Log in

Relevant bibliographies by topics / Edinburgh International Fisheries Exhibition

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Edinburgh International Fisheries Exhibition'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Edinburgh International Fisheries Exhibition.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Edinburgh International Fisheries Exhibition"

1

이기복. "International Exhibition and the Rise of the Empire’s Fisheries -The Modernization of Japanese Fisheries and Exhibition-." Journal of Japanese Studies ll, no. 63 (2015): 125–53. http://dx.doi.org/10.15733/jast.2015..63.125.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Saunders, Howard. "On the Birds exhibited in the International Fisheries Exhibition." Ibis 25, no. 3 (2008): 346–52. http://dx.doi.org/10.1111/j.1474-919x.1883.tb07175.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Brogden, William. "The Architecture of the Scottish Renaissance, RIAS Edinburgh International Festival Exhibition, 1990." Architectural Heritage 2, no. 1 (1991): 122–24. http://dx.doi.org/10.3366/arch.1991.2.1.122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Brogden, William. "The Architecture of the Scottish Renaissance, RIAS Edinburgh International Festival Exhibition, 1990." Architectural Heritage 2, no. 2 (1991): 122–24. http://dx.doi.org/10.3366/arch.1991.2.2.122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hamidi Nik Mustapha, Nik, and Edward Finch. "The 28th BCSC Shopping Centre Management Conference and Exhibition 2007, 26‐28 February 2007." Facilities 25, no. 9/10 (2007): 390–95. http://dx.doi.org/10.1108/02632770710772441.

Full text

Abstract:

PurposeThis paper aims to review the 28th BCSC Shopping Centre Management Conference and Exhibition 2007, held at Edinburgh International Conference Centre, Edinburgh, from 26 to 28 February 2007, organised by the British Council Shopping Centre (BCSC) in association with the College of Estate Management.Design/methodology/approachDiscusses the themes of the presentations including the importance of a brand for business excellence, utilising the shopping centre assets, the key issues surrounding the new service charge code, the future of brands and performing in a changing world.FindingsNew ideas and issues presented by the speakers gave an opportunity for practitioners and researchers to share good practice and explore the evolution of the current retail business climate.Originality/valueThe paper provides an overview of the 28th BCSC Shopping Centre Conference and Exhibition 2007.

APA, Harvard, Vancouver, ISO, and other styles

6

Schalk, Meike, and Apolonija Sustersic. "Taking care of public space." Architectural Research Quarterly 13, no. 2 (2009): 141–50. http://dx.doi.org/10.1017/s1359135509990236.

Full text

Abstract:

Through an examination of the public art project Garden Service, in this text we explore possibilities of and obstacles to practices of agency. The project was commissioned by the art institution The Common Guild in Edinburgh for the exhibition Jardins Publics, which took place in connection with the Edinburgh International Festival in summer 2007. It was based on the participation of a community and the communication between different actors, from institutions and associations to individual local residents, communication which included solving conflicts as well as building partnerships.

APA, Harvard, Vancouver, ISO, and other styles

7

Morrison-Low, A. D. "Geomagnetic instruments at National Museums Scotland." Notes and Records: the Royal Society Journal of the History of Science 73, no. 2 (2018): 243–57. http://dx.doi.org/10.1098/rsnr.2018.0035.

Full text

Abstract:

In 1981, the sole book about historic geomagnetic instruments was by Anita McConnell. Using it as a timeline, the Royal Scottish Museum's temporary exhibition ‘The Earth is a Magnet’, was put on to coincide with an international congress held in Edinburgh that year. The curators were aware that this important story could be told only with borrowed material from a number of other collections and that, in some cases, crucial items no longer existed. Locating and borrowing such objects before the Internet proved tricky and time-consuming, but helped to form thinking about how the collections might grow. The paper will look at what there is, and something of what there is not, in the Scottish national collections.

APA, Harvard, Vancouver, ISO, and other styles

8

Southward, A. J., and E. K. Roberts. "One hundred years of marine research at Plymouth." Journal of the Marine Biological Association of the United Kingdom 67, no. 3 (1987): 465–506. http://dx.doi.org/10.1017/s0025315400027259.

Full text

Abstract:

The second half of the nineteenth century was a period of rapid change in the natural sciences in Britain, reflecting changes in social conditions and improvements in education. A growing number of naturalists were becoming socially conscious and aware of the need for a proper study of the sea and its products, following the success of the ‘Challenger’ Expedition of 1872–6. In 1866 the Royal Commission on the Sea Fisheries, which included among its officers Professor T. H. Huxley, one of the new breed of professional scientists, had reported that fears of over-exploitation of the sea-fisheries were unfounded, and had recommended doing away with existing laws regulating fishing grounds and closed seasons. Nevertheless, the rising trade in fresh fish carried to towns by rail or by fast boats (fleeting), and the consequent increase in size and number of registered fishing vessels, was causing widespread concern, and there were reports from all round the coasts about the scarcity of particular fish, especially soles. This concern was expressed at the International Fisheries Exhibition in London in 1883, a conference called to discuss the commercial and scientific aspects of the fishing industry, attended by many active and first-rank scientists. However, in his opening address Professor Huxley discounted reports of scarcity of fish, and repeated the views of the Royal Commission of 1866: that, with existing methods of fishing, it was inconceivable that the great sea fisheries, such as those for cod, herring and mackerel, could ever be exhausted.

