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Relevant bibliographies by topics / Ecocriticism

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Academic literature on the topic 'Ecocriticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 March 2025

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Journal articles on the topic "Ecocriticism"

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Gaard, Greta. "New Ecocriticisms: Narrative, Affective, Empirical and Mindful." Ecozon@: European Journal of Literature, Culture and Environment 11, no. 2 (September 22, 2020): 224–33. http://dx.doi.org/10.37536/ecozona.2020.11.2.3520.

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What seem like “new” developments in Ecocriticism have actually been nascent, articulated in conversations and blogs, soon emerging in presentations and print over the past five or more years. Responding to climate change numbing, ecocritics have explored the potential “arithmetic of compassion” (Slovic & Slovic 2015) and the “caring exhaustion” that arises when the numbers of those suffering—humans, animals, ecosystems—becomes too high to encompass. Human responses to the increasingly frightening scenarios of climate change futures have been termed “eco-anxiety” and “eco-grief” (Hutner 2015; Ray 2019). New developments in ecocriticism arise through the nexus of econarratology, affective ecocriticism, empirical ecocriticism, and mindful /Zen ecocriticism. I discuss this continuing trajectory in ecocriticism, developing from econarrative through ecoaffect (approaches that describe readers’ responses to climate change narratives) and on to empirical and mindful / Zen ecocriticisms (approaches that seek to offer strategies for responding to climate change narratives through affect, activism, and contemplative approaches, and for evaluating the efficacy of those strategies).

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Ryan, John Charles. "6Ecocriticism." Year's Work in Critical and Cultural Theory 27, no. 1 (2019): 100–122. http://dx.doi.org/10.1093/ywcct/mbz006.

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AbstractThis review of publications in the field of ecocriticism in 2018 is divided into six sections: 1. Introduction: Anthropocene Timescales and Affects; 2. Affective Ecocriticism; 3. Material and Empirical Ecocriticisms; 4. Ecocriticism and Ecopoetics; 5. Ecocritical Convergences; 6. Conclusion. The review focuses on four single-authored monographs, three edited book collections, three journal issues, and three stand-alone articles. The biospheric urgencies of the Anthropocene and its cataclysmic signature—climate change—have attracted ecocritical attention to concerns of time, scale, and affect. In particular, 2018 marked the further maturation of material and queer ecocriticisms, the florescence of affective ecocriticism, and the germination of empirical ecocriticism. The field in 2018 explores, in depth, the role of affect—emotions, intensities, corporealities, and modes of relations—in the Anthropocene. All the while, confluences between affective, material, and queer ecocriticisms continue to broaden the scope of environmental affect to include ‘bad’ and irreverent modes. What’s more, new publications in material ecocriticism draw attention to environmental narratives as vehicles for concretizing the highly abstract spatiotemporalities of the Anthropocene whereas empirical ecocriticism applies qualitative methods to understanding the transformative potential of narratives. 2018 saw major studies of ecopoetics in addition to convergences between ecocriticism, animal studies, performance studies, crime fiction studies, and the environmental humanities. The year also brought the extension of ecocritical approaches to the genre of crime fiction and the literature of the Global South.

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Bazregarzadeh, Elmira. "Ecocritical Echoes in William Wordsworth’s Tintern Abbey." Brock Review 13, no. 1 (December 21, 2017): 71–90. http://dx.doi.org/10.26522/br.v13i1.1092.

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As one of the great Nature poems of Wordsworth, Tintern Abbey (1798) sheds light on the way Nature affects Wordsworth’s memory and enables him to reach mental growth through his philosophical interconnection with it. Through an ecocritical study of Tintern Abbey, the present paper aims to take the clash between the Yale School critics, the New Historicists, and the ecocritics into consideration to show how the contradictory views of the afore-mentioned critics led to a Green reading of the poem in the light of Ecocriticism. Key Words: Biospheric Egalitarianism, Wordsworthian Displacement, Regional Specificity, Metamorphosis, and Ecocriticism.

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Lemmer, Erika. "Ecocriticism." Journal of Literary Studies 23, no. 3 (September 2007): 223–27. http://dx.doi.org/10.1080/02564710701568097.

