Relevant bibliographies by topics / EcoGothic

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'EcoGothic'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "EcoGothic"

1

Ferri-Miralles, Imma. "Ecogothic." Green Letters 19, no. 3 (2015): 316–18. http://dx.doi.org/10.1080/14688417.2015.1078128.

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Gonder, P. "Ecogothic." Interdisciplinary Studies in Literature and Environment 21, no. 3 (2014): 716–17. http://dx.doi.org/10.1093/isle/isu118.

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Gifford, Terry. "Book Review of Ecogothic // Reseña de Ecogothic." Ecozon@: European Journal of Literature, Culture and Environment 5, no. 2 (2014): 181–83. http://dx.doi.org/10.37536/ecozona.2014.5.2.625.

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Höll, Davina. "„Der Tod ist hundertfach in jedem Mundvoll Luft, den wir einatmen“: Unheimliche Grenzgänge zwischen Mensch und Umwelt. ‚Ecogothic‘ in Ricarda Huchs "Erinnerungen von Ludolf Ursleu dem Jüngeren"." Studia Germanica Gedanensia, no. 40 (December 22, 2019): 218–26. http://dx.doi.org/10.26881/sgg.2019.40.18.

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Unsichtbares Mikroleben generiert bis heute Faszination und Schrecken. Am Beispiel des neuromantischen Textes „Erinnerungen von Ludolf Ursleu dem Jüngeren“ von Ricarda Huch zeigt der Beitrag im Theorierahmen des ‚Ecogothic‘ und aus literatur- wie medizinhistorischer Perspektive die spezifischen Strategien der Literarisierung des unheimlichen Grenzgangs der Mikroben zwischen Mensch und Umwelt.
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Del Principe, David. "Introduction: The EcoGothic in the Long Nineteenth Century." Gothic Studies 16, no. 1 (2014): 1–8. http://dx.doi.org/10.7227/gs.16.1.1.

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Byrne, Eleanor. "Ecogothic Dislocations in Hanya Yanagihara’sThe People in the Trees." Interventions 19, no. 7 (2017): 962–75. http://dx.doi.org/10.1080/1369801x.2017.1403942.

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Elbert, Monika. "Haunting Transcendentalist Landscapes: EcoGothic Politics in Margaret Fuller’s Summer on the Lakes." Text Matters, no. 6 (November 23, 2016): 53–73. http://dx.doi.org/10.1515/texmat-2016-0004.

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In this essay, the reminiscences of Margaret Fuller, feminist activist and member of the American Transcendentalist movement, from her journey to the Great Lakes region, entitled Summer on the Lakes (1844), are considered in the light of EcoGothic considerations. The essay shows how Fuller’s journey disillusioned her about progress and led to abandoning the serene vision of nature and landscapes reflected in the works of Transcendentalists. The destruction of nature and landscape verging on an ecological catastrophe is presented by Fuller in the perspective of the Gothic, as a price for the te
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Estok, Simon C. "Corporeality, hyper-consciousness, and the Anthropocene ecoGothic: slime and ecophobia." Neohelicon 47, no. 1 (2020): 27–39. http://dx.doi.org/10.1007/s11059-020-00519-0.

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Kidder, Richard. "Some Examples of the Ecogothic in Contemporary English Language Fiction." Caietele Echinox 35 (November 16, 2018): 212–22. http://dx.doi.org/10.24193/cechinox.2018.35.13.

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Steinroetter, Vanessa. "Unsettling Landscapes: Prairie Madness and EcoGothic Themes in US Plains Literature." Great Plains Quarterly 39, no. 3 (2019): 291–310. http://dx.doi.org/10.1353/gpq.2019.0037.

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Dissertations / Theses on the topic "EcoGothic"

1

Roberts, Suzanne L. "The ecogothic pastoral ideologies in the gendered Gothic landscape /." abstract and full text PDF (UNR users only), 2008. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3316380.

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Franck, Kaja. "The development of the literary werewolf : language, subjectivity and animal/human bounderies." Thesis, University of Hertfordshire, 2017. http://hdl.handle.net/2299/17669.

