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Journal articles on the topic 'Eco, Umberto'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Hong, Chong-Min, David Lurie, and Jiro Tanaka. "Umberto Eco." Harvard Review of Philosophy 3, no. 1 (1993): 14–22. http://dx.doi.org/10.5840/harvardreview1993312.

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2

Lazo de la Vega Ramos, Alan D. "Umberto Eco." Educationis Momentum 2, no. 1 (2019): 169–71. https://doi.org/10.36901/em.v2i1.88.

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Nació el 5 de enero de 1932 en Alessandria (Italia). Fue escritor y filósofo. Sus estudios de doctorado los realizó en la Universidad de Turín, cuya tesis fue «El problema estético en Santo Tomás». En la mayoría de sus obras hay una clara tendencia hacia la cultura medieval y la filosofía tomista. A partir de 1971 dictó Semiótica en la Universidad de Bolonia.

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3

Eco, Umberto, Adelaida Lopez, Marithelma Costa, and Donald Tucker. "Interview: Umberto Eco." Diacritics 17, no. 1 (1987): 46. http://dx.doi.org/10.2307/464766.

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4

Lubas-Bartoszyńska, Regina. "Umberto Eco - autobiograf?" Przestrzenie Teorii, no. 11 (January 1, 2009): 131. http://dx.doi.org/10.14746/pt.2009.11.7.

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5

Siefkes, Martin, Veronika Opletalová, and Emanuele Arielli. "Bezeichnenderweise Eco." Zeitschrift für Semiotik 37, no. 1-2 (2018): 189–98. http://dx.doi.org/10.14464/semiotik.v37i1-2.343.

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Mit Umberto Eco hat die Semiotik einen der originellsten Zeichentheoretiker und zugleich einen Zeichen-setzenden Intellektuellen verloren. Dies ist mehr als eine Metapher: Ecos Analysen zeitgenössischer Kulturphänomene gingen so weit, dass er durch sie die betreffenden Kulturen veränderte. Er nahm als einer der ersten die Popkultur des späten zwanzigsten Jahrhunderts vom Krimi bis zum Comic unter die (semiotische) Lupe und wurde damit schließlich selbst zu einem Teil der Gegenwartskultur. Glaubt man gewissen Rankings, dann war Eco, der verschmitzte Analytiker der Massenkultur, gegen Ende seine

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6

Marinelli, Luigi. "Umberto Eco (1932–2016)." Ruch literacki, R. 57, z. 6 (339) (2016): 719–22.

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7

Gon, Pedro Miguel. "Umberto Eco em Coimbra." Boletim da Biblioteca Geral da Universidade de Coimbra 52 (August 1, 2022): 181–200. http://dx.doi.org/10.14195/2184-7681_52_6.

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Neste artigo revisita-se e aprofunda-se uma investigação sobre a presença de Umberto Eco em Coimbra, que resultou num texto publicado no Diário de Coimbra, ao qual foi concedido o Prémio de Jornalismo Adriano Lucas 2019. Sobre o artigo de jornal original, intitulado “Em Busca de Umberto Eco”, reconstrói-se neste texto a investigação então realizada e reorganizam-se de modo mais sistemático os dados fundamentais apurados durante aquela investigação. Apresenta-se aqui: (1) a data em que Umberto Eco esteve em Coimbra; (2) os espaços por onde andou; (3) que tipo de conferência foi a sua; (4) e que

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8

De Benedictis, Raffaele. "Umberto Eco, Numero zero." Forum Italicum: A Journal of Italian Studies 50, no. 1 (2015): 299–301. http://dx.doi.org/10.1177/0014585815594173.

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9

Eco, Umberto. "Interview with Umberto Eco." Communication and Critical/Cultural Studies 10, no. 1 (2013): 50–58. http://dx.doi.org/10.1080/14791420.2013.769311.

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10

Marinelli, Luigi. "Umberto Eco (1932–2016)." Ruch Literacki 57, no. 6 (2016): 719–22. http://dx.doi.org/10.1515/ruch-2017-0097.

