Academic literature on the topic 'Ecological Dystopia'

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Journal articles on the topic "Ecological Dystopia"

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AKKOYUN, Tülay. "EKOLOJİK TEHLİKE ÇIĞLIĞI: ERNEST CALLENBACH’IN ‘EKOTOPYA’ ve OYA BAYDAR’IN ‘KÖPEKLİ ÇOCUKLAR GECESİ’." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (2022): 96–104. http://dx.doi.org/10.31567/ssd.703.

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The first known Ecological Utopia novel was written by Ernest Callenbach in 1975 in America. Ecological Dystopia, on the other hand, has already taken its place in many dystopian works, even if it had not been named yet, as dystopia takes the future as its subject. In dystopian fiction, since the problems that are and can be experienced in a country or in the world are discussed, the dystopian writer expresses the negativities that may be experienced in the future based on his/her own geography. Ecological dystopia writers make predictions about how environmental pollution, forest fires, natur
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Marco, Malvestio. "Theorizing Eco-Dystopia: Science Fiction, the Anthropocene, and the Limits of Catastrophic Imagery." European Journal of Creative Practices in Cities and Landscapes 5, no. 1 (2022): 24–38. https://doi.org/10.6092/issn.2612-0496/14532.

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This essay considers a peculiar kind of science-fictional writing with environmental concerns that pivots on the imagery of catastrophe and blends the dystopian and the post-apocalyptic traditions. This sub-genre is known as eco-dystopia, which, I argue, merges the catastrophic imagery of the post-apocalyptic tradition with the consequential mode of dystopia. Eco-dystopias rely on the imagery of catastrophe to warn the public about the dangers and the consequences of the Anthropocene. However, such imagery presents strong limitations when used to dramatize and conceptualize the Anthropocene, a
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Stillman, Peter G. "Dystopian Visions and Utopian Anticipations: Terry Bisson’s Pirates of the Universe as Critical Dystopia." Science Fiction Studies 28, Part 3 (2001): 365–82. https://doi.org/10.1525/sfs.28.3.0365.

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This article examines the interplay of dystopian and utopian themes in Terry Bisson’s Pirates of the Universe, utilizing Tom Moylan’s concept of “critical dystopia.” In the novel, Bisson maps out a number of discontinuous dystopias in a near-future US marked by rampant capitalist enterprise, out-of-control bio-technology, ecological decay, and a weak central state. These dystopias generally produce citizens with fragmented personal experiences, disinterest in social issues, and limited aspirations. Towards the end of the novel, when free and clean energy becomes available to all, Bisson explor
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Yosef-Paz, Netta Bar. "Hebrew Dystopias." Israel Studies Review 33, no. 2 (2018): 66–84. http://dx.doi.org/10.3167/isr.2018.330205.

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This article examines contemporary Hebrew dystopic novels in which ecological issues play a critical role, reflecting an increasing preoccupation of Israeli culture and society with the environment. The literary turn to dystopia is not new, but whereas Israeli dystopias published in the 1980s–1990s focused mainly on military apocalyptic visions, current novels combine these national anxieties with ecological dangers, following present-day trends in American literature and cinema. These contemporary dystopias either conjoin a national crises with an ecological disaster as the source of the cata
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Daum, Thomas. "Farm robots: ecological utopia or dystopia?" Trends in Ecology & Evolution 36, no. 9 (2021): 774–77. http://dx.doi.org/10.1016/j.tree.2021.06.002.

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Wang, Ban. "Ecological Utopia and Dystopia in Chinese Science Fiction." Prism 21, no. 1 (2024): 238–55. https://doi.org/10.1215/25783491-11206914.

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Abstract Crossing the binary of utopia and dystopia, this article reads Hao Jingfang's (1984–) novel Vagabonds as a critical ecotopia. I explore configurations of social worlds and eschew the politics of purity by highlighting the complexities of building a utopia while navigating entangled complicity and ambiguity between utopia and dystopia. The Mars Republic in the novel represents an ecotopia built through advanced technologies, where Martians adapt to the arid environment in contrast with the environmentally degraded earth. The novel portrays encounters, shocks, and mutual critiques betwe
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Andonova-Kalapsazova, Elena. "Motherhood – The Quiet Rebellion of Utopia in Megan Hunter’s The End We Start From." Balkanistic Forum 33, no. 1 (2024): 252–65. http://dx.doi.org/10.37708/bf.swu.v33i1.19.