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The werewolf is a stock character in Gothic horror, exemplifying humanity's fear of 'the beast within', and a return to a bestial state of being. Central to this is the idea that the werewolf is, once transformed, without language. Using an ecoGothic approach, this thesis will offer a new approach in literary criticism regarding the werewolf. It argues that the werewolf has become a vehicle for our ambivalence towards the wolf, which itself has become a symbolic Gothic Other. Using interdisciplinary source materials, such as natural histories, fairy tales, and folklore, the notion of the 'symb
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Books on the topic "EcoGothic"

1

Parker, Elizabeth. The Forest and the EcoGothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35154-0.

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Smith, Andrew, and William Hughes. Ecogothic. Manchester University Press, 2016.

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3

Ecogothic. Manchester University Press, 2013.

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4

Smith, Andrew, and William Hughes, eds. Ecogothic. Manchester University Press, 2015. http://dx.doi.org/10.7765/9781526102911.

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Ecogothic in Nineteenth-Century American Literature. Taylor & Francis Group, 2017.

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6

Edney, Sue, ed. EcoGothic gardens in the long nineteenth century. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526145697.

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7

Edney, Sue. EcoGothic Gardens in the Long Nineteenth Century: Phantoms, Fantasy and Uncanny Flowers. Manchester University Press, 2020.

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8

Edney, Sue. EcoGothic Gardens in the Long Nineteenth Century: Phantoms, Fantasy and Uncanny Flowers. Manchester University Press, 2020.

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9

EcoGothic Gardens in the Long Nineteenth Century: Phantoms, Fantasy and Uncanny Flowers. Manchester University Press, 2020.

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10

Parker, Elizabeth. The Forest and the EcoGothic: The Deep Dark Woods in the Popular Imagination. Palgrave Macmillan, 2020.

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Book chapters on the topic "EcoGothic"

1

Parker, Elizabeth. "Introduction: Into the Woods." In The Forest and the EcoGothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35154-0_1.

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Parker, Elizabeth. "Theorising the Forest: Approaching a Dark Ecology." In The Forest and the EcoGothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35154-0_2.

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Parker, Elizabeth. "‘What If It’s the Trees?’: The Living Forest." In The Forest and the EcoGothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35154-0_3.

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Parker, Elizabeth. "Where the Wild Things Are: Monsters in the Forest." In The Forest and the EcoGothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35154-0_4.

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Parker, Elizabeth. "‘It Isn’t Right to Build so Close to the Woods’: Humans and the Forest." In The Forest and the EcoGothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35154-0_5.

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Parker, Elizabeth. "Conclusion: What Is ‘That Awful Secret of the Wood’?" In The Forest and the EcoGothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35154-0_6.

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Deam, Natalie. "Victor Hugo’s Pieuvre and the Marine EcoGothic." In Gothic Animals. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-34540-2_16.

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Morrison, Ronald D. "Frances Trollope’s Domestic Manners of the Americans and the EcoGothic." In Victorian Environmental Nightmares. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14042-7_5.

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Parker, Elizabeth. "“Just a Piece of Wood”: Jan Švankmajer’s Otesánek and the EcoGothic." In Plant Horror. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57063-5_12.

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Deckard, Sharae. "Ecogothic." In Twenty-First-Century Gothic. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440929.003.0013.

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Reading Ecogothic depictions of nature from cultural traditions outside of Euro-America reveals how socio-ecological relations are inextricably bound up with hierarchies of race, class and gender, but also how environmental catastrophes intersect with wider geopolitical contexts such as imperialism. This chapter compares contemporary examples of ‘resource Gothic’ fictions that figure the socio-ecological violence of extractivism, plantation and ecological imperialism in postcolonial nations, including the sugar Gothic of Roger McTair’s ‘Just a Lark (or the Crypt of Matthew Ashdown)’ (2000), set in Jamaica, the oil Gothic of HelonHabila’sOil on Water (2010), set in Nigeria, and the toxic nuclear Gothic of Robert Barclay’s Meļaļ (2003), set in the Marshall Islands. It also examines Ecogothic aesthetics in contemporary television and video games, exploring the oil and sugar imaginary of the first season of HBO television series True Detective (2014) and the nuclear magnetism of Bethesda Game Studio’s Fallout 4:Far Harbor DLC (2016).
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