Relevant bibliographies by topics / Eco, Umberto

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Eco, Umberto'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Eco, Umberto"

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Hong, Chong-Min, David Lurie, and Jiro Tanaka. "Umberto Eco." Harvard Review of Philosophy 3, no. 1 (1993): 14–22. http://dx.doi.org/10.5840/harvardreview1993312.

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Lazo de la Vega Ramos, Alan D. "Umberto Eco." Educationis Momentum 2, no. 1 (2019): 169–71. https://doi.org/10.36901/em.v2i1.88.

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Nació el 5 de enero de 1932 en Alessandria (Italia). Fue escritor y filósofo. Sus estudios de doctorado los realizó en la Universidad de Turín, cuya tesis fue «El problema estético en Santo Tomás». En la mayoría de sus obras hay una clara tendencia hacia la cultura medieval y la filosofía tomista. A partir de 1971 dictó Semiótica en la Universidad de Bolonia.
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Eco, Umberto, Adelaida Lopez, Marithelma Costa, and Donald Tucker. "Interview: Umberto Eco." Diacritics 17, no. 1 (1987): 46. http://dx.doi.org/10.2307/464766.

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Lubas-Bartoszyńska, Regina. "Umberto Eco - autobiograf?" Przestrzenie Teorii, no. 11 (January 1, 2009): 131. http://dx.doi.org/10.14746/pt.2009.11.7.

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Siefkes, Martin, Veronika Opletalová, and Emanuele Arielli. "Bezeichnenderweise Eco." Zeitschrift für Semiotik 37, no. 1-2 (2018): 189–98. http://dx.doi.org/10.14464/semiotik.v37i1-2.343.

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Mit Umberto Eco hat die Semiotik einen der originellsten Zeichentheoretiker und zugleich einen Zeichen-setzenden Intellektuellen verloren. Dies ist mehr als eine Metapher: Ecos Analysen zeitgenössischer Kulturphänomene gingen so weit, dass er durch sie die betreffenden Kulturen veränderte. Er nahm als einer der ersten die Popkultur des späten zwanzigsten Jahrhunderts vom Krimi bis zum Comic unter die (semiotische) Lupe und wurde damit schließlich selbst zu einem Teil der Gegenwartskultur. Glaubt man gewissen Rankings, dann war Eco, der verschmitzte Analytiker der Massenkultur, gegen Ende seine
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Marinelli, Luigi. "Umberto Eco (1932–2016)." Ruch literacki, R. 57, z. 6 (339) (2016): 719–22.

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Gon, Pedro Miguel. "Umberto Eco em Coimbra." Boletim da Biblioteca Geral da Universidade de Coimbra 52 (August 1, 2022): 181–200. http://dx.doi.org/10.14195/2184-7681_52_6.

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Neste artigo revisita-se e aprofunda-se uma investigação sobre a presença de Umberto Eco em Coimbra, que resultou num texto publicado no Diário de Coimbra, ao qual foi concedido o Prémio de Jornalismo Adriano Lucas 2019. Sobre o artigo de jornal original, intitulado “Em Busca de Umberto Eco”, reconstrói-se neste texto a investigação então realizada e reorganizam-se de modo mais sistemático os dados fundamentais apurados durante aquela investigação. Apresenta-se aqui: (1) a data em que Umberto Eco esteve em Coimbra; (2) os espaços por onde andou; (3) que tipo de conferência foi a sua; (4) e que
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De Benedictis, Raffaele. "Umberto Eco, Numero zero." Forum Italicum: A Journal of Italian Studies 50, no. 1 (2015): 299–301. http://dx.doi.org/10.1177/0014585815594173.

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Eco, Umberto. "Interview with Umberto Eco." Communication and Critical/Cultural Studies 10, no. 1 (2013): 50–58. http://dx.doi.org/10.1080/14791420.2013.769311.

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Marinelli, Luigi. "Umberto Eco (1932–2016)." Ruch Literacki 57, no. 6 (2016): 719–22. http://dx.doi.org/10.1515/ruch-2017-0097.

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Dissertations / Theses on the topic "Eco, Umberto"

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Fröhlich, Grit. "Umberto Eco Philosophie - Ästhetik - Semiotik." Paderborn München Fink, 2007. http://d-nb.info/993957692/04.

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Badger, Mark. "Maps, method and meaning : the problematics of interpretation in The name of the rose and Foucault's Pendulum /." Title page, contents and abstract only, 1995. http://web4.library.adelaide.edu.au/theses/09ARM/09armb135.pdf.

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Marcandella, Lucia <1996&gt. "Il romanzo storico nella narrativa di Umberto Eco." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16859.

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Analisi delle caratteristiche del genere storico nei romanzi di Umberto Eco. L'elaborato sarà suddiviso in capitoli seguendo l'ordine di pubblicazione dei romanzi di Eco scelti (“Il nome della rosa”, “Il pendolo di Foucault”, “L'isola del giorno prima”, “Baudolino” e “Il cimitero di Praga”), preceduti da un capitolo introduttivo nel quale verrà definito il genere, un breve excursus nella sua storia fino ad arrivare al Novecento con il romanzo neostorico. Nell’elaborato si osserverà quali sono gli aspetti della tradizione del romanzo storico italiano ottocentesco che Eco, nella sua scrittura, h
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De, Trazegnies Granda Fernando. "Umberto Eco y la Controversia Franciscana sobre la propiedad." Foro Jurídico, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/120022.