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11

Bianchi, Cinzia, and Annamaria Lorusso. "The Umberto Eco gaze." Semiotica 2016, no. 211 (2016): 1–4. http://dx.doi.org/10.1515/sem-2016-0092.

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12

Quintili, Paolo. "Umberto Eco - In memoriam." Rue Descartes 87, no. 4 (2015): 10. http://dx.doi.org/10.3917/rdes.087.0010.

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13

Catellani, Andrea. "Umberto Eco (1932-2016)." Hermès 75, no. 2 (2016): 187. http://dx.doi.org/10.3917/herm.075.0187.

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14

ΜΑΤΘΑΙΟΥ, ΑΝΝΑ. "Umberto Eco, De Bibliotheca." Μνήμων 11 (January 1, 1987): 337. http://dx.doi.org/10.12681/mnimon.615.

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15

Soliński, Wojciech. "Umberto Eco - professione reporter?" Fabrica Litterarum Polono-Italica, no. 1(5) (April 7, 2023): 1–11. http://dx.doi.org/10.31261/flpi.2023.05.04.

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Autor tekstu analizuje, wydane w 2008 roku, polskie przekłady dwóch reportaży Umberta Eco, napisanych i opublikowanych w 1968 po jego pobycie w Pradze, podczas interwencji wojsk paktu warszawskiego, i w Warszawie, po wydarzeniach marcowych. Lekturze tych reportaży towarzyszy refleksja nad sztuką reportażu, teorią komunikacji masowej itp., obecna w licznych dziełach uczonych Eco, ale też w powieściach takich jak Imię róży (Il nome della rosa) czy Temat na pierwszą stronę (Numero zero). Uwagi na temat sztuki reportażu bez trudu znaleźć można również w tekstach publicystycznych, w tym także okoli

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16

Bondanella (book editor), Peter, and Daniela Bisello Antonucci (review author). "New Essays on Umberto Eco." Quaderni d'italianistica 32, no. 2 (2012): 247–49. http://dx.doi.org/10.33137/q.i..v32i2.16342.

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17

Argüello Guzmán, Luis Alfonso. "Lector modelo: Umberto Eco, El." Question/Cuestión 2, no. 66 (2020): e490. http://dx.doi.org/10.24215/16696581e490.

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Este artículo es resultado de una indagación sobre la lectura literaria y la teoría del lector en Umberto Eco. Para Eco, el lector participa en el proceso de lectura como acción estética y lingüística que codifica su rol. La perspectiva estética comienza en la lógica de producción de la obra de arte abierta y las posibilidades receptivas del intérprete/ejecutante. Por otra parte, la perspectiva lingüística se produce a través de una poética del lector que hace de la obra literaria narrativa su objeto de análisis. Estas dos perspectivas estéticas y lingüísticas consolidan un análisis sobre el l

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18

Jucker, Michael. "Umberto Eco, Die unendliche Liste." Historische Anthropologie 19, no. 2 (2011): 311–12. http://dx.doi.org/10.7788/ha.2011.19.2.311.

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19

Zenkin, Sergey. "Economo (Umberto Eco, 1932–2016)." Sotsiologicheskoe Obozrenie / Russian Sociological Review 15, no. 1 (2016): 178–80. http://dx.doi.org/10.17323/1728-192x-2016-1-178-180.

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20

Lozano Miralles, Helena. "Presentación de Thema: Umberto Eco." Acta Poética 39, no. 2 (2018): 7. http://dx.doi.org/10.19130/iifl.ap.2018.2.834.

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21

Compagno, Dario. "The Philosophy of Umberto Eco." Philosophical Quarterly 68, no. 272 (2018): 629–31. http://dx.doi.org/10.1093/pq/pqx069.

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22

Berardinelli, Alfonso. "Umberto Eco e seu pêndulo." Remate de Males 25, no. 1 (2012): 23–28. http://dx.doi.org/10.20396/remate.v25i1.8636109.

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23

Ekblad, Sven. "Umberto Eco - författare, semiolog, tänkare." Moderna Språk 96, no. 2 (1992): 150–58. http://dx.doi.org/10.58221/mosp.v96i2.10228.

