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1

Jérusalem, Christine. Jean Echenoz. Paris: AdpfCulturesfrance, 2006.

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2

Lebrun, Jean-Claude. Jean Echenoz. [Monaco]: Editions du Rocher, 1992.

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3

Jean Echenoz. Paris: Éditions de l'Herne, 2022.

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4

Association pour la diffusion de la pensée française., ed. Jean Echenoz. Paris: ADPF, Ministère des affaires étrangères, 2006.

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5

Jérusalem, Christine. Jean Echenoz: Géographies du vide. Saint-Etienne: Publications de l'université de Saint-Etienne, 2005.

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6

Université de Saint-Etienne.. Centre interdisciplinaire d'étude et de recherche sur l'expression contemporaine, ed. Jean Echenoz: Géographies du vide. Saint-Etienne: Publications de l'Université de Saint-Etienne, 2005.

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7

Jean Echenoz: Étude de l'oeuvre. Paris: Bordas, 2008.

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8

Leca-Mercier, Florence. Jean Echenoz: La fiction, la langue. Paris: Honoré Champion éditeur, 2022.

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9

Jean Echenoz et la distance intérieure. Paris: Harmattan, 2012.

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10

Le roman ludique: Jean Echenoz, Jean-Philippe Toussaint, Eric Chevillard. [Villeneuve-d'Asq?]: Presses universitaires du Septentrion, 2003.

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11

Les récits indécidables: Jean Echenoz, Hervé Guibert, Pascal Quignard. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2008.

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12

Les récits indécidables: Jean Echenoz, Hervé Guibert, Pascal Quignard. Villeneuve d'Ascq (Nord): Presses universitaires du Septentrion, 2000.

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13

Christine, Jérusalem, Vray Jean-Bernard, and Musée d'art moderne de Saint-Etienne., eds. Jean Echenoz: "une tentative modeste de description du monde". Saint-Etienne: Publications de l'Université de Saint-Etienne, 2006.

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14

Détail et humour dans l'oeuvre de Jean-Philippe Toussaint, Jean Echenoz et Christian Oster. Paris: L'Harmattan, 2020.

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15

Le retour du roman d'aventures: Formes et enjeux contemporains : à partir de Jean Echenoz. Paris: Honoré Champion éditeur, 2017.

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16

Houppermans, Sjef. Lectures du désir de Madame de Lafayette à Régine Detambel et de Jean de La Fontaine à Jean Echenoz. Amsterdam: Rodopi, 1997.

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17

"A la recherche de l'homme perdu": Literarische Ethik in den Romanen von Jean Echenoz, Jean-Philippe Toussaint und Michel Houellebecq. Heidelberg: Winter, 2014.

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18

Le (Post)moderne des romans de Jean Echenoz: De l'anamnèse du moderne vers une écriture du postmoderne. Brno: Masarykova univerzita, 2007.

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19

Dytrt, Petr. Le (Post)moderne des romans de Jean Echenoz: De l'anamnèse du moderne vers une écriture du postmoderne. Brno: Masarykova univerzita, 2007.

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20

Schmidt-Supprian, Dorothea. Spielräume inauthentischen Erzählens im postmodernen französischen Roman: Untersuchungen zum Werk von Jean Echenoz, Patrick Deville und Daniel Pannac. Marburg: Tectum, 2003.

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21

Überhoff, Isabel. Spurensuche: Poetik der Romane von Jean Echenoz : eine Einführung aus komparatistischer Sicht : mit Personalbibliographie und einem dreiteiligen Interview. Hildesheim: Georg Olms Verlag, 2007.

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22

Echenoz, Jean, and Javier Albiñana Serraín. Jean Echenoz. Editorial Anagrama, 2021.

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23

Keidel, Christine. Aesthetik des Fragments: Fragmentarisches Erzaehlen Bei Jean-Philippe Toussaint und Jean Echenoz. Lang AG International Academic Publishers, Peter, 2009.

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24

Sutil, María Cruz Alonso. Tema Del Viaje en la Narrativa Francesa Contemporánea: J. M. G. le Clézio y Jean Echenoz. Universidad Complutense de Madrid, Servicio de Publicaciones, 2008.

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25

Hollister, Lucas. Beyond Return. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786942180.001.0001.

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Beyond Return examines how popular literary forms have been politicized or could be productively repoliticized in the literary period that we have called the contemporary (roughly: since 1980). In the aftermath of the efflorescence of experimental literature and theory that characterized the Trente Glorieuses (1945-75), ‘contemporary’ French literature is often said to embrace more traditional or readable novelistic forms. This rejection of the radical aesthetics of mid-century French literature, this rehabilitation of fictional forms that have been called sub-literary, regressive, or outdated, has been given a name: the ‘return to the story.’ Beyond Return proposes new perspectives on the cultural politics of such fictions. Examining adventure novels, radical noir, postmodernist mysteries, war novels, and dystopian fictions, this book shows how authors like Jean Echenoz, Jean-Patrick Manchette, Jean Rouaud, and Antoine Volodine develop radically dissimilar notions of the aesthetics of ‘return,’ and thus redraw in different manners the boundaries of the contemporary, the French, and the literary. In the process, Beyond Return argues for the need to move beyond the nostalgic, anti-modernist rhetoric of the ‘return to the story’ in order to appreciate the potentialities of innovative contemporary genre fictions.
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