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Relevant bibliographies by topics / Eastman Kodak Company – History

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Academic literature on the topic 'Eastman Kodak Company – History'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Eastman Kodak Company – History"

1

Fisher, Erin. "Decoding: A Guide to Kodak Paper Surface Characteristics." Collections: A Journal for Museum and Archives Professionals 14, no. 2 (2018): 207–25. http://dx.doi.org/10.1177/155019061801400207.

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From 1880 to 2005, the Eastman Kodak Company manufactured black-and-white fiber-based gelatin silver paper in a wide variety of weights, grades, and formats. Kodak manufacturer records and sample books include details about Kodak paper surface characteristics and are an invaluable resource for understanding photographic paper materials. Using the extensive number of Kodak data books, manuals, and manufacturing records spread out in the collections of three Rochester, New York-based institutions—George Eastman Museum, University of Rochester Special Collections, and Image Permanence Institute—I

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Ochsner, Michele. "Case Study: Chemical Screening at Eastman Kodak Company." Environmental Quality Management 10, no. 3 (2001): 23–33. http://dx.doi.org/10.1002/tqem.1002.

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MacKnight, Carol B. "Kodak Photo CD Eastman Kodak Company Kodak Information Center Department E 343 State Street Rochester, NY 14650-0811." Journal of Computing in Higher Education 7, no. 1 (1995): 129–31. http://dx.doi.org/10.1007/bf02946148.

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Russel, Tamara E. "Trav'lin’ Light: Early Retirees and the Availability of Post-Retirement Health Benefits." American Journal of Law & Medicine 22, no. 4 (1996): 537–62. http://dx.doi.org/10.1017/s0098858800011941.

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George Eastman may not have been a father, but to the residents of Rochester, New York, the principal founder of Eastman Kodak was a doting uncle. In addition to donating millions of dollars to Rochester-area schools and hospitals, Eastman reportedly paid to remove the tonsils of every child in town. Even after his death in 1932, his company looked after of its employees and retirees. For example, Kodak refused to use its size to negotiate for cheaper medical care for its Rochester employees. If it had, most small businesses in the area would have likely faced higher insurance rates and the pr

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Clemen, Robert T., and Robert C. Kwit. "The Value of Decision Analysis at Eastman Kodak Company, 1990-1999." Interfaces 31, no. 5 (2001): 74–92. http://dx.doi.org/10.1287/inte.31.5.74.9655.

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Curme, Henry, and Royden N. Rand. "Early history of Eastman Kodak Ektachem slides and instrumentation." Clinical Chemistry 43, no. 9 (1997): 1647–52. http://dx.doi.org/10.1093/clinchem/43.9.1647.

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Malin, D. "Kodak and the Future of Astronomical Photography." Symposium - International Astronomical Union 161 (1994): 127–28. http://dx.doi.org/10.1017/s0074180900047197.

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This is probably the first astronomical meeting with a serious photographic content where Kodak has not been represented. We had invited Gordon Brown who was once responsible for the scientific imaging market to come and talk to us about the availability of spectroscopic emulsions. However, I was told the Company no longer has a person responsible for scientific plates, a fact which I interpret with some foreboding and a great deal of sadness. It therefore falls to me to fill this part of the program with a statement that has been approved, or at least not contested, by Eastman Kodak.

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Lapenda, Agustina. "Fotografía y democratización. La construcción hegemónica de Kodak." Boletín de Arte, no. 21 (April 28, 2021): e030. http://dx.doi.org/10.24215/23142502e030.

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En este artículo se propone desnaturalizar y problematizar el concepto de democratización de la imagen en la historia de la fotografía mediante el análisis de la construcción hegemónica y penetración cultural de la Eastman Kodak Company hacia fines del siglo xix y comienzos del xx. A partir de aproximaciones teórico-metodológicas de los estudios culturales, la sociología de la cultura y la historia de la fotografía — atravesadas por reformulaciones de la teoría marxista clásica—, se observa el modelo de producción de la compañía, su política corporativa y sus estrategias de venta junto con sus

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Hande, Savithri, and Prajna K B. "Survey on Organic Light Emitting Diode." International Journal of Innovative Science and Research Technology 5, no. 6 (2020): 630–36. http://dx.doi.org/10.38124/ijisrt20jun492.

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Organic light emitting diodes is a new display technology, which uses organic thin materials that are placed between conductors. When an electric current is applied, a bright light is emitted. OLEDs are thin, transparent, flexible, foldable displays. In 1987 researchers of Eastman Kodak company invented OLED diode technology. The principal inventors were Chemists Ching W. Tang and Steven Van Slyke. In 2001 they received an Industrial Innovation Award from the American Chemical Society for their contribution in organic light emitting diodes. In 2003, Kodak realised its first OLED display had 51

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Seddio, Carl. "Integrating test metrics within a software engineering measurement program at Eastman Kodak Company: A follow-up case study." Journal of Systems and Software 20, no. 3 (1993): 227–35. http://dx.doi.org/10.1016/0164-1212(93)90066-7.