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Reiner, Richard. "Semiotics as science : theory construction and logic of inquiry in the semiotics of Umberto Eco." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55645.

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Mezrioui, Racha. "Théorie et fiction chez Umberto Eco : le problème de l'interprétation." Paris 2, 1996. http://www.theses.fr/1996PA020036.

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L'etude du statut des oeuvres fictionnelles de eco par rapport a ses essais a permis de degager que la fiction est une ecriture complementaire a la theorie qui souligne le passage d'une semiotique des signes a une semiotique des textes. D'ou une interpretation des textes plus libre et plus dynamique basee sur le principe de la semiosis illimitee peircienne. Le probleme qui se pose serait de limiter les exces interpretatifs qui peuvent decouler d'une telle pratique : c'est l'intention du texte qui est alors prise comme limite interpretative<br>The study of eco's fiction in relation to his theor
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Gubatz, Thorsten. "Umberto Eco und sein Lehrer Luigi Pareyson : vom ontologischen Personalismus zur Semiotik /." Berlin Münster Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=3038724&prov=M&dok_var=1&dok_ext=htm.

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Girard, Lyne. "Les mondes possibles du Nom de la rose / : mémoire présenté à l'Université du Québec à Chicoutimi comme exigence partielle de la maîtrise en études littéraires par Lyne Girard." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2004. http://theses.uqac.ca.

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Thèse (M.E.L.) -- Université du Québec à Chicoutimi, conjointement avec l'Université du Québec à Rimouski et l'Université du Québec à Trois-Rivières, 2004.<br>Bibliogr.: f. [111]-112. Document électronique également accessible en format PDF. CaQCU
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Cavallo, Patrizia. "Fidelidade em tradução : análise das traduções brasileiras de três romances de Umberto Eco." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/130003.

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L‟obiettivo del presente lavoro è riflettere sul concetto di fedeltà in traduzione, seguendo l‟evoluzione di questa nozione nel corso dei secoli fino alla prospettiva critica del XXI secolo, con i suoi progressi tecnologici e il cambio di paradigmi teorico-pratici. Per condurre la riflessione proposta, inserita nell‟area della Letteratura Comparata e degli Studi di Traduzione, è stata realizzata l‟analisi delle traduzioni verso il portoghese brasiliano di tre romanzi italiani scritti da Umberto Eco. I romanzi scelti sono Il Pendolo di Foucault, pubblicato nel 1988 in Italia e tradotto in Brasi
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Caroni, S. B. "Thinking beyond disciplines : intellectuality, interdisciplinarity, and creativity in Pierre Bourdieu and Umberto Eco." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1393288/.

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At the end of the twentieth century, Pierre Bourdieu and Umberto Eco were two of the most prominent intellectuals in France and Italy. Yet, in spite of the fact that France and Italy are neighbouring countries and have been, historically, exercising an on-going cultural influence upon each other, there is no systematic comparative study of these two intellectuals. This study responds to this absence by offering, within the framework of an interdisciplinary project, a thorough analysis of some of the key themes of the thought of Bourdieu and Eco. By addressing how Bourdieu’s and Eco’s work cont
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Books on the topic "Eco, Umberto"

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Gane, Mike, and Nicholas Gane. Umberto Eco. SAGE Publications Ltd, 2005. http://dx.doi.org/10.4135/9781446263693.

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Gritti, Jules. Umberto Eco. Editions universitaires, 1991.

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Schilling, Erik, ed. Umberto Eco-Handbuch. J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05780-8.

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Mersch, Dieter. Umberto Eco zur Einführung. Junius, 1993.

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Stauder, Thomas. Gespräche mit Umberto Eco. Lit, 2004.

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Frandsen, Finn. Umberto Eco og semiotikken. Aarhus Universitetsforlag, 2000.

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Bondanella, Peter, ed. New Essays on Umberto Eco. Cambridge University Press, 2009. http://dx.doi.org/10.1017/cbo9780511627033.

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Palazzolo, Giuseppe. Umberto Eco: Epifanie, ossessioni, gnosi. Duetredue edizioni, 2017.

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Bernoussi, Mohamed. Umberto Eco: Sémioticien et romancier. Éditions Mimésis, 2017.

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Thellefsen, Torkild, and Bent Sørensen, eds. Umberto Eco in His Own Words. De Gruyter, 2017. http://dx.doi.org/10.1515/9781501507144.

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Book chapters on the topic "Eco, Umberto"

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Wild, Gerhard. "Eco, Umberto." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3494-1.

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Kuhangel, Sabine. "Umberto Eco." In Der labyrinthische Text. Deutscher Universitätsverlag, 2003. http://dx.doi.org/10.1007/978-3-322-81294-0_5.

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Wild, Gerhard. "Umberto Eco." In Kindler Kompakt Italienische Literatur 20. Jahrhundert. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_40.