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A summary: In this article Sven Ekblad gives a portrait of the eminent Italian weiter, semiotician and thinker Umberto Eco. He approaches his subject from three different angles. Firstly, it describes Eco's academic career: his undergraduate studies at the University of Turin, his appointment to the chair of Semiotics at the University of Bologna in 1975, a post he still holds today, and his international success as a lecturer. A general discussion of semiotics is exemplified by his fiction and his academic work. Secondly, the article deals with Eco's role as a cultural commentator, on TV and

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24

Angela, Nuovo. "Gli incunaboli di Umberto Eco." AIB STUDI 62, no. 1 (2022): 1–17. https://doi.org/10.2426/aibstudi-13386.

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In 2021, the Italian Minister of Culture acquired Umberto Eco’s private library, whose collection of 1.200 earlyprinted and rare books was placed in the Biblioteca Braidense in Milan. It includes 36 incunabula which are the subject of the present study.

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25

Russo, John Paul. "Umberto Eco: An Annotated Bibliography of First and Important Editions. James L. Contursi , Umberto Eco." Papers of the Bibliographical Society of America 102, no. 4 (2008): 523–24. http://dx.doi.org/10.1086/pbsa.102.4.24293692.

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26

Burchart-Korol, Dorota, and Krystyna Czaplicka-Kolarz. "Computer Applications in Eco-efficiency Assessment in Logistics." Management 17, no. 2 (2013): 232–44. http://dx.doi.org/10.2478/manment-2013-0068.

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Abstract Computer Applications in Eco-efficiency Assessment in Logistics The goal of this study is to present computer applications in eco-efficiency assessment in Logistics based on Umberto for Ecoefficiency software. The study defines the major components of eco-efficiency analysis like: Life Cycle Assessment (LCA) and Material Flow Analysis (MFA). According to ISO 14045:2012 eco-efficiency assessment is a quantitative management tool which enables the study of life-cycle environmental impacts of a product system along with its product system value for a stakeholder. Within eco-efficiency as

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27

Bondanella (book author), Peter, and Rocco Capozzi (review author). "Umberto Eco and the open text." Quaderni d'italianistica 21, no. 2 (2000): 161–62. http://dx.doi.org/10.33137/q.i..v21i2.9406.

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28

Braga, Corin. "La Colombe-Phénix chez Umberto Eco." Hommage à Gilbert Durand, no. 34 (June 30, 2013): 85–105. http://dx.doi.org/10.35562/iris.1917.

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Dans ses romans « historiques », Umberto Eco revisite, de manière postmoderne, le grand bassin sémantique des « merveilles » (mirabilia) de la littérature médiévale et de la Renaissance. Plus spécifiquement, dans L’Île du jour d’avant, il travaille sur la toile de fond de l’imaginaire cosmographique de l’âge des grandes « reconnaissances ». Les aventures du protagoniste suivent un trajet initiatique vers un « centre sacré » de la mappemonde, le méridien zéro. En même temps, les péripéties extérieures sont le corrélatif d’une évolution intérieure, que nous analysons avec les instruments de la p

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29

Tesche, Paula. "UMBERTO ECO. 2009. Cultura y semiótica." Estudios filológicos, no. 48 (November 2011): 138–40. http://dx.doi.org/10.4067/s0071-17132011000200013.

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30

Zocco, Roberto. "Umberto Eco, Costruire il nemico: [reseña]." Estudios: filosofía, historia, letras 11, no. 105 (2013): 219. http://dx.doi.org/10.5347/01856383.0105.000250750.

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31

Laroche, Béatrice. "L'hagiographie hérétique revue par Umberto Eco." Arzanà 10, no. 1 (2004): 87–99. http://dx.doi.org/10.3406/arzan.2004.933.

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32

Kalezić-Radonjić, Svetlana. "UMBERTO ECO COME SCRITTORE PER BAMBINI." Folia linguistica et litteraria XI, no. 30 (2020): 79–91. http://dx.doi.org/10.31902/fll.30.2020.5.

