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Journal articles on the topic 'Eclecticism in architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Enab, Mohamed. "Eclecticism Style in the Architecture of Khedivian Cairo." Journal of Islamic Architecture 5, no. 2 (2018): 77–82. http://dx.doi.org/10.18860/jia.v5i2.4747.

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Eclecticism style is one of the European architectural styles that have appeared in the buildings of Cairo in 13-14 A.H / 19-20A.D, which means the trend toward consolidation of various models and buildings in the previous civilizations and merge them and out in one building. This style has known as quoted-style or trend in architecture or eclectic architecture. The research is an attempt to Inventory these buildings that are built on this architectural style. This research follows the historical approach to knowing the origin of this architectural style and how it moved and spread in Cairo ar

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2

Carpo, Mario. "Architecture: Theory, Interdisciplinarity, and Methodological Eclecticism." Journal of the Society of Architectural Historians 64, no. 4 (2005): 425–27. http://dx.doi.org/10.2307/25068195.

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3

Steen, Andrew P. "Radical Eclecticism and Post-Modern Architecture." Fabrications 25, no. 1 (2015): 130–45. http://dx.doi.org/10.1080/10331867.2015.1006762.

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4

He, Gary Huafan. "The Organic and the Eclectic in César Daly’s “De l’architecture de l’avenir”." Journal of the Society of Architectural Historians 81, no. 4 (2022): 456–75. http://dx.doi.org/10.1525/jsah.2022.81.4.456.

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Abstract In The Organic and the Eclectic in César Daly’s “De l’architecture de l’avenir,” Gary Huafan He explores Daly’s concept of eclecticism as a critical discourse in the context of nineteenth-century ideas about naturalism and architectural style. In the 1869 essay that is the focus of this article, Daly narrated the “social evolution” of architecture as a process oscillating between organic and eclectic phases and mapped the history of style onto a parallel movement of French political regimes from antiquity to the Second Empire. Written after the fierce academic debates that took place

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5

Bazarova, Eteri, and Vladimir Shipkov. "I.E. BONDARENKO'S CRITICISM OF ARCHITECTURAL PRACTICE THE ECLECTIC PERIOD." Construction and Architecture 10, no. 4 (2022): 76–80. http://dx.doi.org/10.29039/2308-0191-2022-10-4-71-75.

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The formation of a bright representative of the neo-Russian style of architect, architectural historian and art critic I.E. Bondarenko partially coincided with the period of mature eclecticism. Of interest is his attitude to the work of his contemporaries, recorded in the "Notes of the artist-architect" written by him in 1939-1940, which were published only in 2018. A separate theme of the memoirs is the evaluation of the period of eclecticism in the architecture of Russia. Together with the comments on the notes, plans and exhibition programs stored in the Russian State Archive of Literature

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Yıldız Kuyrukçu, Emine, and Hatice Ülkü Ünal. "Examining “Eclektic”, “Kitch” “Neoclasic” and “Orientalist” architectural production methods on university structures." Journal of Human Sciences 18, no. 1 (2021): 108–30. http://dx.doi.org/10.14687/jhs.v18i1.6143.

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Postmodern architectural products that can be described as kitsch have become rapidly consumed objects because they have appealed to the whole society. As a demand stimulating, easily comprehensible, and rapidly consumable product, kitsch has gained an important place in postmodern culture and architecture. These features of kitsch have easily made it a paradoxical part of consumption culture. After the Neoclassical boom in the 18th century, architectural movements such as Eclecticism, Orientalism, and Historicism became widespread in the 19th century. Towards the end of the 20th century, thes

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Starodubtscev, Oleg V. "Philosophical Ideas of the Romanticism and Russian Ecclesiastical Architecture of the 19th Century." Observatory of Culture, no. 5 (October 28, 2015): 49–51. http://dx.doi.org/10.25281/2072-3156-2015-0-5-49-51.

