Dissertations / Theses on the topic 'Écrits de femmes québécois – Histoire et critique'
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Bédard, Mylène. "Rhétorique et autoreprésentation : la pratique épistolaire des femmes en temps d'insurrections." Doctoral thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25193.
Full textCette thèse s’inscrit dans la mouvance des travaux qui visent à renouveler l’histoire littéraire (Thérenty, Vaillant, Pinson, Cambron) en tenant compte des enjeux de l’histoire culturelle, dont celui des représentations (Corbin, Kalifa). Elle met en valeur un corpus de 300 lettres écrites par des Bas-Canadiennes liées au mouvement patriote entre 1830 et 1840 et a pour objectif de montrer que la pratique épistolaire des femmes de la première moitié du XIXe siècle n’évolue pas en circuit fermé, mais s’avère perméable à l’actualité et au discours médiatique. Tout en révélant les conditions matérielles, les codes et les relations sociales qui régulent la forme épistolaire, cette étude cherche à faire état des mutations que subissent les usages de la lettre féminine au contact des événements insurrectionnels. Privilégier une lecture culturelle de la décennie 1830-1840 à travers le prisme des correspondances féminines permet d’observer la période insurrectionnelle du point de vue des opportunités qu’elle offre aux femmes. Cette perspective incite à examiner les lettres qu’elles ont écrites, mais aussi à se pencher sur les autres pratiques de sociabilité, dont le salon, de même que sur les pratiques de lecture, principalement celle du journal, qui est accessible aussi bien aux femmes de la bourgeoisie qu’à celles issues de milieux plus modestes. L’étude croisée des lettres et de la presse rend compte des interférences et de la complémentarité entre la correspondance et la culture médiatique au cœur du XIXe siècle, et témoigne d’une politisation progressive des usages et des pratiques culturelles. En plein siècle romantique, l’enchevêtrement entre le politique et le personnel bouleverse les frontières entre le privé et le public et entraîne des tensions dans l’écriture épistolaire, notamment dans la représentation du sujet féminin, mais aussi entre une pratique plus ouverte à une sensibilité de nature romantique et un cadre normatif fondé sur l’idéal classique. C’est pourquoi cette thèse allie les méthodes de l’histoire littéraire et la notion d’autoreprésentation empruntée à l’analyse du discours (Maingueneau, Amossy) pour évaluer dans quelle mesure les femmes s’approprient les représentations culturelles en vigueur pour être entendues, tout en étant fidèles à elles-mêmes et aux possibles de l’époque.
Tourangeau, Kathleen. "Trajectoire ascendante de Blanche Lamontagne (1889-1918)." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24332/24332.pdf.
Full textVeillette, Marie-Paule. "La représentation de la folie dans l'écriture féminine contemporaine des Amériques." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57482.pdf.
Full textBoisclair, Isabelle. "Ouvrir la voie/x, le processus constitutif d'un sous-champ littéraire féministe au Québec, 1960-1990." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0020/NQ46684.pdf.
Full textHins, Sara-Juliette. "Emma Gendron, polyphonie médiatique d'une femme pas comme les autres (1897-1952)." Doctoral thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/26123.
Full textOn the heels of researches in women’s literary history, this thesis focuses on Emma Gendron, a French-Canadian writer, who among others signed a play, a letter to the editor, two novels, two scenarios and many short stories in Quebec between 1920 and 1940. Despite this fact, it is mainly as a writer that she is mentioned in the story because she is the first francophone Quebec to practice this form of writing. If in general, the texts in these areas briefly trace her career and biography emphasizing journalistic aspect or film, none offers a real analysis of her works. It seems that the work in literary history have not addressed thoroughly and specifically literary trajectory and the work of polygraphs as Gendron, nor highlighted the socio-literary issues at work from the point of view of production reception when we try to understand their practice and what they represent in the literary field. First of all, this thesis traces Emma Gendron’s trajectory. It discusses her journalistic collaborations and the different postures that she adopted during her career. We then analyze the ideological tendencies at work in the column “The eternal feminine” in La Revue populaire and “Le Courrier de Manon” in Le Samedi. Then, we see that the recurrence of orphan character in the texts of Gendron opens a larger world of possibilities to this figure in fiction and is used as motor for action. Feminine self-realization, by the exercise of a profession or the choice of a husband is another track that this thesis explores. Gendron’s position in this respect is a form of médianité, a compromise between the old and modern styles. Finally, we look at the themes of modernity and Americanity. We believe that, like the treatment of the heroines who practice a profession, the position of Gendron in relation to Americanity is in-between, in médianité. Some works conveyed a more conservative ideology, while others seem to illustrate a break or some novelty compared to the dominant discourse.