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Marland, Pippa. "Ecocriticism." Literature Compass 10, no. 11 (November 2013): 846–68. http://dx.doi.org/10.1111/lic3.12105.

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Lioi, A. "Ecocriticism." Interdisciplinary Studies in Literature and Environment 19, no. 2 (April 29, 2012): 417–18. http://dx.doi.org/10.1093/isle/iss043.

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Morton, T. "Ecocriticism." Versus 2, no. 4 (April 15, 2023): 34–61. http://dx.doi.org/10.58186/2782-3660-2022-2-4-34-61.

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The task of the author’s project “ecology without nature” is to use deconstruction to counteract prevailing normative ideas about nature for the sake of sentient beings suffering under catastrophic environmental conditions. Timothy Morton sees in the very idea of nature itself one of the obstacles to truly ecological politics, ethics, philosophy, and art. He calls for a thorough study of how nature is defined as a transcendental, unified and independent category. The study of how art represents the environment makes it possible to see that “nature” is an arbitrary rhetorical construct, devoid of a truly independent existence outside or beyond texts about nature. The rhetoric of nature itself depends on an ambient poetics, that is directed toward the evocation of the surrounding atmosphere or the world through text. Morton shows that people at different periods of time put various ideological meanings into the concept of “nature”; the historicization of this poetics makes obvious its vacuity of inner being and independent value. The history of ambient poetics depends on certain forms of identity and subjectivity, which are also historical. Without stopping at historicization, the author calls for the politicization of ecological art and the use of the rhetorical effect of “nature” as a slogan in order to strengthen environmentalism. The ecological thinking that Morton calls for does not operate with “nature” as a kind of ready-made, ideological concept and thus emerges as an ecology “without nature”. On the other hand, a non-conceptual image in environmental literature can be a convincing point of attraction for an intensive conceptual system — namely, an ideological one.

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Dědinová, Tereza, and Petr Bubeníček. "Ecocriticism." Česká literatura 71, no. 6 (December 2023): 711–43. http://dx.doi.org/10.51305/cl.2023.06.01.

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Ismail, Hisham Muhamad. "Ecocriticism and Children's Literature: Dr. Seuss's The Lorax as an Example." World Journal of English Language 14, no. 3 (February 23, 2024): 139. http://dx.doi.org/10.5430/wjel.v14n3p139.

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Ecocriticism gained a growing interest from researchers and writers on different levels to examine the significance of this newly added area of literary studies. It enabled the readers to understand their society's environmental issues in a better way and encouraged them to deal with them positively. It also drew attention to the different negative behaviors and attitudes towards nature to the limit that may damage natural resources and affect future generations. Furthermore, ecocriticism played a vital role in restructuring a more balanced and harmonious relationship between human and non-human beings within society by building a peaceful coexistence among all members of society. This paper offers the necessary theoretical framework for ecocriticism and examines its mechanisms to analyze literary texts. The paper also testifies the relationship between ecocriticism and children's literature to show the best ways of using these children's books to build a robust background for those young generations and to form their attitudes toward natural resources for the betterment of all in a more sustainable society. Finally, the paper examines Dr. Seuss's The Lorax as an example of a children's book with many environmental references and educational lessons. The Lorax's story revolves around the Once-ler, who destroys the balance between nature and other factors through his insistence on mass-producing useless and environmentally harmful goods. Ecocritics used this story to expose different messages about environmental responsibility and the consequences of reckless attitudes toward natural resources. In this way, the paper encourages the importance of further studies on ecocriticism and the further enhancement of using children's books to increase environmental awareness.

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싸이몬에스톡. "Challenging Ecocriticism." Literature and Environment 9, no. 1 (June 2010): 81–92. http://dx.doi.org/10.36063/asle.2010.9.1.004.

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Dissertations / Theses on the topic "Ecocriticism"

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Parham, John. "Gerard Manley Hopkins and ecocriticism." Thesis, University of East London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298082.

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Matts, Timothy. "Violent signs : ecocriticism and the symptom." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/19520/.