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The article considers philosophical views of the Romanticism regarding the Russian ecclesiastical architecture of the 19th century. Resting upon some paradigmatic architectural research, the author demonstrates principal features of the ecclesiastical architecture evolution in particular, to which it is sometimes impossible to apply common for the architecture of the 19th century in general rules and regularities. Among other things, the following thesis is proposed: the Romanticism is not the first stage of the Eclecticism but a natural continuation of the Classicism. Moreover, in the ecclesi

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Karsono, B., D. R. Koesmeri, J. Wahid, and B. M. Saleh. "Eclecticism in Architecture of Masjid Bandaraya Kuching, Malaysia." IOP Conference Series: Materials Science and Engineering 1101, no. 1 (2021): 012027. http://dx.doi.org/10.1088/1757-899x/1101/1/012027.

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9

Fanggidae, Dodi Eduard, and Yudi Nugraha Bahar. "Eklektisisme pada Fasad Bangunan sebagai Ekspresi Identitas Kelokalan (Kasus: Kantor Bupati Rote Ndao)." Review of Urbanism and Architectural Studies 21, no. 2 (2023): 71–80. http://dx.doi.org/10.21776/ub.ruas.2023.021.02.8.

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Problems that arise in a time when it is easy to obtain information and references result in the emergence of a tendency to use various architectural styles, resulting in problems where the use of these styles is different from the local context in the area. Eclecticism in architectural design can be one method to produce local identity in new buildings. This can be achieved if the references used in the design come from the right sources. The method of analysis of the composition of the façade is used to understand the visual expression of the façade. This research reveals the expression of R

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10

He, Gary Huafan. "Three myths about eclecticism." Journal of Architecture 26, no. 8 (2021): 1146–62. http://dx.doi.org/10.1080/13602365.2021.1980420.

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11

Glebova, N. M. "Historicism, revivalism, and eclecticism as precursors to modernism in sacred Viennese architecture." Izvestiya vuzov. Investitsii. Stroitelstvo. Nedvizhimost 13, no. 1 (2023): 119–32. http://dx.doi.org/10.21285/2227-2917-2023-1-119-132.

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The paper aims to examine sacred Austrian architecture of the historicism period as a precursor to modernism; to explore the demise of historicism, which left room for the contributions of progressive architects and the emergence of new styles (such as the Vienna Secession) and, subsequently, modernism; to explain the impact of social changes on the spatial organization, structure, materials, decoration, and interior of religious architecture and how traditionalism resisted modernism. The study examines over 250 Austrian churches, 80 of which were built in historical styles in 1830–1910. With

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Zykov, Eugeny, Maria Merkulova, Alexander Slabukha, Olga Uspenskaya, and Sergey Yamaletdinov. "Architect Vladimir Aleksandrovich Sokolovsky." проект байкал, no. 79 (April 6, 2024): 148–57. http://dx.doi.org/10.51461/issn.2309-3072/77.2302.

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The article introduces readers to the life and creative biography of the outstanding Siberian architect Vladimir Aleksandrovich Sokolovsky on the threshold of his 150th anniversary. The authors describe surviving buildings of the architect in Krasnoyarsk and show the influence of his architecture on the formation of Siberian modern and eclecticism. The article features the role of the architect in the formation and development of the architectural environment of Krasnoyarsk in the first half of the 20th century. It describes the history of two buildings of wooden and stone architecture related

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Fadeev, K. V. "ARCHITECTURE OF THE FIRST HIGH SCHOOLS IN TOMSK LATE IN THE 19th CENTURY." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 4 (2019): 7–21. http://dx.doi.org/10.31675/1607-1859-2019-21-4-7-21.

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The article deals with the history of the emergence and development of the first high schools in Tomsk. The architectural aspect associated with the provision of the high schools with their own buildings adapted to the educational process is described, which, in turn, affected the formation of the architectural appearance of Tomsk.Late in the 19th century, eclecticism characterized by a mixture of different styles, became the dominant architectural trend in the appearance of buildings in Tomsk. One of the trends in eclecticism was the brick style, according to which the educational institution

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Fernandes, Eduardo. "Critical Eclecticism. The Way(s) of the Porto School." For an Architect’s Training, no. 49 (2013): 52–57. http://dx.doi.org/10.52200/49.a.tek40oma.