Bernatchez, Juliette. "L'engagement littéraire au féminin durant la Révolution tranquille : le cas de Claire Martin." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/37056.
Full textZuñiga, Rivera Mónica. "L'érotisme dans des récits courts écrits par des femmes en Amérique Centrale : 1993 - 2013." Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2015/document.
Full textThrough the analysis of eroticism and the way it is used in short tales authored by women of Central America, this thesis demonstrates the significance of the study of the erotic discourse as well as its evolution and the latest trends. In the first chapter- the introduction- we briefly explain the social and historical context of Cen-tral America, in order to draw attention to an area still unknown at the current time. Afterwards, we will intro-duce our method of analysis, the objectives and the consulted sources. In the second chapter we submit a chronology of eroticism in literature which starts by The Song of Songs and finishes by a debate about Gender Studies and the Queer Theory. It is crucial to observe the evolution of eroticism as well as its significance
Desnoyers, Johanne. "Histoire des femmes au Sénégal et au Mali et processus de modernisation : itinéraires et aspirations de la première génération de femmes lettrées." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ51127.pdf.
Full textPilon, Simone. "Constitution du corpus des écrits des femmes dans la presse canadienne-française entre 1883 et 1893 et analyse de l'usage des pseudonymes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ48549.pdf.
Full textDi, Cecco Daniela. "Entre femmes et jeunes filles, le roman pour adolescentes en France et au Québec." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0029/NQ27131.pdf.
Full textGourdin, Céline. "Ville et écriture au féminin : Québec et Montréal dans le roman féminin québécois des années soixante à nos jours." Limoges, 2006. http://aurore.unilim.fr/theses/nxfile/default/5d2929be-a191-41cd-a278-78589ddcf308/blobholder:0/2006LIMO2005.pdf.
Full textMuus, Elaine Janice. "Articulate bodies, or, Encore, en corps, sense-ing the body as (re)presentation of women's subjectivities." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ26934.pdf.
Full textBirkwood, M. Susan. "(D)ifferent sides of the picture, four women's views of Canada, 1816-1838." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21279.pdf.
Full textHill, Sydney M. "She must write her self, feminist poetics of deconstruction and inscription : six Canadian women writing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/MQ26957.pdf.
Full textMartin, Margaret Kathleen. "Discovering Lily Lewis, a Canadian journalist and new woman." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq63899.pdf.
Full textGantzert, Patricia L. "Throwing voices, dialogism in the novels of three contemporary Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq23313.pdf.
Full textCarrière, Marie J. "Poetics of the other, five feminist writers from English Canada and Quebec." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/NQ45662.pdf.
Full textRukavina, Alison Jane. "Cultural Darwinism and the literary canon, a comparative study of Susanna Moodie's Roughing it in the Bush and Caroline Leakey's The broad arrow." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61491.pdf.
Full textDrodge, Susan. "The feminist romantic, the revisionary rhetoric of Double negative, Naked poems, and Gyno-text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25770.pdf.
Full textBellerive-Bellavance, Marie Pier. "Journal intime (1879-1900) de Joséphine Marchand : lecture sociocritique d'une écriture féminine." Master's thesis, Université Laval, 2011. http://hdl.handle.net/20.500.11794/23142.