APA, Harvard, Vancouver, ISO, and other styles

9

O'Gorman, Siobhan. "Remembering Molly MacEwen: Sue Harries and Alasdair MacEwen in Conversation." Review of Irish Studies in Europe 4, no. 1 (2021): 43–65. http://dx.doi.org/10.32803/rise.v4i1.2643.

Full text

Abstract:

Molly MacEwen’s design career took off after serving as Micheál mac Liammóir’s apprentice at the Dublin Gate during the mid-1930s and following her design work on the 1938 Empire Exhibition in Glasgow. MacEwen went on to make a significant contribution to Irish and Scottish theatre design that has received little recognition in existing theatre scholarship. Illustrated by images of materials from (for the most part) the Scottish Theatre Archive’s Molly MacEwen collection (1948-1961), this article comprises an introduction to MacEwen, followed by a composite of selected conversations from interviews with MacEwen’s niece, Sue Harries, and nephew, Alasdair MacEwen. We learn of MacEwan’s familial and personal links to continental Europe, her unrequited devotion to mac Liammóir, and her successes in designing at Glasgow’s Citizens’ Theatre and for the Edinburgh International Festival after leaving the Gate in 1947 to work in Scotland. The dialogues in this article also reveal that MacEwen was a very shy and retiring woman, and that the men with whom she worked – including Edwards, mac Liammóir, and Tyrone Guthrie – took her for granted and possibly diminished the extent of her work. This situation, combined with gender inequalities and the collaborative nature of MacEwen’s design roles, may have led to her work being overlooked at the time and in pertinent publications on design and theatre. This article seeks to go some way towards recovering MacEwen’s important achievements for theatre history. Key Words: Molly MacEwen, Dublin Gate Theatre, Scottish theatre, design, women in theatre, Edinburgh International Festival, Michéal mac Liammóir

APA, Harvard, Vancouver, ISO, and other styles

10

Goddard, Stephen. "Marine biotechnology: Emerging opportunities and future perspectives." Journal of Agricultural and Marine Sciences [JAMS] 20 (January 1, 2015): 7. http://dx.doi.org/10.24200/jams.vol20iss0pp7-7.

Full text

Abstract:

The rapid growth of genetic, cellular and molecular technologies is enabling scientists to explore and develop marine resources for widespread applications in the food, medical, pharmaceutical, environmental and energy industries. Marine biotechnology products and services were estimated at 2.8 billion euros in 2010, with a cumulative annual growth rate of 4-5% (Marine Board-European Science Foundation, 2010) The Sultanate of Oman occupies a strategic geographical position and has a coastline in excess of 3000km, with the Arabian Sea located to the south and the Sea of Oman and Arabian Gulf to the north. These oceans have rich biodiversity and potential resources which we are only beginning to explore. Based on its marine resources, coupled with a rapidly-growing educational and research infrastructure, the Sultanate of Oman is well positioned to take advantage of the commercial opportunities presented by marine biotechnology. In recognition of potential development an international symposium was organized by the Center of Excellence in Marine Biotechnology, Sultan Qaboos University. One hundred and forty eight delegates attended the meeting, representing 15 countries. In planning the symposium three major themes were identified viz. Marine Biofouling and its Prevention, Fisheries and Aquaculture Biotechnology and Marine Biodiversity and Natural Products. The topics were selected on the basis of current and planned research activity in Oman and elsewhere in the GCC region. Three keynote addresses were presented, 23 oral presentations made and a poster exhibition held. A final session reviewed national and regional issues and the delegates agreed formally on a number of future actions. Full details of the symposium and the results and analysis of a post-symposium survey on the future development of marine biotechnology are given in Goddard et al. (2015).The symposium was supported logistically and financially by Sultan Qaboos University, The Research Council, and the

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Edinburgh International Fisheries Exhibition"

1

Smith, George Wilson. "Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11771.