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This thesis recommends that the ‘ecocritical’ turn in American Literary Scholarship be brought into contact with ‘symptomnal’ forms of ideology critique, namely after the post-Althusserian thinking of Fredric Jameson, Slavoj Žižek and Deleuze-Guattari. This recommendation is made on the basis that the ecocritical turn has neglected to apprise itself of a thoroughgoing prehistory; by bringing together the lessons of Marx and Lacan, post-Althusserian thinking enables us to address the disavowal of formal and theoretical concerns constitutive of first-wave ecocriticism, and to acknowledge this as symptomatic of North American cultural and political pluralism more broadly. Where such disavowal promoted a widespread rejection of poststructural theories of immanence in the Americanist milieu of the 1980s, I consider how it effectively blocked psychoanalytic and Marxist approaches to literary form and human subjectivity. Following an initial examination of ecocriticism after Althusser and Balibar’s thesis on ‘symptomnal reading’, my study goes on to reassert issues of subjectivity for ecocriticism. Žižek’s subjectivist approach to ideology critique enables a diagnosis of the legacy of modern epistemology and thereafter analysis of ecocritical motivations of sublime aesthetics. By pursuing broader, ‘valetudinary’ issues in relation to literary form, the latter half of the thesis exceeds the former’s emphasis on ideology critique, moving instead to engage the post-subjectivist, ‘schizoanalytic’ project of Deleuze and Guattari. Predicated upon an a-subjective philosophy of differential relations, schizoanalysis enables us to reappraise eco-literary and eco-philosophical concerns, chiefly after post-symptomatological analyses of the relationship between high modern literature, pre-personal affect and the ‘eco-social’ coding of desire. It is in this way that I assert the ‘body without organs’ as the privileged clinical figure with which to address eco-social organisation, and thus, exceed the subjectivist logic of the symptom.

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Dixon, Peter. "Ecocriticism, Geophilosophy, and the [Truth] of Ecology." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19901.

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This thesis addresses the question posed to ecocriticism by Dana Phillips in his iconoclastic The Truth of Ecology: Nature, Culture, and Literature in America: “What is the truth of ecology, insofar as this truth is addressed by literature and art?” by examining how ecocriticism has, or has failed to, contextualize ecocritical discourse within an ecological framework. After reviewing the current state of ecocriticism and its relationship with environmentalism, the thesis suggests that both rely on the same outmoded, inaccurate and essentially inutile ecological concepts and language, and argues for a new approach to ecocriticism that borrows its concepts and language from the geophilosophy of Gilles Deleuze and Felix Guattari. The thesis concludes with a reassessment of the work of Barry Lopez, showing how his fiction, when viewed through the lens of geophilosophy, does not support essentialist notions of nature, but rather works to articulate a world of multiplicities, and new modes of becoming.

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Barker, Anna. "Green fiction : ecocriticism of the contemporary novel." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/32673/.

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Lidstrom, Susanne Irene. "Experiments in ecocriticism : Ted Hughes and Seamus Heaney." Thesis, King's College London (University of London), 2013. https://kclpure.kcl.ac.uk/portal/en/theses/experiments-in-ecocriticism(bad8185a-54b6-435f-9c56-583e3318663c).html.

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This is a reading of two Anglophone poets, Seamus Heaney and Ted Hughes. The analysis is grounded in 'ecocriticism'. More than just critical analysis, ecocriticism seeks to draw out the relationship between poets and their environments. On a more general basis, ecocriticism addresses the relationship between nature and culture in a wider sense. This thesis follows both these strains. It brings out ideas about nature-human relations expressed in Hughes's and Heaney's poems. It also uses those same poems to make visible ways in which a certain set of ecocritical theories illuminate ideas, positions and developments with regard to the relationship between nature and culture, especially as framed by environmental crisis. It is the ambition of the thesis to pursue these two aims simultaneously, and to say something both about Hughes and Heaney as eco-poets, and about theoretical developments in the ecocritical field. These distinguished poets, a Nobel Prize-winning Irishman, Seamus Heaney (1939-), and Ted Hughes (1930-1998), one of the 20th century's great English poets, were both born in the troubled years of the 1930s. Their lives follow the accelerating environmental crises of the 20th century. Both have been well-studied by critical thinkers before, but this thesis seeks to read their poems afresh for their understandings of local places and global crisis in the century of the environment.

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Krueger, Barbara Murphy. "Climate Change Virtue Ethics and Ecocriticism in Undergraduate Education." Thesis, Prescott College, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1583209.