Full textKaminski, Margot. "Challenging a literary myth, long poems by early Canadian women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0024/MQ37562.pdf.
Full textStratford, Madeleine. "Árbol de Diana en trois dimensions : une étude de la poésie d'Alejanddra Pizarnik en traduction." Doctoral thesis, Université Laval, 2010. http://hdl.handle.net/20.500.11794/22344.
Full textCampbell, Leslie Marion. "Scottish influence and the construction of Canadian identity in works by Sara Jeannette Duncan, Alice Munro, and Margaret Laurence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ57276.pdf.
Full textHolton, Danica Lynn. "Class and stratification in the works of Alice Munro and Margaret Laurence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ49367.pdf.
Full textSojka, Eugenia. "Search procedures, carnivalization in language- and theory-focused texts of four Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25775.pdf.
Full textWinter, Angela Roorda. "Faith in the process, the hermeneutics of intersubjectivity in three women's autobiographies of trauma and healing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21653.pdf.
Full textKardynal, Kevin John. "The construction of identity in the life writing of Native Canadian women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/MQ54716.pdf.
Full textBecker, Charity Dawn. "Constructing the mother-tongue, language in the poetry of Dionne Brand, Claire Harris, and Marlene Nourbese Philip." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/MQ54604.pdf.
Full textHenderson, Jennifer. "Conducting selves, race and government in Canadian settler women's narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56234.pdf.
Full textAujla, Angela. "Contesting identities in diasporic spaces, multigenerational South Asian Canadian women's literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ51290.pdf.
Full textWallace, Linda M. "Negotiating place, explorations of identity and nature in select novels by contemporary Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/MQ49460.pdf.
Full textMacfarlane, Karen E. "The politics of self-narration : contemporary Canadian women writers, feminist theory and metafictional strategies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/NQ44504.pdf.
Full textFederici, Anna. "Écrivaines italiennes de la migration balkanique." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20018/document.
Full textAs we inflect the semantics of the Latin noun "medium", we feel we unearth some of the characteristics of Italian literature as female writers from the Balkans compiled it. The thesis, titled Italian female writers from the Balkan migration, is a work that exploits devices borrowed from literature, linguistics and human geography alike, aiming at analysing the complete corpus of authors of short stories and novels in Italian who arrived to Italy following the migration wave that swept the Balkan peninsula in the nineties. "Median" is the geopolitical position of the region, sitting between the European "promised land" and the "East", both myths created by the colonising West; "mediator" is the role of these "subordinate" writers who, having reconstructed an individual identity in their autobiographic works, herald collective messages through a realist prose; lastly, the "medium" is the Italian language chosen to formulate a literature that can sometimes bring to life unexpected fantastic and surrealistic motifs
Declinando la semantica del sostantivo latino “medium”, ci sembra di scovare alcune delle caratteristiche della letteratura italiana redatta da scrittrici d’origine balcanica. La tesi dal titolo Scrittrici italiane della migrazione balcanica è un lavoro che si serve degli strumenti propri tanto alla letteratura e alla linguistica che alla geografia umana, al fine di analizzare il corpus completo delle autrici di racconti brevi o romanzi in lingua italiana, giunte in Italia al seguito di quell’ondata emigratoria che negli anni Novanta scosse la Penisola balcanica. “Mediana” è la posizione geopolitica della regione, a cavallo tra la “terra promessa” europea e l’“Oriente”, miti entrambi creati dall’Occidente colonizzatore; “mediatore” è il ruolo di quelle scrittrici “subalterne” che, dopo aver ricostruito un’identità singolare nell’opera autobiografica, si fanno portavoce d’istanze collettive servendosi di una prosa di genere realista; “mezzo”, infine, è l’idioma italiano scelto per formulare una letteratura matura che può dar luogo, in alcuni casi, ad inattese tinte fantastico-surrealiste
Mellor-Hay, Winifred Mary Catherine. "Writing the gap : the performance of identity in texts by four Canadian women /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54839.pdf.
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