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Books on the topic 'Economic aspects of African art'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

African art in transit. Cambridge [England]: Cambridge University Press, 1994.

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2

Warfare in African history. Cambridge: Cambridge University Press, 2012.

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3

Cutler, David M. Are ghettos good or bad? Cambridge, MA: National Bureau of Economic Research, 1995.

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4

United States. Congress. Joint Economic Committee. Increasing economic opportunity for African Americans: Local initiatives that are making a difference : hearing before the Joint Economic Committee, Congress of the United States, One Hundred Thirteenth Congress, second session, July 29, 2014. Washington: U.S. Government Printing Office, 2014.

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5

Sansone, Livio. From Africa to Afro: Use and abuse of Africa in Brazil. Amsterdam, The Netherlands: SEPHIS, 1999.

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6

Shell, Marc. Art & money. Chicago: University of Chicago Press, 1995.

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7

Smith College. Museum of Art., ed. African beaded art: Power and adornment. Northampton, Mass: Smith College Museum of Art, 2008.

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8

Robertson, Iain. The art business. London: Routledge, 2008.

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9

Zander, Ivo, and Mikael Scherdin. Art entrepreneurship. Cheltenham, UK: Edward Elgar, 2011.

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10

African vodun: Art, psychology, and power. Chicago: University of Chicago Press, 1995.

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11

Art production beyond the art market? Berlin: Sternberg Press, 2013.

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12

Vitantonio Russo: Economic art : percorsi interattivi. Cinisello Balsamo, Milano: Silvana, 2007.

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13

Preston, George Nelson. Sets, series & ensembles in African art. New York: Center for African Art, 1985.

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14

Preston, George Nelson. Sets, series & ensembles in African art. New York: Center for African Art, 1985.

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15

Dunne, Kymberly M. The art of enterprise. Dublin: University College Dublin, 1997.

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16

Bamberger, Alan S. Art for all: How to buy fine art for under $300. Radnor, Pa: Wallace-Homestead Book Co., 1994.

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17

Baars, Willem. Wie bepaalt de waarde van kunst? [Amsterdam, Netherlands]: Nieuw Amsterdam, 2009.

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18

Baars, Willem L. Wie bepaalt de waarde van kunst? [Amsterdam, Netherlands]: Nieuw Amsterdam, 2009.

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19

Baars, Willem. Wie bepaalt de waarde van kunst? [Amsterdam, Netherlands]: Nieuw Amsterdam, 2009.

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20

Econ-art: Divorcing art from science in modern economics. London: Pluto Press, 1999.

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21

Shepard, Fairey, Arcabascio Tony, and BLK/MRKT Gallery, eds. Sponsorship: The fine art of corporate sponsorship : the corporate sponsorhip of art. Corte Madera, CA: Gingko Press, 2005.

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22

Greffe, Xavier. Arts and artists from an economic perspective. London: Unesco, 2002.

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23

Bourgineau, François. Art et argent: Les liaisons dangereuses. [Paris]: Hugo, 2009.

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24

Sport versus art: A South African contest. Johannesburg: Wits University Press, 2010.

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25

Chartrand, Harry Hillman. The arts : consumption skills in the post-modern economy. Ottawa: Canada Council, 1986.

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26

New York Foundation for the Arts, ed. The profitable artisit. New York, NY: Allworth Press, 2011.

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27

Völcker, Wolfram, and Daniela Baumberg. Was kostet Kunst?: Ein Handbuch für Sammler, Galeristen, Händler und Künstler. Ostfildern: Hatje Cantz, 2011.

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28

Eberharter, Veronika. Regionale Aspekte des Bildermarktes: Eine ökonomische Analyse anhand der Werke bildender Künstler Nord- und Südtirols. Innsbruck: Universitätsverlag Wagner, 1996.

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29

De Nachtwacht in het donker: Over kunst en economie. Tielt: Lannoo, 1990.

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30

Schiebler, Ralf. Schumpeter and Picasso: A lecture on the relationship between art and economics, delivered at the University of Hawai'i at Mānoa, Honolulu in January 1994. [Wuppertal]: Herakles, 1994.

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31

The new economy of art: Value, patronage and emerging business models in contemporary visual art. London: DACS, 2014.

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32

Art management: Entrepreneurial style. 3rd ed. Delft, The Netherlands: Eburon, 2003.

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33

L'or des images: Art, monnaie, capital. Montreuil]: La Ville brûle, 2013.

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34

Caves, Richard E. Creative industries: Contracts between art and commerce. Cambridge, Mass: Harvard University Press, 2000.

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35

The business of art unveiled: New York art dealers speak up. Frankfurt am Main: Peter Lang, 1994.

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36

The art business encyclopedia. New York: Allworth Press, 1994.

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37

Smith, Constance. Art marketing 101: A handbook for the fine artist. 2nd ed. Penn Valley, Calif: ArtNetwork, 1997.

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38

Spranzi, Aldo. Economia dell'arte. Milano: UNICOPLI, 2003.

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39

Art marketing 101: A handbook for the fine artist. Nevada City, Calif: ArtNetwork, 2002.

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40

Jules-Rosette, Bennetta. Messages of Tourist Art: An African Semiotic System in Comparative Perspective. Springer London, Limited, 2013.

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41

Jules-Rosette, Bennetta. The Messages of Tourist Art: An African Semiotic System in Comparative Perspective. Springer, 2013.

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42

Jules-Rosette, Bennetta. The Messages of Tourist Art: An African Semiotic System in Comparative Perspective. Springer, 2013.

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43

Reid, Richard J. Warfare in African History. Cambridge University Press, 2012.

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44

Reid, Richard J. Warfare in African History. Cambridge University Press, 2012.

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45

Reid, Richard J. Warfare in African History. Cambridge University Press, 2012.

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46

Reid, Richard J. Warfare in African History. Cambridge University Press, 2012.

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47

Wassing. African Art. Hacker Art Books, 1988.

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48

Amao, Olufemi, Michèle Olivier, and Konstantinos D. Magliveras, eds. The Emergent African Union Law. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198862154.001.0001.

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Abstract:

This book presents a timely collection of contributions on the emerging African Union law by scholars, practitioners, and researchers from different legal backgrounds. The various contributions highlight how law currently stands at the heart of the successful regional integration effort in Africa. The book, among other issues, explores the extent to which AU law is having impact on domestic laws in Africa. This trend has been more evident in the areas of human rights, the rule of law, democratic principles, and other aspects of constitutional law. Furthermore, the book examines how the AU is engendering new norms from its legal order even though it is still at its initial phases of evolution. Such norms include the non-indifference norm, the norm on rejection of unconstitutional change of government, the right to protect, and a qualified right to intervention domestically, free trade and free movement of persons, economic regulation, and democratic constitutionalism. These and other emerging standards are covered extensively in this collection. In addition, the AU legal order has led to the emergence of a continental level judicial system, which is also a focus of this book. The original quasi-judicial system put in place under the African Charter on Human and Peoples’ Rights, and administered by the African Commission on Human and Peoples’ Rights, is now complemented by the African Court on Human and Peoples’ Rights. The book contends that the continental level judicial system is playing a crucial role in the moulding of the emergent norms. This book was supported by funding from the Arts and Humanities Research Council, UK.

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49

Williamson, Sue. South African Art Now. HarperCollins Publishers, 2011.

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50

South African art now. 2009.

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