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This thesis explores the question: can an ecocritical approach to environmental virtue ethics (EVE) in undergraduate climate change education inform students' understanding of the ethical issues of climate change and promote environmental responsibility and action? Philosophical theories of virtue ethics will be discussed from an historical perspective as well as to its renewal in the 20^th century, especially within the context of the wicked dimensions of the climate change crisis. Dominant themes in climate change ethics including concerns over the scientific complexity, global dimensions, temporal issues, intergenerational fairness and responsibility, justice, and human rights will be presented and used to devise a compendium of climate change virtues and vices. Environmental and climate change education research will be reviewed as well as the reasons for its failure to produce a substantial shift in attitudes and behavior of people especially in the global North will be deliberated. Ecocriticism, which studies the relationship between literature and visual and audial art will be explored, and a novel curriculum based on theoretical elements from climate change virtue ethics and supported with examples of the ecocritical arts will be proposed. It is my belief that an interdisciplinary framework supported and illustrated by climate change ecocriticism from any and all of the literary, visual, audial, and performance arts will create deeper understandings of climate change complexity.

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Finch-Race, Daniel Andrew. "Ecocritical approaches to Charles Baudelaire's urban verse, 1857-61." Thesis, University of Cambridge, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709515.

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Aghoghovwia, Philip Onoriode. "Ecocriticism and the oil encounter : readings from the Niger Delta." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86488.

