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Relevant bibliographies by topics / Echopoetics

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Journal articles
Dissertations / Theses
Book chapters

Academic literature on the topic 'Echopoetics'

Author: Grafiati

Published: 7 September 2024

Last updated: 31 July 2025

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Journal articles on the topic "Echopoetics"

1

Melzer, Alyson. "Comic Echopoetics in Aristophanes' Thesmophoriazousai." American Journal of Philology 143, no. 3 (2022): 385–412. http://dx.doi.org/10.1353/ajp.2022.0016.

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Feng, Yi. "The Epiphany of Language: The Connotation of Zen-Taoism in Charles Bernstein's Echopoetics." boundary 2 48, no. 4 (2021): 163–83. http://dx.doi.org/10.1215/01903659-9382243.

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Abstract As a prominent representative figure of American Language poetry, Charles Bernstein has incorporated many themes concerning “nothingness” into his poetry. Contrary to the traditional Western philosophy that defines the concept of “nothingness” as meaninglessness and agnosticism, “nothingness” in Bernstein's poetics is endowed with profound poetic and aesthetic implications. Bernstein studied the works of Zen-Taoist philosophy in his early years. Understanding the Zen-Taoist connotations of “nothingness” is an important new dimension in interpreting Bernstein's echopoetics. Bernstein i

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Huang, Yunte. "Ten Plus Ways of Reading Charles Bernstein: Improvisations on Aphoristic Cores." boundary 2 48, no. 4 (2021): 255–78. http://dx.doi.org/10.1215/01903659-9382300.

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Abstract Composed as a series of improvisations, this is a modular essay that examines, ponders, and responds to the radical poetics of Charles Bernstein's work from multiple perspectives, including dysraphism, aphorism, wit, and echopoetics. It also situates Bernstein in the long tradition of innovative American poetics extending from Ezra Pound and Gertrude Stein to Charles Olson and Susan Howe.

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Librandi, Marilia. "Writing by Ear, the Aural Novel, and Echopoetics: A Listening Vocabulary for Literary Analysis." Journal of Foreign Languages and Cultures 5, no. 2 (2021): 113–26. http://dx.doi.org/10.53397/hunnu.jflc.202102011.

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Given the robust plurivocality that has characterized literature in Brazil since its colonial inception, and the eminently (and explicitly) receptive stance that many of its modern authors have adopted, I have structured my argument to follow two intersecting paths. Firstly, Clarice Lispector’s notion of “writing by ear” serves as a foundation for a renewed history of Brazilian literature, framed as a history of active listening. Secondly, the hope is to offer a Luso-Afro- Amerindian-Brazilian contribution to Latin American criticism, turning the semantic range of terms related to edges, margi

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Bernstein, Charles. "Cento." boundary 2 48, no. 4 (2021): 15–63. http://dx.doi.org/10.1215/01903659-9382046.

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Abstract A roundup of Charles Bernstein's interviews outside the US: (1) “Interview with Romina Freschi” (Argentina, 2005), previously published only in Spanish; (2) “Frequently Unasked Questions,” with Versatorium (Austria, 2011), previously published only in German in Der Standard; (3) “Interview with Philip Davenport” (England, 2012), focusing on the marginalization of radical formal poetry in the US versus the UK; (4) “Interview with Maurizio Medo” (Peru, 2014), previously published only in Spanish, focusing on the importance of Cage and Mac Low and the problems with the designations “expe

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6

Zafran, Hiba. "Echopoetics and unbelonging: Making sense of reconciliation in academia." Transcultural Psychiatry, June 21, 2021, 136346152110150. http://dx.doi.org/10.1177/13634615211015091.

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This article is a narrative and conceptual exploration of the journey towards practicing Indigenous allyship in an academic context. I begin by tracing a trajectory of coming to work with Indigenous peoples as a non-Indigenous, multiple migrant, and queer person of color situated as a therapist and educator in a Canadian academic institution’s Faculty of Medicine and Health Sciences. Anti-racist and de/postcolonial theories and concepts abound to label my experiences of tokenization, yet they invariably fall short of the nuanced and complex ways that both reconciliation and oppression unfold i

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7

Méndez, Mariela. "Librandi, Marília. Writing by Ear: Clarice Lispector and the Aural Novel. U of Toronto P, 2018." Journal of Lusophone Studies 3, no. 2 (2018). http://dx.doi.org/10.21471/jls.v3i2.271.

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Writing by Ear, despite its subtitle, is not merely a book about the presence of aurality in Clarice Lispector’s fiction. Marília Librandi’s book closely listens to Lispector’s fiction to find the resonances and reverberations of a mode of writing that informs a large part of Brazilian literature of the modern period. There is a “listening in writing,” the author argues, and she offers three interrelated concepts—“writing by ear,” “aural novel,” and “echopoetics”—to help the reader follow her auditory journey through Lispector’s life and writing.

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Dissertations / Theses on the topic "Echopoetics"

1

Combreau, Lucile. "Écrire, filmer et performer les mémoires de l'esclavage transatlantique. Une étude échopoétique des veillées, de la nuit et des profonds." Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030029.

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Parce que les lieux officiels dédiés aux mémoires de l’esclavage se sont multipliés de part et d’autre de l’Atlantique depuis deux décennies, les caractères (in)dicibles et (in)visibles de ces mémoires intimes et collectives sont devenus un enjeu pour les artistes qui cherchent à les écrire, les filmer et les performer. Aujourd’hui, un cinéma et une littérature « palimpsestes » (Genette) remettent en mouvement les archives et les textes fondateurs (Césaire, Glissant, Louverture, Walcott, etc.) de ces mémoires vives et vivantes, dans un processus de décomposition et de recomposition ouvert aux

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Book chapters on the topic "Echopoetics"

1

"2. Poetics and Echopoetics." In The Poet Edgar Allan Poe. Harvard University Press, 2014. http://dx.doi.org/10.4159/harvard.9780674735972.c5.

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"6. The Echopoetics of G.H." In Writing by Ear. University of Toronto Press, 2018. http://dx.doi.org/10.3138/9781487514730-010.

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