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The blurring of the boundaries between utopia and dystopia and the weaving of utopian hopes and possibilities into narratives seen as belonging to the genre of the dystopian novel has been a characteristic of the latter for a long time. Overviews of developments in dystopian literature in the twentieth and the twenty-first century have noted instances of this phenomenon ranging from works in which pockets of resistance to dystopian worlds carry with them hopes for a utopian future to ones in which utopian hope is read in the faces of a handful of survivors who have heroically emerged from amon
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Rajbanshi, Manoj, and Nagendra Kumar. "Representing Environmental Disaster in the Anthropocene: Varun Thomas Mathew’s The Black Dwarves of the Good Little Bay as an Ecodystopia." East-West Cultural Passage 24, no. 1 (2024): 29–45. https://doi.org/10.2478/ewcp-2024-0003.

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Abstract In recent years, anxiety around anthropogenic climate change and its consequences has taken centre-stage in the narratives of contemporary novels. The abundance of ecodystopian novels placed in futuristic climate-changed settings with visions of apocalypse or dystopian futures, reflect the contemporary anguish around climate crisis. It is also the case of India, where many contemporary writers have adopted the literary mode of dystopia to envision the future societies grappling with the consequences of climate change and ecological disaster. Against this backdrop, Varun Thomas Mathew’
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Hódosy, Annamária. "Wellbeing in the Necrocene: The Walking Dead as a Solarpunk Eco-Ustopia." Hungarian Journal of English and American Studies 31, no. 1 (2025): 35–59. https://doi.org/10.2478/hjeas/2025/31/1/3.

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Abstract The zombie genre has a number of characteristics that allow for a more thorough consideration of the link between the fictive zombie outbreaks and the problems of the Anthropocene. The present study aims to scrutinize why this issue can be considered even when it is not directly addressed, as in The Walking Dead series (2010–2022), which is analyzed after an overview of how the zombie has transitioned from embodying individual and social condition to indicating ecological threats. The discussion intends to demonstrate that the social connotations within the zombie tradition identify t
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Schroering, Abby. "Wellesley Girl: Emotion, Democracy, and the Contemporary Dystopia." Journal of Contemporary Drama in English 7, no. 2 (2019): 281–96. http://dx.doi.org/10.1515/jcde-2019-0038.

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Abstract Brendan Pelsue’s Wellesley Girl, which premiered in the midst of the 2016 U. S. Presidential election, depicts American democracy – as an institution, a mythology, and a practice – as a fundamentally flawed utopian framework that is susceptible to dystopian failure. In this post-apocalyptic community in which every adult is a member of Congress, it becomes clear that American democracy was systematically designed to exclude emotional reasoning – with a few notable, destructive, exceptions – and it therefore enforces performances of reason that tend to exclude women and produce a cogni
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Dissertations / Theses on the topic "Ecological Dystopia"

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Camfield, Laura. "Measuring quality of life in dystonia : an ethnography of contested representations." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:6ac544f6-41a9-4eb6-8dda-9b7325ec1611.

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This thesis examines the experiences of people living with dystonia1 and the ways these are represented by people living with dystonia, the Dystonia Society, neurologists, quality of life (QOL) researchers and pharmaceutical companies. Drawing on ethnographic fieldwork conducted within the Dystonia Society and on projects developing a disease-specific QOL measure, and investigating the impact of dystonia on people’s QOL, the thesis explores a series of questions about the conceptual and practical problems inherent in such measures. It asks: • How dystonia is defined and represented and its imp
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Camfield, Laura Emma Lilian. "Measuring quality of life in dystonia : an ethnography of contested representations." Thesis, Goldsmiths College (University of London), 2003. http://ora.ox.ac.uk/objects/uuid:6ac544f6-41a9-4eb6-8dda-9b7325ec1611.

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This thesis examines the experiences of people living with dystonia1 and the ways these are represented by people living with dystonia, the Dystonia Society, neurologists, quality of life (QOL) researchers and pharmaceutical companies. Drawing on ethnographic fieldwork conducted within the Dystonia Society and on projects developing a disease-specific QOL measure, and investigating the impact of dystonia on people’s QOL, the thesis explores a series of questions about the conceptual and practical problems inherent in such measures. It asks: • How dystonia is defined and represented and its imp
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Books on the topic "Ecological Dystopia"

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Alberro, Heather, Emrah Atasoy, Nora Castle, Rhiannon Firth, and Conrad Scott. Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770.

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Callenbach, Ernest. Ökotopia: Notizen und Reportagen von William Weston aus dem Jahre 1999 [sic]. Rotbuch Verlag, 1990.

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Callenbach, Ernest. Ecotopia: The notebooks and reports of William Weston. Bantam Books, 1990.

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Callenbach, Ernest. Ecotopia: The notebooks and reports of William Weston. Banyan Tree Books in association with Heyday Books, 2004.