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In questo articolo analizziamo tre libri per bambini di Umberto Eco: La bomba e il generale (1966, rev. 1988), I tre cosmonauti (1966, rev. 1988) e Gli gnomi di Gnu (1992). Tutte e tre le opere appartengono a libri illustrati, la cui identità testuale indica che sono indirizzati al pubblico più giovane, mentre le straordinarie "illustrazioni" di Eugenio Carmi presentano un'espressione distintamente modernista con un focus sul pubblico adulto. In linea con la definizione di base della letteratura per bambini come fenomeno della lettura “a doppio fondo“, questi libri di Umberto Eco diventano una

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33

Zalpa Ramírez, Genaro. "Los paseos literarios de Umberto Eco." Caleidoscopio - Revista Semestral de Ciencias Sociales y Humanidades 1, no. 1 (1997): 149. http://dx.doi.org/10.33064/1crscsh245.

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34

Cannon, JoAnn. "The Imaginary Universe of Umberto Eco:." MFS Modern Fiction Studies 38, no. 4 (1992): 895–910. http://dx.doi.org/10.1353/mfs.0.1388.

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35

Raffa, Guy P. "Walking and Swimming with Umberto Eco." MLN 113, no. 1 (1998): 164–85. http://dx.doi.org/10.1353/mln.1998.0012.

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36

Benedictis, Raffaele De, Umberto Eco, and Robert Lumley. "Apocalypse Postponed: Essays by Umberto Eco." Italica 74, no. 1 (1997): 123. http://dx.doi.org/10.2307/479791.

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37

Van den Bossche, Bart. "Eco, Umberto. 2001. Experiences in translation." Target. International Journal of Translation Studies 15, no. 1 (2003): 161–64. http://dx.doi.org/10.1075/target.15.1.10bos.

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38

Violi, Patrizia, and Claudio Paolucci. "A philosophical platypus: For Umberto Eco." International Journal of Cultural Studies 20, no. 1 (2017): 3–13. http://dx.doi.org/10.1177/1367877916687807.

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39

Jordán, A. Xavier. "Sobre Umberto Eco: la primigenia rosa." Página y Signos: Revista de Lingüística y Literatura 6 (June 29, 2010): 39–49. https://doi.org/10.5281/zenodo.10877623.

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En este artículo, el autor trata sobre las múltiples lecturas que la magistral novela de Umberto Eco pueden suscitar, las que tienen su punto de articulación en torno al reconocimiento de algunos tópicos fundamentales que constituyen parte del discurso de la Iglesia medieval, y que marcan la distancia con la cultura popular, particularmente, en función a la risa como instrumento de liberación para los “simples” y de censura, en la cultura “oficial”.

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40

Ertl, István, and François Lo Jacomo. "Umberto Eco, F espéranto et le plurilinguisme de l'avenir." Language Problems and Language Planning 18, no. 2 (1994): 87–112. http://dx.doi.org/10.1075/lplp.18.2.01ert.

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ZUSAMMENFASSUNG Umberto Eco, Esperanto und die Mehrsprachigkeit der Zukunft Die Vorbereitung einer Vorlesungsreihe und eines Buches über Die Suche nach einer perfekten Sprache in der europäischen Kultur führte Umberto Eco unausweichlich dazu, sich über Esperanto zu informieren und sich davon zu iiberzeugen, daß es einen ernstzunehmenden Lösungs-vorschlag darstellt. Im Januar 1993 hat er István Ertl und François Lo Jacomo zu Fragen der Mehrsprachigkeit der Zukunft und der möglichen Rolle des Esperanto zwei Stunden lang Rede und Antwort gestanden. In all seiner stilistischen Spontaneität ist der

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41

Nöth, Winfried. "Umberto Eco's semiotic threshold." Sign Systems Studies 28 (December 31, 2000): 49–61. http://dx.doi.org/10.12697/sss.2000.28.03.