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Dissertations / Theses on the topic "Eastman Kodak Company – History"

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Shives, Jenny C. "“Images to Sell Kodak”: Nancy Ford Cones: Photographs for the George Eastman Kodak, Company 1902-1917." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin990801973.

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Perry, Shannon. "The Eastman Kodak Co. and the Canadian Kodak Co. Ltd : re-structuring the Canadian photographic industry, c.1885-1910." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/13060.

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Within the accepted historiography of photography, the importance of George Eastman and the Eastman Kodak Company (EKC) has become unassailable. They have been placed as the key, and often sole, agent in “revolutionizing” the amateur photography market in the late nineteenth century. While the photographic landscape and market of 1885-1914 was indeed radically altered, the historiographical dominance of what can be identified as the “Kodak story” has obscured the means through which EKC’s successful re-structuring of the existing manufacturing and distribution networks of photographic material

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Kestel, Joseph James. "Don't Take My Kodachrome Away! Eastman Kodak and the Loss of System Control in the Digital Era." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/9873.

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Photography is inherently technological, based as it is on intricate chemical processes. George Eastman famously created the conventional photographic system, making the technology widely available to a mass market. Using the systems approach, I show how the Eastman Kodak Company consolidated critical photographic technologies through acquisition and research in the beginning of the twentieth century. Once the company achieved predominance in the industry, it set about expanding its markets. However, as the non-chemical elements of the technology advanced in the 1970s and beyond, the market ch

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Johnson, Stacey. "Taking pictures, making movies and telling time : charting the domestication of a producing and consuming visual culture in North America." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35900.

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The dissertation examines how image-making, a common pastime, was made common. It investigates the ways in which the production and consumption of images in the context of the North American family contributed to the development of a distinctly domestic and privatized visual culture, and the transformation of the home into a site for privatized spectatorship.<br>Four cultural forms (No. 1 Kodak, Box Brownie, Cine Kodak and Cine Kodak 8) are specified in this development, all pioneered by the Eastman Kodak Company. The dissertation traces Eastman Kodak's direct involvement in the popularization

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Aquino, Livia Afonso de 1971. "Picture Ahead : a Kodak e a construção de um turista-fotógrafo." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285273.

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Orientador: Iara Lis Schiavinatto<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-25T20:11:36Z (GMT). No. of bitstreams: 1 Aquino_LiviaAfonsode_D.pdf: 255946029 bytes, checksum: 176794ed5283231aa05740c0d9e70a27 (MD5) Previous issue date: 2014<br>Resumo: Esta tese trata da fotografia do amador e sua construção histórica no campo do turismo, refletindo sobre a criação de práticas sociais e sobre as transformações na percepção da experiência da viagem. O turista-fotógrafo é sujeito que comporta tanto o turista quanto o fotógrafo

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Distefano, Joseph 1960. "An analysis of melt/coat process clubs at Eastman Kodak Company." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/88340.

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Kuklišová, Lucia. "Vývoj designu fotografických prístrojov." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-391678.

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This thesis discusses the camera design development from its very beginning until present time. Methodological is based on a basic ideas of industrial design, cooperation of brands with specific designers and achieve goals of industrial design. In the beginning, I am trying to find a breakpoint in thinking about the cameras, moment of not-only light-sensitive material development, but also adding of new ideas of camera ergonomics, the functional elements of the marking symbol or extra aesthetic value and mapping the effects and conditions to which it was formed. It contains substantial coopera

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Books on the topic "Eastman Kodak Company – History"

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The story of Kodak. H.N. Abrams, 1990.

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Center for the Study of National Reconnaissance (U.S.). Bridgehead: Eastman Kodak Company's covert photoreconnaissance film processing program. Center for the Study of National Reconnaissance, 2014.

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Funderburk, Kit. History of the papermills at Kodak Park. Eastman Kodak Co.], 2006.

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Day, Pierce Burton. Career in optics: A memoir that spans 36 years (1950-1986) of optics history at Eastman Kodak. The Day Group, Inc., 2014.

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Farnham, Sherman. The Hargraves of Wymore: A family history in nineteen chapters, following the Hargrave family through three generations from 1850 to 1966. s.n.], 2007.

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Roberts, Harry E. From Kodachrome to instant color: The history of silver halide emulsion chemistry. Harry E. Roberts, 2000.

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Kodak girl: From the Martha Cooper collection. Steidl, 2011.

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8

Durling, James P. Anatomy of a trade dispute: A documentary history of the Kodak-Fujifilm dispute. Cameron May, 2000.

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9

Walata, S. A. Source characterization and control technology assessment of methylene chloride emissions from Eastman Kodak Company, Rochester, NY. U.S. Environmental Protection Agency, Air and Energy Engineering Research Laboratory, 1989.

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10

Falk, Jon. Jon Falk presents Adventures in location lighting: Produced courtesy Eastman Kodak Company. 3rd ed. Lights Ltd., 1988.