Full text

Abstract:

The International Exhibition of Industry, Science and Art held in Edinburgh in 1886 was the first universal international exhibition to be staged in Scotland. This thesis examines the event as a reflection of the character and social structure of its host city and as an example of the voluntary organisation of an ambitious project. The background to the Exhibition is located in the progress of large-scale exhibitions in Victorian Britain, in competition between cities, and in Edinburgh’s distinction as an administrative and cultural centre and a national capital. The Exhibition’s organisers are situated within the city’s networks of power and influence and its circles of commerce, industry and municipal government. The space created to host the Exhibition is examined as an ideal depiction of Edinburgh as both a modern and a historic city. The origins of the exhibitors populating the Exhibition space are analysed, and their motivations and exhibiting strategies are scrutinised. The composition of the visitors to the Exhibition is considered and the development of the event as a venue for popular entertainment and spectacular display is discussed. In conclusion the chaotic aftermath of the project is examined, together with its influence on subsequent British exhibitions.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Edinburgh International Fisheries Exhibition"

1

Swinney, Geoffrey N. From herrings to the atom bomb: The legacy of the Edinburgh International Fisheries Exhibition, 1882. [History Scotland], 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Cruickshank, Graeme. The Edinburgh International Exhibition of 1886 and its souvenir Mauchline ware. [s.n.], 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Gallery, Gagosian, Royal Botanic Garden Edinburgh, and Edinburgh International Festival (2002), eds. Cy Twombly: Inverleith House, Royal Botanic Garden Edinburgh, Edinburgh International Festival 2002. Gagosian Gallery, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Royal Incorporation of Architects in Scotland. and Edinburgh International Festival, eds. The architecture of the Scottish Renaissance: RIAS Edinburgh International Festival exhibition 1990. RIAS, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Dunlop, John Charles, Alison Hay Dunlop, and William Fergusson Brassey Hole. Book of Old Edinburgh: And Hand-Book to the 'Old Edinburgh Street' Designed by Sydney Mitchell, Architect, for the International Exhibition of Industry, Science, and Art, Edinburgh 1886. University of Cambridge ESOL Examinations, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Model Dwellinghouses With A Description Of The Model Tenement Erected Within The Grounds Of The International Exhibition Of Industry Science And Art Edinburgh 1886. Cambridge University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

1935-, France Peter, Edinburgh University Library, and International Society for the History of Rhetoric. Conference, eds. A thing called rhetoric: Eloquence, literature and taste in Edinburgh, 1583-1995 : catalogue of an exhibition of books and other material from Edinburgh University Library to mark the 10th Biennial Conference of the International Society for the History of Rhetoric, Edinburgh, July 18-22, 1995. Edinburgh University Library, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Peter, Sharratt, ed. 5 sculptors: Sculptures in wood and other materials : Ian McPhail, Zigfrids Sapietis, Peter Sharratt, Jim Tucker, Stan Wilson : and exhibition held at the Gillis Centre during the Edinburgh International Festival 2000. Copycat, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Edinburgh International Fisheries Exhibition"

1

Ulfsdotter, Boel, and Mats Björkin. "The Gothenburg International Exile Film Festival in Context." In Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0008.

Full text

Abstract:

This chapter explores how in 1993 two Iranian immigrants to Sweden, Hossein Mahini and Hassan Mahini, launched a film festival in Sweden’s second largest city Gothenburg for films related to exile and refugee experiences, the Exile Film Festival. The programming of the festival represents the large range of exilic, diasporic, ethnic, immigrant, and refugee communities that are part of the contemporary public sphere. The festival also constitutes an overlooked elsewhere of cinematic programming outside of the main commercial, art house, or mainstream film festivals. It is also part of local, national, and international “ecology” of exhibition of non-Western films in general, and exile or diaspora film festivals in particular, including through the festival’s intervention into Gothenburg suburbs that rarely otherwise see this kind of cinematic programming. The chapter also discusses exilic cinephilia cultures in Sweden and the kinds of films that are screened at the festival. By so doing, it introduces a range of cinematic elsewhere.

APA, Harvard, Vancouver, ISO, and other styles

2

King, James. "‘Let’s Do Something’ (1935–1936)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414500.003.0006.

Full text

Abstract:

This chapter details events in Roland Penrose's life from 1935 to 1936. In Paris, in June 1935, Roland and Paul Éluard chanced upon precocious, intense nineteen-year-old David Gascoyne, who had recently completed his Short Survey of Surrealism. Éluard introduced the two Englishmen, who ‘got talking’ about the fact that in London, little is known about the excitement going on in Paris [in contemporary art, especially surrealism]. They then decided to organise the International Surrealist Exhibition, which marked a decisive turn in Roland's life, in that he began to allow his role as an apostle of modernism to overshadow his career as an artist. For the remainder of his life, these two sides would struggle to co-exist.

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Edinburgh International Fisheries Exhibition"

1

Low, David J. "A Light Rail Metro for the City of Edinburgh." In International Body Engineering Conference & Exhibition and Automotive & Transportation Technology Congress. SAE International, 2002. http://dx.doi.org/10.4271/2002-01-2250.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Boakye-Agyei, Kwame, Yaw Amoyaw-Osei, and Andrew Buchman. "Making an E&P - Fisheries Management Plan Work in Ghana - A Multi-Stakeholder Approach to Implementation." In SPE International Conference and Exhibition on Health, Safety, Security, Environment, and Social Responsibility. Society of Petroleum Engineers, 2016. http://dx.doi.org/10.2118/179349-ms.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!