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The term “Porto School” designates an identity that relates the pedagogy of a teaching institution with the ideas and the architectural practice of its professors and/or former students, resulting of the transmission (and update) of a way of thinking connected to a way of doing: a concern with social responsibility (perceived through the notions of collaboration and relationship with the context), a timeless concept of modernity, an intentional appropriation and miscegenation of models (in a process that we can call critical eclecticism), the belief that architecture should be considered figur

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15

Chesné, Amaury, and Romanos Ioannidis. "An Investigation of the Perception of Neoclassical, Eclectic, Modernist, and Postmodern Architecture within Different Urban Landscapes: Athens vs. Paris." Land 13, no. 3 (2024): 340. http://dx.doi.org/10.3390/land13030340.

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The public perception of buildings belonging to different architectural movements is a largely unexplored area from a quantitative scientific perspective. However, a better scientific understanding of perceptions of architectural movements is important for the formation of improved planning and design policies. In this work, we carry out an initial exploration of the public preferences of the architectural movements of Neoclassicism, Eclecticism, Modernism, and Postmodernism. To this aim, a total of 103 citizens from Athens (Greece) and Paris (France) were presented with the same questions reg

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Kaji-O'Grady, Sandra. "Authentic Japanese architecture after Bruno Taut: the problem of eclecticism." Fabrications 11, no. 2 (2001): 1–12. http://dx.doi.org/10.1080/10331867.2001.10525149.

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SYSOEVA, E. A. "WООDEN ARCHITECTURE OF SYZRAN AT THE BEGINNING OF THE XXth CENTURY". Urban construction and architecture 1, № 2 (2011): 46–48. http://dx.doi.org/10.17673/vestnik.2011.02.12.

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The article is devoted to the problems of the wood and brick-wood architecture in Syzran at the beginning of the XXth century. It deserves our attention the unique one time construction of the city. The stages and Conditions of the formation of the wood architecture of Syzran are looked through in this article. We have got acquainted with the list of peculiarities of of peculiarities of the wooden construction of the three parts of city: central, zasyzransky and zakrymzensky areas. The basic architectural styles of construction of Syzran at the end of the XIXth and the beginning of the XXth ce

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18

Dadour, Stephanie. "Redefining Vernacular: The Lebanese Diaspora Eclecticism." Open House International 38, no. 2 (2013): 88–95. http://dx.doi.org/10.1108/ohi-02-2013-b0009.

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Unlike postwar reconstruction of urban districts, the architectural projects developed during the Lebanese war are a relatively unexplored subject, moreover if one is dealing within housing in the rural realm. Little attention has been paid to its contemporary propositions, especially to the ones directed by the Lebanese Diaspora during the war. By living abroad and by maintaining a link to their origins, members of the Diaspora put together all their strength and wealth to keep in touch with their land. For a large part, the idea of dwelling refers to their identity: by investing and building

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19

Hromnyuk, Adriana. "STYLISTIC ANALYSIS OF ARCHITECTURE OF MODERN INTERIORS OF FOOD FACILITIES." Current problems of architecture and urban planning, no. 61 (October 29, 2021): 42–56. http://dx.doi.org/10.32347/2077-3455.2021.61.42-56.

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The research analyzes a large number of food facilities in Kyiv, Lviv, and Odesa. They are famous for special colorit, attractiveness, and innovation in stylistic and thematic solutions of their spaces. The stylistic analysis of the architecture of their interiors showed that there is mostly no trace of a single stylistic solution but a fusion of several styles or trends.  The main stylistic tendencies in the organization of food enterprises' object and spatial environment are defined: eclectic, fusion, a single modern style/direction, and auteur design without reference to any particula

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20

Penyaz, Tetyana, and Oleg Slєptsov. "PECULIARITIES OF THE FORMATION OF THE MOORISH STILE IN YELISAVETGRAD (USING THE EXAMPLE OF THE BUILDINGS OF I. A. GOLDENBERG'S WATER CLINIC AND THE CHORAL SINAGOGE)." Space&FORM 2023, no. 54 (2023): 153–64. http://dx.doi.org/10.21005/pif.2023.54.e-02.

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The article analyses the peculiarities of the application of elements of Moorish architecture on the example of two buildings built in the town Kropyvnytsky (Yelysavetgrad) at the end of the 19th and the beginning of the 20th century. During the twentieth century, the architecture of the historysm (eclecticism) received little attention because it was considered to be imitative, it was not distinguished by clearly defined compositional and stylistic methods. Since the end of the 20th century, with the development of the postmodern paradigm, the principles of the formation and application of st

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21

Botek, Andrej. "Neoslohová sakrálna architektúra a jej prejavy na Slovensku." Notitiae Historiae Ecclesiasticae 12, no. 1 (2023): 24–40. http://dx.doi.org/10.54937/nhe.2023.12.1.24-40.