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Thesis (PhD)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: The study seeks to understand the ways that environmental concerns and the phenomenon of oil production in the Niger Delta are captured in contemporary literary representations. In the thesis, I enlist several works, five poetry collections and a Nollywood video film, produced between 1998 and 2010, to investigate and analyse the different ways they engage with the effects of oil extraction as a form of violence that is not immediately apparent. Amitav Ghosh argues that representing something of such magnitude as oil modernity can only be done adequately through narratives of epic quality such as realist fiction or the historical novel. I move away from Ghosh’s assumptions to argue that the texts, poetry and video film have adequately captured the oil encounter, but not on a grand scale or through realist fiction. I situate Niger Delta representations of the oil encounter within the intellectual frame of petrocultures, a recent field of global study which explores the representational and critical domain within which oil is framed and imagined in culture. In their signification of what I call the “oil ontology”, that is, the very nature and existence of oil in the Delta, lived-experience in its actual quotidian specificity, takes precedence in the imagination of the writers that I study. I propose that the texts, in very different ways, articulate these experiences by concatenating social and environmental concerns with representations of the oil encounter to produce a petro-literary form which inflects and critiques the ways in which oil extraction, in all its social and environmental manifestations, inscribes a form of violence upon the landscape and human population in the oil sites of the Delta. I suggest that the texts articulate a place-based, place-specific form of petroculture. They emphasis the notion that the oil encounter in the Delta is not the official encounter at the point of extraction but rather the unofficial encounter with the side-effects of the oil extraction. The texts, in very different ways address similar concerns of violence as an intricate feature in the Delta, both as a physical, spectacular phenomenon and as a subtle, unseen category. They conceive of violence as a consequence of the various forms of intrusion and disruption that the logic of oil extraction instigates in the Niger Delta. I suggest that the form of eco-poetics that is articulated gives expression to environmental concerns which are marked off by an oily topos in the Delta. I maintain that in projecting an artistic vision that is sensitive to environmental and sociocultural questions, the writings that we encounter from this region also make critical commentary on the ontology of oil. The texts conceive the Niger Delta as one that provides the spatial and material template for envisioning the oil encounter and staging a critique of the essentially globalised space that is the site of oil production.
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die maniere waarop omgewingsbelange en die instellings van olieproduksie in die Delta van die Niger-rivier vasgevang word in kontemporêre letterkundige voorstellings. In my tesis gebruik ek verskeie werke – vyf versamelings van gedigte en ‘n Nollywood [Nigeriese] video, almal geskep tussen 1998 en 2010 – om die verskillende wyses waarop hierdie tekste omgaan met die gevolge van olie-ontginning, as ‘n vorm van geweld wat nie onmiddellik opvallend is nie, na te vors en te analiseer. Amitav Ghosh argumenteer dat, om ‘n fenomeen van sulke geweldige omvang soos olie-moderniteit uit te beeld, slegs na behore uitgevoer kan word in narratiewe van epiese dimensies; byvoorbeeld realistiese fiksie of die historiese roman. Ek beweeg weg van Ghosh se aannames deur te argumenteer dat die tekste (gedigte en ‘n video-film) wel die olie-ervaring behoorlik vasvang, maar nie op groot skaal soos in realistiese fiksie nie. Ek plaas die Niger-Delta uitbeeldings van die olie-ervaring binne die groter raamwerk van Petro-kulture: ‘n nuwe studiegebied wat die voorstellings- en kritiese domein waarbinne olie gekonseptualiseer en kultureel verbeel(d) word, ondersoek. In hul voorstellings van die olie-ontologie van die Delta neem die ervaringswêreld in sy daaglikse werklikhede (in die gekose skrywers se uitbeelding daarvan) ‘n sentrale plek in. Ek konstateer dat die tekste, hoewel op heel uiteenlopende maniere, hierdie ervarings artikuleer deur sosiale en omgewings-oorwegings byeen te bring met uitbeeldings van die olie-ervaring ten einde ‘n petro-literêre vorm te skep wat die maniere waarop olie-ontginning, in al die sosiale en omgewings-effekte daarvan, ‘n vorm van geweld op die landskap en die menslike bevolking van die olie-ontginningsgebiede van die Delta inskryf, inflekteer en krities analiseer. Ek stel dit dat die tekste ‘n plek-gebaseerde en gebieds-spesifieke vorm van Petrokultuur artikuleer. Hulle benadruk die feit dat die olie-ervaring in die Delta nie die offisiële ontmoeting by die ontginningspunt is nie, maar eerder die onoffisiële ondervinding van die newe-effekte van die olie-ontginningsproses. Op hul verskillende wyses spreek die tekste ‘n ooreenstemmende besorgdheid uit aangaande die ingewikkelde rol wat geweld in die Delta speel – beide as ‘n fisiese, ooglopende fenomeen en as ‘n subtiele, ongesiene kategorie. Die tekste konseptualiseer geweld as seinde die gevolg van die verskeie vorme van ingryping en versteuring wat deur die logika van die olie-ontginningsproses in die Niger-Delta meegebring word. Ek suggereer dat die vorm van eko-poëtika wat hier geartikuleer word, uitdrukking gee aan omgewings-oorwegings wat in die Delta deur ‘n olie(rige) topos omgrens word. Ek maak die stelling dat, deur middle van ‘n artistieke visie wat gevoelig is vir omgewings-en sosiale vrae, die tekste wat in hierdie gebied ontstaan, kritiese kommentaar bied op die ontologie van olie. Die tekste verbeel die Niger-Delta as ‘n gebied wat die ruimtelike en materiële templaat voorsien om die olie-ervaring te visualiseer en te konseptualiseer, om sodoende ‘n kritiek te skep van die geglobaliseerde ruimte van olie-produksie.

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Pickford, Stuart. "The dialogue between the discourses of ecocriticism and environmental poetry." Thesis, University of Leeds, 2009. http://etheses.whiterose.ac.uk/2306/.

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This practice-led thesis consists of a collection of poetry and a critical commentary. Through both parts, I examine the nature of the dialogue between ecocriticism and environmental poetry, specifically, the representation of non-human creatures, the representation of bioregions and the use of binarisms, especially as they apply to gender roles. The critical commentary analyses ecocritical perspectives with regard to these issues before contextualizing them in terms of contemporary, mainstream environmental poetry. My own practice is located within this context to reveal the nature of the dialogue between the two discourses. Although the collection of poetry should be read before the critical commentary, I intend for individual poems to be revisited when they form the subject of discussion within the commentary. Ecocriticism is a relatively new discourse that has gained increased prominence over the last decade. This research examines the discourses of ecocriticism and environmental poetry revealing that there are a number of undertheorized areas. Additionally, it demonstrates that the characteristics of the two discourses mean that they sometimes have different agendas. The nature of the dialogue shows that, in some instances, there is disagreement, but more frequently, one discourse tests, expands and qualifies the other, revealing biases and blind spots. As part of this practice-led research, I critique a number of prescriptive definitions of environmental poetry in order to propose a more clearly defined, comprehensive and relevant type of environmental poetry, a significant aspect of this project. My own new definition is an attempt to focus the attention of poets and ecocritics, rather than to be prescriptive.

