2002.

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24

Guanzhong, Luo. San guo yan yi: [120 hui]. Zhonghua shu ju (Xianggang) you xian gong si, 1995.

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25

Guanzhong, Luo. San guo yan yi. Yue lu shu she, 1986.

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26

Guanzhong, Luo. San guo yan yi. 2nd ed. Chun feng wen yi chu ban she, 1994.

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27

Guanzhong, Luo. San guo yan yi. Hua cheng chu ban she, 1992.

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28

Guanzhong, Luo. Ming jia ping dian si da ming zhu. Zhongguo wen lian chu ban gong si, 1998.

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29

Guanzhong, Luo. San guo yan yi. Jie fang jun wen yi chu ban she chu ban fa xing, 2000.

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30

Guanzhong, Luo. San guo yan yi. 2nd ed. Lijiang chu ban she, 1996.

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31

Guanzhong, Luo. San guo yan yi. Zhi yang chu ban she, 1991.

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32

Guanzhong, Luo. Three kingdoms. Foreign Languages Press, 1995.

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33

Guanzhong, Luo. Three kingdoms: A historical novel. Foreign Languages Press, 1994.

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34

Guanzhong, Luo. Three kingdoms: A historical novel. Foreign Languages Press, 1999.

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35

Arberry, A. J. Routledge Revivals: Classical Persian Literature. Taylor & Francis Group, 2016.

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36

Arberry, A. J. Routledge Revivals: Classical Persian Literature. Taylor & Francis Group, 2016.

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37

Dutsch, Dorota, Zara Martirosova Torlone, and Dana LaCourse Munteanu. Handbook to Classical Reception in Eastern and Central Europe. Wiley & Sons, Incorporated, John, 2017.

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38

Dutsch, Dorota, Zara Martirosova Torlone, and Dana LaCourse Munteanu. Handbook to Classical Reception in Eastern and Central Europe. Wiley & Sons, Incorporated, John, 2017.

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39

Dutsch, Dorota, Zara Martirosova Torlone, and Dana LaCourse Munteanu. Handbook to Classical Reception in Eastern and Central Europe. Wiley & Sons, Limited, John, 2017.

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40

Dutsch, Dorota, Zara Martirosova Torlone, and Dana LaCourse Munteanu. Handbook to Classical Reception in Eastern and Central Europe. Wiley & Sons, Incorporated, John, 2017.

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41

Dutsch, Dorota, Zara Martirosova Torlone, and Dana LaCourse Munteanu. Handbook to Classical Reception in Eastern and Central Europe. Wiley & Sons, Limited, John, 2017.

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42

Waters, Matt. Ctesias' Persica and Its near Eastern Context. University of Wisconsin Press, 2020.

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43

Ram-Prasad, Chakravarthi, and Brian Black. In Dialogue with Classical Indian Traditions. Taylor & Francis Group, 2021.

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44

In Dialogue with Classical Indian Traditions. Taylor & Francis Group, 2019.

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45

On the Fringe of Commentary: Ancient near Eastern and Ancient Mediterranean Cultures. Peeters Publishers & Booksellers, 2014.

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46

Alexander, Philip, Armin Lange, and Renate Pillinger. In the Second Degree: Paratextual Literature In Ancient Near Eastern and Ancient Mediterranean Culture and Its Reflections In Medieval Literature. BRILL, 2010.

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47

In the second degree: Paratextual literature in ancient Near Eastern and ancient Mediterranean culture and its reflections in medieval literature. Brill, 2010.

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48

Ram-Prasad, Chakravarthi, and Brian Black. In Dialogue with Classical Indian Traditions: Encounter, Transformation and Interpretation. Taylor & Francis Group, 2019.

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49

Ram-Prasad, Chakravarthi, and Brian Black. In Dialogue with Classical Indian Traditions: Encounter, Transformation and Interpretation. Taylor & Francis Group, 2019.

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50

Mattar, Karim. Specters of World Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467032.001.0001.

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This book draws on Edward Said, Aamir Mufti, Jacques Derrida, and world-systems theory to address the institutionalized construct of “world literature” from its origins in Goethe and Marx to the present day. It argues that through its history, this construct has served to incorporate if not annul local literatures and the concept of “local literature” itself, and to universalize the novel, the lyric poem, and the stage play as the only literary forms appropriate to modernity. It demonstrates this thesis through a comparative reading of the reinscription of the classical Arabic-Islamic concept of “adab” as “literature” in the modern, European sense in Egypt, Turkey, and Iran in the 19<sup>th</sup> to mid-20<sup>th</sup> centuries. It then turns to the Middle Eastern novel in the global contexts of its production, translation, circulation, and reception today. Through new readings of novels and other literary works by Abdelrahman Munif, Naguib Mahfouz, Orhan Pamuk, Azar Nafisi, Yasmin Crowther, and Marjane Satrapi, and with reference to landmarks of Middle Eastern and world literary history ranging from the Mu‘allaqāt and Alf Layla wa Layla to Don Quixote, it argues that these texts—like “world literature” itself—are constitutively haunted by specters of the literary forms and traditions, of the life-worlds that they expressed, cast aside by modernity. In the case of the Middle Eastern novel, it is adab and all that it encompassed in the classical Arab-Islamic world that is suppressed or othered, but that spectral, yet returns in new, genuinely worldly constellations of form.
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