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The changes in social, national and cultural conciousness around a third into the 19th century brought also inspiration in the field of artistic and architectural creation. There was an emphasis oo the artist´s individuality, and inner movements were characteristic. The dynamism and freedom of creation stood in contrast to classicist reservedness and moderation. State, church and national communities simultaneously look for security and support in tradition. It brings preferred historical themes and a direct connection to the historical principles of creation in architecture. The neostyles wer

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22

Penyaz, Tatyana. "STAGES OF STYLISH DEVELOPMENT OF THE ARCHITECTURE OF ELIZABETHGRAD AT THE SECOND HALF OF THE 19TH – BEGINNING OF THE 20TH CENTURY." Urban development and spatial planning, no. 82 (February 3, 2023): 309–23. http://dx.doi.org/10.32347/2076-815x.2023.82.309-323.

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The article is devoted to the architecture of Yelysavetgrad at the second half of the 19th century and the beginning of the 20th century, that forms a large part of the historical center of the city and contains information about the development of medium-sized cities in southern Ukraine. The article presentes a classification of stylistic features and stages of the development of the Yelisavetgrad architecture of the period under study. On the basis of field surveys, studses of literary and archival sources, patterns of stylistic development, depending on the preferences of the time and the f

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23

Neville, Kristoffer. "The Theory and Practice of Eclecticism in Eighteenth-Century European Architecture." Journal of the Society of Architectural Historians 79, no. 2 (2020): 152–70. http://dx.doi.org/10.1525/jsah.2020.79.2.152.

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24

Stevanovic, Vladimir. "Ideological assumptions in aesthetic judgment of architecture." Spatium, no. 30 (2013): 40–46. http://dx.doi.org/10.2298/spat1330040s.

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The aim of this paper is consideration of presence of ideological factor in aesthetic judgment of architecture. The focus is on the aesthetic theories in which ideology is the key component that can produce aesthetic meaning on the basis of which aesthetic evaluation can be performed. With regard to this, the paper provides an insight into the relevant aesthetic approaches, which, by subject matter and methodology, can be determined as ideologically oriented. The theoretical frame established allows implementation of an interpretive and comparative analysis of two texts that through aesthetic

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Bjažić Klarin, Tamara. "Review of Aleksander Laslo’s Research on Late Nineteenth and Early Twentieth-Century Architecture in Zagreb." Prostor 32, no. 1(67) (2024): 16–25. http://dx.doi.org/10.31522/p.32.1(67).2.

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Architect Aleksander Saša Laslo (Celje, 1950 – Zagreb, 2014) was one of the leading historians of Croatian twentieth-century architecture, with a research scope centered on the city of Zagreb. Its aim was to investigate the processes of modernisation, tracing the evolution from high historicism and eclecticism through Art Nouveau to proto-functionalism and New Building (Ger. Neues Bauen, Cro. novo građenje) – viewed through building spatial-organisation, construction, and then inevitably form. Laslo’s interest, of course, extended beyond the mere physical structure of the building to wider soc

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Madanović, Milica. "Passion for past and functional imperative: Belgrade interwar residential architecture by Aleksandar Deroko." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 43–70. http://dx.doi.org/10.5937/saj1901043m.

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The name and the achievements of Aleksandar Deroko shine brightly in the constellation of Serbian architectural history. Deroko actively contributed to the Serbian twentieth-century architecture as a distinguished professor at the University of Belgrade, a prolific author, esteemed scholar, designer, and a highly driven heritage enthusiast. However, though recognised by his contemporaries and successors alike, Deroko's design activity has not yet been thoroughly examined. Exploring residential buildings designed for Deroko's Belgrade clientele, this paper widens the knowledge of his architectu

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Fraigniaud, Pierre, Cyril Gavoille, and Christophe Paul. "Eclecticism shrinks even small worlds." Distributed Computing 18, no. 4 (2006): 279–91. http://dx.doi.org/10.1007/s00446-005-0137-4.