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Xu, Jingcheng. "Early Daoism, ecocriticism and the Anthropocene : the case of Edward Thomas." Thesis, Bangor University, 2018. https://research.bangor.ac.uk/portal/en/theses/early-daoism-ecocriticism-and-the-anthropocene-the-case-of-edward-thomas(c559d542-4f8a-4bb4-bf6c-38ee126a1394).html.

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This dissertation will explore the contemporary value of early Daoism, a Chinese indigenous philosophy established prior to the Qin period (221 B.C.E.). It will suggest, as we enter the Age of the Anthropocene, that early Daoist thinking is useful to present-day ecocriticism. In short, it offers a way of restoring spiritual concerns to our thinking about environmental crises that we often presently consider in purely physical and material ways. After setting out the principles of early Daoism and suggesting its usefulness to contemporary ecocriticism, this thesis will consider the poetry of Edward Thomas as a case study of how early Daoism can offer new insights into canonical western literature. It will show how Daoist thinking offers re-readings of Thomas’s poetry that bring spiritual matters to the centre of our understanding of the present environmental quandaries. My project intervenes in the literary field in three ways: firstly, it is a contribution to the literary critical field of Edward Thomas studies; secondly, it brings the tradition of Eastern thought firmly into the realm of ecocriticism; thirdly, it works more broadly to raise the profile of Chinese thinking and further dismantle Euro-American literary and cultural hegemonies.

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Books on the topic "Ecocriticism"

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Bühler, Benjamin. Ecocriticism. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05489-0.

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Dürbeck, Gabriele, and Urte Stobbe, eds. Ecocriticism. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412502393.

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Goldwyn, Adam J. Byzantine Ecocriticism. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69203-6.

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Huggan, Graham. Postcolonial ecocriticism. New York: Routledge, 2009.

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Huggan, Graham. Postcolonial ecocriticism. New York: Routledge, 2009.

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Tally, Robert T., and Christine M. Battista, eds. Ecocriticism and Geocriticism. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137542625.

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Nichols, Ashton. Beyond Romantic Ecocriticism. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230117990.

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Estok, Simon C. Ecocriticism and Shakespeare. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118744.

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Selvamony, Nirmal, Nirmaldasan, Alex Rayson K, Organisation for Studies in Literature and Environment--India., and Indian Association for Studies in Contemporary Literature., eds. Essays in ecocriticism. Chennai: OSLE--India, 2007.

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Selvamony, Nirmal, Nirmaldasan, Alex Rayson K, Organisation for Studies in Literature and Environment--India., and Indian Association for Studies in Contemporary Literature., eds. Essays in ecocriticism. Chennai: OSLE--India, 2007.

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Book chapters on the topic "Ecocriticism"

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Fromm, Harold. "Ecocriticism." In A Companion to Literary Theory, 439–50. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch35.

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Warren, Michael J. "Ecocriticism." In The Routledge Companion to Medieval English Literature, 426–35. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429197390-41.

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Nitzke, Solvejg. "Ecocriticism." In Handbuch Idylle, 279–85. Stuttgart: J.B. Metzler, 2022. http://dx.doi.org/10.1007/978-3-476-05865-2_42.

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Sañudo, Eva Pelayo. "Ecocriticism." In Reading Kazuo Ishiguro’s Never Let Me Go, 23–32. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003530695-3.

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Byrnes, Delia. "Ecocriticism." In The Routledge Companion to Literature and Social Justice, 111–24. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003246428-11.

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Tyson, Lois. "Ecocriticism." In Critical Theory Today, 410–62. 4th ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003148616-13.

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Bühler, Benjamin. "Ecocriticism." In Ecocriticism, 27–83. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05489-0_2.

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Heffes, Gisela. "Ecocriticism." In The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms, 262–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429058912-29.

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Heise, Ursula K. "2. Ökokosmopolitismus." In Ecocriticism, 21–31. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412502393-001.