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Callenbach, Ernest. Ecotopia: The notebooks and reports of William Weston. 4th ed. Banyan Tree Books in association with Heyday Books, 2014.

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Dollens, Dennis. Dystopia Now: Ecological Rift, Buddhist Machinic & BioArchitecture. SITES Books, 2021.

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Helbing, Dirk. Next Civilization: Digital Democracy and Socio-Ecological Finance - How to Avoid Dystopia and Upgrade Society by Digital Means. Springer, 2021.

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Maurini, Alessandro. Aldous Huxley. The Rowman & Littlefield Publishing Group, 2017. https://doi.org/10.5040/9781666984989.

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Aldous Huxley: The Political Thought of a Man of Letters argues that Huxley is not a man of letters engaged in politics, but a political thinker who chooses literature to spread his ideas. His preference for the dystopian genre is due to his belief in the tremendous impact of dystopia on twentieth-century political thought. His political thinking is not systematic, but this does not stop his analysis from supplying elements that are original and up-to-date, and that represent fascinating contributions of political theory in all the spheres that he examines from anti-Marxism to anti-positivism,
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Song, Weijie. A Warped Hometown. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.003.0002.

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This chapter explores how Lao She performs an affective mapping of his warped native city’s streets, courtyard houses, ditch, and teahouse: everyday tyranny and despair in the phantasmal and entrapping avenues and streets; wartime atlas of emotions including nostalgia, mourning, shame, anger, and hatred; socialist sentiment and citizenship born in the ideological/ecological representation of Dragon Beard Ditch as a metamorphic space; and self-mourning in a warped and wounded teahouse as a distorted space-time continuum, a shrinking and pessimistic miniature of old Beijing misery and a sign of
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Alberro, Heather. Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown: Entangled Futurities. Routledge, 2024.

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Book chapters on the topic "Ecological Dystopia"

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Nayar, Pramod K. "Dystopias and the ‘Ecological Uncanny’." In Ecoprecarity. Routledge, 2019. http://dx.doi.org/10.4324/9780429294815-3.

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Geal, Robert. "Survivors in post-apocalyptic environmental dystopias." In Ecological Film Theory and Psychoanalysis. Routledge, 2021. http://dx.doi.org/10.4324/9780367373429-6.

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Cooper, Ben, and Tahira Hamid. "World Without Roads: A Sustainable Haven or a Dystopian Future?" In Sustainable Ecological Engineering Design. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-73947-7_41.

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Horn, Benjamin, Jayde Martin, and Alice Seville. "“A vortex of summons and repulsion”." In Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770-14.

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Bernárdez, Sara González. "Corruption and Cleansing." In Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770-9.

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Breemen, Alice. "Pandemic Dramaturgy." In Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770-19.

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Käkelä, Jari. "“Preservation is an action, not a state”." In Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770-18.

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Kafara, Rylan. "Dystopian Prohibitions and Utopian Possibilities in Edmonton, Canada, at the Onset of the COVID-19 Pandemic." In Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770-12.

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Khobra, Ujjwal, and Rashmi Gaur. "The Human/Un(human)." In Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770-4.

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Rossi, Eleonora. "Through Currents of Contamination." In Utopian and Dystopian Explorations of Pandemics and Ecological Breakdown. Routledge, 2024. http://dx.doi.org/10.4324/9781003345770-10.

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Conference papers on the topic "Ecological Dystopia"

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Mortensen Steagall, Marcos, and Sergio Nesteriuk Gallo. "LINK 2022 4th Conference in Creative Practice, Research and Global South." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.191.

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It is increasingly overwhelming that our societies are living in disintegrating environments and need for more sustainable design approaches and wiser ways of living and being. Anthropogenic design impact in corporate spheres is causing socio-ecological destruction that threatens the underpinnings of civilisation and bio-diverse nature. Hence, economies and life worlds are facing the limitations of narratives of progress and creeds of growth with their designs and actions that are inapposite to the flourishing of life on our planet. In this context that the LINK Conference has emerged. LINK is
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García Ruiz, Dulce Esmeralda. "Virtual reality of the sustainable immaterial urban networks: simulation co-benefits approach as an strategy to survive in the dystopian city." In Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8133.

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In order that we can create cities that can adapt quickly to change, we can look at the co-benefits as a strategy for a fast implementation in a view of the contemporary city that want to have immediately results in a smart position in the information age.
 On the premise of an individual transformation point of an ecological baseline to the highest collective level, a city must be planned and adapted to provide itself with minimal dependence and in a neutral equilibrium with the nature. The co-benefits will help us to decrease the correlational break between economy, society and nature,
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