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28

Vidler, Anthony. "Architecture, Poetry, and Everyday Life." October, no. 187 (2024): 65–74. http://dx.doi.org/10.1162/octo_a_00509.

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Abstract There is an exhibition currently hanging in the penthouse of the Museum of Modern Art in New York: Far removed from the clamor of the street and the jostling of the crowd, a selection of delicately conceived and exquisitely executed drawings remind us that, even in the age of pragmatism, ideal architecture still preoccupies creative minds. From the recent past and the lived present, these studies speak of impossible futures, irresistible impulses, and inconsequential fantasies. Hoary technotopia from Archigram; satyrical dreamscapes from Superstudio; metalinguistics from Argentina's n

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Losin, D. O. "Tenement Houses in Saratov." Izvestiya of Saratov University. History. International Relations 11, no. 1 (2011): 107–13. http://dx.doi.org/10.18500/1819-4907-2011-11-1-107-113.

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The article considers merchant tenement houses genesis in Saratov. The paper analyses the architecture of objects in question. One deals with three directions replacing each other successively: classicism, eclecticism (historicism), and modern. Apart from the history and the development of tenement houses that are worth paying attention to, interest to such buildings is also explained by resuming of such civil engineering today.

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Florenza ; Bachtiar Fauzy, Tamara. "ECLECTIC ARCHITECTURE ON MASJID PUSDAI BUILDING IN BANDUNG." Riset Arsitektur (RISA) 2, no. 03 (2018): 264–81. http://dx.doi.org/10.26593/risa.v2i03.2946.264-281.

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Abstract- Eclectic architecture is a product of globalization in which architectural styles from different places and time intertwine each other. The development of eclectic architecture in Indonesia tends to follow the trend, neglecting the local value. A study towards eclectic architecture is necessary to raise society’s concern towards the identification of foreign and local architectural style. Masjid PUSDAI Bandung is selected as a research object to represent these issues above, in which the architectural style of Spain, Indian, and Javanese mosque intertwined each other. The research’s

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Caskey, Jill. "Steam and "Sanitas" in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages." Journal of the Society of Architectural Historians 58, no. 2 (1999): 170–95. http://dx.doi.org/10.2307/991483.

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This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored,

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32

Remizova, Olena. "ARCHITECTURAL MEMORY AND FORMS OF ITS EXISTENCE." JOURNAL OF ARCHITECTURE AND URBANISM 44, no. 2 (2020): 97–108. http://dx.doi.org/10.3846/jau.2020.13053.

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The article attempts to highlight the traces of memory in the theory, history and practice of architecture. The subject of research is the existing forms of memory in architecture. It is traditionally accepted that the “history of architecture” as a science is the main repository of knowledge about the evolution of architecture. Facts and artifacts, descriptions of monuments and cities are retained in it. The article emphasizes that the traditional “history of architectural objects” is not the only form of memory. Another equally important and complicated aspect of the architectural memory is

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Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and

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Eplényi, Anna, and Brigitta Oláh-Christian. "Postmodern landscape architecture: theoretical, compositional characteristics and design elements with the analysis of 25 projects." Acta Universitatis Sapientiae, Agriculture and Environment 7, no. 1 (2015): 71–81. http://dx.doi.org/10.1515/ausae-2015-0006.

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Abstract This paper endeavours to highlight three aspects of postmodern landscape design: theoretical basis, composition and design elements. Postmodern theories, philosophy influenced the language of the postmodern landscape architecture and got materialized in the use of narratives, eclecticism, the Rhizome-principle. Postmodern landscape composition can be associated with anti-hierarchy, unusual structures, landforms, and playful moods. Postmodern design elements consist of the strong graphical use of colour and pavements, bizarre water features, unusual structures and buildings, postmodern

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Davidich, Tatyana. "Analysis and comparison of «style» and «eclecticism» notions in the theory of architecture." ScienceRise 1, no. 6 (2019): 6–12. http://dx.doi.org/10.15587/2313-8416.2019.170841.

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Lyman, Thomas W. "The Politics of Selective Eclecticism: Monastic Architecture, Pilgrimage Churches, and "Resistance to Cluny"." Gesta 27, no. 1/2 (1988): 83–92. http://dx.doi.org/10.2307/766996.