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Book chapters on the topic "Eastman Kodak Company – History"

1

Lurie, Arnold P. "CAS and MDL Registry Systems at Eastman Kodak Company." In Chemical Structures. Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-73975-0_8.

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2

"Eastman Kodak Company." In The Advertising Age Encyclopedia of Advertising. Routledge, 2015. http://dx.doi.org/10.4324/9781315062754-54.

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Lake, Jessica. "Setting the Scene." In The Face That Launched a Thousand Lawsuits. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300214222.003.0002.

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This chapter offers an analysis of the changes in visual technologies that were occurring in the nineteenth century and the ways in which photography and cinema radically altered the experience of seeing and being seen by others. For the picture taker, photography offered many pleasures; for the pictured subject, however, it created an acute tension between feelings of identification and alienation. I argue that the invention of photography and its fashioning as an amateur pastime (led by George Eastman and the Kodak company) from the 1880s, together with the development of cinema at the end of the nineteenth century, occasioned the potential for new harms to pictured subjects (especially women) for which existing laws provided inadequate redress. This chapter discusses the popularity of ‘detective’ cameras and surreptitious photography and the ways in which the camera became a gendered device – with advertisements and news commentary employing camera-as-firearm associations and casting young men as ‘hunting’ for pictures of ‘pretty girls’. It also demonstrates the potential discomfort of becoming a subject upon the silent screen in early film history and how film studios appropriated people’s personal narratives in their drive for sellable stories.

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"Disruptive Innovation at the Eastman Kodak Company (Part II)." In Driving Desired Futures. Birkhäuser, 2014. http://dx.doi.org/10.1515/9783038212843.112.

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"Disruptive Innovation at the Eastman Kodak Company (Part III)." In Driving Desired Futures. Birkhäuser, 2014. http://dx.doi.org/10.1515/9783038212843.238.

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"Disruptive Innovation at the Eastman Kodak Company (Part I)." In Driving Desired Futures. Birkhäuser, 2014. http://dx.doi.org/10.1515/9783038212843.28.

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"Disruptive Innovation at the Eastman Kodak Company (Part IV)." In Driving Desired Futures. Birkhäuser, 2014. http://dx.doi.org/10.1515/9783038212843.357.

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Hill, Laura Warren. "Confrontation with Kodak." In Strike the Hammer. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501754258.003.0006.

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This chapter shows how the militant organization FIGHT targeted the Eastman Kodak Company by pressing the film conglomerate to hire and train the hard-core unemployed in 1966. It recounts how FIGHT's crusade jumped to the national scene in 1967, making major waves in the business world. It also elaborates how the corporate leaders of KODAK simply handled FIGHT when it came calling, with Kodak representatives explaining their own programs and suggested that FIGHT get in line. The chapter details how FIGHT continued to pressure Kodak locally by engaging the media and even drawing national Black Power leader Stokely Carmichael to join its efforts. It argues that FIGHT's campaign against Kodak significantly rewrote the rules of corporate responsibility in the era of Black Power.

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Baxter, Colin F. "The Battle for RDX Production." In The Secret History of RDX. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813175287.003.0007.

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The Bachmann “combination” process was a breakthrough toward large-scale production of RDX. The spectacular achievement of Tennessee Eastman Company in developing a continuous method of RDX production. Both physical and human obstacles had to be surmounted by the proponents of RDX. The issue of increased production of the explosive reached the desk of President Roosevelt.

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Baxter, Colin F. "The Great Holston Ordnance Works." In The Secret History of RDX. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813175287.003.0010.

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Following the brilliant achievements at Wexler Bend, the Tennessee Eastman Company was asked by the government to design and operate what would become known as the Holston Ordnance Works. During the peak period of construction, approximately eighteen thousand workers were employed in building the enormous RDX plant. Housing, traffic, and other problems. Torpex, an offspring of RDX, would have a significant role in winning the Battle of the Atlantic against German U-boats.

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Conference papers on the topic "Eastman Kodak Company – History"

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Rosenzweig, Elizabeth, and Cay Lodine. "Usability at Eastman Kodak Company." In Conference companion. ACM Press, 1995. http://dx.doi.org/10.1145/223355.223478.

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Greivenkamp, J. E. "Interferometric Measurements At Eastman Kodak Company." In 31st Annual Technical Symposium, edited by Norbert A. Massie. SPIE, 1987. http://dx.doi.org/10.1117/12.941767.

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Meyers, Mark M. "Diffractive optics at Eastman Kodak Company." In Photonics West '96, edited by Ivan Cindrich and Sing H. Lee. SPIE, 1996. http://dx.doi.org/10.1117/12.239628.

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Meyers, Mark M., and Joseph Bietry. "Design and fabrication of diffractive optics at Eastman Kodak Company." In Photonics East '95, edited by Alex Ning and Raymond T. Hebert. SPIE, 1995. http://dx.doi.org/10.1117/12.227912.

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