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Nöth, Winfried, and Kalevi Kull. "3. Biosemiotik." In Ecocriticism, 32–43. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412502393-002.

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Conference papers on the topic "Ecocriticism"

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Lu, James. "C. S. Lewis and Ecocriticism." In Annual International Conference on Language, Literature & Linguistics (L3 2016). Global Science & Technology Forum ( GSTF ), 2016. http://dx.doi.org/10.5176/2251-3566_l316.73.

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Pan, Haiou. "Research and Development of Ecocriticism in China." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.190.

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Fajar, Yusri, and John Ryan. "Environmental Exploitation in Sexy Killers: Narrative Analysis and Ecocriticism Perspectives." In 1st International Seminar on Cultural Sciences, ISCS 2020, 4 November 2020, Malang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.4-11-2020.2308914.

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Anh, Ho Thi Van. "Building Environmental Awareness through Implementation of Ecocriticism in Literature Teaching." In Proceedings of the 2nd International Conference on Research of Educational Administration and Management (ICREAM 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icream-18.2019.68.

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Soleha, Jamiatus, and Pratiwi Retnaningdyah. "The Representation of Spirituality in Rumi’s Selected Poems: An Ecocriticism Analysis." In Proceedings of the Social Sciences, Humanities and Education Conference (SoSHEC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/soshec-19.2019.25.

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"Beyond East Asian Landscapes: A Survey of Ecocriticism in Thai Literary Studies." In International Conference on Trends in Economics, Humanities and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed815006.

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Audina, Fitra, Tedi Permadi, and Nuny Sulistiany Idris. "Ecocriticism of Sinandong Batolurlah Kau Sinangin Melayu Culture in Tanjungbalai, North Sumatra." In Twelfth Conference on Applied Linguistics (CONAPLIN 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200406.016.

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Widyaningtyas, Pradita, and Else Liliani. "Principles of Environmental Ethics in Indonesian Newspaper Short Stories: An Ecocriticism Study." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.073.

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DAS, Biswajit. "ECOCRITICISM IS THE FLAGSHIP TO HUMANITY: REVISITING AND DECODING ABHIJNANASAKUNTALAM AND ARANYAK." In Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.04.

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Abstract:

Health is a reciprocal term that combines mutual co-existence in the environment with a considerable veneration to all forms of life. Life on earth is a result of some favourable conditions in the environment from the empirical point of view. So, the health of the environment remains the supreme, and thereby life, once created, has to keep up the conditions in order to sustain or survive itself. Thus there has always been a fascinating relation between health and environment since the dawn of creation of life on earth. Among the innumerable forms of life on earth human beings are considered the best since they are gifted with immense possibilities to comprehend, create, nourish, admonish, reject and accept. So, they have to shoulder the responsibility largely to secure the health of the environment which, in other terms, is the health of the varieties of life forms on earth. Through the ages they undertook overwhelming initiatives that surely advertise humanity; and literature, especially Eco-critical, has been the best call to humanity in order to restore health which is, as mentioned earlier, very much reciprocal. Literature upholds and worships the heavenly relation between health and environment, humanity and Nature. It celebrates the reconciliation of man and environment in the name of poetry very often.

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Tamrin, Andi Febriana. "Children and Nature in a Picture Book “Our Big Home”: An earth poem–ecocriticism." In Proceedings of the Second Conference on Language, Literature, Education, and Culture (ICOLLITE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icollite-18.2019.36.

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Reports on the topic "Ecocriticism"

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Stefan, Madalina. Conviviality, Ecocriticism and the Anthropocene: An Approach to Postcolonial Resistance and Ecofeminism in the Latin American Jungle Novel. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, April 2022. http://dx.doi.org/10.46877/stefan.2022.43.

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In the context of the Anthropocene, ecocriticism is gaining an increasingly important role, foregrounding the inextricability of nature and culture, on the one hand, and the postcolonial cultural representation from the Global South on the other. Against this backdrop, the present working paper will focus on the Latin American context, suggesting that conviviality signifies a crucial contribution to the discourse about the Anthropocene and serves as an ideal theoretical framework for the research project on “Postcolonial Resistance and Ecofeminism in the Latin American Jungle novel”, which is outlined at the end of the paper.

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