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Wild, Gerhard. "Umberto Eco." In Kindler Kompakt Kriminalliteratur. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05537-8_42.

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Capozzi, Rocco. "Eco, Umberto." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-089.

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Oster, Angela. "Schriften zur Ästhetik." In Umberto Eco-Handbuch. J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05780-8_20.

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Schilling, Erik. "Postmoderne." In Umberto Eco-Handbuch. J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05780-8_39.

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Stauder, Thomas. "Tod." In Umberto Eco-Handbuch. J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05780-8_44.

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Kleinert, Susanne. "Verschwörungstheorien." In Umberto Eco-Handbuch. J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05780-8_45.

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Fröhlich, Grit. "Interpretation." In Umberto Eco-Handbuch. J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05780-8_30.

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Conference papers on the topic "Eco, Umberto"

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Karolina, Karolina. "THE POSITION OF JOSEF SKVORECKY IN THE PROCESS OF LITERARY COMMUNICATION." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.27.

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Josef Skvorecky, the eminent Czech writer and literary theorist, occupies a key place in the context of Czech literature, not only thanks to his extensive work, but also through his work as a publisher and promoter of Czech literature in exile. This paper focuses on the personality of Josef Skvorecky, who, as an author, forms the first link in the communication process in which the message is transmitted from the author to the perceiver. The analysis works with two different perspectives. The first one is the psychological one, with the help of which the article examines the sources of inspira
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Su, Qianqian. "Study on the Hermeneutics and Esthetics Theory of Umberto Eco." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.70.

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Onušková, Gabriela. "Umberto Eco – Baudolino: Postmoderný prístup autora (medievalistu) k historickej látke." In Slavica Iuvenum 2020. University of Ostrava, 2020. http://dx.doi.org/10.15452/slavicaiuvenum.xxi.39.

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Authier, François-Jean. "“Édifice(s)”. Labyrinthes imaginaires et bibliothèques oniriques chez Umberto Eco et Alberto Manguel." In Alberto Manguel, écrivain lecteur. Fabula, 2024. http://dx.doi.org/10.58282/colloques.12506.

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LUPAȘCU, Lidia. "Some aspects regarding the semiotic analysis of the artistic text." In "Educaţia lingvistică şi literară în contextul dezvoltării valorilor general-umane", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.10-11-11-2023.p40-48.

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There are multiple ways of interpreting the text aimed at a deeper penetration of the meaning of the literary work and its linguistic commentary. The investigation in the space of the artistic text knows several ways. One would be the semiotic one. In the present paper we propose to present how the deciphering and interpretation of signs can be used in the analysis of the artistic text. We investigated fragments from the novel "Maitreyi" by Mircea Eliade and the semiotic novel "The Name of the Rose" by Umberto Eco. The in depth study of artistic texts and how we apply methods and techniques of
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Tzanev Roussev, Rossen. "La thèse de doctorat et la dimension préliminaire de l’écriture." In 2ème Colloque International de Recherche et Action sur l’Intégrité Académique. « Les nouvelles frontières de l’intégrité ». IRAFPA, 2022. http://dx.doi.org/10.56240/cmb9918.

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The problem of the birth of the genre of the academic writing textbook – in the United States, Europe and France – allows us to approach the question of doctoral writing in terms of the literature of editorial orientation (devoted to what one must do to write a good thesis) and the literature of academic integrity (devoted to what one must not do to write a good thesis). It is from this perspective that the paper highlights the writing textbooks of Umberto Eco (1977), Michel Beaud (1985) and Howard S. Becker (1986). The writing textbook, beginning with the very first one, John Conrad Almack’s
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KMECZKÓ, Szilárd. "RÉGI HITEK ÉS ÚJ TUDOMÁNY A 17. SZÁZAD ELSŐ FELÉBEN, AMINT UMBERTO ECO A TEGNAP SZIGETE CÍMŰ REGÉNYÉBEN AZ OLVASÓ ELÉ TÁRJA." In 14th International Conference of J. Selye University. J. Selye University, Komárno, Slovakia, 2022. http://dx.doi.org/10.36007/4508.2023.99.

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Köksal, Fatma Nazlı, and Hasan Doğan. "VISUAL SEMIOLOGY IN ARCHITECTURAL DESIGN." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.004.

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Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual’s essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal f
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Köksal, Fatma Nazlı, and Hasan Doğan. "Visual Semiology in Architectural Design." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.002.

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Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual's essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal f
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Chen, Shirley Dongwei. "From Ivrea to Massa: The Rise and Fall of Olivetti Company Towns." In 113th Annual Meeting Paper Proceedings. ACSA Press, 2025. https://doi.org/10.35483/acsa.am.113.38.

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Olivetti is a major force in 20th-century social reform, design culture, and urban planning with long lasting impacts. Incorporating manufacturing plants, social services, and housing into comprehensive campuses, the Olivetti company towns hold important pedagogical value for today’s design education. This paper examines Olivetti’s attempts to achieve social, cultural, and spatial reform through the design and planning of its company towns, Ivrea and Massa. These towns were part of Adriano Olivetti’s Comunità vision, which sought to integrate manufacturing facilities with social services, hous
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