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Banerjee, Poulami. "Eclecticism in Architecture: Panchakot Palace A Pictorial Case Study in Purulia, West Bengal." International Journal for Research in Applied Science and Engineering Technology 8, no. 12 (2020): 82–97. http://dx.doi.org/10.22214/ijraset.2020.32401.

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Foenna, Fala, Bambang Karsono, and Fidyati Fidyati. "Telaah Arsitektur Eklektik pada Bangunan Masjid Haji Keuchiek Leumiek." ETNIK: Jurnal Ekonomi dan Teknik 2, no. 11 (2023): 1019–28. http://dx.doi.org/10.54543/etnik.v2i11.257.

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Indonesia is a country where the majority of the population is Muslim, especially Aceh. So it is not surprising that you can find many mosques with magnificent architecture and a great historical background. With globalization, many new architectural styles have emerged, for example eclectic architecture which influences the exterior and interior shapes of mosques. The application of eclectic architecture in the design process by adopting elements that are considered the best originating from local and non-local architecture so as to produce a building model that has its own charm and characte

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Somers, Dirk. "Pluralism and the Urban Landscape: Towards a Strategic Eclecticism." Architectural Design 91, no. 1 (2021): 56–63. http://dx.doi.org/10.1002/ad.2653.

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40

Flour, Isabelle. "‘On the Formation of a National Museum of Architecture: the Architectural Museum versus the South Kensington Museum." Architectural History 51 (2008): 211–38. http://dx.doi.org/10.1017/s0066622x00003087.

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Architectural casts collections — the great majority of which were created in the second half of the nineteenth or the early twentieth centuries — have in recent years met with a variety of fates. While that of the Metropolitan Museum in New York has been dismantled, that of the Musée des Monuments Français in Paris has with great difficulty been rearranged to suit current tastes. Notwithstanding this limited rediscovery of architectural cast collections, they remain part of a past era in the ongoing history of architectural museums. While drawings and models have always been standard media fo

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Castagnaro, Alessandro. "Infrastructural Systems toward the Valorisation of the History of Architecture: The Case of the Metro-Art in Naples." Advanced Engineering Forum 11 (June 2014): 508–13. http://dx.doi.org/10.4028/www.scientific.net/aef.11.508.

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Since the Industrial Revolution, cities have changed their identity and the transport systems have produced a strong impact, rather than on their social-anthropological character, on the morphology of the urban pattern and on the development of the vertical dimension of the architectural volumes.This mutation leads, among other things, to a significant transformations in the transition between the 19th and 20th centuries, according to the transition between the historicist eclecticism of previous centuries and the new deal of the belle époque. Paradigmatic and representative of the century are

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Petrusenko, Y. V. "DECORATIVE ELEMENTS IN BRICK STYLE ARCHITECTURE IN N.A. PANIN’S BUILDING." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 4 (2019): 53–61. http://dx.doi.org/10.31675/1607-1859-2019-21-4-53-61.

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The aim of this work is to identify the architectural and artistic features of A.N. Panin‟s building and carry out a detailed analysis of plastic facades, which represent a synthesis of gothic and pseudo-Russian styles. The building locates in the historic part of Rostov-on-Don, at the intersection of the oldest streets of the city – Beregovvya and Pochtovyi (now Ostrovskii) streets in Rostov-on-Don. The study identifies the features of plastic facade design using composite techniques and brick decoration, characteristic of eclecticism, which combines different styles in the plastic design of

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Palomares Alarcón, Sheila. "Iron architecture and eclecticism: the original project of the “San Bernardo” Station in Seville- Spain." Estoa 6, no. 10 (2017): 79–88. http://dx.doi.org/10.18537/est.v006.n010.07.

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de Sola-Morales, Ignasi. "The Origins of Modern Eclecticism: The Theories of Architecture in Early Nineteenth Century France." Perspecta 23 (1987): 120. http://dx.doi.org/10.2307/1567112.

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Lyudmirskaya, Alexandra. "Eclecticism of rationalism in the pre-revolutionary architecture of civil public buildings in the city of Novocherkassk." E3S Web of Conferences 281 (2021): 02008. http://dx.doi.org/10.1051/e3sconf/202128102008.