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The "semiotic threshold" is U. Eco's metaphor of the borderline between the world of semiosis and the nonsemiotic world and hence also between semiotics and its neighboring disciplines. The paper examines Eco's threshold in comparison to the views of semiosis and semiotics of C. S. Peirce. While Eco follows the structuralist tradition, postulating the conventionality of signs as the main criterion of semiosis, Peirce has a much broader concept of semiosis, which is not restricted to phenomena of culture but includes many processes in nature. Whereas Eco arrives at the conclusion that biologica

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42

Oksak, Gleb. "AUTHOR’S STYLE OF UMBERTO ECO IN THE NOVEL “THE PRAGUE CEMETERY” AND THE PROBLEMS OF TRANSLATION." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 42 (2022): 18–21. http://dx.doi.org/10.17721/2663-6530.2022.42.03.

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The article is devoted to the study of the author’s style of Umberto Eco in the novel “The Prague Cemetery”, linguo-stylistic aspects of the translation, problems of equivalence of the lexical units, translation of composed words, respect of translational ethics. The translation of the works by Umberto Eco requires careful translational transformations, because this author possesses a remarkable author’s style of narration requiring accurate selection of lingual (lexical) equivalents.

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43

Cornea, Andrei. "Umberto Eco’s Encyclopedia vs. Porphyry’s Tree." Articles spéciaux 65, no. 2 (2009): 301–20. http://dx.doi.org/10.7202/038404ar.

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Abstract The paper questions the postmodern, wide-spread tendency to abusively reconstruct the meaning of some texts of the philosophers of the past, so that they may serve as allies or foes in our own contemporary ideological wars. The chosen example is an article by Umberto Eco, called “Anti-Porphyry”, and the parallel chapter, “Dictionary vs. Encyclopedia”, from his well-known book Semiotics and the Philosophy of Language. According to Eco, the famous “Porphyry’s tree” is the pictorial representation of the so-called “strong thought”, which — so he believes — was being subverted from the ou

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44

Zaorski-Sikora, Łukasz. "Umberto Eco, Migracje i nietolerancja – recenzja książki." Civitas Hominibus Rocznik filozoficzno-społeczny 15, no. 1(15)/2020 (2021): 79–81. http://dx.doi.org/10.25312/2391-5145.15/2020_08lzs_r.

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45

Osimo, Bruno. "A translation with (apparently) no originals." Sign Systems Studies 33, no. 2 (2005): 473–76. http://dx.doi.org/10.12697/sss.2005.33.2.10.

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46

Kull, Kalevi. "Umberto Eco and John Deely: What they shared." Sign Systems Studies 45, no. 1/2 (2017): 194–204. http://dx.doi.org/10.12697/sss.2017.45.1-2.13.

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47

Nöth, Winfried. "O fundamento estrutural do pensamento de Umberto Eco." Galáxia (São Paulo), no. 32 (December 2016): 5–14. http://dx.doi.org/10.1590/1982-25542016227774.

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Resumo Uma análise detalhada apresenta o método argumentativo a contrario, característico do artigo "Existe a contracultura?", de Umberto Eco, como paradigmático do princípio estruturalista da constituição do sentido por meio de oposições semânticas. O artigo argumenta que muitos dos escritos de Eco podem ser lidos como aplicações do princípio estruturalista de que apenas diferenças ou oposições carregam significação. A evidência do modo como o pensamento de Eco está sob o encanto do princípio das oposições e da dialética da presença e da ausência é apresentada através do levantamento dos escr

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48

Wilson, Robert. "Robert Wilson and Umberto Eco: A Conversation." Performing Arts Journal 15, no. 1 (1993): 87. http://dx.doi.org/10.2307/3245801.

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49

Journet, Nicolas. "Umberto Eco. Dans la tête du lecteur." Sciences Humaines N° 286, no. 11 (2016): 28. http://dx.doi.org/10.3917/sh.286.0028.

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50

Poezevara, Kévin. "Jacques Lacan / Umberto Eco / Claude Lévi-Strauss." Figures de la psychanalyse 42, no. 2 (2022): 179–92. http://dx.doi.org/10.3917/fp.042.0179.

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