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The article analyzes the little-studied eclectic tradition in the architecture of civil public buildings in Novocherkassk, the peculiarities of its manifestation in the diverse stylistic palette of the city, including neo-Gothic and Art Nouveau, touches on the specifics of the stylistic trends’ manifestation in the rationalist architecture of the “masonry style”, as well as the historical timing of changes in style in a temporary context.

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Mzhelsky, V. M. "CHANGES IN SOVIET ARCHITECTURAL STYLES IN THE 1930s." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 4 (2019): 125–37. http://dx.doi.org/10.31675/1607-1859-2019-21-4-125-137.

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Purpose: The aim of the paper is to study the history of Soviet architecture, associated with changes in its stylistic orientation, when instead of the previously dominant constructivist forms other forms began to prevail, namely Art Deco, neoclassicism and eclecticism. The paper explores the processes in architecture of that time, identifies the main prerequisites for the formation of that architectural style.Methodology/approach: The methodological approach includes a comparative analysis of scientific publications and buildings of Soviet architecture of the 1930s. A comprehensive study is c

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Худин, Алексей Александрович, Нина Анатольевна Коновалова, and Игорь Андреевич Бондаренко. "PROBLEMATICS OF «TRANSLATION» IN POSTMODERNIST ARCHITECTURE THEORY." СОВРЕМЕННАЯ АРХИТЕКТУРА МИРА, no. 1(12) (June 22, 2020): 23–33. http://dx.doi.org/10.25995/niitiag.2019.12.1.017.

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Статья содержит изложение семиотических теорий в применении к теории архитектуры, а именно концепцию «перевода» как коммуникативного процесса в рамках межкультурного и межисторического процесса, проявленного в условиях эпохи постмодерна. Рассматривается взаимосоотнесение между архитектурой и языком в рамках теорий М. Фуко с акцентом на логику познания, сформированную в период 1970-1980-х годов. Затрагиваются вопросы концепта, текста, цитирования в архитектуре, адресования, интерпретаций, отношений между оригиналом и переводом, нового эклектизма, соотнесений между структурализмом и постструктур

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Edakina, Daria A., and Eduard I. Chernyak. "MONUMENTS OF RUSSIAN ARCHITECTURAL HERITAGE: EXPERIENCE OF TYPOLOGICAL CLASSIFICATION." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 245–56. http://dx.doi.org/10.17223/2220836/42/22.

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The article highlights the almost unexplored issue of the classification of architectural heritage sites. The authors define architectural heritage as a complex of buildings and structures that form the surrounding space and reflect the art of creating these buildings and structures. Pursuing the goal to create a regulating system of Russian architecture monuments, the authors of the article use the architectural style as the main sign of monuments. Reliance on scientific research, written and visual sources allows identifying and characterizing large typological groups of monuments. The first

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Markovskyi, Andrii. "PARALLELS OF GERMAN AVANT-GARDE ARCHITECTURE AND DEVELOPMENT IN KYIV." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 302–13. http://dx.doi.org/10.32347/2077-3455.2020.58.302-313.

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The article presents a comparative analysis of some key objects of German and Kyiv architecture of the early twentieth century to determine the corresponding trends. Parallels and identities are shown and noted. An analysis of the background and context is given, as well as the author's conclusions of the respective styles. In particular, German Werkbund, international Art Nouveau, Ukrainian architectural Art Nouveau, "New Objectivity", Bauhaus, functionalism, constructivism, post-constructivism, German and Soviet neoclassicism are mentioned. Were analyzed in detail: The Fagus Factory (1

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Kreiser, I., O. Chub, and V. Bastrakova. "RESEARCH OF THE MONUMENT OF ARCHITECTURE - CHILDREN'S BUILDING "CLINIC OF THE MEDICAL FACULTY OF THE UNIVERSITY" IN KHARKIV." Municipal economy of cities 3, no. 170 (2022): 112–16. http://dx.doi.org/10.33042/2522-1809-2022-3-170-112-116.

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The article raises the question of the study of architectural monuments of local importance in the city of Kharkiv. The end of the 19th – the beginning of the 20th century in the city of Kharkiv was marked by the development of industry, the expansion of the city, the construction of industrial and civil architecture objects. Today, the issue of preservation and restoration of historical and architectural heritage is more relevant than ever before. In connection with Russia's aggressive attack on Ukraine and the bombing of Kharkiv, there is a great need to study and research the past, namely t

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